:00:10. > :00:17.Shouldn't he doesn't comb his hair. Living genius.
:00:18. > :00:24.A little geezer with a guitar. Loads of pedals. Ed Sheeran has a
:00:25. > :00:28.similar album content to us. If it doesn't meet my daughter, I'm
:00:29. > :00:30.going to be in trouble. That guy in front of 100,000 people.
:00:31. > :00:53.Amazing. High, and welcome to our show, my
:00:54. > :01:00.gosh, the most glorious day today, sun has come out. But the music has
:01:01. > :01:04.been exceptional today, something for absolutely everyone.
:01:05. > :01:08.An amazing day, we were saying on the way up here it is a shame it is
:01:09. > :01:11.not happening next year. People are feeling bereft, the
:01:12. > :01:20.melancholy has set in. It will be a magical night. Of
:01:21. > :01:27.course, all roads lead to Ed Sheeran with one of the big gigs of his
:01:28. > :01:32.career, in 45 minutes. 9:45pm on stage. Barry Gibb wanted
:01:33. > :01:37.to meet one person today, that person was Ed Sheeran. That meeting
:01:38. > :01:40.has happened. He thinks he is a huge talent as a songwriter.
:01:41. > :01:45.Goodness knows what they were talking about.
:01:46. > :01:49.The crowd is building, if it could get any bigger.
:01:50. > :01:55.We will go down to Clara now for a feeling of what is going on.
:01:56. > :02:01.Thank you. What is looking set to be a pretty special Sunday evening at
:02:02. > :02:08.Worthy Farm. There is a lot of love around. I suspect wedding proposals
:02:09. > :02:13.tonight. All because of one man. Yasser let us know what is going on
:02:14. > :02:16.at the front. Yes, I am here outside the Pyramid
:02:17. > :02:24.Stage. Ed Sheeran is on for a little while.
:02:25. > :02:29.How long have you been waiting for Ed Sheeran?
:02:30. > :02:35.Since 4pm. What is the plan? There are a lot of people behind you.
:02:36. > :02:40.What is going on? We have had food, pizza, chips. We have sent our
:02:41. > :02:47.friends away, we are waiting here. Which song are you waiting for? I
:02:48. > :02:54.like the first album. That will be good.
:02:55. > :02:57.Bloodstream. A lot of people are waiting for Ed Sheeran. The
:02:58. > :03:05.excitement is building. Over to the studio.
:03:06. > :03:10.Talking to some very excited Ed Sheeran fans in the pit.
:03:11. > :03:15.Behind the Pyramid Stage is a massive bus painted in Ed Sheeran
:03:16. > :03:20.artwork. What is in the bus at much he's only
:03:21. > :03:24.got a guitar! He was bringing lots of friends and
:03:25. > :03:32.family, I spoke to him the other day. His entire family on that bus.
:03:33. > :03:37.Coming to him today. 9:45pm, headlining Glastonbury. Now,
:03:38. > :04:16.Biffy Clyro had a brilliant time. This is what happened.
:04:17. > :08:20.While, incredible, I hope you are having the same feelings as we are,
:08:21. > :08:26.blown away by the performance. The way everything looks at the moment
:08:27. > :08:28.here. We are counting down to the time to Ed Sheeran, giving you some
:08:29. > :08:42.of the highlights. There was a piano at the front.
:08:43. > :08:47.9:45pm is when Ed Sheeran is here. James got to meet US actor turned
:08:48. > :08:52.musician Kiefer Sutherland. I always get his name wrong. Keith O
:08:53. > :09:00.Sullivan! Say it again?
:09:01. > :09:14.Kiefer Sutherland. Let us go to Kiefer Sutherland now.
:09:15. > :09:22.Dolly Parton has played here, Kenny Rogers has played here, you are
:09:23. > :09:25.following in that tradition of bringing country to Glastonbury.
:09:26. > :09:30.I love the storytelling of country music so much. It is the conduit
:09:31. > :09:33.between acting and music, for me. # Smart enough to know much better
:09:34. > :09:51.Ain't tough enough to be alone You look the part at that, does it
:09:52. > :09:54.help being an actor on stage? It is a really good question, I
:09:55. > :09:58.thought it would, you would think 35 years of being on stage in front of
:09:59. > :10:01.people would make you more comfortable. As an actor I have
:10:02. > :10:13.always had a character to hide behind.
:10:14. > :10:19.I am so aware of the stigma of an actor doing music, it required me to
:10:20. > :10:23.open up in a way I wasn't so comfortable with at the beginning.
:10:24. > :10:28.I finally got to a place where I like my songs enough and at a point
:10:29. > :10:37.where someone says something not nice, go ahead, I don't care.
:10:38. > :10:42.For people who haven't heard your music before...
:10:43. > :10:44.You mean everybody! Maybe not that familiar with country, where does it
:10:45. > :11:02.sit on the scale of Walk The Line to Achy
:11:03. > :11:10.Breaky Heart? These are all people I aspire to.
:11:11. > :11:13.Kiefer Sutherland, thank you for coming to the Avalon stage at
:11:14. > :11:24.Glastonbury. Thank you so much fun having me, it
:11:25. > :11:30.is an honour. -- thank you so much for having me.
:11:31. > :11:39.Global superstar, Hollywood actor, Kiefer Sutherland bringing country
:11:40. > :11:42.music to the Glastonbury Festival. Sorry about that, if you are
:11:43. > :11:50.watching. Life now, we have Sampha. If you are
:11:51. > :12:20.ready, take it away. # No one knows me like the piano
:12:21. > :12:33.in my mother's home # You would show me I had something
:12:34. > :12:47.some people call a soul # And you dropped out
:12:48. > :12:50.the sky # Oh you arrived when
:12:51. > :13:02.I was three years old # No one knows me like the piano
:13:03. > :13:15.in my mother's home # And you know I'll be
:13:16. > :13:58.back home # An angel by her side, all
:13:59. > :14:13.of the times I knew we couldn't cope # They said that it's her time,
:14:14. > :14:20.no tears in sight, # And you took hold of me and never,
:14:21. > :14:41.never, never let me go # 'Cause no one knows me
:14:42. > :15:19.like the piano in my mother's home CHEERING AND APPLAUSE
:15:20. > :15:26.Starling, thank you so much. You played earlier today. It was
:15:27. > :15:30.incredible for everyone watching. How was it? It was daunting but I
:15:31. > :15:36.was super happy, to see the crowd. You are able to enjoy it? Yes. We
:15:37. > :15:42.have a tradition on Sunday night will be dismantled the set, is there
:15:43. > :15:52.anything you would like? Got the piano! You can take a toadstool!
:15:53. > :15:57.Take it home! Thank you for coming. That was really special. We can head
:15:58. > :16:02.of the Other Stage, Emeli Sande was playing just before the headliners.
:16:03. > :16:24.Here we go, Emilie Sande at Glastonbury.
:16:25. > :16:50.# Will you recognise me # In the flashing lights?
:16:51. > :16:58.# I try to keep my heart beat # But I can't get it right #
:16:59. > :17:05.Will you recognise me # When I'm lying on my back?
:17:06. > :17:15.# Something's gone inside me # And I can't get it back # Oh,
:17:16. > :17:21.heaven # Oh, heaven # I wait with good intentions # But the day
:17:22. > :17:28.It always lasts too long # Then I'm gone # Oh,
:17:29. > :17:38.heaven # Oh, heaven # I wait with good intentions # But the day
:17:39. > :17:53.It always lasts too long # Then I'm gone # Then I'm gone # Then I'm
:17:54. > :17:57.gone, then I'm gone # Then I'm gone # Then I'm gone # Then I'm gone,
:17:58. > :18:05.then I'm gone # Will you recognise me # When I'm
:18:06. > :18:12.# You're not gonna like me # I'm nothing like before #
:18:13. > :18:19.Will you recognise me # When I lose another friend?
:18:20. > :18:27.# Will you learn to leave me # Or give me one more try again?
:18:28. > :18:35.# Oh, heaven # Oh, heaven # I wait with good intentions # But the day
:18:36. > :18:43.It always lasts too long # Then I'm gone # Oh, heaven # Oh,
:18:44. > :18:53.heaven # I wait with good intentions # But the day It always lasts too
:18:54. > :19:17.then I'm gone # Then I'm gone # Then I'm gone # Then I'm gone,
:19:18. > :19:21.then I'm gone # Oh, heaven # Oh, heaven # I wait with good intentions
:19:22. > :19:31.# Oh, heaven # Oh, heaven # I wait with good intentions # Oh,
:19:32. > :19:36.heaven # Oh, heaven # I wait with good intentions # You say that
:19:37. > :19:46.you're away I try but always break # Cos the day always lasts too long #
:19:47. > :19:50.Then I'm gone, then I'm gone # Then I'm gone Then I'm gone #
:19:51. > :19:56.Then I'm gone # Then I'm go-o-o-one # Then I'm gone # Then I'm gone #
:19:57. > :20:09.Then I'm gone # Then I'm gone, then I'm gone # Then I'm gone #
:20:10. > :20:40.Glastonbury, this is my third time performing here and I am so honoured
:20:41. > :20:42.to perform on the stage tonight, thank you for being here with me.
