:00:00. > :00:00.This programme may contain some strong language
:00:00. > :00:21.Earthy. Patchoulie. The fragrance of humanity. Cows. Very good. Depending
:00:22. > :00:31.on where you are it smells like... Joy. You don't want to know. The
:00:32. > :00:32.smell of funk. What does Glastonbury smell of? Beautiful people covered
:00:33. > :00:53.in... Welcome back to the first night of
:00:54. > :00:57.our Glastonbury coverage and as you join us to paraphrase the Specials
:00:58. > :01:11.this festival is coming like a Ghost Town. It's quite quiet behind us.
:01:12. > :01:17.It's only one place that people are? A quiet scene at the park. Everybody
:01:18. > :01:20.is at the Pyramid Stage. Sometimes you get one performance that gets
:01:21. > :01:23.the attention. You focus in on it. 20 years since we were here for a
:01:24. > :01:26.wet one with Radiohead, they're back. The opposite of this year
:01:27. > :01:31.weather wise. They certainly are. This set has been going for a little
:01:32. > :01:34.while. We're going to be rewinding time and bringing it to you from the
:01:35. > :01:38.beginning. Before we get, there let's turn back the clock again.
:01:39. > :01:43.They went on half an hour ago, before we see that, the full
:01:44. > :01:51.performance, let's look at a potted history of thissess teemed
:01:52. > :01:56.Oxfordshire band. From pop grunge perfection to
:01:57. > :02:00.sublime electrosound escapes, since getting together in 1985, Radiohead
:02:01. > :02:09.have become one of the most extraordinary live bands on the
:02:10. > :02:14.planet.? -- planet. Tonight they're headlining for the third time. The
:02:15. > :02:18.Quinn Ted have a unique history at Worthy Farm. It's the mother of all
:02:19. > :02:23.festivals really, Glastonbury. We've grown up with it. We grew up going
:02:24. > :02:35.to it. It was and is still the biggest show you'll do. Their first
:02:36. > :02:41.appearance was back in 1994. Sandwiched between I think oasis and
:02:42. > :02:48.Blur. What happened this them? Did they do anything after that? Yeah.
:02:49. > :02:54.Yeah. The undeniable power of that first show was just a prelude to
:02:55. > :03:06.their headline set three years later, shortly after the release of
:03:07. > :03:10.album OK Computer. We were bricking. It Yeah, yeah,
:03:11. > :03:18.that's my memory. That would be probably the right term technology.
:03:19. > :03:23.I do remember just that real sense of impoter syndrome, they can't be
:03:24. > :03:38.serious, us doing the Saturday night? It was very wet, muddy.
:03:39. > :03:43.Rain-o-head. On top of the wrath of Mother Nature, band be we set by
:03:44. > :03:48.technical difficulties. Neck nickically it was a -- technically
:03:49. > :03:53.it was a disaster. Tom came over me and said, "I'm going off after the
:03:54. > :04:00.next song." I remember coming off and thinking we probably had done
:04:01. > :04:05.one of our worst shows ever. Thankfully Tom stuck around. It
:04:06. > :04:10.turned out to be one of the greatest nights in Glastonbury history.
:04:11. > :04:21.Radiohead played the top slot again in 2003. And did a secret gig at the
:04:22. > :04:26.park in to 11. But 20 years since their water shed 1997 show, they're
:04:27. > :04:31.back to headline the Pyramid Stage. It's the greatest festival. It's the
:04:32. > :04:33.one where you leave on a Monday and you have your faith restored in
:04:34. > :04:45.humanity. # If you could take it all back
:04:46. > :17:29.again # Why should I be good
:17:30. > :17:48.if you're not? # Truth will mess you up,
:17:49. > :18:39.truth will mess you up # Truth will mess you up
:18:40. > :18:42.All the good times # Truth will mess you up
:18:43. > :18:46.All the good times # Truth will mess you up
:18:47. > :18:50.All the good times # Truth will mess you up
:18:51. > :18:54.All the good times # Truth will mess you up
:18:55. > :19:00.All the good times # Truth will mess you up
:19:01. > :19:04.All the good times # Truth will mess you up
:19:05. > :19:08.All the good times # Truth will mess you up
:19:09. > :19:14.All the good times # How come I end up
:19:15. > :26:25.where I went wrong? # Won't take my eyes off the ball
:26:26. > :26:27.again # You reel me out
:26:28. > :26:37.then you cut the string # How come I end up
:26:38. > :26:43.where I went wrong? # Won't take my eyes off the ball
:26:44. > :26:46.again # First you reel me out
:26:47. > :27:00.and then you cut the string # How come I end up
:27:01. > :29:20.where I went wrong? # Won't take my eyes off the ball
:29:21. > :29:25.again # You reel me out
:29:26. > :29:45.then you cut the string # But now I don't know why
:29:46. > :31:23.I feel so tongue-tied # Twitching and salivating
:31:24. > :32:00.like with myxomatosis # Buried in a burning black hole
:32:01. > :32:19.in Devon # And I don't know why
:32:20. > :32:30.I feel so tongue-tied # Don't know why I feel
:32:31. > :32:38.so skinned alive # My thoughts are misguided
:32:39. > :32:42.and a little naive # I twitch and I salivate
:32:43. > :32:47.like with myxomatosis # You should put me in a home
:32:48. > :32:52.or you should put me down # I got myxomatosis,
:32:53. > :32:57.I got myxomatosis # Yeah, no one likes a smart-ass
:32:58. > :33:01.but we all like stars # Wait, that wasn't my intention,
:33:02. > :33:08.I did it for a reason # But now I don't know why
:33:09. > :33:53.I feel so tongue-tied # We hope your rules and wisdom
:33:54. > :37:35.choke you # Now we are one
:37:36. > :37:48.in everlasting peace # We hope that you choke,
:37:49. > :38:20.that you choke # We hope that you choke,
:38:21. > :38:23.that you choke # I jumped in the river
:38:24. > :39:57.What did I see? # And we all went to heaven
:39:58. > :40:51.in a little row boat # There was nothing to fear
:40:52. > :41:01.and nothing to doubt # And we all went to heaven
:41:02. > :42:35.in a little row boat # There was nothing to fear
:42:36. > :43:47.and nothing to doubt Thank you. Ladies and gentleman of
:43:48. > :43:51.Glastonbury... CHEERING
:43:52. > :44:18.Good evening. Do you know, right, do you know good
:44:19. > :44:21.people of Glastonbury... CHEERING
:44:22. > :44:26.I was told today by someone over here that this is on the lay line. I
:44:27. > :44:28.don't know if you give a shit about that, but I think it's quite
:44:29. > :44:45.significant. Being a hippie. Everybody stay calm. Everything's
:44:46. > :45:34.fine. # Yesterday I woke up
:45:35. > :46:30.sucking a lemon # Yesterday I woke up
:46:31. > :46:39.sucking a lemon # Yesterday I woke up sucking
:46:40. > :46:48.a lemon # What, what was that
:46:49. > :47:42.you tried to say? # Disappointed people
:47:43. > :51:09.clinging on to bottles # And when it comes
:51:10. > :53:55.it's so, so disappointing # You know, you know where
:53:56. > :00:07.# Turning in somersaults Turning in somersaults
:00:08. > :00:15.# A giant turtle's eyes A giant turtle's eyes
:00:16. > :00:49.# As jellyfish float by As jellyfish float by
:00:50. > :01:55.To the Evises, thank you for having us at your lovely farm today, what a
:01:56. > :03:06.fucking great place this is. Ain't nothing else like it on earth.
