:00:20. > :00:26.Welcome back to our Hackney weekend. We are live and we have loads of
:00:26. > :00:36.lovely things for you to come today. Welcome back football-haters. It is
:00:36. > :00:45.sun-drenched. Dizsy rasal is on the Main Stage -- Dizzee Rasal is on
:00:45. > :00:48.the Main Stage. You can Tweet us or go on the Facebook page.
:00:48. > :00:54.I saw Tinie Tempah today on the stage - it was a highlight for me.
:00:54. > :01:00.He's been away for a while. He was back for us today. He was wearing
:01:00. > :01:10.new trainers. He was wearing disturbing London trainers - very
:01:10. > :01:11.
:01:11. > :01:21.cool indeed. Put your W up.... in this? This was Wonder Man
:01:21. > :01:29.
:01:29. > :01:39.A W in the sky like this. You are looking mightty fine
:01:39. > :01:41.
:01:41. > :01:51.# Uh, my uncle used to drink # Uh, what kinda person
:01:51. > :01:51.
:01:51. > :02:40.Apology for the loss of subtitles for 48 seconds
:02:40. > :02:50.# Yeah, and I went from the kid # And can't afford
:02:50. > :03:02.
:03:02. > :03:12.# Imagine satisfaction # And when the fans
:03:12. > :03:12.
:03:12. > :04:31.Apology for the loss of subtitles for 48 seconds
:04:31. > :04:38.That's what we're talking about, Hackney!
:04:38. > :04:43.All right. Now, ladies and gentlemen, I've
:04:43. > :04:48.brought out one album called The Discovery.
:04:48. > :04:52.I didn't know it was going to change my life. It's because of you
:04:52. > :04:59.guys as well. Make some noise for yourselves. You've been absolutely
:04:59. > :05:02.amazing. I just want to let you guys now, as we're standing on the
:05:02. > :05:11.Hackney Marshes tonight, I saw that down the road, I was like, listen,
:05:11. > :05:16.I think I can do this rap thing, man. I see Dissee, if I have a --
:05:16. > :05:20.Dizzee, if I have a go, if I focus. I can see faces out there tonight
:05:20. > :05:24.of people who want to do things. All you people in the front row
:05:24. > :05:28.who've come to see me - thank you so much. You guys have been rocking
:05:28. > :05:32.me tonight. Thank you so much. Now, ladies and gentlemen f you know
:05:33. > :05:42.this next song and believe in your dreams, sing as loud as you can for
:05:43. > :06:08.
:06:08. > :06:17.# Oh, written in the stars # Seasons come and go
:06:17. > :06:20.# Let's go, yeah # They say they ain't heard
:06:20. > :06:25.# That's why they play my song on so many different dials
:06:25. > :06:28.# So when they see me Everybody brrrap, brrraps
:06:28. > :06:31.# Man I'm like a young gun fully black Barack
:06:31. > :06:33.# I cried teardrops over the massive attack
:06:33. > :06:36.# I only make hits like I work with the racket and bat
:06:36. > :06:37.# Look at my jacket and hat
:06:37. > :06:41.# So damn berserk, so down to earth I'm bringing gravity back
:06:41. > :06:44.# Adopted by the major I want my family back
:06:44. > :06:46.# People work hard just to get all their salary taxed
:06:46. > :06:50.# Look I'm just a writer from the ghetto like Malory Blackman
:06:50. > :06:55.# Where the hell's all the sanity at?
:06:55. > :06:56.# Damn I used to be the kid that no-one cared about
:06:56. > :06:58.# That's why you have to keep screaming till they hear you out
:06:58. > :07:04.# Oh, written in the stars A million miles away
:07:04. > :07:09.# A message to the main, oh
:07:09. > :07:14.# Seasons come and go but I will never change
:07:14. > :07:24.# And I'm on my way
:07:24. > :07:33.# Yeah, I needed a change When we ate we never tip
:07:33. > :07:38.# Yeah, I needed a change When we ate we never tip
:07:38. > :07:39.# For a sec' I even gave up Believing and praying
:07:39. > :07:42.# I even done the legal stuff and was leaded astray
:07:42. > :07:45.# They say the money is the route to the evillest ways
:07:45. > :07:47.# But have you ever been so hungry it keeps you awake?
