:00:16. > :00:23.Hello and welcome back to our treehouse here at the Hackney
:00:23. > :00:28.weekend live on pine -- BBC Three. That was quick. We missed you.
:00:28. > :00:31.Kasabian is starting shortly If you want to get in touch with us feel
:00:31. > :00:34.free to, on Twitter and our Facebook page. This is new for this
:00:34. > :00:38.year, right, if your phone is a smartphone, one of those new smart
:00:38. > :00:42.ones you can actually watch the whole of the Hackney weekend in
:00:42. > :00:45.your pocket and just watch it on the go anywhere. You can have a
:00:45. > :00:49.look at our website, interviews and stuff. We will bring you Jay-Z and
:00:49. > :00:52.loads of amazing things here on BBC Three all the way through this
:00:52. > :00:55.evening. Definitely. We have got the Jay-Z whole headline set for
:00:55. > :01:01.you later. I have been distracted because Will.i.am has walked in,
:01:01. > :01:05.who we are going to chat to. That is dope! He has a jacket with
:01:05. > :01:08.lights in it, it's insane. We are going to chat to Will.i.am in a bit.
:01:08. > :01:12.That's the maddest jacket I have ever seen. As well as that, we are
:01:12. > :01:16.going to bring you so much music here and also chat to the
:01:16. > :01:26.Kasabianens. Let's check out a band who played earlier on, this is The
:01:26. > :01:26.
:01:26. > :02:24.Apology for the loss of subtitles for 57 seconds
:02:24. > :02:30.# When 24 and young and bored and # I know I am so self-obsessed
:02:30. > :02:34.# I guess, but there's no hope # But I hope it's just a phase
:02:34. > :02:37.# I could look for inspiration # Find it in a trouble at English
:02:37. > :02:42.station but wopbt that be cheap and ill-
:02:42. > :02:47.informed # And I could bet you don't believe
:02:47. > :02:53.# If I said a cape from deep within # But I promise you I'm telling you
:02:53. > :03:00.the truth # And I don't really care about
:03:00. > :03:03.# Anybody else when I haven't got my whole life figured out
:03:03. > :03:08.because when you're 24 and young and bored
:03:08. > :03:14.# And you don't know who you are # Nobody's, no hope
:03:14. > :03:22.# And it's hard to come of age # It's a problem that never goes my
:03:22. > :03:31.# I am so self-obsessed # I guess, but there's no hope
:03:31. > :03:34.# But I hope it's just a phase # Or I'll grow
:03:34. > :03:37.# Well I wish that I was comfortable in my own skin
:03:37. > :03:41.# But the whole thing feels like an exercise
:03:41. > :03:47.# Trying to be be someone I would rather not be
:03:47. > :03:51.# I find my life ever so moving # Keen, wide-eyed and unassuming
:03:51. > :03:54.# No hope there is no hope
:03:55. > :03:59.# But there's desperately # No hope
:03:59. > :04:04.# There's definitely no hope if you don't believe me
:04:04. > :04:07.# And there is no hope # There's desperately
:04:07. > :04:15.# No hope # And there's definitely no hope
:04:15. > :04:19.# If you don't believe me # And I don't care about
:04:20. > :04:23.# Anybody else when I haven't got my whole life figured out
:04:23. > :04:29.# Because you're 24 and young and bored
:04:29. > :04:34.# And don't know who you are # Nobody's, and it's hard to come
:04:34. > :04:39.of age # I think it's a problem
:04:39. > :04:46.# And never goes my way # I am so self-obsessed
:04:46. > :04:54.# I guess, but there's no hope # And I hope it's just a phase
:04:54. > :05:00.# There is no hope # It's a problem, it never goes
:05:00. > :05:09.away # I know I am so self-obsessed
:05:10. > :05:19.# I guess, but there's hope, I hope it's just a phase
:05:20. > :05:30.
:05:30. > :05:34.Thank you very much. That was The Vaccines, No Hope earlier on.
:05:34. > :05:38.have a special guest in the treehouse. We do. Will.i.am, how
:05:38. > :05:45.are you, Sir? Good to see you guys. Thanks for coming to our treehouse.
:05:45. > :05:50.Yeah, this is a lot of green. like it? But no tree. I love this
:05:50. > :05:57.coat, a lot. It's crazy, I love that. We can see you coming a mile
:05:57. > :06:02.off. Is it remote-controlled? Are you switching it on and off?
:06:02. > :06:12.thought. He is using his mind to turn the jacket on and off. I hear
:06:12. > :06:13.