:20:43. > :21:14.You are full of wonder! # I am full of wonder. # Oooh, I can
:21:15. > :21:29.fall in wonder. Is macro I am full of wonder. Is macro no way we're
:21:30. > :21:42.going to break, because we are full of wonder. # Oooh, we aren't falling
:21:43. > :21:55.under. Is macro Oooh, we are full of wonder. # When everything feels
:21:56. > :22:01.wrong and darkness falls upon you. Music macro just tried to sing
:22:02. > :22:09.along, this is a message from cabana. # If your heart turns blue,
:22:10. > :22:10.I want you to remember. # This song is for you, and you are full of
:22:11. > :23:55.wonder. # Not many people want me at their
:23:56. > :24:13.parties... # # Trying to find my way some way, all, I... See, whoa, c'est
:24:14. > :24:21.la vie # Maybe something's wrong with me # But, whoa, at least I am
:24:22. > :24:24.free, oh, oh, I am free music macro If you ask the church then I am no
:24:25. > :24:30.believer Spend Sundays asleep I'm just another dreamer # Still tryna
:24:31. > :24:37.find my home sweet home, oh I, oh I, oh I And I guess I ain't too good
:24:38. > :24:41.for money neither I got two left feet, no, I'm no Jackson either Just
:24:42. > :24:56.tryna find my way some way, oh I, oh I, oh I # See, whoa, c'est la vie
:24:57. > :24:59.See, whoa, c'est la vie Maybe la vie something's wrong with me
:25:00. > :25:02.But, whoa, at least I am free, oh, oh, I am free
:25:03. > :25:08.Yeah, whoa, c'est la vie And maybe something's wrong with me
:25:09. > :25:30.But, whoa, at least I am free, oh, oh, I am free
:25:31. > :25:44.# One day you'll find the power is deep in you.
:25:45. > :26:03.# Brother and sister, together, we can make it through.
:26:04. > :26:16.# Because everybody free, feel good. # Yes, everybody's free, feel-good #
:26:17. > :26:37.Glastonbury is free... , feel-good! Yeah, whoa, c'est la vie And maybe
:26:38. > :26:40.something's wrong with me But, whoa, at least I am
:26:41. > :27:20.free, oh, oh, I am free # Run fast, run fast
:27:21. > :28:11.like the rivers run, God damn # Ah, took a minute till
:28:12. > :28:21.the penny dropped, you know # When all that's
:28:22. > :28:37.left to do is watch # Run fast, run fast
:28:38. > :28:57.like the rivers run, God damn # Ah, took a minute till
:28:58. > :29:01.the penny dropped, you know # Deep, deep, deep, deep,
:29:02. > :29:10.deep, deep, deep # When all that's
:29:11. > :29:31.left to do is watch # Oh baby, I'm not
:29:32. > :29:40.made of stone # It hurts the way that
:29:41. > :29:56.you pretend you don't remember # It hurts the way that
:29:57. > :30:04.you forget our times together # Like the time laid in bed
:30:05. > :30:13.when you said it's forever, baby # Oh, loving you the
:30:14. > :30:35.way I do # When all that's
:30:36. > :30:43.left to do is watch # Oh baby, I'm not
:30:44. > :30:53.made of stone # We hold the future
:30:54. > :31:29.in the palm of our hands # I'm talking 'bout
:31:30. > :32:06.the forever, baby # And we've run out
:32:07. > :32:25.of all the silver and gold # Will you still wanna
:32:26. > :32:33.be my someone to hold? # See, I would
:32:34. > :32:35.you, but you already know # It's bringing in my
:32:36. > :33:38.heart like thunder Please make some know these for the
:33:39. > :34:08.incredible -- some noise for the incredible Halos.
:34:09. > :34:17.Sask don't you worry about a thing, don't you worry about a thing, Mama.
:34:18. > :34:28.Because I'll be standing on the side.
:34:29. > :34:39.# I'm talking 'bout the forever, baby
:34:40. > :35:18.# I'm talking 'bout the forever, baby
:35:19. > :36:18.# You won't find him trying to change the devil
:36:19. > :36:27.# You will find him You'll find him next to me
:36:28. > :36:58.# You will find him You'll find him next to me
:36:59. > :37:16.# You will find him You'll find him next to me
:37:17. > :37:30.# Next to me, ooh Next to me, ooh
:37:31. > :37:36.# You will find him You'll find him next to me
:37:37. > :37:51.Thank you very much. That was Emeli Sande performing earlier today.
:37:52. > :37:54.Crowd participation, everyone singing along, certainly with Barry
:37:55. > :37:59.Gibb and Chic. My favourite thing today has been
:38:00. > :38:03.the site of Barry Gibb putting on the golden jacket, three guys in
:38:04. > :38:06.front of him were dressed as Barry Gibb and he sportingly put on the
:38:07. > :38:13.jacket. It was a little bit tight but he was a good sport.
:38:14. > :38:19.Some people are chiding, Jo Wiley, that has been a theme.
:38:20. > :38:25.Was that dancing -- was that you dancing on stage with Chic?
:38:26. > :38:31.That is why I am not doing Strictly. Over two Yasser, it is nearly time
:38:32. > :38:34.for Ed Sheeran and his headline set on the Pyramid Stage and Yasser is
:38:35. > :38:38.in the middle of it. I am in the middle of it all.
:38:39. > :38:45.Where have you come from? South Wales.
:38:46. > :38:47.We are very excited. He is behind you!
:38:48. > :38:53.He is not... How long have you been waiting?
:38:54. > :38:57.Since 10am. It is fair to say they are really
:38:58. > :39:02.excited. I can't even hear myself anymore.
:39:03. > :39:05.It goes further and further back, everyone is extremely excited over
:39:06. > :39:13.here. Hello, are you all right?
:39:14. > :39:19.Exhausted but worth it. You have been constantly screaming.
:39:20. > :39:25.Amazing. Clara, where are you? I am over here, the excitement is
:39:26. > :39:29.clearly high, 200,000 people. And you guys at home getting ready to
:39:30. > :39:36.see a guy who at one point couldn't even book a gig here at Glastonbury.
:39:37. > :39:40.He is no stranger to the Pyramid Stage. He has performed here before
:39:41. > :39:47.but tonight will be arguably one of the biggest of his career. Earlier
:39:48. > :39:51.he told Annie Mac that he wanted to win over new fans. I suspect he will
:39:52. > :39:55.do that tonight. Before we get ready for him, that us
:39:56. > :40:02.look at why here's earned his place on that Pyramid Stage tonight.
:40:03. > :40:10.-- why he has earned his place. I will be loving you till 70...
:40:11. > :40:14.Headlining the Pyramid Stage is one man, his guitar and is song book
:40:15. > :40:17.bursting with the common touch and global appeal, the red hot Ed
:40:18. > :40:23.Sheeran. Independently releasing music since
:40:24. > :40:27.13, he had his breakthrough in the naughties and the Spotlight soon
:40:28. > :40:33.beckoned. A marvellous new artist, let us
:40:34. > :40:40.welcome Ed Sheeran. They say she is in the class 18.
:40:41. > :40:45.She is stuck in her daydream, being this way since 18.
:40:46. > :40:50.After his debut single, he shot straight into the top three in 2011.
:40:51. > :40:53.With his first solo album about to drop there was only one thing left
:40:54. > :41:00.him to do. Pack his bags for Worthy Farm.
:41:01. > :41:04.I only started paying attention to Glastonbury when my friends started
:41:05. > :41:08.playing it. I always tried to get booked on the little stages and
:41:09. > :41:13.couldn't. It wasn't until the BBC said they would book me.
:41:14. > :41:17.Glastonbury, how are you doing. My name is Ed Sheeran, thank you for
:41:18. > :41:24.coming out today. This city never sleeps, the people
:41:25. > :41:30.walked by when it is late. For the lucky few able to catch him
:41:31. > :41:32.on the rise, he played a series of even more intimate gigs around the
:41:33. > :41:43.festival that same weekend. I got a set.
:41:44. > :41:53.I think I did the Acoustic Stage. And then I played a late one in a
:41:54. > :41:59.circus tent. Then I played a really small one
:42:00. > :42:08.without any PA because it broke. I think I did 12 in the end.
:42:09. > :42:13.It was a slog, it was a slog. As the sun set on Glastonbury 2011,
:42:14. > :42:16.he looked to the future. I did make a promise to myself after
:42:17. > :42:22.that I wouldn't go back to Glastonbury unless I was playing the
:42:23. > :42:27.Pyramid Stage. Three years later in 2014, that
:42:28. > :42:30.determination landed him a slot next to Dolly Parton.
:42:31. > :42:35.I got asked to do the Sunday afternoon slot and I remember being,
:42:36. > :42:39.I would rather play at night. It did end up being the best I could have
:42:40. > :42:51.had. Parents and kids wanted to sing along. That is what I had to offer.
:42:52. > :42:55.And now with four Brit awards, and a Grammy and his belt, the Suffolk
:42:56. > :43:01.light has a lot more to offer. His latest album smashed records in
:43:02. > :43:05.March when he became the first artist to have every song from an
:43:06. > :43:09.album entered the top 20 singles chart, nine in the top ten.
:43:10. > :43:14.Now a global phenomenon who has filled Wembley three times in a row,
:43:15. > :43:18.this humble man with his guitar is more than ready to rock the Pyramid
:43:19. > :43:22.Stage. The Pyramid Stage this time will be
:43:23. > :43:27.definitely the biggest night time slot I have done.
:43:28. > :43:31.The only way in Gatenby is to play songs people know. Even if you don't
:43:32. > :43:38.buy my music you will have heard it on the radio and having a sing along
:43:39. > :43:42.with your mates is always fun. Always so honest and ready to share
:43:43. > :43:45.that with you tonight as he graces the Pyramid Stage to headline
:43:46. > :43:50.Glastonbury on Sunday. Ed Sheeran. When we spoke my radio
:43:51. > :43:59.show he has always said, I am who I am. He famously took a year of
:44:00. > :44:05.social media, away from music. Just to live, doing everything from
:44:06. > :44:07.white water rafting, to hanging out in Ghana.
:44:08. > :44:13.He then made a song in my native language.
:44:14. > :44:17.Just to show the journey he has had. A guy who has had ridiculous success
:44:18. > :44:19.will stop it got too much to him, he took time out. He now has this
:44:20. > :44:31.brand-new songs. I'll never forget the time when he
:44:32. > :44:37.was dominating the charts and Greg James had to announce the one song
:44:38. > :44:41.consecutively as number one for 14 weeks! It is going to go off
:44:42. > :44:48.tonight! Yasser is still at the front... I am still in the middle of
:44:49. > :44:51.the Pyramid Stage, a lot of Ed Sheeran fans. Who can be the
:44:52. > :44:58.loudest? CHEERING AND APPLAUSE
:44:59. > :45:04.That was good. This side? CHEERING AND APPLAUSE
:45:05. > :45:13.And it just keeps going! So many of them!