:07:47. > :07:51.# Mate, now my hunger would leave 'em amazed, great
:07:51. > :07:54.# It feels like a long time coming, fam
:07:54. > :07:56.# Since the day I thought of that cunning plan
:07:56. > :07:58.# One day I had a dream I tried to chase it
:07:58. > :08:01.# But I wasn't going nowhere Running man
:08:02. > :08:04.# I knew that maybe someday I would understand
:08:04. > :08:07.# Trying to change a tenner to a hundred grand
:08:07. > :08:09.# Everyone's a kid that no-one cares about
:08:09. > :08:12.# You just gotta keep screaming till they hear you out
:08:12. > :08:17.# Oh, written in the stars a million miles away
:08:17. > :08:23.# A message to the main, oh
:08:23. > :08:28.# Seasons come and go but I will never change
:08:28. > :08:33.# And I'm on my way
:08:33. > :08:35.# Oh-oh-oh-oh!
:08:35. > :08:38.# Oh-oh-oh-oh!
:08:38. > :08:48.# Oh-oh-oh-oh!
:08:48. > :09:05.
:09:05. > :09:15.# Oh, written in the stars # Seasons come and go
:09:15. > :09:15.
:09:15. > :09:58.Apology for the loss of subtitles for 48 seconds
:09:58. > :10:08.If you've been to i bit ta make some noise. That's -- Ibiza make
:10:08. > :10:08.
:10:08. > :11:03.Apology for the loss of subtitles for 48 seconds
:11:03. > :11:13.some noise. If you haven't been to # And that's standard prcedure
:11:13. > :11:26.
:11:26. > :11:29.# And she stay up all hours watching QVC
:11:29. > :11:32.# She said she loves my songs She bought my MP3
:11:32. > :11:36.# And so I put her number in my Bold BB
:11:36. > :11:40.# I got a black BM She got a white TT
:11:40. > :11:44.# She wanna see what's hiding in my CK briefs
:11:44. > :11:48.# I tell her wear suspenders and some PVC
:11:48. > :11:52.# And then I'll film it all up on my JVC
:11:52. > :11:54.# Uhh, scene one
:11:54. > :11:59.# Everybody get in your positions Pay attention, and listen
:11:59. > :12:05.# We're tryna get this in one take So let's try and make that happen
:12:05. > :12:15.# Take one, action!
:12:15. > :12:23.
:12:23. > :12:28.# Put your hands up in the air!
:12:28. > :12:30.# Put your hands up in the air!
:12:30. > :12:40.# Put your hands up in the air!
:12:40. > :12:57.
:12:57. > :13:05.# She pose for FHM # I got my Visa and my Visa
:13:05. > :13:13.# You can find me on a table Full of vodka and tequila
:13:13. > :13:16.# I wake up in the morning With a mild case of amnesia
:13:16. > :13:24.# With a girl that like a girl Like Lindsey Lohan, Queen Latifah
:13:24. > :13:26.# It must be fever
:13:26. > :13:36.# And that's standard procedure from Miami 2 Ibiza. #
:13:36. > :13:45.
:13:45. > :13:47.# Put your hands in the air!
:13:47. > :13:49.# Put your hands in the air!
:13:49. > :13:59.# Put your hands in the air!
:13:59. > :14:11.
:14:11. > :14:16.# And that's standard procedure Thank you very much. Ladies and
:14:16. > :14:21.gentlemen, are you having a good day today? Yeah?
:14:21. > :14:26.Something you may have seen me do before when I give you the cue I
:14:26. > :14:36.want everybody to go down as low as you can. When I say "action" jump
:14:36. > :14:46.as high as you can. Everybody, let's go. Go low, go low, go low,
:14:46. > :14:52.
:14:52. > :15:00.go low, go low, go low, go low, go low and listen, go low, go low, go
:15:01. > :15:10.low take one... Everybody get in position. Stay down and listen.
:15:11. > :15:28.
:15:28. > :15:38.Stay down. Hackney, take one, Put your hands up in
:15:38. > :15:45.
:15:45. > :15:50.# And that's standard procedure Just one of my favourite performers
:15:50. > :15:54.to watch. A get set. One of my favourites. Dizzee Rascal has just
:15:54. > :16:00.come off the Main Stage over there. We will chat to him later on. If
:16:00. > :16:06.you want to ask any questions get on Twitter or Facebook. His show
:16:06. > :16:10.was insane. It was like guy work's night - so many fireworks going off.