:06:13. > :06:21.that you are now calling yourself Brit.I.Am? It's a play on Britain.
:06:21. > :06:25.Instead of I am, it's AIN. Do you love being here. People say the
:06:25. > :06:29.weather is not good, but I get to wear nice could coats, I get to
:06:29. > :06:35.wear jackets. I wear a jacket in LA and it's hot. I think I am in the
:06:35. > :06:39.wrong place. Your natural home. 2012 has an amazing buzz because of
:06:39. > :06:44.the Olympics and stuff. When you got the callup for Hackney did you
:06:44. > :06:49.think I have to do this? I got called to do this earlier in the
:06:49. > :06:53.year, actually December. I have been preparing for this and I am
:06:53. > :06:56.really excited that I did it, you know, I was excited before and
:06:56. > :07:00.excited after. It's a great environment. There's no Glastonbury
:07:01. > :07:06.this year, so this is like this year's thing to do. I am really
:07:06. > :07:12.happy that I am here today. How did your set go earlier? The set was
:07:12. > :07:18.cool. I had a little contraption on my head and it was hard to see in
:07:18. > :07:24.there. What sort of contraption was it? I had this device, when I
:07:24. > :07:29.opened the show I had a bunch of dancers that had iPad faces? IPad
:07:29. > :07:33.faces. You put the iPad on your face. I had iPad face with a face
:07:33. > :07:37.here and here. I was all boxed up. But it was still me and after I
:07:37. > :07:41.performed I took my head off and I was holding my head. Are we going
:07:41. > :07:45.to see a bit of this, hopefully in a moment. Are you going to stick
:07:45. > :07:51.around and watch Jay-Z? I am going to check it out, I wish I could
:07:51. > :07:55.watch it with the crowd, though. But I can't do that. You might get
:07:55. > :07:59.spotted. Take off the flashy jacket and you might be OK. I think about
:07:59. > :08:04.going like, put on a hoody. your computer face back on, there
:08:04. > :08:06.you go. Kasabian have started in the background, by the way and
:08:06. > :08:09.sound phenomenonal. You are going to see some of that later and we
:08:09. > :08:15.are going to chat to Kasabian as soon as they come off stage.
:08:15. > :08:21.couple of questions from Twitter, a guy here, Oliver, actually on
:08:21. > :08:28.Facebook, says how many times a day do you say "dope"? Depends on if
:08:28. > :08:38.something happens has dope. Is this treehouse dope? It's pretty dope.
:08:38. > :08:38.
:08:38. > :08:47.Semi-dope. It's dope-ish. Amber on Facebook - sorry, I couldn't see
:08:47. > :08:57.the full stop! Amber says who is your style inspiration? I like, of
:08:57. > :08:59.
:08:59. > :09:07.course, Michael Jackson was fresh. A lot of the, like, sci-fi like
:09:07. > :09:11.Tron, they were crazy fresh with it. I like to take things called sci-fi
:09:11. > :09:15.or fantasy and bring it down to reality in some way. Thank you for
:09:15. > :09:18.popping up to our treehouse today. Enjoy Jay-Z later on with your
:09:18. > :09:28.flashy jacket on. We are going to watch a bit of your set from
:09:28. > :09:29.
:09:29. > :09:39.earlier today. This is from your # That tonight's gonna be
:09:39. > :10:01.
:10:01. > :10:08.# That tonight's gonna be # Tonight's the night
:10:08. > :10:09.# Hey, go out and smash it Like, oh, my God
:10:09. > :10:09.#
:10:09. > :10:10.# Go
:10:10. > :10:12.# Go out
:10:12. > :10:16.# Go out and smash it # Jump off that sofa
:10:16. > :10:23.# Let go my guard # Jump off that sofa, let's kick it
:10:23. > :10:28.# Fill up my cup # Look at her dancing, just take it
:10:28. > :10:32.# Let's paint the town # We'll shut it down.
:10:32. > :10:42.# Let's burn the roof # And then we'll do it again
:10:42. > :10:50.
:10:50. > :11:00.# Tonight's the night # That tonight's gonna be
:11:00. > :11:01.