:03:07. > :08:34.# Who's in the bunker? Who's in the bunker?
:08:35. > :08:39.# Women and children first, and the children first, and the children
:08:40. > :08:46.# I'll swallow until I burst, until I burst, until I
:08:47. > :08:49.# Who's in the bunker? Who's in the bunker?
:08:50. > :08:53.# I haven't seen enough, you haven't seen it
:08:54. > :09:01.# Women and children first and children first and children
:09:02. > :09:25.# Let me hear both sides, let me hear both sides, let me hear both
:09:26. > :09:32.# Throw it on the fire, throw it on the fire, throw it on the
:09:33. > :09:40.# This is really happening, happening
:09:41. > :09:48.# This is really happening, happening
:09:49. > :09:51.# Mobiles skwerking, mobiles chirping
:09:52. > :09:54.# Take the money and run, take the money and run
:09:55. > :10:53.# And first, and the children, and first, and the children
:10:54. > :10:55.# And first, and first, and the children
:10:56. > :11:02.# And first, and the children, and first, and the children
:11:03. > :11:36.APPLAUSE AND CHEERING and first, and the children
:11:37. > :11:45.For our children. For our fucking future, worth having, not one
:11:46. > :11:52.decided by useless politicians. CHEERING
:11:53. > :12:18.Hope. # Someone on your shoulder,
:12:19. > :18:35.someone on your shoulder # Someone on your shoulder,
:18:36. > :18:49.someone on your shoulder # I have no idea
:18:50. > :22:31.what I am talking about # I'm trapped in this body
:22:32. > :23:00.and can't get out # I have no idea
:23:01. > :23:33.what you are talking about # Your mouth moves only with
:23:34. > :24:00.someone's hand up your ass # Because the light's gone out
:24:01. > :24:06.for me # All the lines
:24:07. > :24:27.wrapped round my face # All the lines wrapped round
:24:28. > :24:29.my face # Oh no no no no
:24:30. > :25:37.no no no no no no no # Rows of houses,
:25:38. > :26:25.all bearing down on me # I can feel their blue
:26:26. > :26:32.hands touching me # All these things we'll
:26:33. > :26:46.one day swallow whole # This machine will,
:26:47. > :27:14.will not communicate # These thoughts and
:27:15. > :27:21.the strain I am under # I can feel death,
:27:22. > :28:39.can see its beady eyes # All these things we'll
:28:40. > :28:53.one day swallow whole # A heart that's full
:28:54. > :32:19.up like a landfill # They don't, they
:32:20. > :32:59.don't speak for us # No alarms and no
:33:00. > :35:49.surprises, please. # See you later, Theresa, just shut
:35:50. > :36:28.the door on the way out. CHEERING
:36:29. > :37:22.# But there'll be something missing
:37:23. > :37:32.# Now that you've found it, it's gone
:37:33. > :39:55.# You'll go to hell for what your dirty mind is thinking
:39:56. > :41:08.# Where two and two always makes a five
:41:09. > :41:31.# And two and two always makes a five
:41:32. > :42:12.# Paying attention Paying attention
:42:13. > :42:20.# Paying attention Paying attention
:42:21. > :42:27.# Paying attention Paying attention
:42:28. > :42:35.# Paying attention Paying attention
:42:36. > :43:26.# Don't question my authority or put me in a box
:43:27. > :43:31.# Oh, go and tell the king that the sky is falling in
:43:32. > :43:33.# But it's not, but it's not, but it's not
:43:34. > :44:35.# Please could you stop the noise? I'm trying to get some rest
:44:36. > :44:47.# From all the unborn chicken voices in my head
:44:48. > :44:57.# I may be paranoid, but not an android
:44:58. > :45:25.# When I am king, you will be first against the wall
:45:26. > :45:38.# With your opinion which is of no consequence at all
:45:39. > :46:23.# Ambition makes you look pretty ugly
:46:24. > :46:39.# Kicking, squealing Gucci little piggy
:46:40. > :50:59.One moment, I need a drink. OK. Here's another cheery fuck.
:51:00. > :56:17.Thank you, everyone. Thank you for listening.
:56:18. > :01:35.Oh, yes, thank you. We hope the rest of your weekend is most excellent.
:01:36. > :01:38.We thank you for coming to this field to listen to us this evening.
:01:39. > :01:47.CHEERING AND APPLAUSE . Hopefully we'll see you in some
:01:48. > :01:51.other fields over the weekend. We appreciate it. I don't really have
:01:52. > :02:26.any words. I'm useless at this stuff.
:02:27. > :06:53.Thank you again, everybody. Have a really great night.
:06:54. > :07:27.CHEERING AND APPLAUSE Enjoy yourselves. Good night.
:07:28. > :07:50.# He buzzes like a fridge, he's like a detuned radio
:07:51. > :08:02.# Arrest this girl, her Hitler hairdo
:08:03. > :08:15.# Is making me feel ill and we have crashed her party
:08:16. > :08:50.# I've given all I can, it's not enough
:08:51. > :09:05.# I've given all I can, but we're still on the payroll
:09:06. > :11:36.CROWD: # For a minute there, I lost myself
:11:37. > :13:00.# I lost myself... CROWD CONTINUE TO SING They didn't
:13:01. > :13:05.play for long, did they? I thought they could have done a few songs
:13:06. > :13:10.more. Could have tried a bit harder. I thought they were amazing.