:16:10. > :16:18.Don't forget, if you are gutted you couldn't make it today, because
:16:18. > :16:22.Rihanna is headlining, we will show you that set on BBC Three at about
:16:22. > :16:29.10pm tonight. That is after the football, just to reiterate.
:16:29. > :16:33.Perfect. How handy. Labrinth was in our studio yesterday. We have
:16:34. > :16:43.followed him around - not in a creepy way. Let's look at
:16:44. > :16:49.
:16:49. > :16:59.Labrinth's Hackney. A new way to travel. Getting a
:16:59. > :17:00.
:17:00. > :17:04.helicopter. I can't wait for this. Let's go. Labrinth, come in.
:17:04. > :17:14.We're on our way to Hackney, my home town. It's nice to finally
:17:14. > :17:17.
:17:18. > :17:22.have some big event going on in Once again I've got to breathe in
:17:22. > :17:28.this festival air. Smelling good out here! Let's go!
:17:28. > :17:37.Can you turn it down, please? We're trying to rehearse. We're trying to
:17:37. > :17:44.sound-check. Never have I seen Hackney like this - this is crazy!
:17:44. > :17:50.I'm having some jerk chicken and rice. You have to have something
:17:50. > :17:53.close to mum's home-cooked, home cooking. It is a pleasure to
:17:53. > :18:00.welcome one of the best new artists around. Labrinth e eexpress
:18:00. > :18:10.yourself. # Express yourself
:18:10. > :18:14.
:18:14. > :18:24.It was fun. It's like show after show. How you doing, my mate? Nice
:18:24. > :18:27.
:18:27. > :18:37.to see you. The one, the only Labrinth.
:18:37. > :18:47.
:18:47. > :18:52.# Say yeah! I predict an earthquake I had a mad time. I didn't expect
:18:52. > :19:02.to get on the stage with Lost Prophets and get that kind of love.
:19:02. > :19:09.They smashed it. Can I come to another show? Yeah.
:19:09. > :19:19.All right then, guys, that's it pr me now. I saw Jack,he's about to go
:19:19. > :19:26.
:19:26. > :19:33.on. That is Rissel Kicks right What's up? Come in, come in! It's
:19:33. > :19:43.day two, guys. I'm here dressed up in my Paisley tie. I've got to go
:19:43. > :19:51.
:19:51. > :20:01.and get ready for this show. We're Ladies and gentlemen - hands in the
:20:01. > :20:01.
:20:01. > :20:56.Apology for the loss of subtitles for 48 seconds
:20:56. > :21:04.# This is something they call # For your makeup
:21:04. > :21:10.# As soon as it drops # Before you know it
:21:10. > :21:16.# Yeah! I predict an earthquake up in here
:21:16. > :21:22.# Say yeah! I predict an earthquake up in here
:21:22. > :21:26.# Cos we throw bombs on it Throw bombs on it
:21:26. > :21:32.# Just smash something, yeah Mosh for me, hey yeah
:21:32. > :21:34.# We can make an earthquake up in here
:21:34. > :21:44.# So here we go, we go
:21:44. > :21:53.
:21:53. > :21:57.# Everybody rock, let's bring the house down to rubble and dust
:21:57. > :22:01.# Cos we be crashing it up Somebody say you better run
:22:01. > :22:06.# Yeah! I predict an earthquake up in here
:22:06. > :22:12.# Say yeah! I predict an earthquake up in here
:22:12. > :22:16.# Cos we throw bombs on it Throw bombs on it
:22:16. > :22:21.# Just smash something, yeah Mosh for me, hey yeah!
:22:21. > :22:24.# We can make an earthquake up in here
:22:24. > :22:28.# So here we go, we go
:22:28. > :22:35.# I predict an earthquake up in here
:22:36. > :22:37.# I predict an earthquake up in here
:22:37. > :22:41.# Cos we throw bombs on it Throw bombs on it
:22:41. > :22:51.# Just smash something Yes, mosh for me, yeah
:22:51. > :22:51.
:22:51. > :23:36.Apology for the loss of subtitles for 48 seconds
:23:37. > :23:42.# I predict an earthquake up in here
:23:42. > :23:44.# Cos we throw bombs on it Throw bombs on it
:23:44. > :23:47.# Just smash something Yes, mosh for me, yeah
:23:47. > :23:52.# We can make an earthquake up in here
:23:52. > :24:02.# So here we go, we go
:24:02. > :24:21.