:45:14. > :45:24.CHEERING AND APPLAUSE There is a lot going on. There are
:45:25. > :45:37.too many! CHEERING AND APPLAUSE
:45:38. > :45:48.There is a lot of people who are! CHEERING. I have to say, the
:45:49. > :45:59.atmosphere is electric ear, back over to you guys. Yasser must be
:46:00. > :46:03.tired after that! That is his exercise routine! I must point out,
:46:04. > :46:16.people are trying to claim parts of the set, the hare has already been
:46:17. > :46:20.recovered -- claimed. Ed Sheeran is almost ready to get onto the Pyramid
:46:21. > :46:26.Stage. I cannot think of another solo performer with his acoustic
:46:27. > :46:32.guitar who has headlined the Pyramid Stage. I am probably wrong but we
:46:33. > :46:37.are ready for this! As he heard from Ed Sheeran, he is ready for this, he
:46:38. > :46:42.has history with this festival and his rise to stardom has been
:46:43. > :46:47.phenomenal. I have never seen anybody so unfazed I doing a show
:46:48. > :46:51.and when he was talking about Wembley, he was not daunted
:46:52. > :46:56.whatsoever because he loves getting out there. The idea of being nervous
:46:57. > :47:01.about doing this, not at all expect he cannot wait! And a lot of you
:47:02. > :47:06.might never have seen Ed Sheeran live, he is about to step onto the
:47:07. > :47:11.Pyramid Stage but we can look at this beautiful sight. Worthy Farm,
:47:12. > :47:17.the last Glastonbury for two years, it will be back in 2019? Where
:47:18. > :47:23.exactly, I am not sure. Look at that sky and the lights. This is the best
:47:24. > :47:30.time of night at Glastonbury. We are in the park area, 200,000 people
:47:31. > :47:35.here. At this incredible festival, which brings so many together every
:47:36. > :47:40.year. Politics and ideas and every possible kind of culture. It meets
:47:41. > :47:46.here every year. At the moment, when people are troubled, this has been
:47:47. > :47:50.an escape and we hope it has been for you, wherever you are, lose
:47:51. > :47:55.yourself in the music and see the effect user can have on people, so
:47:56. > :48:00.many smiling faces and the line-up has been amazing, why is it so good?
:48:01. > :48:07.Because the bands have been exceptional. Did you get to see The
:48:08. > :48:12.Killers? No but we will show you some of them after Ed Sheeran later
:48:13. > :48:23.on. It has been a brilliant year with grime, Stormzy had a great one.
:48:24. > :48:27.Wylie, Kano is on the Park Stage and we can bring you some of that later
:48:28. > :48:33.on after Ed Sheeran. What is Ed Sheeran doing right by? Apart from
:48:34. > :48:40.keeping us hanging on. He can't be arguing with his band. Or inherent
:48:41. > :48:50.make-up! Maybe it is his guitar strings? I think he is ready. Clara
:48:51. > :48:58.is in front of the Pyramid Stage. As Worthy Farm is enjoying a singalong
:48:59. > :49:04.to Green Day, Ed Sheeran is getting ready to join us for what definitely
:49:05. > :49:13.will be the most important gig of his career. 17 acts have graced the
:49:14. > :49:22.Pyramid Stage and there is only one left, get ready for Ed Sheeran!
:49:23. > :50:04.CHEERING AND APPLAUSE # When I was six years
:50:05. > :50:07.old I broke my leg # I was running from my brother and
:50:08. > :50:17.his friends # And tasted the sweet perfume of
:50:18. > :50:22.the mountain grass # Take me back to when I found my
:50:23. > :50:34.heart broken # Made friends and lost
:50:35. > :50:38.them through the years # And I've not seen the rolling
:50:39. > :50:42.fields in so long # I can't wait to go
:50:43. > :50:47.home # Driving at 90 down
:50:48. > :50:56.those country lanes # And I miss the way you make me
:50:57. > :51:05.feel # We watched the sunset over
:51:06. > :51:19.the castle on the hill Glastonbury, how are you doing?
:51:20. > :51:22.CHEERING AND APPLAUSE # 15 years old and smoking
:51:23. > :51:25.hand-rolled cigarettes # Running from the law through the
:51:26. > :51:27.back fields # And getting
:51:28. > :51:31.drunk with my friends # And my first kiss
:51:32. > :51:34.on a Friday night # Take me back to when
:51:35. > :51:46.we found weekend jobs # When we got paid, we'd buy cheap
:51:47. > :51:51.spirits and drink them straight # Me and my friends have not
:51:52. > :51:55.thrown up in so long # Driving at 90 down those country
:51:56. > :52:10.lanes # And I miss the way you make me
:52:11. > :52:18.feel # We watched the sun set over
:52:19. > :52:41.the castle on the hill # But these people raised me
:52:42. > :53:07.and I can't wait to go home # I still remember these old country
:53:08. > :53:17.lanes # And I miss the way
:53:18. > :53:25.you make me feel # We watched the sunset over the
:53:26. > :53:45.castle on their hill # We watched the sunset over
:53:46. > :54:12.the castle on the hill Glastonbury, how are you doing?
:54:13. > :54:19.I have to admit, I'm very nervous! But very excited! Very excited!
:54:20. > :54:25.Those of you who have not seen my show before or do not know my songs,
:54:26. > :54:27.please pretend that you do, but for the rest of you, please sing all the
:54:28. > :55:04.words! # I was born inside a small town,
:55:05. > :55:07.I lost that state of mind # Learned to sing
:55:08. > :55:09.inside the Lord's house, # I forget when I get awards now the
:55:10. > :55:14.wave I had to ride # So blame it on the pain that
:55:15. > :55:21.blessed me with the life # Friends and family
:55:22. > :55:22.filled with envy # When they should
:55:23. > :55:24.be filled with pride # And when the world's against me
:55:25. > :55:27.is when I really come alive # And every day that Satan tempts
:55:28. > :55:31.me, I try to take it in my stride # You know that I've got
:55:32. > :55:34.whisky with white lies # I need to get in the right mind
:55:35. > :55:42.and clear myself up # Instead,
:55:43. > :55:44.I look in the mirror # I guess it's a stereotypical
:55:45. > :55:47.day for someone like me # Without a nine-to-five
:55:48. > :55:50.job or an uni degree # To be caught
:55:51. > :55:52.up in the trappings of the industry # Show me the locked doors,
:55:53. > :55:55.I'll find another use for the key # I'm well aware
:55:56. > :55:58.of certain things # But with that said
:55:59. > :56:02.give me one more # Another one to take
:56:03. > :56:04.the sting away # I am happy
:56:05. > :56:07.on my own, so here I'll stay # Save your loving arms for a rainy
:56:08. > :56:10.day # And I'll find
:56:11. > :56:15.comfort in my pain eraser # I used to think that nothing
:56:16. > :56:18.could be better than touring # I think that money
:56:19. > :56:25.is the root of all evil # Relationships, and hearts
:56:26. > :56:29.you fixed, they break as well # And ain't nobody wanna see
:56:30. > :56:31.you down in the dumps # Because you're living your dream,
:56:32. > :56:34.man, this shit should be fun # Please know that I'm not trying
:56:35. > :56:37.to preach like I'm Reverend Run # I beg you, don't be disappointed
:56:38. > :56:40.with the man I've become # Conversations with
:56:41. > :56:42.my father on the A14 # Age 12 telling me I've
:56:43. > :56:45.gotta chase those dreams # Now I'm playing for the people,
:56:46. > :56:47.dad, and they know me # With my beaten small guitar,
:56:48. > :56:50.wearing the same old jeans # I may have grown up,
:56:51. > :56:54.but I hope that Damian's proud # And to the next generation,
:56:55. > :56:56.inspiration's allowed # The world may be filled with hate,
:56:57. > :56:59.but keep erasing it now # I'm well aware
:57:00. > :57:02.of certain things that # But with that said
:57:03. > :57:09.give me one more # Another one to take
:57:10. > :57:13.the sting away # Oh, I am happy on my own,
:57:14. > :57:18.so here I'll stay # Save your lovin'
:57:19. > :57:23.arms for a rainy day # And I'll find comfort
:57:24. > :57:43.in my pain eraser #. # And I'll find comfort
:57:44. > :58:57.in my pain eraser Thank you so much for staying on a
:58:58. > :59:08.Sunday night to watch me, I really appreciated! I played here for the
:59:09. > :59:14.first time six years ago. To around 500 people, this is very different!
:59:15. > :59:19.At that point I had just one song out and I want everyone who has a
:59:20. > :59:21.light on their phone to hold it up so I can see how many people are out
:59:22. > :59:24.there. # The worst things in
:59:25. > :59:59.life come free to us # Cos we're just
:00:00. > :00:03.under the upper hand # And go mad for a couple
:00:04. > :00:06.grams # And she don't want
:00:07. > :00:09.to go outside tonight # And in a pipe
:00:10. > :00:12.she flies to the Motherland # The worst things in
:00:13. > :01:12.life come free to us # Cos we're just
:01:13. > :01:16.under the upper hand # And go mad for a couple
:01:17. > :01:18.grams # And she don't want to go outside
:01:19. > :01:25.tonight # And in a pipe she flies
:01:26. > :01:27.to the Motherland # The worst things
:01:28. > :02:20.in life come free to us # And we're
:02:21. > :02:24.all under the upper hand # Go mad for a couple
:02:25. > :02:27.grams # And we don't want
:02:28. > :02:32.to go outside tonight # And in a pipe we fly
:02:33. > :02:35.to the Motherland # Angels to fly
:02:36. > :02:57.To fly, fly # For angels to fly, to fly,
:02:58. > :03:26.to fly Has anyone had a good weekend so
:03:27. > :03:30.far? The aim of the game tonight is to
:03:31. > :03:34.lose our voices, I will lose mind with you.