:13:11. > :13:14.Incredibly impressive. Didn't you? Yeah, no, absolutely loved it. I
:13:15. > :13:17.know there will be conjecture and debate, people saying we just wanted
:13:18. > :13:21.all the hits and nothing else. Oh, my God, they are so impressive. When
:13:22. > :13:25.they play and those songs. I could not fault that prnks. It meant the
:13:26. > :13:28.-- performance. It meant the most to them as well. They constructed how
:13:29. > :13:33.that went together. You could see how much it meant to them. Loved it.
:13:34. > :13:38.I don't care about people who didn't. I think that Radiohead at
:13:39. > :13:41.Glastonbury, if they had just done the hits, I would have been
:13:42. > :13:45.disappointed with that. You want a surprise in the set list. My
:13:46. > :13:52.favourite song tonight was Nude. It was stew pen does. It isn't one of
:13:53. > :13:55.the biggest songs. If you don't like Radiohead, you will see something
:13:56. > :13:59.else. Which is what my children did in the end. Getting some reviews
:14:00. > :14:03.coming through. We're doing the late shift tonight. It's Joe and Mark and
:14:04. > :14:09.we're bringing you lots of things. Lots of the highlights of the day.
:14:10. > :14:15.Flaming Lips are still here on the Park stage. Outplaying Radiohead!
:14:16. > :14:26.We're going to big alternative to Radiohead tonight and watch a bit of
:14:27. > :14:48.Major Laser. Make some noise!
:14:49. > :14:51.# You're here but you've been missing for some time now
:14:52. > :15:10.# Every time I see you it's a # My love
:15:11. > :17:47.# Don't mess me up. You might recognise Dua Lipa, who
:17:48. > :17:51.was here earlier when I was doing the show with Huw. She joined Major
:17:52. > :17:56.Lazer on the other stayed a while ago. That was a very different
:17:57. > :18:01.flavour to Radiohead. That is the beauty of Glastonbury. You can watch
:18:02. > :18:05.Radiohead, Major Lazer or go elsewhere. Flaming lips had an
:18:06. > :18:14.extraordinary show. I watched a bit of that. I just missed a couple of
:18:15. > :18:21.Radiohead songs. Call yourself a Radiohead fan? We have a performance
:18:22. > :18:24.in our studio area. These two are going to play for us now. This is
:18:25. > :18:48.Nadia Rose. Big up my mum and dad. Guess who?
:18:49. > :19:05.Like you never left. I rose from the dead. I'm your worst nightmare.
:19:06. > :19:25.Wow, she's sick and she's bad. She sings and she wraps. And I'm with my
:19:26. > :19:42.team. I'm rolling ten girl up in that skwod. That's what? That skwod.
:19:43. > :19:48.We always go green so we pretty much peas in a pod. I was at the scene,
:19:49. > :20:01.had to flee from the cops. I go inside with no keys for the locks.
:20:02. > :20:13.Nobody bad like us. Let me see you brush your guns.
:20:14. > :20:15.I'm rollin' ten girl up in that skwod
:20:16. > :20:21.I'm rollin' ten girl up in that skwod
:20:22. > :20:41.I'm rolling ten girl up in that skwody
:20:42. > :20:44.Came tru with the clan, came tru with the posse
:20:45. > :20:46.I came with Mary Jane, some came in here with Molly
:20:47. > :20:49.Nuff' girl in it, that's the way you roll skwody
:20:50. > :20:51.Nuff' girl in it, that's the way you roll out
:20:52. > :20:54.If the lighting's good, you have to get your phone out
:20:55. > :20:56.Bare skin, teeth when we pose for the photos
:20:57. > :20:58.Some girl are braided, some girl are in cornrows
:20:59. > :21:01.But still gwan dread if we have to The heart is built like a statue
:21:02. > :21:04.Been on my grind like my back tooth, yeah
:21:05. > :21:07.Take out the time with a fat zoot Step on the gas hit
:21:08. > :21:17.I'm rollin' ten girl up in that skwod
:21:18. > :21:42.Thank you very much! That was Nadia Rose. Coming up in the next however
:21:43. > :21:45.long we have to spend together this evening, we will bring you some
:21:46. > :21:49.Clean Bandit and also Lorde, who was playing earlier on the other state
:21:50. > :21:51.and lots more. We have more acoustics as well. From darling side
:21:52. > :22:05.as well. So, the Flaming Lips did an
:22:06. > :22:10.incredible show, just drawing to a close on the Park Stage. Here they
:22:11. > :23:10.are from earlier with a version of Space Oddity.
:23:11. > :24:03.# Take your protein pills and put your helmet on
:24:04. > :24:38.# Check ignition and may God's love be with you
:24:39. > :24:41.# This is Ground Control to Major Tom
:24:42. > :24:53.# And the papers want to know whose shirts you wear
:24:54. > :25:04.# Now it's time to leave the capsule if you dare
:25:05. > :25:06.# This is Major Tom to Ground Control
:25:07. > :25:19.# And I'm floating in a most peculiar way
:25:20. > :25:26.# And the stars look very different today
:25:27. > :26:20.# Planet Earth is blue And there's nothing I can do
:26:21. > :26:27.# Though I'm past 100,000 miles I'm feeling very still
:26:28. > :26:34.# And I think my spaceship knows which way to go
:26:35. > :26:43.# Tell my wife I love her very much, she knows
:26:44. > :26:46.# Ground Control to Major Tom
:26:47. > :26:49.# Your circuit's dead, there's something wrong
:26:50. > :27:07.# Here am I floating round my tin can
:27:08. > :28:21.# Planet Earth is blue And there's nothing I can do.
:28:22. > :28:28.It just never gets boring, watching him do that thing. The first time I
:28:29. > :28:32.saw it was at Glastonbury festival, just spellbound. And still to this
:28:33. > :28:37.day, Flaming Lips, and that was their version of Space Oddity. We
:28:38. > :28:49.are not far from some Anderson pack. Sleaford Mods as well.
:28:50. > :28:55.Didn't you share a car with when Coyle as well? So there is loads of
:28:56. > :29:00.stuff happening here apart from the bands on the main stages. Our friend
:29:01. > :29:01.Yasser has been out and about, investigating ten years of Glasto
:29:02. > :29:11.Latino. I've been to the Glade and now I'm
:29:12. > :29:19.in Glasto Latino. Alison is with me. What is going on? What is happening?