:24:22. > :24:22.It
:24:22. > :24:22.It is
:24:22. > :24:28.It is brilliant.
:24:28. > :24:34.It is brilliant. You can see why his fan-base is growing. He writes
:24:34. > :24:40.it, performs it - people watching will go, oh, he's playing an
:24:40. > :24:50.electric guitar as well. Great to see him with Lost Prophets. They
:24:50. > :24:53.
:24:53. > :25:00.were meant to be on Earth Quake. It's too good for you - I'll keep
:25:00. > :25:10.it for myself. We have loads of music - of course the whole Rihanna
:25:10. > :25:12.
:25:12. > :25:22.set. Shall we get more live music from the Tree House. We have some
:25:22. > :25:27.
:25:27. > :25:29.# No pity # Where I know I seem
:25:29. > :25:39.# Lost in a city # Walk with me
:25:39. > :25:41.
:25:41. > :25:51.# No-one seems to see your face # And these days how I've been
:25:51. > :25:56.
:25:56. > :26:06.# I've been lost for days # Where do we turn if there's
:26:06. > :26:08.
:26:08. > :26:18.# No, no, I need you here # Where do we turn
:26:18. > :26:32.
:26:32. > :26:42.# No, no these days these years # It's funny
:26:42. > :26:46.# I've been fighting # And I just don't get it
:26:46. > :26:52.# I've been lost for days in hopeless, broken places
:26:52. > :26:56.# But we never hide, so long
:26:56. > :26:58.# Where do we go from here?
:26:58. > :27:00.# Where do we go if there's no-one?
:27:00. > :27:02.# Where do we turn if there's no-one?
:27:02. > :27:05.# What are we going for?
:27:05. > :27:07.# I need you here to tell me no
:27:07. > :27:10.# Where do we go if there's no-one
:27:10. > :27:19.# Where do we go if there's no-one
:27:19. > :27:22.# This lonely place feels so dark now
:27:22. > :27:24.# All we can do is fight these things
:27:24. > :27:27.# Even when we don't want to
:27:27. > :27:29.# All we can do is fight these things
:27:29. > :27:32.# Even when they all come true
:27:32. > :27:42.# I don't want to be your dog
:27:42. > :27:44.# Where do we go if there's no-one
:27:44. > :27:54.# Where do we turn if there's no-one
:27:54. > :27:56.
:27:56. > :28:00.# Where do we turn if there's no-one
:28:00. > :28:01.# Where do we turn if there's no-one
:28:01. > :28:09.# What are we going for?
:28:09. > :28:12.# No, tell me
:28:12. > :28:22.# No, tell me
:28:22. > :28:29.
:28:29. > :28:29.With me. Maverick
:28:29. > :28:30.With me. Maverick Sabra.
:28:30. > :28:33.With me. Maverick Sabra. That
:28:33. > :28:40.With me. Maverick Sabra. That was gorgeous. Your voice - it's so
:28:40. > :28:48.effortless. Somehow you have managed to wear these trainers?
:28:48. > :28:54.Kept them clean. Wore two plastic bags earlier on. You did that gang
:28:55. > :29:00.sta thing? Black tape and kept them clean. Couldn't mess them up.
:29:00. > :29:04.has your Hackney weekend been? Fantastic. We were at the festival
:29:04. > :29:13.yesterday. We have flown here. It is like a home-coming gig for me. I
:29:13. > :29:22.was born down the road in Stoke Newington. You sound like a local.
:29:22. > :29:27.Hello. I was born in soak newing on the and moved to Ireland. 50/50
:29:27. > :29:33.between the two. We had a fantastic turnout even when it got sunny and
:29:33. > :29:38.I played at 3.30pm, one tent was packed. It was emotional for me. It
:29:38. > :29:42.was nice to see people in Hackney come out and support. We have been
:29:42. > :29:47.playing your records for a long time on Radio One. It has taken off.
:29:47. > :29:52.It is building nicely, I would say, isn't it. I remember the first time
:29:53. > :29:56.it got played on Radio One. It feels like a natural bill.
:29:56. > :30:01.Everybody is building with me. Everybody is building and joining
:30:01. > :30:03.me. It feels really nice. The energy that I've been getting
:30:03. > :30:07.back from people and the progress over the last couple of years is
:30:07. > :30:12.very humbling for me. It's nice to see people warming to the record
:30:12. > :30:16.and coming out and supporting the music. It's been good. Are you
:30:16. > :30:22.sticking around to see Rihanna later? I will be sticking around.
