Episode 1

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:00:13. > :00:17.Thank you for joining me as I broadcast to you live from the BBC

:00:18. > :00:27.Television Centre. Inside, it is warm and cosy. Outside, the autumn

:00:28. > :00:28.

:00:28. > :00:31.has begun. Leaves are considering falling off their trees. I start a

:00:31. > :00:37.marvellous new series with beautiful artists and a superb

:00:37. > :00:45.audience which includes you. Let's This programme contains

:00:45. > :00:55.This programme contains # It's like

:00:55. > :00:55.

:00:55. > :01:50.Apology for the loss of subtitles for 54 seconds

:01:50. > :02:00.# Show me now # Every eye

:02:00. > :02:19.

:02:19. > :02:29.# We are listening # We are listening

:02:29. > :03:03.

:03:03. > :03:10.# And as the kids # You and I

:03:10. > :03:14.# Show me now Show me the arms aloft

:03:14. > :03:18.# Every eye trained on a different star

:03:18. > :03:22.# This magic, this drunken semaphore

:03:22. > :03:26.# And I...

:03:26. > :03:34.# We are listening and we're not blind

:03:34. > :03:39.# This is your life

:03:39. > :03:42.# this is your time

:03:42. > :03:50.# We are listening and we're not blind

:03:50. > :03:53.# This is your life

:03:53. > :03:58.# This is your time

:03:58. > :04:05.# We are listening and we're not blind

:04:06. > :04:09.# This is your life

:04:09. > :04:14.# This is your time

:04:14. > :04:20.# We are listening and we're not blind

:04:20. > :04:24.# This is your life

:04:25. > :04:34.# This is your time. #

:04:35. > :04:35.

:04:35. > :04:43.CHEERING AND APPLAUSE

:04:43. > :04:44.Thank

:04:44. > :04:46.Thank you,

:04:46. > :04:50.Thank you, Snow

:04:50. > :04:55.Thank you, Snow Patrol! On tonight's show: A man who describes

:04:55. > :05:04.himself as the centre of the universe, Mr Roy Harper. We will

:05:04. > :05:10.enjoy meeting the man that is Shaun Ryder! The amazing Trombone Shorty

:05:10. > :05:18.& Orleans Avenue! We are delighted to have Little Dragon. CHEERING We

:05:18. > :05:28.are delighted to have Emeli Sande. Now, from London, please welcome

:05:28. > :05:28.

:05:28. > :06:34.Apology for the loss of subtitles for 54 seconds

:06:34. > :06:44.# Kind eyes # The prize

:06:44. > :07:21.

:07:21. > :07:31.# Oh, the weather out there # I can't keep a secret

:07:31. > :07:31.

:07:31. > :08:44.Apology for the loss of subtitles for 54 seconds

:08:44. > :08:54.# I couldn't keep a secret Superb! The Duke Spirit with

:08:54. > :08:54.

:08:54. > :09:43.Apology for the loss of subtitles for 54 seconds

:09:43. > :09:53.Surrender. Now, let's welcome from # But the day

:09:53. > :09:53.

:09:53. > :10:58.Apology for the loss of subtitles for 54 seconds

:10:58. > :11:08.# But the day # But the day

:11:08. > :11:08.

:11:08. > :12:00.Apology for the loss of subtitles for 54 seconds

:12:00. > :12:10.# But the day # You say that you're away

:12:10. > :12:10.

:12:10. > :13:19.Apology for the loss of subtitles for 54 seconds

:13:19. > :13:24.Emeli Sande! APPLAUSE Nice! All right. There's a talented man that

:13:24. > :13:30.has his life in this book. We welcome at the table now, the

:13:30. > :13:37.wonderful Shaun Ryder. APPLAUSE What a great book. Thank you.

:13:37. > :13:47.packed - you can't put it down! Twisting My Melon - where does that

:13:47. > :13:50.

:13:50. > :13:57.come from? It comes from the great Steve McQueen. It writes it Dulles

:13:57. > :14:04.Dulles -- it writes itself. Was it easy to write? No, it is a love-

:14:04. > :14:10.hate relationship. With what? '90s was quite hard to do. Yeah.

:14:10. > :14:17.grew up in the '60s, that was easier to do than dealing with the

:14:17. > :14:23.'90s. Because it was too painful to remember? I don't do painful. I

:14:23. > :14:29.don't do depressions. A bit of a memory blank in the '90s. Yeah.