:29:20. > :29:23.This is Glasto Latino, one of the hottest spots on site. This is where
:29:24. > :29:28.you get Latin music at its best. It's one thing that we can add to
:29:29. > :29:33.the festival that adds spice, passion and flavour. I love it. The
:29:34. > :29:38.energy is electric in here. How long have you been going for? This is our
:29:39. > :29:47.tenth anniversary. We've got the best bands ever. These guys are from
:29:48. > :29:53.Panama. They play Cuban music. Wow. You had to bring themming over to
:29:54. > :30:00.Glastonbury -- them. What has the reception been from people over ten
:30:01. > :30:03.years? Fantastic. Listen, I can't help but move my hips. I think we
:30:04. > :30:12.have to dance. It's the only way now. Shall we go in? OK.
:30:13. > :30:16.That's the great thing. There are so many things happening. People are
:30:17. > :30:22.having their own little festival without going near Radiohead or
:30:23. > :30:25.anything else. There's a club down here calling funkingham Palace,
:30:26. > :30:29.where people have to go in on their hands and knees. We should go in
:30:30. > :30:34.there. That's a date. Can you see here, a lot of the stages have
:30:35. > :30:38.closed down, the party - not a party, people are still having fun.
:30:39. > :30:44.You can see all the dramatics over there. The flames. Yes. If you want
:30:45. > :30:47.to look at the stages, we're covering over 100 stages across this
:30:48. > :30:52.weekend. All you have to do is go and check it out at
:30:53. > :30:59.bbc.co.uk/Glastonbury. Tons for you to go and see. Next we're going over
:31:00. > :31:02.to Anderson Paak, this guy is amazing live as hopefully we have
:31:03. > :31:22.captured one of his best bits. See what you think.
:31:23. > :31:34.Any sexy ladies want to slow dance to this.
:31:35. > :31:40.# I want you by my lonesome in this crowded space.
:31:41. > :31:44.# It's easier to hold some, when no-one's in the way
:31:45. > :31:47.# Well, if no-one's in the running for the part
:31:48. > :31:52.# I'd love to pick a day # To show you the main room.
:31:53. > :31:56.# I don't need a bouquet # I just need a proper space
:31:57. > :32:00.# Homey three blocks away # I got bottles for days
:32:01. > :32:07.# I got tropical haze # Go ahead and wave bye.
:32:08. > :32:12.# Baby there's room in here # Just enough for two in here
:32:13. > :32:14.# Ain't nobody but you and me in here
:32:15. > :32:20.# Yeah, what can we do in here? # What can we do?
:32:21. > :32:25.# As crazy as it may seem, it's not too hard to read
:32:26. > :32:27.# It's too many ifs and maybes, and not enough certainty
:32:28. > :32:30.# Well, if no-one's putting numbers on the board
:32:31. > :32:35.# I'd love to take a swing # Might even graze you
:32:36. > :32:39.# But I don't mean any harm # I'm just speaking my mind
:32:40. > :32:42.# Take a look at that moon # About as bright as your eyes
:32:43. > :32:47.# We got plenty of space # Go ahead and recline
:32:48. > :32:51.# Take a puff of that # Get a sip of this wine
:32:52. > :32:57.# Glastonbury! # Can yous baby there's room in here
:32:58. > :33:02.# Just enough for two in here # Ain't nobody but you and me in
:33:03. > :33:05.here # Yeah, what can we do in here?
:33:06. > :33:43.# What can we do? # Baby it's you and me here tonight
:33:44. > :35:21.# Tonight, tonight, tonight CHEERING AND APPLAUSE
:35:22. > :35:23.So this song is on our album Malibu. It's dedicated to those party people
:35:24. > :35:41.out there. Lets Dee it. -- let's do it.
:35:42. > :35:44.# I'm only coming out to play # Nothing more than I hate in this
:35:45. > :35:48.life # The wrong impression, I only have
:35:49. > :35:51.one to make # You can open your palm, waiting to
:35:52. > :35:57.catch a break # The cards will fall where they may
:35:58. > :36:04.# And what about me? # I believe in fate
:36:05. > :36:06.# They wanna know where I'll anybody five
:36:07. > :36:11.# What about today? # What about tonight?
:36:12. > :36:21.# Only one at a time # So precious, is yours, is mine.
:36:22. > :36:28.# Only one at a time. # My life, my life.
:36:29. > :36:33.# Am I wrong to assume # If she can't dance, then she can't
:36:34. > :36:40.ooh? # Am I wrong to say
:36:41. > :36:46.# If she can't dance, then she can't ooh?
:36:47. > :36:49.# Hey, I never wanna waste your time, my life
:36:50. > :36:57.# So precious is yours, is mine. # Look at the time. My God.
:36:58. > :37:06.# So precious, is yours, is mine. # Only one at a time.
:37:07. > :37:14.# So precious, is yours, is mine. # Only one at a time.
:37:15. > :37:19.# My life, if you're loving your life, make Shh... Noise. -- make
:37:20. > :38:13.some noise. Glastonbury make some noise for Andy
:38:14. > :38:19.on the drums, baby. Glastonbury you've been amazing.
:38:20. > :38:25.STUDIO: He's pretty special isn't he. Really special. How the hell did
:38:26. > :38:30.he get his hands on your onesie? I know! Then he gets on the drums.
:38:31. > :38:33.Apologies if that link started slightly oddly. We were distracted
:38:34. > :38:37.by someone throwing themselves across the floor here in a desperate
:38:38. > :38:40.attempt to get close and touch the hem of our barments. I left my
:38:41. > :38:45.jacket on the ground. He had been told to get it out of shot, yeah.
:38:46. > :38:51.That's the flavour of the West Holts. Toot and the may tolds are
:38:52. > :38:55.on. Tomorrow night you have to see the Jacksons, without Michael, it is
:38:56. > :39:00.still the four of the Jackson Five. Is that not a clash with the Foo
:39:01. > :39:07.Fighters? Oh, my gosh. What are we going to do. While we think about
:39:08. > :39:48.that, how about a bit of Sleford Mods?