:30:22. > :30:26.This is the last thing of my day. This is my relaxation period. I
:30:26. > :30:34.will enjoy Hackney weekender for the last night. You can chill now.
:30:34. > :30:40.It is done. Get the black flas tick bags on. Actually -- plastic bags
:30:40. > :30:50.on. Actually the sun came out when Florence was on. This is Shake It
:30:50. > :30:56.
:30:56. > :31:05.# Here to relive # And all of the ghouls
:31:05. > :31:10.# But I like to keep some things to myself
:31:10. > :31:14.# I like to keep my issues drawn
:31:14. > :31:19.# It's always darkest before the dawn
:31:19. > :31:23.# And I've been a fool and I've been blind
:31:23. > :31:27.# I can never leave the past behind
:31:27. > :31:30.# I can see no way, I can see no way
:31:30. > :31:37.# I'm always dragging that horse around
:31:37. > :31:42.# All of these questions Such a mournful sound
:31:42. > :31:45.# Tonight I'm gonna bury that horse in the ground
:31:45. > :31:50.# Cos I like to keep my issues drawn
:31:50. > :31:54.# It's always darkest before the dawn
:31:54. > :31:56.# Shake it out, shake it out
:31:56. > :31:58.# Shake it out, shake it out Oh, woah!
:31:58. > :32:00.# Shake it out, shake it out
:32:00. > :32:03.# Shake it out, shake it out Oh, woah!
:32:03. > :32:06.# And it's hard to dance with a devil on your back
:32:06. > :32:12.# So shake him off, oh, woah!
:32:12. > :32:16.# And I am done with my graceless heart
:32:17. > :32:22.# So tonight I'm gonna cut it out and then restart
:32:22. > :32:26.# I like to keep my issues drawn
:32:26. > :32:30.# It's always darkest before the dawn
:32:30. > :32:32.# Shake it out, shake it out
:32:32. > :32:34.# Shake it out, shake it out Oh, woah!
:32:34. > :32:36.# Shake it out, shake it out
:32:36. > :32:39.# Shake it out, shake it out Oh, woah!
:32:39. > :32:42.# And it's hard to dance with a devil on your back
:32:42. > :32:48.# So shake him off, oh, woah
:32:48. > :32:51.# Shake it out
:32:52. > :32:55.# And it's hard to dance with the devil on your back
:32:55. > :32:58.# Given half the chance would I take any of it back?
:32:58. > :33:00.# It's a fine romance but it's left me so undone
:33:00. > :33:02.# Shake it out
:33:02. > :33:08.# It's always darkest before the dawn
:33:08. > :33:11.# Oh, woah, oh, woah...
:33:11. > :33:14.# Oh, woah, oh, woah...
:33:14. > :33:19.# And I'm damned if I do and I'm damned if I don't
:33:19. > :33:23.# So here's to drinks in the dark at the end of my rope
:33:23. > :33:27.# And I'm ready to suffer and I'm ready to hope
:33:27. > :33:32.# It's a shot in the dark aimed right at my throat
:33:32. > :33:36.# Cos looking for heaven Found a devil in me
:33:36. > :33:41.# Looking for heaven Found a devil in me
:33:41. > :33:51.# But what the hell I'm gonna let it happen to me
:33:51. > :34:10.
:34:11. > :34:20.# But what the hell I'm gonna let it happen to me
:34:21. > :34:25.
:34:25. > :34:26.# Shake it out, shake it out
:34:26. > :34:28.# Shake it out, shake it out Oh, woah!
:34:28. > :34:30.# Shake it out, shake it out
:34:30. > :34:33.# Shake it out, shake it out Oh, woah!
:34:33. > :34:35.# Shake it out, shake it out
:34:36. > :34:37.# Shake it out, shake it out
:34:38. > :34:47.# Shake it out, shake it out
:34:48. > :34:50.
:34:50. > :35:00.# And it's hard to dance # Shake it out, shake it out
:35:00. > :35:06.
:35:06. > :35:16.# And it's hard to dance # And it's hard to dance
:35:16. > :35:19.
:35:19. > :35:29.# Shake it out, shake it out # And it's hard to dance
:35:29. > :35:29.