:11:01. > :11:04.# Tonight's the night Let's live it up
:11:04. > :11:07.# I got my money Let's spend it up
:11:08. > :11:11.# Hey, go out and smash it Like, oh, my God
:11:11. > :11:16.# Jump off that sofa Let's get, get off
:11:16. > :11:18.# I know that we'll have a ball
:11:18. > :11:28.# If we get down and go out and just lose it all
:11:28. > :11:30.# Let's get way out, spaced out And losing all control
:11:30. > :11:33.# Ch ch ch ch Fill up my cup, mazel tov
:11:33. > :11:37.# Look at her dancing Just take it off
:11:37. > :11:41.# Let's paint the town We'll shut it down
:11:41. > :11:51.# Let's burn the roof And then we'll do it again
:11:51. > :11:52.# That tonight's gonna be a good night
:11:53. > :11:55.# That tonight's gonna be a good night
:11:55. > :12:05.# That tonight's gonna be a good, good night
:12:05. > :12:17.
:12:17. > :12:19.# Feel the shot, body rock Rock and don't stop, stop, stop
:12:19. > :12:20.# Round and round, up and down Around the clock
:12:20. > :12:22.# Monday, Tuesday Wednesday and Thursday
:12:22. > :12:25.# And Friday, Saturday To Sunday get, get, get, get, get
:12:25. > :12:27.# Get with us You know where we stay
:12:27. > :12:35.# Party every day P-P-P-Party every day
:12:35. > :12:42.# That tonight's gonna be a good, good night, I feel it
:12:42. > :12:48.# That tonight's gonna be a good, good night, I feel it
:12:48. > :12:51.# That tonight's gonna be a good night
:12:52. > :12:56.# That tonight's gonna be a good night
:12:56. > :13:05.# That tonight's gonna be a good, good night, I feel it
:13:05. > :13:05.Look
:13:05. > :13:06.Look at
:13:06. > :13:10.Look at that
:13:10. > :13:17.Look at that with the smoke at the end. That was dope. I always get
:13:17. > :13:21.afraid that smoke is going to blast me in the face. And you fell over.
:13:21. > :13:25.It could have been a lot worse. For those that didn't notice, when I
:13:25. > :13:30.went aut in the audience to rock out with the crowd and got back on
:13:30. > :13:34.stage, I did a little stumble. Then I picked myself up, so it looked
:13:34. > :13:43.like a break dance move It looked like part of the routine. Looked
:13:43. > :13:46.like I was... Not the dope fall. The save was dope. People can also
:13:46. > :13:50.see the rest of your set online, you can watch the whole thing on
:13:50. > :13:55.the website. Please get in touch with us on to the BBC Three
:13:55. > :14:02.Facebook page or Twitter. If you have any questions or any of our
:14:02. > :14:09.guests or want to make a comment please feel free. Earlier on, back
:14:09. > :14:14.stage, I saw Gemma kaeurpby tentatively putting hot points/ on.
:14:14. > :14:17.-- pants on, I asked her why in these weather conditions she was
:14:17. > :14:24.doing that. You know me, I like to get around
:14:24. > :14:28.and here I am in the snazzy area, back stage. There's dressing rooms,
:14:28. > :14:38.people sauntering around. Little make-up area by there. Lots of nice
:14:38. > :14:41.
:14:41. > :14:47.food that I can smell and hear is D' Banj. Have you got an east
:14:47. > :14:50.London vibe? Look at me from head to toe. Top of the morning. Top of
:14:50. > :14:54.the day to you. Hope you have a confession, liberty. Let's talk
:14:54. > :15:00.about Oliver Twist, because it's such a tune. Have you got an
:15:00. > :15:04.obsession with Charles Dickens? of course not, no. Just like the
:15:04. > :15:08.book, I am just like he said, just not satisfied with what I am now,
:15:08. > :15:13.and where I have been now and what I want to get more. You have one
:15:13. > :15:17.million, you want two million. You have one car, you want two. What
:15:17. > :15:22.about working with Kanye West? Big look. You are signed to his label.
:15:22. > :15:25.You have worked on a film with him, what's he like? Is he a crazy
:15:25. > :15:32.control freak? Is he like the coolest guy ever? Tell us the truth.
:15:32. > :15:36.I know you think I am biased but he is so humble. He is a creative
:15:36. > :15:41.genius. Yeah, it's Kanye West. Coming from Africa, I am sure I
:15:41. > :15:50.feel just like you, like Kanye West and - he is so down to earth,
:15:50. > :15:56.listens to you. Amazing. He give me this chain. I was wondering, I like
:15:56. > :16:00.to shake my thing a little bit. Could I try it out with some of
:16:00. > :16:05.your dances. I will teach you a move. Teach you the Oliver Twist
:16:05. > :16:10.move. I got to call on my dancers, I am ready to teach about 8,000
:16:10. > :16:20.people. Let me call on my dancers and teach you. I have my hat. Here
:16:20. > :16:24.