:39:49. > :39:54.# It's a night when they come # When I'm alone and not with anyone
:39:55. > :39:58.# Through the shouts and music # Of the crowd down the road boozing
:39:59. > :40:01.# Near the free car park # The bins and the alleyway of the
:40:02. > :40:06.Chinese restaurant # Number three for two and number
:40:07. > :40:10.four for one # We're going down like BHS
:40:11. > :40:13.# While the abled aboutied vultures monitor and pick at us
:40:14. > :40:19.# We're going down and it's no stress
:40:20. > :40:23.# I lay in hope for the knuckle dragging exoduser we're going down
:40:24. > :40:25.like BHS # While the able-bodied vultures
:40:26. > :40:28.monitor and pick at us # We're going down and it's no
:40:29. > :40:41.stress # We're going down like BHS.
:40:42. > :40:49.# Aye aye. # I think about the heat.
:40:50. > :40:54.# As it lowers itself on me. # Past the closing hour,
:40:55. > :40:59.# When the light in my phone starts to lose power
:41:00. > :41:04.# Through the karaoke machine, it plays you can't blame the betrayed
:41:05. > :41:08.# In the snakes and ladders # We are the Baldrics son and black
:41:09. > :41:13.adders. # We're going down like BHS
:41:14. > :41:16.# While the able-bodied vultures monitor and pick at us
:41:17. > :41:19.# We're going down and it's no stress
:41:20. > :41:23.# I lay and hope for the knuckle dragging exodus
:41:24. > :41:27.# We're going down like BHS # While the able-bodied vultures
:41:28. > :41:29.monitor and pick at us # We're going down and it's no
:41:30. > :41:39.stress # We're going down like BHS.
:41:40. > :41:43.# Laying on a boat, well, what do you do?
:41:44. > :41:50.# Laying on a boat, mate, look at you.
:41:51. > :41:56.# Laying on a boat, well, what do you do?
:41:57. > :42:01.# Laying on a boat, mate, look at you.
:42:02. > :42:12.# Look at you. # Hey, hey, hey, hey, hey
:42:13. > :42:18.# We're going down like BHS # While the able-bodied volumures
:42:19. > :42:20.monitor and pick at us # We're going down and it's no
:42:21. > :42:24.stress # I lay and hope for the knuckle
:42:25. > :42:30.dragging exodus # We're going down like BHS
:42:31. > :42:33.# While the able-bodied vultures monitor and pick at us
:42:34. > :42:40.# We're going down and it's no stress
:42:41. > :42:47.# We're going down like BHS. # You sick bastard
:42:48. > :42:59.# You thick bastard # You thick bastard. #
:43:00. > :43:03.APPLAUSE STUDIO: What a showman, hey. The
:43:04. > :43:08.funny thing with them was if you can imagine this, we had Elbow as the
:43:09. > :43:12.surprise guests earlier on. It was beautiful and the mood was magical
:43:13. > :43:18.and it was gorgeous. Flaming Lips were going to come on and then
:43:19. > :43:24.Sleaford MoDs came on, great. They cast their own spell. Introduced by
:43:25. > :43:27.Lord bucket head who stood against Theresa May in the Maidenhead
:43:28. > :43:32.election. Great. So much going on. I went across to see a bit of Flaming
:43:33. > :43:37.Lips. I was distracted into a little stage I didn't know existed. There
:43:38. > :43:40.was a great band from Northern Ireland. They were new to me called
:43:41. > :43:54.Ruse. Rews. They Ireland. They were new to me called
:43:55. > :44:00.Ruse. Rews. ewanted to call them fuse and troos, but Rews. James went
:44:01. > :44:08.out to this magical area called the common and he met with Victoria clip
:44:09. > :44:11.slayer. -- Sinclair. They're exploring the link between rave
:44:12. > :44:38.culture and chezmanism. Creator Bob, give us strength. Use
:44:39. > :44:44.this medicine to help unify us and see things to enlighten us. If we
:44:45. > :44:52.all just take a sip together, invite the medicine into your body, into
:44:53. > :44:57.your spirit. It is surprisingly chunky, but I am feeling a little
:44:58. > :45:06.pepped up. What is in it? There are ceremonial Krakow from the Amazon,
:45:07. > :45:13.then some medicines and summer mead, a ancient drink. Whenever I drink
:45:14. > :45:27.this medicine, I definitely felt a connection to my ancestors back
:45:28. > :45:35.home. I think the cacao is kicking in. Where are we going now? To the
:45:36. > :45:41.temple. What do you do, Sue? I'm a razor. We need the vibes. We are a
:45:42. > :45:47.massive family. What can we expect from this place behind me? This is a
:45:48. > :45:51.techno- shaman paradise. There is a thing about repetitive beats that
:45:52. > :45:54.the rave culture has, and the shamanic drumming of the journeying
:45:55. > :46:01.is very similar. The beats per minute are very similar. The spirit
:46:02. > :46:05.that the tribal elders get into, where they commune with nature, is
:46:06. > :46:10.similar to these trancelike state that people have been evolving into
:46:11. > :46:16.at raves. When you're in the rave and the crescendo is coming up,
:46:17. > :46:26.described that to me. Orgasm! Let's get in there.
:46:27. > :46:48.There is a lot of energy this year. I have definitely found my spiritual
:46:49. > :46:57.side. Now I am just going to get lost in the beat.
:46:58. > :47:00.So there you go, all explained, the hitherto unsuspected link between
:47:01. > :47:05.ancient shaman is and rave culture. So now we know. You know those
:47:06. > :47:12.shopping channels you watch late into the night? That is what this is
:47:13. > :47:18.now. So we are showing over 100, although you can choose from 100
:47:19. > :47:22.different performances. All you have to do is go to BBC .co .uk/
:47:23. > :47:28.Glastonbury and when you are there, you can choose any stage. There are
:47:29. > :47:32.six stages. There is the Pyramid Stage, The Other Stage, the BBC
:47:33. > :47:42.Introducing stage, the West Holts Stage, the Park Stage, which is
:47:43. > :47:46.where we are. Anyway, get your device or your tablet and choose
:47:47. > :47:51.your stage, click on it and then you can stream the performance as it is
:47:52. > :47:54.going out live. We are also selling these tablets. Villa and the clothes
:47:55. > :48:06.on our back. We are taking orders. Anyway, one of
:48:07. > :48:09.the performances this afternoon was when Lorde was playing on The Other
:48:10. > :48:12.Stage. Quite an interesting performance. I don't know whether we
:48:13. > :48:48.have captured the dancers. Hopefully, we have.