:35:29. > :36:12.Apology for the loss of subtitles for 48 seconds
:36:12. > :36:20.# Sometimes I feel like # But you've got the love
:36:20. > :36:24.# And things go wrong no matter what I do
:36:25. > :36:29.# Now and then it seems that life is just too much
:36:29. > :36:34.# But you've got the love I need to see me through
:36:34. > :36:43.# When food is gone you are my daily meal
:36:43. > :36:45.# When friends are gone
:36:45. > :36:48.# I know my saviour's love is real
:36:48. > :36:52.# You know it's real
:36:52. > :36:54.# You got the love
:36:54. > :36:55.# You got the love
:36:55. > :37:00.# Yo-o-u got the love
:37:00. > :37:02.# You got the love
:37:02. > :37:05.# You got the love
:37:05. > :37:10.# Yo-o-u got the love
:37:10. > :37:12.# Time after time I think
:37:12. > :37:14.# "Oh Lord, what's the use?"
:37:14. > :37:19.# Time after time I think it's just no good
:37:19. > :37:20.# Cos sooner or later in life
:37:20. > :37:23.# The things you love you lose
:37:23. > :37:28.# But you got the love I need to see me through
:37:28. > :37:30.# You've got the love Whoa...
:37:30. > :37:32.# You've got the love
:37:32. > :37:36.# You've got the love
:37:37. > :37:46.# You've got the love
:37:47. > :37:47.
:37:47. > :38:34.Apology for the loss of subtitles for 48 seconds
:38:34. > :38:44.# Sometimes I feel like # But you've got the love
:38:44. > :38:44.
:38:44. > :40:02.Apology for the loss of subtitles for 48 seconds
:40:02. > :40:12.# Sometimes I feel like # But you've got the love
:40:12. > :40:20.
:40:20. > :40:26.And that is it. When you see Florence's harp, the festival
:40:26. > :40:32.season has begun. It brought the sun out. We have a special guest,
:40:32. > :40:38.Dizzee Rascal. Hello. You all right, baby? I've not seen you for such a
:40:38. > :40:43.long time. Look so good. We watched your set up here - your surprise
:40:43. > :40:52.set. It was incredible. How did you keep a secret? No-one knew you were
:40:52. > :40:56.going to turn up today? I kept my mouth shut. Did you enjoy it?
:40:56. > :41:05.to work the crowd. They weren't expecting me to come, - they were
:41:05. > :41:09.not all my fans. I had to win them over. Bonkers was mad. It is the
:41:09. > :41:17.perfect festival song. You don't have to know me. Just jump around
:41:17. > :41:22.if you hear it. Even that ice cream crowd were jumping. Yeah! I'm
:41:22. > :41:27.feeling the love. You've got a lot of love. Why does
:41:27. > :41:31.this part of London deserve a festival like this? You are an East
:41:31. > :41:35.London boy - why here? It is one of the most deprived parts of London.
:41:35. > :41:39.I have been saying all night, I wish this kind of stuff was
:41:39. > :41:43.happening when I grew up around here. Then to be a part of it, I
:41:43. > :41:47.get it is better, to be on the inside looking out. It's nice to
:41:47. > :41:53.have people out here having a nice time. The sun came out. That's the
:41:53. > :42:00.main thing. And the Olympics. So much going on.
:42:00. > :42:06.2012 is the year the world is supposed to end. It's all popping
:42:06. > :42:11.off in East London. What is going on with your music? I just came
:42:11. > :42:18.back from America like three/four weeks ago. It's starting to sound
:42:18. > :42:23.like an album now. I have a few big singles. I want to get a few more,
:42:23. > :42:26.interesting stuff. I've got my label, artist Pepper. We're all
:42:26. > :42:32.working trying to get the good stuff out. Before we release it,
:42:32. > :42:36.making sure everything is there. You are a perfectionist. We have a
:42:36. > :42:43.date for the England song for shout. I know England are on right now. I
:42:43. > :42:49.hope they win. The proceeds go to charity, to Great Ormond Street. We
:42:49. > :42:56.raised �85,000. Even if you aren't feeling the song go out and save a
:42:56. > :43:01.child's life. Is it 0-0? We were watching Maverick Sabar as well.
:43:01. > :43:04.One eye on the stage, one eye on the football. We're professionals.