:03:35. > :03:38.We are going to do it not just from screaming but singing. Some of you
:03:39. > :04:19.may not know the words, if you don't, make them up.
:04:20. > :04:42.# She said, "Don't you worry if I disappear."
:04:43. > :04:45.# I told her I'm not really looking for another mistake
:04:46. > :04:48.# I called an old friend thinking that the trouble would wait
:04:49. > :04:51.# But then I jump right in A week later returned
:04:52. > :04:53.# I reckon she was only looking for a lover to burn
:04:54. > :04:56.# But I gave her my time for two or three nights
:04:57. > :04:59.# Then I put it on pause until the moment was right
:05:00. > :05:02.# I went away for months until our paths crossed again
:05:03. > :05:04.# She told me, "I was never looking for a friend.
:05:05. > :05:07.# Maybe you could swing by my room around 10:00
:05:08. > :05:09.# Baby, bring a lemon and a bottle of gin
:05:10. > :05:12.# We'll be in between the sheets til the late AM
:05:13. > :05:15.# Baby, if you wanted me then you should've just said."
:05:16. > :05:22.# I don't wanna know that, babe
:05:23. > :05:34.# And for a couple weeks I only wanna see her
:05:35. > :05:37.# We drink away the days with a take-away pizza
:05:38. > :05:39.# Before a text message was the only way to reach her
:05:40. > :05:43.# Now she's staying at my place and loves the way I treat her
:05:44. > :05:45.# Singing out Aretha all over the track like a feature
:05:46. > :05:49.# And never wants to sleep, I guess that I don't want to either
:05:50. > :05:51.# But me and her we make money the same way
:05:52. > :05:53.# Four cities, two planes the same day
:05:54. > :05:56.# And those shows have never been what it's about
:05:57. > :05:58.# But maybe we'll go together and just figure it out
:05:59. > :06:02.# I'd rather put on a film with you and sit on a couch
:06:03. > :06:14.# Now she should figure it out while I'm sat here singing
:06:15. > :06:21.# I don't wanna know that, babe
:06:22. > :06:30.# Knock, knock, knock on my hotel door
:06:31. > :06:33.# I don't even know if she knows what for
:06:34. > :06:36.# She was crying on my shoulder I already told ya
:06:37. > :06:38.# Trust and respect is what we do this for
:06:39. > :06:40.# I never intended to be next
:06:41. > :06:42.# But you didn't need to take him to bed that's all
:06:43. > :06:47.# Until you disappeared with him to have sex of course
:06:48. > :06:49.# It's not like we were both on tour
:06:50. > :06:52.# We were staying on the same hotel floor
:06:53. > :06:54.# And I wasn't looking for a promise or commitment
:06:55. > :06:58.# But it was never just fun and I thought you were different
:06:59. > :07:02.# This is not the way you realise what you wanted
:07:03. > :07:03.# It's a bit too much, too late if I'm honest
:07:04. > :07:05.# And all this time God knows I'm singing
:07:06. > :07:11.# I don't wanna know that, babe
:07:12. > :07:50.I am going to give you something to sing back to me, sing it.
:07:51. > :08:12.# I don't wanna know that, babe
:08:13. > :08:28.# I don't wanna know that, babe
:08:29. > :08:59.CHEERING. Thank you.
:09:00. > :09:06.Glastonbury, I need your help on this next one. When I put my arm in
:09:07. > :09:11.the air I want to see you put your arms in the air. And you are going
:09:12. > :09:16.to bounce like this. Do not keep your arms up in the air the whole
:09:17. > :09:42.time, it will look a bit weird. We will all bounce together.
:09:43. > :10:29.# Oh, no, no, don't leave me alone lonely now
:10:30. > :10:35.# If you loved me how'd you never learn?
:10:36. > :10:46.# Oh, coloured crimson in my eyes # One or two could free my mind
:10:47. > :10:55.# I feel the chemicals burn in my bloodstream
:10:56. > :11:04.# I feel the chemicals burn in my bloodstream
:11:05. > :11:12.# So tell me when it kicks in
:11:13. > :11:17.# Well, tell me when it kicks in
:11:18. > :11:37.# I'll be feeling this tomorrow
:11:38. > :11:40.# Lord, forgive me for the things I've done
:11:41. > :11:47.# I saw scars upon a broken-hearted lover
:11:48. > :11:53.# Oh, no, no, don't leave me alone lonely now
:11:54. > :11:57.# If you loved me how'd you never learn?
:11:58. > :12:17.# I feel the chemicals burn in my bloodstream
:12:18. > :12:25.# I feel the chemicals burn in my bloodstream
:12:26. > :12:53.# Well, tell me when it kicks in
:12:54. > :16:01.Thank you. This is a real honour to do, thank you for standing and
:16:02. > :16:06.listening and singing. I want to play a song that you might not like
:16:07. > :16:27.but I'm pretty sure you know the words tonight!
:16:28. > :17:14.# You know, she played the fiddle in an Irish band
:17:15. > :17:17.# But she fell in love with an English man
:17:18. > :17:20.# Kissed her on the neck and then I took her by the hand
:17:21. > :17:23.# I met her on Grafton street right outside of the bar
:17:24. > :17:26.# She shared a cigarette with me while her brother played the guitar
:17:27. > :17:29.# She asked me what does it mean, the Gaelic ink on your arm?
:17:30. > :17:33.# Said it was one of my friend's songs, do you want to drink on?
:17:34. > :17:36.# She took Jamie as a chaser, Jack for the fun
:17:37. > :17:38.# She got Arthur on the table with Johnny riding a shotgun
:17:39. > :17:41.# Chatted some more, one more drink at the bar
:17:42. > :17:44.# Then put Van on the jukebox, got up to dance
:17:45. > :17:46.# You know, she played the fiddle in an Irish band
:17:47. > :17:49.# But she fell in love with an English man
:17:50. > :17:52.# Kissed her on the neck and then I took her by the hand
:17:53. > :17:56.# Said, "Baby, I just want to dance" with my pretty little Galway Girl
:17:57. > :17:59.# You know she beat me at darts and then she beat me at pool
:18:00. > :18:03.# Like there was nobody else in the room
:18:04. > :18:04.# As last orders were called
:18:05. > :18:08.# After dancing the ceili singing to trad tunes
:18:09. > :18:10.# I never heard Carrickfergus ever sung so sweet
:18:11. > :18:13.# Acapella in the bar using her feet for a beat
:18:14. > :18:15.# Oh, I could have that voice playing
:18:16. > :18:18.# And in this packed out room swear
:18:19. > :18:22.# You know, she played the fiddle in an Irish band
:18:23. > :18:25.# But she fell in love with an English man
:18:26. > :18:28.# Kissed her on the neck and then I took her by the hand
:18:29. > :18:30.# Said, "Baby, I just want to dance"
:18:31. > :18:36.# My, my, my, my, my, my, my Galway Girl
:18:37. > :18:39.# My, my, my, my, my, my, my Galway Girl
:18:40. > :18:40.# And now we've outstayed our welcome
:18:41. > :18:44.# I was holding her hand, her hand was holding mine
:18:45. > :18:46.# Our coats both smell of smoke, whisky and wine
:18:47. > :18:50.# As we fill up our lungs with the cold air of the night
:18:51. > :18:52.# I walked her home then she took me inside
:18:53. > :18:55.# To finish some Doritos and another bottle of wine
:18:56. > :18:58.# I swear I'm gonna put you in a song that I write
:18:59. > :19:00.# About a Galway Girl and a perfect night
:19:01. > :19:02.# She played the fiddle in an Irish band
:19:03. > :19:05.# But she fell in love with an English man
:19:06. > :19:08.# Kissed her on the neck and then I took her by the hand
:19:09. > :19:10.# Said, "Baby, I just want to dance"
:19:11. > :19:21.# My, my, my, my, my, my, my Galway Girl
:19:22. > :19:56.That was great fun! I am going to need your singing voices for this
:19:57. > :20:09.one! Repeat after me... Oh oh! Oh oh! Oh oh! Oh oh! Oh oh! Oh oh!
:20:10. > :20:19.# When things go wrong we can knock it down.
:20:20. > :20:30.# There's one thing on my mind, it's all for you.
:20:31. > :20:33.# And it's dark in a cold December, but I've got ya to keep me warm.
:20:34. > :20:41.# And keep you sheltered from the storm that's raging on now.
:20:42. > :20:47.# I'll pick you up when you're getting down.
:20:48. > :20:52.# And out of all these things I've done I think I love you better now.
:20:53. > :21:07.# And out of all these things I've done I think I love you better now.
:21:08. > :21:28.Singh! # Oh oh! # Oh oh! # Oh oh! # Oh oh! # Oh oh! # Oh oh!
:21:29. > :21:33.# I'm gonna paint you by numbers and color you in.
:21:34. > :21:38.# If things go right we can frame it, and put you on a wall.
:21:39. > :21:44.# And it's so hard to say it but I've been here before.
:21:45. > :21:48.# And I'll surrender up my heart and swap it for yours.
:21:49. > :21:53.# I'll pick you up when you're getting down.
:21:54. > :21:58.# And out of all these things I've done I think I love you better now.
:21:59. > :22:03.# I'm out of sight, I'm out of mind, I'll do it all for you in time.
:22:04. > :22:09.# And out of all these things I've done I think I love you better now.
:22:10. > :22:21.# I think my braces are breaking and it's more than I can take.
:22:22. > :22:24.# And if it's dark in a cold December, but I've got
:22:25. > :22:38.# And keep you sheltered from the storm that's raging on now.
:22:39. > :22:45.# I'll pick you up when you're getting down.
:22:46. > :22:49.# And out of all these things I've done I think I love you better now.
:22:50. > :23:01.# And out of all these things I've done I think I love you better now.