:48:49. > :48:50.# I've never seen a diamond in the flesh
:48:51. > :48:52.# I cut my teeth on wedding rings in the movies
:48:53. > :48:58.# In the torn-up town, no postcode envy
:48:59. > :49:01.# But every song's like gold teeth, Grey Goose, trippin' in the bathroom
:49:02. > :49:04.# Bloodstains, ball gowns, trashin' the hotel room
:49:05. > :49:08.# We don't care; we're driving Cadillacs in our dreams
:49:09. > :49:12.# But everybody's like Cristal, Maybach, diamonds on your timepiece
:49:13. > :49:15.# Jet planes, islands, tigers on a gold leash
:49:16. > :49:20.# We don't care, we aren't caught up in your love affair
:49:21. > :49:29.# That kind of luxe just ain't for us
:49:30. > :49:37.# Let me be your ruler Ruler You can call me Queen Bee
:49:38. > :49:42.# And baby I'll rule I'll rule I'll rule I'll rule...
:49:43. > :49:54.# My friends and I We've cracked the code
:49:55. > :50:00.# We count our dollars on the train to the party
:50:01. > :50:11.# That we're fine with this, we didn't come from money
:50:12. > :50:15.# But every song's like gold teeth, Grey Goose, trippin' in the bathroom
:50:16. > :50:17.# Bloodstains, ball gowns, trashin' the hotel room
:50:18. > :50:22.# We don't care, we're driving Cadillacs in our dreams
:50:23. > :50:26.# But everybody's like Cristal, Maybach, diamonds on your timepiece
:50:27. > :50:29.# Jet planes, islands, tigers on a gold leash
:50:30. > :50:33.# We don't care, we aren't caught up in your love affair
:50:34. > :50:37.# And we'll never be royals Royals
:50:38. > :50:42.# That kind of luxe just ain't for us
:50:43. > :50:51.# Let me be your ruler Ruler you can call me Queen Bee
:50:52. > :50:55.# And baby I'll rule I'll rule I'll rule I'll rule...
:50:56. > :51:18.# We aren't caught up in your love affair
:51:19. > :51:28.# That kind of luxe just ain't for us
:51:29. > :51:37.# Let me be your ruler Ruler You can call me Queen Bee
:51:38. > :51:39.# And baby I'll rule I'll rule I'll rule I'll rule...
:51:40. > :51:52.# That kind of luxe just ain't for us
:51:53. > :51:58.# Let me be your ruler Ruler You can call me Queen Bee
:51:59. > :52:06.# And baby I'll rule I'll rule I'll rule I'll rule...
:52:07. > :52:38.# I do my makeup in somebody else's car
:52:39. > :52:41.# We order different drinks at the same bars
:52:42. > :52:44.# I know about what you did and I wanna scream the truth
:52:45. > :52:52.# She thinks you love the beach, you're such a damn liar
:52:53. > :52:56.# Those great whites, they have big teeth
:52:57. > :53:00.# Thought you said that you would always be in love
:53:01. > :53:03.# But you're not in love no more
:53:04. > :53:08.# How we kissed when we danced on the light up floor
:53:09. > :53:24.# Brand new sounds in my mind
:53:25. > :53:31.# But honey I'll be seein' you 'ever I go
:53:32. > :53:37.# But honey I'll be seein' you down every road
:53:38. > :53:40.# I'm waiting for it, that green light, I want it
:53:41. > :53:44.# Cause honey I'll come get my things, but I can't let go
:53:45. > :53:47.# I'm waiting for it, that green light, I want it
:53:48. > :53:52.# Oh, I wish I could get my things and just let go
:53:53. > :53:55.# I'm waiting for it, that green light, I want it
:53:56. > :54:02.# Sometimes I wake up in a different bedroom
:54:03. > :54:10.# I whisper things, the city sings 'em back to you
:54:11. > :54:14.# All those rumours, they have big teeth
:54:15. > :54:18.# Thought you said that you would always be in love
:54:19. > :54:21.# But you're not in love no more
:54:22. > :54:26.# How we kissed when we danced on the light up floor
:54:27. > :54:50.# But honey I'll be seein' you 'ever I go
:54:51. > :54:55.# But honey I'll be seein' you down every road
:54:56. > :54:57.# I'm waiting for it, that green light, I want it
:54:58. > :55:02.# Cause honey I'll come get my things, but I can't let go
:55:03. > :55:05.# I'm waiting for it, that green light, I want it
:55:06. > :55:10.# Oh, honey I'll come get my things, but I can't let go
:55:11. > :55:12.# I'm waiting for it, that green light, I want it
:55:13. > :55:17.# Yes, honey I'll come get my things, but I can't let go
:55:18. > :55:20.# I'm waiting for it, that green light, I want it
:55:21. > :55:24.# Oh, I wish I could get my things and just let go
:55:25. > :56:19.# I'm waiting for it, that green light, I want it. #
:56:20. > :56:34.CHEERING AND APPLAUSE. Thank you so much!
:56:35. > :56:39.And there were the dance verse, as I said, captured in those boxes. She
:56:40. > :56:44.is so good. Her album is out now. This is her first Glastonbury. What
:56:45. > :56:51.a great talent. Very charismatic performer. A smart woman. That was
:56:52. > :56:57.Lorde. It is the year of the onesie, isn't it? I know. People are
:56:58. > :57:01.singalong passionately. There is a lot of joy in the crowds, and it is
:57:02. > :57:05.a very bouncy atmosphere. Everybody has been dealing with a lot of dark
:57:06. > :57:10.stuff, and that is the joy of Glastonbury. You leave the world
:57:11. > :57:15.behind. Hopefully, you can enter our bubble for this weekend and enjoy
:57:16. > :57:19.the music. I think you will enjoy this. These guys are amazing. We
:57:20. > :57:27.Apple lead singers in the same band. They are from Boston. Go see them.
:57:28. > :57:28.They have a few dates coming up in London shortly. They are darling
:57:29. > :57:44.side. # we were always on our way.
:57:45. > :57:52.# rolling up our sleeves. # ever moving forward.
:57:53. > :57:56.# in the tracks where we lived our simple lives.