:16:24. > :16:34.we go! All right, guys. We are going to go Oliver, Oliver. Oliver,
:16:34. > :16:47.
:16:47. > :16:57.Oliver... One more time. Do I make the cut? Forget about
:16:57. > :17:03.this, I am going off to rehears! Right, you know this thing about D'
:17:03. > :17:07.Banj, he has a reality TV show called the Mansion, he created a
:17:07. > :17:13.whole show to get with women. you going to steal this idea?
:17:13. > :17:16.might. You pay �to and get -- �20 and get to sign up and do it.
:17:16. > :17:21.can see Kasabian in the background. Their set is sounding so
:17:21. > :17:24.phenomenonal. It's a strong set and you get to see some of that live
:17:24. > :17:34.later. Nicki Minaj finished half an hour ago and we are going to play a
:17:34. > :17:36.
:17:36. > :17:46.bit of her set now. This is Bees in London, make some noise, this is
:17:46. > :17:59.
:17:59. > :18:08.# I beez in the trap # I beez in the trap
:18:08. > :18:18.# I beez in the trap # And if she ain't try'na give it up
:18:18. > :18:28.
:18:28. > :18:38.# Might spend a couple thou' # So if you need a hit
:18:38. > :18:40.
:18:40. > :18:50.# I beez in the trap # I beez in the trap
:18:50. > :18:50.
:18:50. > :19:39.Apology for the loss of subtitles for 57 seconds
:19:39. > :19:49.I beez in the trap I beez in the trap,
:19:49. > :20:08.
:20:08. > :20:12.Where my pretty girls at? Make some noise if you're in love. Also, you
:20:12. > :20:15.know what real love is then? Sometimes you hate them, sometimes
:20:15. > :20:25.you love them. Sometimes you want to give them some, sometimes you
:20:25. > :20:26.
:20:26. > :21:08.Apology for the loss of subtitles for 57 seconds
:21:08. > :21:18.want to kill them. # Got to let you know
:21:18. > :21:39.
:21:39. > :21:49.# I'm not living # I'm not living
:21:49. > :22:16.
:22:17. > :22:18.# I'm not living # That got me walking round
:22:18. > :22:20.# I only argue wit' 'em when the Lakers on
:22:20. > :22:24.# Other than that I'm getting my Marc Jacobs on
:22:24. > :22:26.# Cos he know that it'd be a wrap when I'm riding it from the back
:22:26. > :22:33.# Wait, oh, let me see your phone
:22:33. > :22:35.# Wait, wait, wait, damn!
:22:35. > :22:36.# There I go again, I be trippin
:22:36. > :22:38.# I be flippin'
:22:38. > :22:41.# I be so belligerent
:22:41. > :22:43.# I dont even remember though I was probably hella bent
:22:43. > :22:45.# Let's go
:22:45. > :22:48.# I-I-I'm not living life
:22:48. > :22:50.# I'm not living right
:22:50. > :22:53.# I'm not living if you're not by my side
:22:53. > :22:57.# O-o-ooh, oh-h!
:22:57. > :22:59.# I-I-I'm not living life
:22:59. > :23:02.# I'm not living right
:23:02. > :23:05.# I'm not living if you're not by my side
:23:05. > :23:15.# O-o-ooh, oh-h!
:23:15. > :23:19.
:23:19. > :23:21.# I can't eat, I-I-I-I
:23:21. > :23:24.# I cant sleep, I-I-I
:23:24. > :23:27.# What I need, I-I-I
:23:27. > :23:37.# Is you right by my side. #
:23:37. > :24:12.
:24:13. > :24:14.# I fly with the stars
:24:14. > :24:16.# I am no longer trying to survive
:24:16. > :24:17.# I believe that life is a prize
:24:17. > :24:18.# But to live doesn't mean
:24:18. > :24:20.# You're alive
:24:20. > :24:22.# Don't worry 'bout me and who I fire
:24:22. > :24:23.# I get what I desire it's my empire
:24:23. > :24:25.# And yes I call the shots
:24:25. > :24:26.# I am the umpire
:24:26. > :24:28.# I sprinkle holy water
:24:28. > :24:29.# Upon a vampire
:24:29. > :24:31.# And this very moment I'm king
:24:31. > :24:32.# In this very moment
:24:32. > :24:34.# I slay Goliath with a sling
:24:34. > :24:36.# This very moment I bring
:24:36. > :24:37.# Put it on everything
:24:37. > :24:39.# That I will retire with the ring
:24:39. > :24:41.# And I will retire with the crown
:24:41. > :24:43.# Yes! No I'm not lucky I'm blessed
:24:43. > :24:44.# Yes!