:23:02. > :23:08.# I'll pick you up when you're getting down.
:23:09. > :23:11.# And out of all these things I've done, I'll love you better now.
:23:12. > :23:34.CHEERING AND APPLAUSE Thank you very much.
:23:35. > :23:35.I want to play a song I haven't actually played in two years. I have
:23:36. > :25:01.just decided to play it. # Oh. # Oh. # Oh. # Ooooh. # Ooooh.
:25:02. > :25:29.# Oh. # I'm not a rapper I'm
:25:30. > :25:43.a singer with a flow. # I've got a habit for spitting
:25:44. > :25:46.quicker lyrics you know. # You'll find me ripping the written
:25:47. > :25:49.out of the pages they sit in. # But didn't listen
:25:50. > :25:58.to any criticism. # I'll never try to win you over
:25:59. > :26:11.like your stepfather. # For four years I never
:26:12. > :26:19.had a place to stay. # But it's safe to say
:26:20. > :26:22.that it kept me grounded. # At 16 years old yeah
:26:23. > :26:26.I moved out of my home. # I was Macy Gray I tried
:26:27. > :26:29.to say goodbye and I choked. # Went from sleeping
:26:30. > :26:31.at a subway station. # Would it hurt your reputation
:26:32. > :26:39.if I put it on wax? # Mmmm come on and
:26:40. > :26:43.take it back love. # I take it back with
:26:44. > :26:50.the rhythm and blues. # With my rap pack I'll
:26:51. > :26:52.be singing the news. # Bringing the lyrics to prove.
:26:53. > :27:02.# That I can fit in these shoes. # I give you the truth
:27:03. > :27:05.through the vocal booth. # And stars burst out on the scene.
:27:06. > :27:08.# Like an Opal Fruit. # They try to take aim like Beckham
:27:09. > :27:11.when he goes to shoot. # But then again that's
:27:12. > :27:13.what they're supposed to do. # And I'm supposed to be calm.
:27:14. > :27:17.# I tattooed the lyrics onto my arm. # Whispering everything
:27:18. > :27:18.that happens. # Since they are claiming
:27:19. > :27:25.I handled it wrong. # Except the NME
:27:26. > :27:29.but I'll be selling. # Twice as many copies
:27:30. > :27:31.as their magazine will ever be. # And festival fees are healthier
:27:32. > :27:36.than a Dalmatian on pedigree. # Singing for the masses
:27:37. > :27:38.rubber dingied rapids. # I keep this rapping a habit
:27:39. > :27:40.and keep on fashioning magic. # I'm battling for respect
:27:41. > :27:43.and I don't know if I have it. # This song's from the heart
:27:44. > :27:46.cover the planet. # Mmmm come on and
:27:47. > :27:49.take it back love. # Cause I'm a singer that you never
:27:50. > :28:00.wanna see shirtless. # And I accept the fact that
:28:01. > :28:04.someone's got to win worst dressed. # Taken my first steps
:28:05. > :28:06.into the scene giving me focus. # Putting on a brave face
:28:07. > :28:08.like Timothy Dalton. # Considering a name change
:28:09. > :28:10.thinking it was hopeless. # Rhyming over recordings,
:28:11. > :28:12.avoiding tradition. # 'Cause every days some lyrics
:28:13. > :28:15.and a melody can be written. # Now absence can
:28:16. > :28:17.make your heart ache. # But drinking absinth can
:28:18. > :28:19.change your mind state. # And I'll say it again
:28:20. > :28:23.living life on the edge # Is good advice from the man that
:28:24. > :28:29.took his life on the road with me. # And I hope to see him
:28:30. > :28:31.blowing up globally. # 'Cause that how
:28:32. > :28:33.it's supposed to be. # It might seem totally impossible
:28:34. > :28:36.achieving life's dreams. # I'm never having a stylist
:28:37. > :28:40.giving me tight jeans. # Madison Square Garden
:28:41. > :28:43.is where I might be. # But more likely you find me
:28:44. > :28:46.in the back room of a dive # Having a pint of McDaid
:28:47. > :28:49.discussing records we made. # and every single second knowing
:28:50. > :28:52.that we'll never betray. # The way we were raised
:28:53. > :28:55.remembering our background sat down. # Mmmm come on and
:28:56. > :29:00.take it back love. # Very superstitious,
:29:01. > :29:41.writings on the wall. # Very superstitious,
:29:42. > :29:46.ladders bout to fall. # Thirteen month old baby,
:29:47. > :29:55.broke the lookin' glass. # Seven years of bad luck,
:29:56. > :30:05.the good things in your past. # Believing things that
:30:06. > :30:09.you don't understand. # Written in rhymes,
:30:10. > :30:36.'til I deliver the hype. # With this you must know
:30:37. > :30:40.that the number's just sold whoa. # Will keep me going through
:30:41. > :30:43.the tough times, dream with me. # We forget 90 per cent
:30:44. > :30:46.of it when we wake. # But the other 10 per
:30:47. > :30:48.cent it never fades. # Stay awake loads,
:30:49. > :30:52.try to make the cut like the. # Paper or razor blade,
:30:53. > :30:55.oh, never give up. # And just remember
:30:56. > :30:57.just to hold out more. # I couldn't just
:30:58. > :31:00.control that thought. # You'd find me
:31:01. > :31:02.buskin' on the street. # And now I'm sweating
:31:03. > :31:06.on the stage of a sold out tour. # Writing love songs
:31:07. > :31:08.for the sake of it. # You can't fake talent and work
:31:09. > :31:13.ethic just to make it quick. # I'm not a rapper I'm a singer,
:31:14. > :31:16.I just take the piss. # And most of these other guys
:31:17. > :31:19.are kids with pulses. # Little sister has to babysit,
:31:20. > :31:22.that's just the way it is. # Dreams you own,
:31:23. > :31:23.just set your goals. # And have the utmost faith in it;
:31:24. > :31:26.tread your own path. # Cause ain't no sunshine
:31:27. > :31:57.when she's gone. # Cause ain't no sunshine
:31:58. > :32:02.when she's gone. # I wonder this time
:32:03. > :32:13.where she's gone. # Cause ain't no sunshine
:32:14. > :32:20.when she's gone. # I know, I know,
:32:21. > :32:42.I know, I know, I know. # I know, I know,
:32:43. > :32:47.know, I know, I know. # Hey, I oughta leave
:32:48. > :32:49.young thing alone. # But ain't no sunshine
:32:50. > :32:58.when she's gone. Thank you, guys.
:32:59. > :33:37.I love you! # And oh, I've known it
:33:38. > :34:06.for the longest time. # All my words are all over
:34:07. > :34:11.written on the signs. # When you're on my
:34:12. > :34:15.road walking me home. # It burns so bright
:34:16. > :34:24.I wanna feel your love. # But for tonight
:34:25. > :34:35.I wanna fall in love. # And oh, I've only caused
:34:36. > :35:26.you pain, you know. # With all of my words,
:35:27. > :35:31.always beloved. # When you're on my
:35:32. > :35:35.road walking me home. # It burns so bright
:35:36. > :35:51.I wanna feel your love. # But for tonight
:35:52. > :36:02.I wanna fall in love. # Now, now, for how long,
:36:03. > :37:22.long I love my lover. # For how long, long
:37:23. > :37:31.I love my lover now. # Feel it all over now,
:37:32. > :37:34.now, and I feel love. # For how long, long
:37:35. > :37:38.I love my lover now. # Feel it all over now,
:37:39. > :37:41.now, and I feel love. # For how long, long
:37:42. > :37:43.I love my lover now. # Feel it all over now,
:37:44. > :37:47.now, and I feel love. # For how long, long
:37:48. > :37:49.I love my lover now. # Feel it all over now,
:37:50. > :37:52.now, and I feel love. # For how long, long
:37:53. > :37:55.I love my lover now. # Feel it all over now,
:37:56. > :37:59.now, and I feel love. # For how long, long
:38:00. > :38:06.I love my lover now, now. # For how long, long
:38:07. > :38:12.I love my lover. # For how long, long
:38:13. > :38:19.I love my lover now, now. CHEERING.
:38:20. > :38:40.I love my lover. Glastonbury, I want you to get your
:38:41. > :39:23.singing voices out again. # But it's the only thing that
:39:24. > :39:41.I know # It is the only thing
:39:42. > :40:01.that makes us feel alive # We keep
:40:02. > :40:04.this love in a photograph # We made these memories
:40:05. > :40:09.for ourselves # And it's the only
:40:10. > :40:56.thing that I know # Remember that with
:40:57. > :41:04.every piece of ya # And it's the only thing
:41:05. > :41:08.we take with us when we die # We keep this love in this
:41:09. > :41:20.photograph # We made these
:41:21. > :41:28.memories for ourselves # Inside these pages you just
:41:29. > :42:03.hold me # When I'm away I will
:42:04. > :42:44.remember how you kissed me # Hearing you whisper
:42:45. > :42:48.through the phone # Hearing you whisper
:42:49. > :42:55.through the phone # Hearing you whisper
:42:56. > :43:02.through the phone # Hearing you whisper
:43:03. > :43:10.through the phone # Hearing you whisper
:43:11. > :43:21.through the phone # Hearing you whisper
:43:22. > :43:28.through the phone # Hearing you whisper
:43:29. > :43:38.through the phone # Hearing you whisper
:43:39. > :43:46.through the phone # Hearing you whisper
:43:47. > :43:56.through the phone # Hearing you whisper
:43:57. > :44:05.through the phone # Hearing you whisper
:44:06. > :44:14.through the phone # Hearing you whisper
:44:15. > :44:23.through the phone # Hearing you whisper
:44:24. > :44:31.through the phone # Hearing you whisper
:44:32. > :44:40.through the phone # Hearing you whisper
:44:41. > :44:48.through the phone # Hearing you whisper
:44:49. > :44:57.through the phone # Hearing you whisper
:44:58. > :45:07.through the phone # Well, that's OK,
:45:08. > :45:34.baby, only words bleed # Inside these pages you just
:45:35. > :45:39.hold me # When I'm away I will
:45:40. > :45:54.remember how you kissed me # Hearing you whisper
:45:55. > :46:28.through the phone Thank you very much, Glastonbury.