:43:04. > :43:12.You're not. You were there with your face in the monitor a moment
:43:12. > :43:16.ago! Thank you. Will you stick around for Rihanna? Yeah. It's
:43:16. > :43:20.gathering up now. I've got some nice questions on Twitter and
:43:20. > :43:25.Facebook. Jessie says, how does it feel to perform on a stage in front
:43:25. > :43:30.of all your fans? It's amazing. The best thing. You make the music and
:43:30. > :43:35.then you get to bring it to life to people. I think of the people who
:43:35. > :43:45.sat there and sung those songs so many times. To come to live
:43:45. > :43:50.basically. It's a -- it's great. feels like we're ready to have you
:43:50. > :43:54.back. We're ready for a new Dizzee Rascal album. I'm trying to get a
:43:54. > :43:58.new body of work. This time when it's a singles market but I still
:43:59. > :44:02.like to make an all bum. Sipbgsles are important, definitely. The --
:44:02. > :44:08.singles are important, definitely. I need to make shuerpvy the big
:44:08. > :44:18.ones. I am looking forward for people hearing a body of work and
:44:18. > :44:28.not going to hear anything from anybody else. We will check out
:44:28. > :44:46.
:44:46. > :44:55.Say Oi! Don't make me
:44:55. > :45:05.Hear the bang Don't make me bring
:45:05. > :45:22.
:45:22. > :45:28.I've heard the gossip They're tryin' to see if Dizzee
:45:28. > :45:31.Because they're talking 'bout rushin'
:45:32. > :45:34.Talk behind my back but to my face they say nothin'
:45:34. > :45:36.Stand up in the parks, keep a firm, steady stance
:45:36. > :45:38.Keep the bodies touchin' Keep the beanies hot flushin'
:45:39. > :45:41.Flushin' MCs down the loo
:45:41. > :45:43.If you don't believe me, bring the posse, bring the crew
:45:43. > :45:45.Feel free to hate cos I ain't tryin' to be your mate
:45:45. > :45:51.Be serious, you wouldn't last a hour in my shoe
:45:51. > :45:53.# Trainers by the ton
:45:53. > :45:55.Don't be dazed when I catch you by your Js
:45:55. > :45:57.Chump, best to act like Forrest Gump Best to run
:45:57. > :45:59.So fix up, look sharp
:45:59. > :46:02.Don't make me get my blitzer and get dark
:46:02. > :46:04.Hear the bang See the spark
:46:04. > :46:06.Duck down, lay down, just
:46:06. > :46:09.Fix up, look sharp
:46:09. > :46:11.Don't make me bring the blitzer and get dark
:46:11. > :46:13.Hear the bang See the spark
:46:13. > :46:16.Duck down, lay down, just
:46:16. > :46:20.# I got the big beat
:46:20. > :46:24.# I hear the sound
:46:24. > :46:29.# I got the big beat
:46:29. > :46:32.# I get on down
:46:32. > :46:33.Check it, yo
:46:34. > :46:35.Stay sweet as a nut Sweet like Tropicana
:46:35. > :46:39.When the hammer hits Your head splits like banana
:46:39. > :46:41.You're not ready for this You better send your best soldiers
:46:41. > :46:43.This is Captain Rosco
:46:43. > :46:45.More destructive and troublesome than ever
:46:45. > :46:47.I'll probably be doing this probably forever
:46:47. > :46:49.Fellas wanna stop me They'll probably come together
:46:49. > :46:52.It's probable they'll stop me Probably never
:46:52. > :46:54.Top boy, top man, or toppa-toppa
:46:54. > :46:56.Come to me with an attitude Come a copper
:46:56. > :46:59.I'm old school like Happy Shopper I fight old school
:46:59. > :47:03.Bring your bat and your chopper And a first aid kit
:47:03. > :47:06.And some antiseptic This could get hectic
:47:06. > :47:08.I'm done, accept it You got a bright future
:47:09. > :47:13.Don't let me affect it So fix up, look sharp
:47:13. > :47:15.Don't make me bring a blitzer and get dark
:47:15. > :47:17.Hear the bang See the spark
:47:17. > :47:19.Duck down, lay down just
:47:19. > :47:21.Fix up, look sharp
:47:21. > :47:24.Don't make me bring a blitzer and get dark
:47:24. > :47:26.Hear the bang See the spark
:47:26. > :47:29.Duck down, lay down, just
:47:30. > :47:33.# I got the big beat
:47:33. > :47:38.OK
:47:38. > :47:43.# I got the big beat
:47:43. > :47:53.# I get on down. #
:47:53. > :48:13.