:57:57. > :58:06.# eyes to the horizon. I know I'm no doctor but I know
:58:07. > :58:09.You can't live in the past But the only way to go is to go
:58:10. > :58:19.back Before
:58:20. > :58:25.we disappeared Into the thick of big
:58:26. > :58:29.ideas Now we can see the sweeping
:58:30. > :58:31.view I know I'm no doctor but I know
:58:32. > :58:47.You can't live in the past Into everglades, greener yesterdays,
:58:48. > :59:14.skip the stones away Go back to the start,
:59:15. > :59:25.photos in the darkroom Beyond our furthest
:59:26. > :59:43.edges To a world full of strange
:59:44. > :59:45.and towering skies And a chance
:59:46. > :59:50.to choose in time To set out
:59:51. > :59:54.on our own way You can't live
:59:55. > :00:11.in the past But the only way
:00:12. > :00:31.to go is to go back. APPLAUSE
:00:32. > :00:35.The marvellous Darling Side. They are working on a record. A few gigs
:00:36. > :00:39.in the next few days. See them for a whole evening of that. Really good.
:00:40. > :00:43.Thank you. They sing like angels. In the rain as well. You will be
:00:44. > :00:46.delighted to know the rain has started as Glastonbury. We've been
:00:47. > :00:49.praying for, it it's been a long time coming. It wouldn't be
:00:50. > :00:53.Glastonbury without. It the wellies will be out in force tomorrow. I
:00:54. > :00:58.think so. Probably. Let's go back to something earlier, this was the band
:00:59. > :01:02.who played on the main stage ahead of Radiohead. This is such a spell
:01:03. > :01:08.binding, wonderful performance, it is the XX, I'm sure you're going to
:01:09. > :01:12.love this. In front of people watching this, I was, they said, I
:01:13. > :01:16.love these guys. They're one of my favourite bands are. They called the
:01:17. > :01:18.XX or double X. I think they're called the XX. We've checked,
:01:19. > :01:37.they're called the XX. From the inside I can feel that you
:01:38. > :01:53.want to# # From the inside I can
:01:54. > :01:57.feel that you want to # Way up in the sky
:01:58. > :02:04.I can see that you want to # Now I'm deep in it,
:02:05. > :03:04.infatuated # Side by side, and I
:03:05. > :03:10.know that you want to # I can hear it now
:03:11. > :03:42.like I heard it then # I can hear it now
:03:43. > :04:01.like I heard it then # I can hear it now
:04:02. > :04:11.like I heard it then # Now you've found
:04:12. > :05:39.a new star to orbit # I think you're too soon
:05:40. > :05:49.to call us old # Where does it stop,
:05:50. > :06:09.where does it stop # You've got the body,
:06:10. > :06:13.you've got the body # Where does it stop,
:06:14. > :06:17.where does it stop # I thought I had you on hold
:06:18. > :06:25.you've got the body # Where does it stop,
:06:26. > :06:27.where does it stop # You've got the body,
:06:28. > :06:31.you've got the body # Where does it stop,
:06:32. > :06:35.where does it stop # You've got the body,
:06:36. > :07:18.you've got the body # It could be love
:07:19. > :07:19.# I think you're too soon to call us off
:07:20. > :07:27.# When and where did we go cold? # Where does it stop,
:07:28. > :07:55.where does it stop # You've got the body,
:07:56. > :07:59.you've got the body # Where does it stop,
:08:00. > :08:03.where does it stop # You've got the body,
:08:04. > :08:11.you've got the body # Where does it stop,
:08:12. > :08:13.where does it stop # You've got the body,
:08:14. > :08:18.you've got the body # Where does it stop,
:08:19. > :08:20.where does it stop # You've got the body,
:08:21. > :09:00.you've got the body CHEERING AND APPLAUSE
:09:01. > :09:05.STUDIO: I thought that was a moment for them today. I mean, there is
:09:06. > :09:11.something about the XX, they just feel so now - they feel what is a
:09:12. > :09:13.band should look and sound like right now. I think they're
:09:14. > :09:17.brilliant. They're one of the best bands in the UK that. Was such a
:09:18. > :09:22.great set from them. They've grown in confidence. They have and learned
:09:23. > :09:24.to enjoy it I think. They've been friends since they were at school.
:09:25. > :09:28.There's something about that connection between them that you
:09:29. > :09:32.really feel. They write such heart breaking songs. Those songs are so
:09:33. > :09:36.painful to listen to. I loved them today. Yeah, that was good. I'm
:09:37. > :09:41.going to have nothing else to wear tomorrow. I'm wearing everything in
:09:42. > :09:46.one day because the rain. This is multilayering. Over now to the John
:09:47. > :10:01.Peel Stage where you will now enjoy Clean Bandit
:10:02. > :10:15.For the single mums out there going through frustration, clean bandit.
:10:16. > :10:20.# She's gone astray, so far away from her father's daughter
:10:21. > :10:23.# She just wants a life for a baby # All on her own
:10:24. > :10:30.# She's got to save her. # She tells him, oh, love,
:10:31. > :10:33.no one's ever gonna hurt you, love # She tells him, your life ain't
:10:34. > :10:42.gonna be nothing like my life # You're gonna grow
:10:43. > :10:44.and have a good life love way too early
:10:45. > :11:47.# # I'm gonna give you all of my love
:11:48. > :11:52.Nobody matters like you." # (Oh-badda-bang-bang-bang,
:11:53. > :12:08.all right then) # Lift up your head,
:12:09. > :12:23.lift it up to the sky # Angels surround you,
:12:24. > :12:27.just dry your eye # He don't know he is
:12:28. > :12:38.safe when she says # No one's ever gonna
:12:39. > :12:41.hurt you, love "# Your life ain't gonna be
:12:42. > :12:52.Nothing like my life (stay) You're gonna grow
:12:53. > :12:53.And have a good life # (Oh-badda-bang-bang-bang,
:12:54. > :13:16.all right then) # Lift up your head,
:13:17. > :14:02.lift it up to the sky Make some noise, Glastonbury! That
:14:03. > :14:07.was Clean Bandit doing Rockabye. Really good song. It is not just
:14:08. > :14:12.raining here, it is sheeting down. There are torrents of water outside.