:46:29. > :46:36.CHEERING AND APPLAUSE My grandfather has come to this
:46:37. > :46:45.show, his very first festival ever! Are you enjoying it? I wrote a song
:46:46. > :46:54.about my grandmother on my father's side. And I use this traditional
:46:55. > :46:59.band, some of the nicest people I have met and some of the most
:47:00. > :47:00.talented, please make some noise for them!
:47:01. > :47:29.CHEERING AND APPLAUSE Were going to sing a song and this
:47:30. > :47:35.is my favourite one to perform. I hope you enjoy it. There is a
:47:36. > :48:25.singalong part in it which will not take much to learn.
:48:26. > :48:28.# When I met the woman I would call my own
:48:29. > :48:36.# In the house that your brother bought ya
:48:37. > :48:40.# I made that wedding ring from dentist gold
:48:41. > :48:42.# And I asked her father but her daddy said,
:48:43. > :48:59.# She took my name and then we were one
:49:00. > :49:13.# Well, I met her at Guy's in the Second World War
:49:14. > :49:14.# And she was working on a soldier's ward
:49:15. > :49:17.# Never had I seen such beauty before
:49:18. > :49:21.# Nancy was my yellow rose
:49:22. > :49:23.# And we got married wearing borrowed clothes
:49:24. > :49:25.# We got eight children now growing old
:49:26. > :49:42.# She took my name and then we were one
:49:43. > :50:05.# From her snow white streak in her jet black hair
:50:06. > :50:08.# Over 60 years I've been loving her
:50:09. > :50:10.# Now we're sat by the fire, in our old armchairs
:50:11. > :50:11.# You know, Nancy, I adore ya
:50:12. > :50:12.# From a farm boy born near Belfast town
:50:13. > :50:16.# I never worried about the king and crown
:50:17. > :50:17.# Cos I found my heart upon the southern ground
:50:18. > :50:37.# She took my name and then we were one
:50:38. > :50:55.Sing it! # Li-la-li-da-li-la-da. # Li-la-li-da-li-la-da. Glastonbury,
:50:56. > :51:05.saying! # Li-la-li-da-li-la-da. CHEERING AND APPLAUSE
:51:06. > :51:44.Glastonbury, make some noise! Remember I said we were going to
:51:45. > :51:48.lose our voices? This is the next song you can really scream two.
:51:49. > :51:51.# When your legs don't work like they used to before
:51:52. > :51:58.# And I can't sweep you off of your feet
:51:59. > :52:03.# Will your mouth still remember the taste of my love?
:52:04. > :52:07.# Will your eyes still smile from your cheeks?
:52:08. > :52:18.# And, darling, I will be loving you til we're 70
:52:19. > :52:29.# And, baby, my heart could still fall as hard at 23
:52:30. > :52:37.# And I'm thinking 'bout how people fall in love in mysterious ways
:52:38. > :52:47.# Well, me - I fall in love with you every single day
:52:48. > :53:07.# Kiss me under the light of a thousand stars
:53:08. > :53:11.# Place your head on my beating heart
:53:12. > :53:22.# Maybe we found love right where we are
:53:23. > :53:27.# When my hair's all but gone and my memory fades
:53:28. > :53:32.# And the crowds don't remember my name
:53:33. > :53:38.# When my hands don't play the strings the same way
:53:39. > :53:42.# I know you will still love me the same
:53:43. > :53:52.# Cos honey, your soul could never grow old, it's evergreen
:53:53. > :54:03.# And, baby, your smile's forever in my mind and memory
:54:04. > :54:10.# I'm thinking 'bout how people fall in love in mysterious ways
:54:11. > :54:21.# Well, I'll just keep on making the same mistakes
:54:22. > :54:26.# Hoping that you'll understand
:54:27. > :54:42.# Kiss me under the light of a thousand stars
:54:43. > :54:46.# Place your head on my beating heart
:54:47. > :55:00.# Maybe we found love right where we are
:55:01. > :55:23.Saying this for me. # Oh. # Oh. . # Sha la la... # Sha la la...
:55:24. > :55:31.# Kiss me under the light of a thousand stars
:55:32. > :55:35.# Place your head on my beating heart
:55:36. > :55:44.# Maybe we found love right where we are
:55:45. > :55:59.# Kiss me under the light of a thousand stars
:56:00. > :56:03.# Oh, darling, place your head on my beating heart
:56:04. > :56:17.# Oh, baby, we found love right where we are
:56:18. > :56:25.# And we found love right where we are #.
:56:26. > :57:29.Glastonbury, but your hands in the air! Clap! What did I say about
:57:30. > :57:34.losing our voices? Sing! Louder than that! Sing!
:57:35. > :57:39.# I've been sat with you For most of the night
:57:40. > :57:50.# So maybe we could get down now I don't wanna know
:57:51. > :57:52.# If you're getting ahead of the programme
:57:53. > :57:54.# I want you to be mine, lady
:57:55. > :57:59.# Take another step into the no-man's land
:58:00. > :58:02.# For the longest time, lady
:58:03. > :58:09.# Won't you let me know
:58:10. > :58:23.# Feel it rushing through you
:58:24. > :58:49.# I saw flames from the side of the stage
:58:50. > :58:50.# And the fire brigade comes in a couple of days
:58:51. > :58:52.# Until then we got nothing to say and nothing to know
:58:53. > :58:54.# But something to drink and maybe something to smoke
:58:55. > :58:56.# Let it go until our roads are changed
:58:57. > :58:57.# Singing we found love in a local rave
:58:58. > :58:59.# No, I don't really know what I'm supposed to say
:59:00. > :59:01.# But I can just figure it out and hope and pray
:59:02. > :59:03.# I told her my name and said, "It's nice to meet ya."
:59:04. > :59:05.# Then she handed me a bottle of water filled with tequila.
:59:06. > :59:09.# Just from this one small act of kindness
:59:10. > :59:10.# I'm in deep shit if anybody finds out
:59:11. > :59:12.# I'm meant to drive home but I've drunk all of it now, not
:59:13. > :59:14.# Sobering up we just sit on the couch
:59:15. > :59:17.# Now she's kissing my mouth I need you darling
:59:18. > :59:23.# Won't you let me know
:59:24. > :59:37.# Feel it rushing through you
:59:38. > :00:06.# All the guys in here don't even wanna dance
:00:07. > :00:08.# All that I can hear is music from the back
:00:09. > :00:13.# Found you hiding here so won't you take my hand darling
:00:14. > :00:16.# Before the beat kicks in again
:00:17. > :00:48.Glastonbury, are you having a good time? I need three things. The first
:00:49. > :00:53.is when the beta comes back, I want everybody jumping up and down like.
:00:54. > :00:58.Until then, but your hands in the air. Sing!
:00:59. > :01:28.# If you love me come on get involved
:01:29. > :01:32.# Feel it rushing through you from your head to toe
:01:33. > :02:19.Have thank you. Glastonbury, I've got two more songs
:02:20. > :02:24.for the evening. I want a say in massive thank you
:02:25. > :02:30.for having me here to play, thanked you for watching a thank you to all
:02:31. > :02:35.the other amazing acts at the weekend. I would like to say it was
:02:36. > :02:36.a dream of mine, I never thought I would be headlining this. Thank you
:02:37. > :03:03.very much. Because we have the two all that, I
:03:04. > :03:05.want you to use all your energies up, your legs and arms, we are going
:03:06. > :03:42.to go mental. # The club isn't the best
:03:43. > :03:52.place to find a lover # Me and my friends
:03:53. > :03:57.at the table doing shots # Drinking fast
:03:58. > :04:00.and then we talk slow # And you come over and start up
:04:01. > :04:03.a conversation with just me # And trust me I'll
:04:04. > :04:05.give it a chance now # Take my hand, stop,
:04:06. > :04:08.put Van the Man on the jukebox # And then we start to dance,
:04:09. > :04:11.and now I'm singing like # Your love was handmade
:04:12. > :04:15.for somebody like me # Grab on my waist
:04:16. > :04:24.and put that body on me # And now my bed
:04:25. > :04:44.sheets smell like you # Every day discovering
:04:45. > :04:46.something brand new # Every day discovering
:04:47. > :05:05.something brand new # You and me are thrifty,
:05:06. > :05:15.so go all you can eat # Fill up your bag
:05:16. > :05:17.and I fill up a plate # We talk for hours and hours
:05:18. > :05:20.about the sweet and the sour # Leave and get in a taxi
:05:21. > :05:25.then kiss in the back-seat # Tell the driver make the radio
:05:26. > :05:28.play, and I'm singing like # Your love was handmade
:05:29. > :05:32.for somebody like me # Grab on my waist
:05:33. > :05:41.and put that body on me # And now my bed
:05:42. > :06:00.sheets smell like you # Every day discovering
:06:01. > :06:02.something brand new # Every day discovering
:06:03. > :06:22.something brand new # I'm in love with
:06:23. > :06:33.the shape of you # Come on, be my baby,
:06:34. > :06:58.# And now my bed sheets smell like you
:06:59. > :07:01.# Every day discovering something brand new
:07:02. > :07:21.# Every day discovering something brand new
:07:22. > :07:50.Glastonbury, thank you so much, I don't know what to say.
:07:51. > :07:53.This is my final song of the evening.
:07:54. > :07:59.Please go off into the night, have a good time.
:08:00. > :08:05.I wasn't going to end with this song but I wrote this song when I was 15
:08:06. > :08:10.years old. And, probably should have stopped playing it a long time ago.
:08:11. > :08:11.I kind of want to give it a chance tonight.