:24:44. > :24:46.# Clap for the heavyweight champ
:24:46. > :24:47.# Me!
:24:47. > :24:48.# But I couldn't do it all alone
:24:49. > :24:50.# We!
:24:50. > :24:51.# Young Money raised me
:24:51. > :24:53.# Grew up out in Paisley
:24:53. > :24:54.# Southside Jamaica, Queens
:24:54. > :24:56.# And it's crazy cos I'm still hood
:24:56. > :24:57.# Hollywood couldn't change me
:24:57. > :24:58.# Shout out to my haters
:24:58. > :25:00.# Sorry that you couldn't faze me
:25:00. > :25:05.# Ain't being cocky we just vindicated
:25:05. > :25:06.# I don't know
:25:06. > :25:08.# This night just remind me of
:25:08. > :25:10.# Everything that they deprived me of
:25:10. > :25:12.# P-P-P-P-P-ut ya drinks up
:25:12. > :25:15.# It's a celebration
:25:15. > :25:17.# They can think of
:25:17. > :25:19.# Greatness is what we wanna brink up
:25:19. > :25:21.# I wish that I could have
:25:21. > :25:22.# This moment for life
:25:22. > :25:25.# For life
:25:25. > :25:27.# For life
:25:27. > :25:28.# Cos in this moment
:25:29. > :25:32.# I just feel so alive
:25:32. > :25:34.# Alive
:25:34. > :25:37.# Alive
:25:37. > :25:39.# I wish that I could have
:25:39. > :25:42.# This moment for life
:25:42. > :25:47.# For life
:25:47. > :25:49.# This is my moment
:25:49. > :25:51.# I just feel so alive
:25:51. > :25:53.# Alive
:25:53. > :26:01.# Alive
:26:01. > :26:11.# This is my moment
:26:11. > :26:25.
:26:25. > :26:26.# For life
:26:26. > :26:28.# For life
:26:28. > :26:30.# Cos in this moment
:26:30. > :26:31.# I just feel so alive
:26:31. > :26:41.# Alive
:26:41. > :26:45.
:26:45. > :26:45.Who's ready? London,
:26:45. > :26:45.Who's ready? London, you
:26:45. > :26:48.Who's ready? London, you have
:26:48. > :26:58.Who's ready? London, you have been amazing. There's one more song I
:26:58. > :27:15.
:27:15. > :27:21.have to do before I leave. Kisses # He always in the air
:27:21. > :27:22.# And, yes, you'll get slapped if you're lookin', ho
:27:23. > :27:24.# I said, "Excuse me, you're a hell of a guy
:27:24. > :27:26.# "I mean, my-my, my, my Like pelican fly
:27:26. > :27:27.# "I mean, you're so shy and I'm lovin' your tie
:27:28. > :27:29.# "You're, like, slicker than the guy with the thing on his eye"
:27:29. > :27:31.# Oh, yes, I did Yes, I did
:27:31. > :27:33.# Somebody please tell him who the eff I is
:27:33. > :27:35.# I am Nicki Minaj I mack them dudes up
:27:35. > :27:37.# Back coupes up and chuck the deuce up
:27:37. > :27:40.# Boy, you got my heartbeat runnin' away
:27:40. > :27:44.# Beating like a drum and it's comin' your way
:27:44. > :27:47.# Can't you hear that boom, badoom, boom-boom, badoom, boom bass?
:27:47. > :27:49.# He got that super bass
:27:49. > :27:51.# Boom, badoom, boom-boom, badoom, boom bass
:27:51. > :27:53.# Yeah, he has that super bass
:27:53. > :27:56.# Boom, boom, boom, boom Boom, boom, boom, boom
:27:56. > :27:58.# Boom, boom, boom, boom
:27:58. > :28:00.# Boom, boom, boom, boom
:28:00. > :28:03.# Boom, badoom, boom-boom, badoom, boom bass, he got that super bass
:28:03. > :28:08.# Boom, badoom, boom-boom, badoom, boom bass, he has that super bass
:28:08. > :28:11.# This one is for the boys in the polos
:28:11. > :28:13.# He could ball with the crew He could solo
:28:13. > :28:15.# But I think I like him better when he dolo
:28:15. > :28:17.# And I think I like him better with the fitted cap on
:28:17. > :28:21.# He ain't even gotta try to put the mack on
:28:21. > :28:24.# He just gotta give me that look
:28:24. > :28:25.# Uh, excuse me You're a hell of a guy
:28:25. > :28:35.# You know I really got a thing for American guys
:28:35. > :28:44.