:14:13. > :14:18.That is why we have moved inside. Cosy in here. Legend is an obvious
:14:19. > :14:24.work, but Kris Kristofferson could be described as one. I played him on
:14:25. > :14:30.my radio show last night as the last song. He is a legend. He was 81
:14:31. > :14:33.yesterday. This is his Glastonbury debut. There are a couple of other
:14:34. > :14:38.legends knocking around. Johnny Depp will be in evidence during this, and
:14:39. > :14:42.Brad Pitt is also here. He watched a bit of Kris Kristofferson and he is
:14:43. > :14:49.having an amazing festival because he fulfilled the ambition of meeting
:14:50. > :14:52.Jo Whiley. Imagine how lucky he was feeling. Here is Kris Kristofferson,
:14:53. > :15:45.not Brad Pitt. # With no way to hold my head
:15:46. > :15:49.that didn't hurt # And the beer I had for breakfast
:15:50. > :15:51.wasn't bad # Then I fumbled in my closet
:15:52. > :15:56.through my clothes # Then I washed my face
:15:57. > :16:02.and combed my hair # Stumbled down the stairs
:16:03. > :16:04.to meet the day # I'd smoked my mind
:16:05. > :16:06.the night before # With cigarettes and songs
:16:07. > :16:08.that I'd been pickin' # But I lit my first
:16:09. > :16:11.and watched a small kid # Playing with a can
:16:12. > :16:13.that he was kicking # And caught the Sunday smell of
:16:14. > :16:19.someone fryin' chicken # And oh, it took me back
:16:20. > :16:21.to somethin' # That I'd lost somewhere, somehow
:16:22. > :16:29.along the way # I'm wishing, Lord,
:16:30. > :16:40.that I was stoned # And there ain't nothin'
:16:41. > :17:52.short of dyin' I can't think what song I'm going to
:17:53. > :17:57.do. What did I just do? Hey, welcome Johnny Depp.
:17:58. > :18:33.Oh, man, what an honour to be on the same stage as you.
:18:34. > :18:35.# I took myself down to the Tally Ho Tavern
:18:36. > :18:40.# And I sat me down by a tender young maiden
:18:41. > :18:42.# Whose eyes were as dark as her hair
:18:43. > :18:44.# And as I was searching from bottle to bottle
:18:45. > :18:48.# That silver tongued devil just slipped from the shadows
:18:49. > :18:52.# I said hey, little girl, don't you know he's the devil
:18:53. > :18:55.# He's everything that I ain't Hiding intentions of evil
:18:56. > :19:09.# All he's good for is getting in trouble
:19:10. > :19:13.# And shiftin' his share of the blame
:19:14. > :19:19.# And some people swear he's my double
:19:20. > :19:29.# But the silver-tongued devil's go nothing to lose
:19:30. > :19:41.# We take our own chances and pay our own dues
:19:42. > :20:16.Thank you! My hero! I can't be sure, but it looked like
:20:17. > :20:23.Johnny Depp came on as a surprise to Kris Kristofferson. Very much taken
:20:24. > :20:27.by surprise. Oh, Johnny Depp! Now, we are going back to the John Peel
:20:28. > :20:33.Stage for a band that I love. We have had them on our radio show on 6
:20:34. > :21:12.Music. They are so young! Precociously talented.
:21:13. > :21:25.# why do I have to follow you to know just who I am?
:21:26. > :21:40.# I have enough previous worlds to know which one I'm in.
:21:41. > :21:45.These words, these words Mean nothing to my soul
:21:46. > :22:00.These words, these words Save only to fill up a hole
:22:01. > :22:13.# Why can't I flow softly downstream Without the violent surf?
:22:14. > :22:31.# These words, these words Mean nothing to my soul
:22:32. > :24:30.I mean, stupidly talented. They make a lot of sense when you see them
:24:31. > :24:35.live. That was the Lemon Twigs. That is almost it from us. We will be
:24:36. > :24:41.back tomorrow with Lauren love-in and Nick Grimshaw. They will be here
:24:42. > :24:46.from 5.30. I will turn up for the odd link. We have all sorts tomorrow
:24:47. > :24:51.including Foo Fighters and Katy Perry. They are great bedfellows. I
:24:52. > :24:54.will be on the radio between four and seven o'clock tomorrow with Liam
:24:55. > :25:01.Gallagher. Hope you enjoyed everything you watched tonight and
:25:02. > :25:06.have a good day. Go to our website for limitless highlights. The route
:25:07. > :25:43.tomorrow. And go to bed. This is Dizzee Rascal.
:25:44. > :25:46.Fix up look sharp, don't make me paint a ... something get dark
:25:47. > :25:49.Hear the bang, see the spark duck down, lay down just
:25:50. > :26:09.I've heard the gossip from the street to the slammer
:26:10. > :26:16.They're trying to see if Dizzee stays true to his grammar
:26:17. > :26:20.Being a celebrity don't mean shit to me
:26:21. > :26:23.Fuck the glitz and glamour Hey, I'm with the Blicks and Gamma
:26:24. > :26:25.Because they're talking 'bout rushing
:26:26. > :26:27.Talk behind my back, but to my face they say nothin'
:26:28. > :26:30.Stand up in the Parks, keep a firm, steady stance
:26:31. > :26:32.Keep the beanies touching, keep the beanies hot flushin'
:26:33. > :26:36.If you don't believe me bring your posse, bring your crew
:26:37. > :26:41.Feel free to hate cos I ain't trying-a be your mate
:26:42. > :26:43.Be serious you wouldn't last an hour in my shoes
:26:44. > :26:46.It's an Air Force One, Trainers by the truck load
:26:47. > :26:49.Don't feel dazed when I catch you by your jays
:26:50. > :26:52.Chump, best to act like Forrest Gump, best to run!
:26:53. > :26:58.Fix up look sharp Don't make me paint a ...
:26:59. > :27:01.Something get dark hear the bang, see the spark duck down
:27:02. > :27:24.I stay sweet as a nut, sweet like Tropicana,
:27:25. > :27:26.When the hammer hits, your head splits like banana
:27:27. > :27:31.You better send your best soldiers, 'cos this is Captain Rascal!
:27:32. > :27:32.More destructive and troublesome than ever
:27:33. > :27:34.I'll probably be doing this, probably forever,
:27:35. > :27:37.Fellas wanna stop me don't probably come together
:27:38. > :27:39.It's probable they'll stop me, probably never
:27:40. > :27:42.You Topman, Topman, hard toppa toppa Come to me with an attitude
:27:43. > :27:45.Come a cropper, I'm old school like Happy Shopper
:27:46. > :27:48.I fight old school, bring your bat and your chopper
:27:49. > :27:52.And a First Aid kit and some antiseptic
:27:53. > :27:58.This could get hectic, I'm a done accept it, you got a bright future
:27:59. > :28:03.Fix up look sharp Don't make me paint a ...
:28:04. > :28:05.Something get dark hear the bang, see the spark duck down
:28:06. > :28:10.Fix up look sharp Don't make me paint a ...
:28:11. > :28:14.Something get dark hear the bang, see the spark duck down