:08:12. > :08:56.Thank you so much for having me. # Now I'm in town, break it down,
:08:57. > :08:59.thinking of making a new sound # Playing a different show every
:09:00. > :09:02.night in front of a new crowd # That's you now, ciao,
:09:03. > :09:05.seems that life is great now # See me lose focus,
:09:06. > :09:08.as I sing to you loud # I'll say the words
:09:09. > :09:12.that make you blush # See, I'm true, my songs
:09:13. > :09:17.are where my heart is # I'm like glue,
:09:18. > :09:19.I stick to other artists # I'm not you, now that
:09:20. > :09:21.would be disastrous # Let me sing and do my thing
:09:22. > :09:24.and move to greener pastures # See, I'm real, I do
:09:25. > :09:27.it all, it's all me # I'm not fake, don't
:09:28. > :09:29.ever call me lazy # I won't stay put, give me
:09:30. > :09:32.the chance to be free # Suffolk sadly seems
:09:33. > :09:34.to sort of suffocate me # Cos you need me,
:09:35. > :09:37.man, I don?t need you # I sing and write my own tune
:09:38. > :09:52.and I write my own verse # Hell, don't need another wordsmith
:09:53. > :09:55.to make my tune sell # Call yourself a singer-writer -
:09:56. > :09:57.you're just bluffing # Your name's on the credits
:09:58. > :10:00.and you didn't write nothing # I sing fast, I know
:10:01. > :10:02.that all my shit's cool # I will blast and I
:10:03. > :10:05.didn't go to Brit School # I came fast with
:10:06. > :10:08.the way I act, right # I can't last if I'm
:10:09. > :10:10.smoking on a crack pipe # And I won't be
:10:11. > :10:13.a product of my genre # My mind will always be
:10:14. > :10:15.stronger than my songs are # Never believe the bullshit that
:10:16. > :10:18.fake guys feed to ya # Always read the stories that
:10:19. > :10:20.you hear on Wikipedia # When I perform live, feels like I
:10:21. > :10:24.am meditating # Times at the Enterprise
:10:25. > :10:26.when some fella filmed me # "A young singer-writer
:10:27. > :10:30.like Gabriella Cilmi" # Cos you need me,
:10:31. > :10:35.# You need me, man, I don't need you at all
:10:36. > :10:44.# You need me, man, I don't need you at all
:10:45. > :10:46.# You need me, man, I don't need you
:10:47. > :10:50.# You need me, man, I don't need you
:10:51. > :11:58.# You need me, man, I don't need you
:11:59. > :12:58.# Cos with the lyrics I'll be aiming it right
:12:59. > :13:00.# I won't stop til my name's in lights
:13:01. > :13:02.# At stadium heights with Damien Rice
:13:03. > :13:04.# On red carpets, now I'm on Arabian Nights
:13:05. > :13:07.# I know my brother's gonna give me advice
:13:08. > :13:10.# Short height and I gone hyper
:13:11. > :13:12.# Never be anything but a singer-songwriter, yeah
:13:13. > :13:15.# The game's over but now I'm on a new level
:13:16. > :13:17.# Watch how I step on the track without a loop pedal
:13:18. > :13:20.# People think that I'm bound to blow up
:13:21. > :13:22.# I've done around about a thousand shows
:13:23. > :13:25.# But I haven't got a house plus I live on a couch
:13:26. > :13:27.# So you believe the lyrics when I'm singing them out, wow
:13:28. > :13:31.# From day one, I've been prepared With Vo5 wax for my ginger hair
:13:32. > :13:40.# So now I'm back to the sofa, giving a dose
:13:41. > :14:32.# You need me, man, I don't need you
:14:33. > :15:48.# You can't fake talent and work ethic just to make it quick.
:15:49. > :15:51.# I'm not a rapper I'm a singer, I just take the piss.
:15:52. > :15:54.# And most of these other guys are kids with pulses.
:15:55. > :15:57.# Little sister has to babysit, that's just the way it is.
:15:58. > :15:59.# Dreams you own, just set your goals.
:16:00. > :16:01.# And have the utmost faith in it; tread your own path.
:16:02. > :16:04.# You'll never make it as a follower, you'll never know.
:16:05. > :16:06.# Plus I'll keep my last name forever
:16:07. > :16:10.# Gonna be breaking into other people's tunes when I chase it
:16:11. > :16:23.# And replace it with the elephant in the room with a face-lift
:16:24. > :16:25.# According to the MySpace and YouTube videos
:16:26. > :16:27.# I'm always doing shows if I'm not I'm in the studio
:16:28. > :16:30.# Truly broke, never growing up call me Rufio
:16:31. > :16:35.# They say I'm up and coming like I'm in an elevator
:16:36. > :16:37.# Cos you need me, man, I don't need you
:16:38. > :16:39.# You need me, man, I don't need you
:16:40. > :16:43.# You need me, man, I don't need you
:16:44. > :16:46.# You need me, man, I don't need have you
:16:47. > :16:54.# You need me, man, I don't need have you
:16:55. > :17:00.# You need me, man, I don't need you
:17:01. > :17:24.Glastonbury, thank you so much. Have an amazing weekend.
:17:25. > :18:06.CROWD: "ONE MORE SONG..." CHEERING AND APPLAUSE
:18:07. > :18:13.Ed Sheeran, your Sunday night headliner. He did all right for one
:18:14. > :18:17.man standing on stage for that amount of time, I can only imagine
:18:18. > :18:22.how daunting that was. I knew my family were out there and my
:18:23. > :18:29.eight-year-old was in her element, so many kids. Very young audience.
:18:30. > :18:33.That is one of the lovely things, with Radiohead and Foo Fighters, the
:18:34. > :18:38.demographic of the headliner has become younger through the weekend.
:18:39. > :18:48.Apart from the afternoon! It was for everybody! I want to know who Ed
:18:49. > :18:59.Sheeran goes to hug afterwards. I hope you have somebody. He is not
:19:00. > :19:05.crying on his own. He has been a big champion and supporter with a lot of
:19:06. > :19:08.grime artists and headlining the Other Stage, we will see some of
:19:09. > :21:06.this set. The girls on the High Street... I'm
:21:07. > :21:42.looking for a girl with the X Factor. We say... Hit the jackpot.
:21:43. > :22:38.What's happening? Wylie. I've got you.
:22:39. > :23:00.When it straight from the heart, you can't go wrong.
:23:01. > :23:06.My team's got a lot of dons And we're doing this ting, go check out
:23:07. > :23:12.the songs "Man don't care", we shut down the park You can see us onstage
:23:13. > :23:14.like "what's going on?" BBK got a lot going on Skepta, that's my
:23:15. > :23:19.brudda, that's my don They could never control how man are doing it
:23:20. > :23:22.It's authentic, can't go wrong Can't go wrong Can't go wrong, when it's
:23:23. > :23:37.straight from the heart, you can't go wrong Yo, I wanna MC, bruv Step
:23:38. > :23:40.in the place and I MC, bruv Bruv, I wanna MC, bruv Pass me the mic, I'ma
:23:41. > :23:48.MC, bruv No question, top flight MC, bruv Full clip, never on empty, bruv
:23:49. > :23:49.My team's got a lot of dons And we're doing this ting, go check out
:23:50. > :24:10.the Fresh out the oven
:24:11. > :24:13.like a Sunday roast You can find me
:24:14. > :24:14.swimming in the ocean Sunset, I might drive
:24:15. > :24:15.round the coast When it's showtime, jump
:24:16. > :24:16.on a plane and take time I stand out like one
:24:17. > :24:18.brake light Everybody wants their team to be sick
:24:19. > :24:20.But you and your crew are just one great hype My
:24:21. > :24:22.team's got a lot of dons And we're doing this ting,
:24:23. > :24:23.go check out the songs "Man Don't Care",
:24:24. > :24:24.we shut down the park You can see us onstage
:24:25. > :24:32.like "what's going on?" It's authentic, can't go
:24:33. > :24:33.wrong Can't go wrong Can't go wrong When it's straight
:24:34. > :24:35.from the heart, you can't go wrong If it's a real vibe
:24:36. > :24:39.then you can't go wrong When it's straight
:24:40. > :25:11.from the heart, you can't go wrong Wylie making the Other Stage their
:25:12. > :25:16.home. Ed is probably gutted that he was
:25:17. > :25:20.headlining at the same time because he would be watching them. We have
:25:21. > :25:25.this thing called the iPlayer and it is fantastic because if you have
:25:26. > :25:30.missed any performances, this is my audition for a certain shopping
:25:31. > :25:33.channel! You can just scrolled through over 100 performances from
:25:34. > :25:42.the different stages, Rag'n'Bone Man, Craig David, just click on
:25:43. > :25:46.those and watched the performances. We have some Metronomy and London
:25:47. > :25:51.Grammar coming up but we now have a band who have the honour to be
:25:52. > :25:56.introduced by you. Live on radio one this afternoon, they came up through
:25:57. > :25:58.the BBC Introducing in Kent, very proud of being from the garden of
:25:59. > :27:58.England. Let's check out slaves. Hello and hi, how's Amelia?
:27:59. > :28:00.Is she still ugly? Hold my drink please...
:28:01. > :28:24.And then fuck me! CHEERING AND APPLAUSE
:28:25. > :28:29.Slaves in fine form, as Isaac used gaffer tape on his shoulder? He had
:28:30. > :28:39.a tumble this morning. Sports injury! Do we look like the three
:28:40. > :28:44.Stooges? I think we look like reminders! I look like Pat Butcher!
:28:45. > :28:50.We have London Grammar to come and Metronomy but we have some live
:28:51. > :29:32.music and we are thrilled that Jain is here from Paris.