:28:44. > :28:45.# Beating like a drum and it's comin' your way
:28:45. > :28:48.# Can't you hear that boom, badoom, boom-boom, badoom, boom bass?
:28:48. > :28:49.# He got that super bass
:28:49. > :28:51.# Boom, badoom, boom-boom, badoom, boom bass
:28:51. > :28:53.# Yeah, he has that super bass
:28:53. > :28:56.# Boom, boom, boom, boom Boom, boom, boom, boom
:28:56. > :28:58.# Boom, boom, boom, boom
:28:58. > :29:00.# Boom, boom, boom, boom
:29:00. > :29:04.# Boom, badoom, boom-boom, badoom, boom bass, he got that super bass
:29:04. > :29:14.# Boom, badoom, boom-boom, badoom, boom bass, he has that super bass
:29:14. > :29:17.
:29:17. > :29:18.# See, I need you in my life for me to stay
:29:19. > :29:20.# No, no, no, no, no I know you'll stay
:29:20. > :29:21.# No, no, no, no, no Don't go away
:29:21. > :29:23.# Hey-ey-ey
:29:23. > :29:26.# Boy, you got my heartbeat runnin' away
:29:26. > :29:29.# Don't you hear that heartbeat comin' your way?
:29:29. > :29:33.# Oh, it be like, boom, badoom, boom-boom, badoom, boom bass
:29:33. > :29:37.# Can't you hear that boom, badoom, boom-boom, badoom, boom, bass?
:29:37. > :29:40.# Boy, you got my heartbeat runnin' away
:29:41. > :29:44.# Beating like a drum and it's comin' your way
:29:44. > :29:48.# Can't you hear that boom, badoom, boom-boom, badoom, boom bass?
:29:48. > :29:50.# He got that super bass
:29:50. > :29:52.# Boom, badoom, boom-boom, badoom, boom bass
:29:52. > :29:57.# He has that super bass
:29:57. > :30:03.# Boom, badoom, boom-boom
:30:03. > :30:05.# Boom, badoom, boom-boom
:30:05. > :30:15.# Boom, badoom, boom-boom
:30:15. > :30:18.
:30:18. > :30:19.Wow,
:30:19. > :30:19.Wow, that
:30:19. > :30:26.Wow, that was
:30:26. > :30:30.Wow, that was great. She's so curvy. She's a beautiful lady. Everything
:30:30. > :30:33.was jiggling around on those dancers. Are you OK? Deep breaths
:30:33. > :30:36.and all that. Have a glass of water. Obviously t takes a lot of
:30:36. > :30:40.organisation to get all of this happening, to get all the artists
:30:41. > :30:44.from all over the world to land here in Hackney. We decided to
:30:44. > :30:47.follow one particular act who we love, Rizzle Kicks, right from the
:30:47. > :30:55.second they woke up this morning to see their journey today, back stage
:30:55. > :31:05.and them doing their thing. Have a Morning.
:31:05. > :31:05.
:31:05. > :31:15.We are nearly ready, so you guys can come in. Morning. Today we are
:31:15. > :31:33.
:31:33. > :31:37.going to Hackney Marshes to perform I remember us being told about this
:31:37. > :31:43.Hackney Weekend event and it was kind of like, wow. 2000 people per
:31:43. > :31:53.day, isn't it, pretty mad. Jay-Z headlining tonight. Tomorrow night
:31:53. > :31:59.
:31:59. > :32:07.I think it's Rihanna, like, it's a joke. Will.i.am, Sean Paul,
:32:07. > :32:17.Michael... The Vaccines, Jack White, Example, Ed Sheeran. Jay-Z! Well up
:32:17. > :32:43.
:32:43. > :32:53.Going to go and interview with with Just getting involved, doing a bit
:32:53. > :33:14.
:33:14. > :33:19.We are about to go on stage at Hackney Weekend. I am really
:33:19. > :33:29.excited. What happens is I get so much adrenalin in my body, it
:33:29. > :33:46.
:33:46. > :33:56.Let's go. First of all, two lovely guys, they're brilliant and
:33:56. > :34:15.
:34:15. > :34:25.wonderful. Give it up for Rizzle We are going to get things going.
:34:25. > :34:25.