:48:13. > :48:13.As
:48:13. > :48:14.As the
:48:14. > :48:18.As the sun
:48:18. > :48:28.As the sun was setting, the lovely Dizzee Rascal, our surprise guest
:48:28. > :48:29.
:48:29. > :48:34.tonight. What a guy! If you want to press red, you can. You can see
:48:34. > :48:39.some Boo. B as well. You can see the whole of Rihanna's performance.
:48:39. > :48:48.It seems like the perfect evening. The sun is setting over there. In a
:48:48. > :48:53.bit she'll be on the Main Stage. We'll see it from 10pm. We have
:48:53. > :48:58.asked people why is Rihanna so flipping good?
:48:58. > :49:04.She is beautiful. She's talented. I want to see her live. She's amazing.
:49:04. > :49:09.She's the number one artist on the planet. I love her style. I like
:49:09. > :49:13.her umbrella. I am really excited that she's in Hackney. Rihanna!
:49:13. > :49:20.She started out in the music industry very young. She's been a
:49:20. > :49:25.powerhouse. I love how she came out. She turned into a phenomenal world
:49:25. > :49:30.superstar. She's a major pop artist. You can feel those roots inside of
:49:30. > :49:36.her. She's not like another artist. She's always down to earth. She
:49:36. > :49:42.says hi to all her fans. I hope she says hi to me. She's honest. She's
:49:42. > :49:47.straightforward. That's how things are. She goes partying, gets drunk.
:49:47. > :49:52.Just seems like one of the girls. You see her on the Tube. It's like,
:49:52. > :49:58.we're on the Tube. She has an aura. You know when she walks in the room,
:49:58. > :50:01.she has that star quality. She's so cool. So sexy. So great. Very
:50:01. > :50:06.naturally beautiful as well. Which obviously is a very big attraction
:50:06. > :50:14.for some people. She's just a star. She knows what she wants to say.
:50:14. > :50:19.She has no fear. Everything she brings out is: It's Rihanna.
:50:19. > :50:25.As I said earlier, you will see Rihanna's set at 10pm on BBC Three.
:50:25. > :50:33.You saw in that little package then David Guetta. What a guy.
:50:33. > :50:37.favourite French person. Fearne did tell me an neck dot earlier.
:50:37. > :50:42.Basically I interviewed him on Radio One. He's very funny without
:50:42. > :50:46.knowing it. I had to describe an Oyster card to him. It took half an
:50:46. > :50:53.hour because he thought I was talking about the food. See, I told
:50:53. > :51:03.you it was brilliant! A great story! David Guetta was on the
:51:03. > :51:05.
:51:05. > :51:15.Dance Stage earlier. This is # You shout it out loud
:51:15. > :51:42.
:51:42. > :51:52.# I'm criticised # Fire away, fire away
:51:52. > :51:52.
:51:52. > :53:09.Apology for the loss of subtitles for 48 seconds
:53:09. > :53:19.# Fire away, fire away # But it's you who have
:53:19. > :53:36.
:53:36. > :53:46.# Raise your voice # I'm bulletproof, nothing to lose
:53:46. > :53:51.
:53:51. > :53:58.# You shoot me down but I won't fall I am titanium
:53:58. > :54:08.# You shoot me down but I won't fall I am titanium
:54:08. > :54:08.
:54:08. > :55:22.Apology for the loss of subtitles for 48 seconds
:55:22. > :55:24.David
:55:24. > :55:25.David Guetta
:55:25. > :55:31.David Guetta headlining
:55:31. > :55:37.David Guetta headlining earlier. Earlier on he had a cardian on
:55:37. > :55:45.which said "David", which I quite liked.
:55:45. > :55:52.See you in 90 minutes, --... have so many lovely performances to
:55:53. > :55:59.show you. So much has happened. Of course you'll get Rihanna later, at
:55:59. > :56:04.10pm. I might need to strap you down. You are obsessed with her.
:56:04. > :56:11.find her music emotional. It makes me cry. Did see you her set
:56:11. > :56:21.earlier? I couldn't see her. I will watch this though. Plus some Dizzee
:56:21. > :56:24.
:56:24. > :56:30.Rascal. You'll get more of Dizzee Rascal. We heard that Tinie Tempah