:29:33. > :29:40.# Makeba, makes my body dance for you
:29:41. > :29:44.# Makeba, makeba ma che bella
:29:45. > :29:48.# Makeba, makes my body dance for you
:29:49. > :29:50.# Makeba, makeba ma che bella
:29:51. > :29:56.# Makeba, makes my body dance for you
:29:57. > :30:02.# I wanna hear your breath just next to my soul
:30:03. > :30:05.# I wanna feel your breasts without any rests
:30:06. > :30:17.# I wanna see you sing, I wanna see you fight
:30:18. > :30:20.# 'Cause you are the real beauty of human rights
:30:21. > :30:26.# Makeba, makes my body dance for you
:30:27. > :30:28.# Makeba, makeba ma che bella
:30:29. > :30:32.# Makeba, makes my body dance for you
:30:33. > :30:35.# Nobody can beat the mama Africa
:30:36. > :30:38.# You follow the beat that she's gonna give you
:30:39. > :30:47.# Make it go, the sufferation of a thousand more
:30:48. > :30:54.# Can I get a ooohe Makeba, makes my body dance for you
:30:55. > :30:58.# Makeba, makeba ma che bella
:30:59. > :31:03.# Makeba, makes my body dance for you
:31:04. > :31:07.# Makeba, makeba ma che bella
:31:08. > :31:11.# Makeba, makes my body dance for you
:31:12. > :31:23.# Makeba, makeba ma che bella
:31:24. > :31:29.# Makeba, makes my body dance for you
:31:30. > :31:32.# Makeba, makeba ma che bella
:31:33. > :31:37.# Makeba, makes my body dance for you
:31:38. > :31:41.# Makeba, makeba ma che bella
:31:42. > :31:53.# Makeba, makes my body dance for you
:31:54. > :32:00.That was excellent. Is that one of the most surreal things you've done
:32:01. > :32:05.performing here on the grass? How did it feel? It feels good,
:32:06. > :32:07.actually, I've had a long day but a wonderful day.
:32:08. > :32:12.I am really happy. So good to see you.
:32:13. > :32:17.Tell us about the history of that song?
:32:18. > :32:22.Who is that for? She was a singer activist from South Africa. The me,
:32:23. > :32:28.she was the strongest woman I heard about.
:32:29. > :32:32.I wanted everyone to know about her. Thank you very much, Jain.
:32:33. > :32:37.Live in our compound were already the festival is being demolished
:32:38. > :32:40.around us, it has an end of the world feeling. We are planned on
:32:41. > :35:11.because we are professionals. We continue with Metronomy.
:35:12. > :35:22.# And if you're going out tonight, girl
:35:23. > :38:05.# You're up and you'll get down You never running from this town
:38:06. > :38:11.# You'll never get anything better than this
:38:12. > :38:17.# 'Cause you're going round in circles
:38:18. > :38:33.# And now you giving me the look look
:38:34. > :38:39.# But just remember how we shook shook
:38:40. > :39:17.# This town's the oldest friend of mine
:39:18. > :39:23.# We're always running round this town
:39:24. > :39:30.# We'd never make anything better than this
:39:31. > :39:36.# 'Cause we're always in small circles
:39:37. > :39:46.# We didn't read it in the big book
:39:47. > :39:52.# And now we're giving you the look look
:39:53. > :39:58.# Just remember how we shook shook
:39:59. > :40:06.# And all the things we took took
:40:07. > :40:31.# This town's the oldest friend of mine
:40:32. > :42:06.That was on the John Peel Stage. As well as the festival being
:42:07. > :42:10.demolished around us, it is the middle of a meal break, if you look
:42:11. > :42:15.around here, people are enjoying pizza over there while we are trying
:42:16. > :42:24.to work, we haven't had any! They didn't ask us at any point, no
:42:25. > :42:27.regard whether we were starving! You will see there was nothing left
:42:28. > :42:35.here. Someone tweeted earlier about this.
:42:36. > :42:37.I will have a permit. In the meantime, we will find out
:42:38. > :42:51.what Yasser has got up to. What is going on, what is this
:42:52. > :42:58.place? This began eight years ago,
:42:59. > :43:03.essentially, imagination. They can't deny the liberty of imagination, you
:43:04. > :43:07.can make it, build it, and no one can say anything about it.
:43:08. > :43:13.Every year, there is a different take on creative direction.
:43:14. > :43:17.This year... In key from Bristol, a good friend.
:43:18. > :43:22.We normally have a few walls where they can do anything they want on
:43:23. > :43:27.it, on a large scale. Come in here in the daytime, some of
:43:28. > :43:30.these are quite creepy! My imagination can only guess what
:43:31. > :43:37.it is like... The children love it!
:43:38. > :43:46.What happens at night? This is the daytime.
:43:47. > :43:49.We all turn into the devil! Now it is night-time, it is a
:43:50. > :43:57.different crowd. It is full of chaos. We try to find
:43:58. > :44:04.it -- focus on the sinister edge of life.
:44:05. > :44:13.The girls are in, say hello! The acid lounge, side shows.
:44:14. > :44:18.Everything goes down here. What is this? A rubber glove, you
:44:19. > :44:21.have two pump it up with your foot. The first person to pop the balloon
:44:22. > :44:27.wins. You have also got the freak show.
:44:28. > :44:33.A mix of different things, circus, burlesque, old stuff, lots of
:44:34. > :44:40.different performers. Getting the crowd excited.
:44:41. > :44:51.Generally confusing the public. And that attracts the crowds? That
:44:52. > :44:56.attracts the crowds. But I thought life could not get anywhere and I
:44:57. > :45:00.find myself here, 360 Air degrees of weird and freaky. I am fully
:45:01. > :45:15.enjoying this! If you manage to spot market in
:45:16. > :45:20.there, he was caught on camera, you will get a prize if you spotted him!
:45:21. > :45:27.You saw some weird performance art? My choice for the show was a bloke I
:45:28. > :45:32.came across and his act was letting himself in the face with a frying
:45:33. > :45:35.pan and eating and spitting out toilet paper but the mandarins
:45:36. > :45:42.upstairs said that was considerable! We will head to the Other Stage and
:45:43. > :47:26.watch Kano, who had an amazing band onstage.
:47:27. > :49:14.# Pussy violate my family, then Im killen em
:49:15. > :49:16.And just Joe Pesci man with it Cash rules everything around me
:49:17. > :49:18.That's word to a Method Man lyric Yeah, I roll deep in the East
:49:19. > :49:19.But I still might Mega Man with it Yeah, I said it,
:49:20. > :49:21.yeah, yeah, I said it Cheques, we get it, cash and collec' it
:49:22. > :49:22.That likkle pellet, that nah gon' mek it
:49:23. > :49:23.Rest his head in that man's spaghetti
:49:24. > :49:24.Yout dem are menace, nuttin' like Dennis
:49:25. > :49:25.Man got straps, ain't even got credit
:49:26. > :49:26.Kids push prams to Westfield to lick it
:49:27. > :49:27.And run from pigs, don't even watch Peppa
:49:28. > :49:28.Real go-getter, geezers know better But geezers need
:49:29. > :49:29.excitement, says Skinner Don't resort to violence, no, never
:49:30. > :49:30.Man just start with violence, go figure
:49:31. > :49:33.Eat man's food before man eat dinner Buss that booze,
:49:34. > :49:37.I roll and drink liquor Left that Giggsy gat for my knitter
:49:38. > :49:39.Three wheel-ups in a row
:49:40. > :49:41.That means I'm a direct rudeboy two two yats of my own
:49:42. > :49:45.That means I'm a direct rudeboy Man can't call up my phone
:49:46. > :49:51.Then gwan like a direct rudeboy One side bag and a stoney
:49:52. > :49:52.Don't make you a direct rudeboy
:49:53. > :49:54.Can't tell me nuttin' Cook down mutton then pass through the gutter
:49:55. > :49:57.Link Jus D red cups out the cupboard In the jungle,
:49:58. > :49:58.I move with original nuttahs And the same madman
:49:59. > :50:00.fly out for the summer Lick two blocks?
:50:01. > :50:06.Shottas Couple wheel-ups at Butterz, that's nuttin'
:50:07. > :50:52.Sweet! Kano doing his thing. I'm glad to see you have your coat back.
:50:53. > :50:56.I have to tell you, we are running short of time so in the interest of
:50:57. > :50:57.brevity I am not going to say anything in this link. That's
:50:58. > :51:14.sorted. London Grammar, shall why? # My only hope is to let life
:51:15. > :51:25.stretch out before me # I'm made of many things,
:51:26. > :51:44.but I'm not what you are made of # But I swear that
:51:45. > :51:53.these scars are fine # Only you could've hurt me
:51:54. > :52:01.in this perfect way tonight # I might be blind, but you've
:52:02. > :52:08.told me the difference # Between mistakes and what
:52:09. > :52:14.you just meant for me # Have you forgotten all the lies
:52:15. > :52:36.you left there so fresh # You can try to get
:52:37. > :52:54.close to those I love # Do you really think they don't
:52:55. > :53:00.know what you're made of # But I swear that
:53:01. > :53:10.these scars are fine # Only you could've hurt me
:53:11. > :53:17.in this perfect way tonight # I might be blind but you've
:53:18. > :53:22.told me the difference # Between mistakes and what
:53:23. > :55:13.you just meant for me On the John Peel Stage earlier, that
:55:14. > :55:17.was London Grammar. Hannah is extraordinary. I just want to say
:55:18. > :55:21.thank you to all of the BBC team who worked incredibly hard here at
:55:22. > :55:28.Glastonbury, Michael and Emily and everybody who worked. Shall we do
:55:29. > :55:33.the highlights? Stormzy on the Other Stage was absolutely fantastic, one
:55:34. > :55:39.of the highlights for me. Ruse and shake and drinking beer in the
:55:40. > :55:46.Avalon Inn. For me, Rag'n'Bone Man and the Foo Fighters were pretty
:55:47. > :55:51.good. And brilliant Glastonbury. Catch up on the iPlayer, what a
:55:52. > :55:57.year! None of us have needed Wellington boots. We will see you in
:55:58. > :56:38.2019. Thank you for watching. Thanks.
:56:39. > :58:30.# You're stayin' alive, stayin' alive