:34:25. > :35:08.Apology for the loss of subtitles for 57 seconds
:35:08. > :35:15.Our first track is called Prophet. # You and I belong together
:35:15. > :35:19.# I'll live live within your soul forever
:35:19. > :35:21.# Hackney make some noise! # I am in the spare bedroom at
:35:21. > :35:24.parties # Full of sweet whispers, not very
:35:24. > :35:26.smarties # Hope that nobody comes in, knock
:35:26. > :35:33.another drink # One thinks with no mention of car
:35:33. > :35:37.keys # Going to set fire to the trees,
:35:37. > :35:40.who wouldn't # Somebody's door for a quick whizz
:35:40. > :35:46.# Real weekender bloke, somebody kiss this
:35:46. > :35:52.# I am your mistress mistress # That your wife didn't put on her
:35:52. > :35:55.Christmas wish list # Ain't nobody gonna tell me what I
:35:55. > :35:58.wanna do # Stuck in your pocket, in your
:35:59. > :36:01.feathers while you sleep # I am a prophet and a profit's
:36:01. > :36:07.what you will keep # You and I belong together
:36:07. > :36:10.# I'll live within your soul forever
:36:10. > :36:13.# The one who wakes up and can feel no pain
:36:13. > :36:18.# Because you strive on another man's strain
:36:18. > :36:24.# Me and you will never be the same # Because clearly for you this
:36:24. > :36:27.anti-'s just a phase # The type to steal something
:36:28. > :36:31.although that it is free # The type to make a promise just
:36:31. > :36:41.to break it clean # Who are you trying to be?
:36:41. > :36:50.# Who are you trying to please? Make your mind up and choose your
:36:50. > :36:54.# Maybe then we can seal the day # Stuck in your pocket, in your
:36:54. > :36:57.feathers while you sleep # I am a prophet and a profit's
:36:57. > :37:04.what you will keep # You and I belong together
:37:04. > :37:08.# I'll live within your soul forever
:37:08. > :37:11.# Stuck in your pocket, in your feathers while you sleep
:37:11. > :37:14.# I am a prophet and a profit's what you'll keep
:37:14. > :37:24.# You and I belong together # I'll live within your soul
:37:24. > :37:27.
:37:27. > :37:30.forever Hackney, make some some noise!
:37:30. > :37:35.A year ago they were on the introducing stage. Fast forward a
:37:35. > :37:38.year, they're on the main stage. It's incredible. They were so
:37:38. > :37:42.excited today. They were bouncing around. They're lovely boys. I am
:37:42. > :37:46.chuffed for them. By the way, you can see Rizzle Kicks set on the red
:37:46. > :37:51.button right now if you want and The Vaccines. Thank you very much
:37:51. > :37:56.for all your tweets and Facebook messages so far.
:37:56. > :38:02.One from Kayleigh says, I get to watch Hackney without the rain.
:38:02. > :38:05.Cheers. That's a comfy way to do it. Just snuggle in, and thank
:38:05. > :38:08.yourselves lucky you are not in the rain and mud, although that lot are
:38:08. > :38:14.having a wonderful time. Say the thing. The weather won't put a
:38:14. > :38:19.dampener on our day. Yeah! Alex on Twitter is loving Gemma's hair at
:38:19. > :38:25.the moment. Also Catherine on Twitter is saying she loves your
:38:25. > :38:30.leggings. They're actually jeans, but thank you very much for that
:38:30. > :38:40.comment. Amazing when the crowd sings back to the artists. We are
:38:40. > :38:40.
:38:40. > :39:28.Apology for the loss of subtitles for 57 seconds
:39:28. > :39:32.going to see that right now, here # Put your hands up
:39:32. > :39:35.# Zone out so much attention # Scream out I am in the building
:39:35. > :39:40.# They watching, I know this # I am rocking, I am ropling
:39:40. > :39:42.# I am holding, I snow it, you know # You know I know how
:39:42. > :39:50.# To make them stop and stare as I zone out
:39:50. > :39:59.# The club can't even handle me right now
:39:59. > :40:09.watching me watching you, I go all put your hands up, put your hands
:40:09. > :40:13.
:40:13. > :40:18.# The club can't even handle me right now
:40:18. > :40:20.# Can't stop now # Came to party until I came no
:40:20. > :40:23.more # Celebrate because that's all I
:40:23. > :40:30.know # Tip the groupies taking off their
:40:30. > :40:33.clothes # Grand final like like Super Bowl
:40:33. > :40:37.# No hype, do it big all over the globe
:40:37. > :40:41.# I said it, go tell it # Confetti, who ready?
:40:41. > :40:47.# I am ready, you ready # You know I know how to make them
:40:47. > :40:50.stop and stare as I zone out # The club can't even handle me
:40:50. > :40:52.right now # Watching you, watching me, I go
:40:52. > :40:56.all out # The club can't even handle me
:40:56. > :41:02.right now # Put your hands up, put your hands
:41:02. > :41:04.# Put your hands up # The club can't even handle me
:41:04. > :41:12.right now # Put your hands up, put your hands
:41:12. > :41:16.# You got me watching now # Got my attention now
:41:16. > :41:22.# Got everybody in the club wanting to know now
:41:22. > :41:28.# I am a ladies man # Come be my lady, and we can ball,
:41:28. > :41:35.# Bring your body here, let me switch up
:41:35. > :41:42.# Take you out of the club and end up in my new limo
:41:42. > :41:45.# Fly you around the world # Are you ready to go now?
:41:45. > :41:47.# I know how to make them stop and stare as I zone out
:41:47. > :41:51.# The club can't even handle me right now
:41:51. > :41:54.# Watching you watching me # I go all out
:41:54. > :42:00.# The club can't even handle me right now
:42:00. > :42:06.# Put your hands up, put your hands hands up
:42:06. > :42:16.# The club can't even handle me right now
:42:16. > :42:20.
:42:20. > :42:23.# And celebrate now I just love him. You are obsessed.
:42:23. > :42:27.He is just ridiculous. Look at him, his life is ridiculous. Necessary
:42:27. > :42:32.the club all the time, all the girls around him. The microphone
:42:32. > :42:36.was exceptional he was using. want to go on a night out with him
:42:36. > :42:39.just to see what he is like. Shall we hook you up? Not like that.
:42:39. > :42:42.Kasabian are doing their thing in the background. We are going to
:42:42. > :42:48.show you some of that in a moment and more of them later as well and
:42:48. > :42:55.a nice chat with Rita Ora and bring you as many nice acoustic
:42:55. > :42:59.performances you will only see here on BBC Three. Rita Ora will do VIP
:42:59. > :43:02.here and as well as that Jay-Z, you are going to see the whole thing.
:43:02. > :43:12.Stay with us, we will be back in a tick on BBC Three. There's strobing
:43:12. > :43:12.
:43:12. > :45:12.Apology for the loss of subtitles for 57 seconds
:45:12. > :45:22.# Now your feet are stomping # Now your feet are stomping
:45:22. > :45:22.
:45:22. > :47:42.Apology for the loss of subtitles for 57 seconds
:47:43. > :47:52.Radio 1, Hackney, raise your hands to the sky, come on!
:47:53. > :48:29.
:48:29. > :48:39.# Have hu enough # Are you feeling rough?
:48:39. > :48:44.
:48:44. > :48:54.# I am taking back what's mine # I am waiting
:48:54. > :49:02.
:49:02. > :49:12.# Right here now I am waiting # For someone or something
:49:12. > :49:37.
:49:37. > :49:47.# To days are forgotten # Now it's all over, simply forgotten
:49:47. > :49:49.
:49:49. > :49:52.# But I'm being born again # You may call it suicide, but I am
:49:52. > :49:56.being born again # I am waiting, right here I am
:49:56. > :50:01.waiting # for someone or something to take
:50:01. > :50:05.me, take me over # Days, days are forgotten
:50:05. > :50:10.# Now it's all over simply forgotten
:50:10. > :50:14.# How to disappear # Days, days are forgotten
:50:14. > :50:20.# Now it's all over, simply forgotten
:50:20. > :50:22.# How to disappear # I saw something, I get on the
:50:22. > :50:31.dark # It's the
:50:31. > :50:36.# You was sat home, chewing on monkey brains
:50:36. > :50:46.# I am not here # Because I am just a silhouette
:50:46. > :50:48.
:50:48. > :50:53.# You will never, ever forget # Days, days are forgotten
:50:53. > :51:00.# Now it's all over simply forgotten
:51:00. > :51:04.# How to disappear # Days, days are forgotten
:51:04. > :51:13.# Now it's all over simply forgotten
:51:13. > :51:18.# How to disappear # Days, days are forgotten
:51:18. > :51:22.# Simply forgotten, how to disappear
:51:22. > :51:29.# I saw something, I get on the dark
:51:29. > :51:39.# You were sat home, chewing on monkey brains
:51:39. > :52:05.
:52:05. > :52:15.# Brain, I said brain. Hackney, Thank you, Hackney, Radio 1, thank
:52:15. > :52:15.
:52:15. > :57:03.Apology for the loss of subtitles for 57 seconds