:14:29. > :14:34.Well, so that is a very thin chapter in the book? Yes. LAUGHTER

:14:34. > :14:39.The '60s were represented beautifully? Absolutely. Did you

:14:40. > :14:46.learn things? Were you surprised looking back? As you do, when

:14:46. > :14:51.you're a young lad who thinks you know everything, so... What would

:14:51. > :15:01.you tell that young lad now? would tell him to sit up straight

:15:01. > :15:02.

:15:03. > :15:08.and just get on with it and pay your manager's, you know, what you

:15:08. > :15:12.go to court over. They are going like THIS. I have to say we love

:15:12. > :15:19.you madly. It is marvellous to have you here. APPLAUSE On Friday's show,

:15:19. > :15:23.you can see Shaun telling us more about his book. Now I welcome an

:15:23. > :15:33.incredible talent from New Orleans. Please welcome Trombone Shorty &

:15:33. > :15:37.

:15:37. > :15:46.# Showing off tonight # I know you feel so, girl

:15:46. > :15:56.# You got the feeling # You wanna feel it from me

:15:56. > :16:13.

:16:13. > :16:23.# Late night # I bet you still want won't move

:16:23. > :16:23.

:16:23. > :19:11.Apology for the loss of subtitles for 54 seconds

:19:11. > :19:16.# And then you shake it That is top of the range - Trombone

:19:16. > :19:26.Shorty & Orleans Avenue! We will be hearing a lot more of them next

:19:26. > :19:27.

:19:28. > :19:37.week. Now, he Las appeared on this show -- last appeared on this show

:19:38. > :19:49.

:19:49. > :19:57.# You cruise around # You cruise around

:19:57. > :20:07.# And the girls that you know # They want your kids in a row

:20:07. > :20:07.

:20:07. > :20:56.Apology for the loss of subtitles for 54 seconds

:20:56. > :21:06.# You act supreme # Play it big

:21:06. > :21:32.

:21:32. > :21:36.# I see those shimmering rocks # Trickling coins

:21:36. > :21:38.# Follow it blind Follow it blind

:21:38. > :21:48.# Follow the signs Follow the signs

:21:48. > :22:04.

:22:04. > :22:12.CHEERING AND APPLAUSE

:22:12. > :22:12.Thank

:22:12. > :22:13.Thank you,

:22:13. > :22:21.Thank you, Little

:22:21. > :22:31.Thank you, Little Dragon. Another man that has a lovely album is Roy

:22:31. > :22:31.

:22:31. > :23:19.Apology for the loss of subtitles for 54 seconds

:23:19. > :23:29.Harper. We welcome Roy Harper. # I loved you a long time ago,

:23:29. > :23:35.

:23:35. > :23:45.# Where the wind's own # Not knowing what on earth

:23:45. > :23:47.

:23:47. > :23:57.# That I should never had one of your children

:23:57. > :23:59.

:23:59. > :24:04.# And across the room Inside a tomb

:24:04. > :24:10.# A chance is waxed and wanes

:24:10. > :24:16.# The night young Why are we so hung up

:24:16. > :24:22.# In each other's chains?

:24:22. > :24:28.# I must make her and I must take her

:24:28. > :24:33.# While the dove domains

:24:33. > :24:39.# And feel the juice run as she flies

:24:39. > :24:44.# Run my winds under her sighs

:24:44. > :24:48.# As the flames of eternity rise

:24:48. > :24:56.# To lick us with the first-born lash of dawn

:24:56. > :25:02.# Oh, really, my dear I can't see what we fear

:25:02. > :25:11.# Sat here with ourselves in-between us

:25:12. > :25:14.# And at the door

:25:14. > :25:18.# We can't say more

:25:18. > :25:24.# Than just another day

:25:24. > :25:26.# And without a sound

:25:26. > :25:36.# I turn around and I walk away. #

:25:36. > :25:41.

:25:42. > :25:51.CHEERING AND APPLAUSE

:25:52. > :25:54.

:25:54. > :25:54.Thank

:25:54. > :25:54.Thank you,

:25:54. > :26:00.Thank you, Roy

:26:00. > :26:04.Thank you, Roy Harper! CHEERING Another Day. Thank you to all of

:26:04. > :26:08.our guests this evening. Thank you to Duke Spirit, to Emeli Sande,

:26:08. > :26:11.thank you to Little Dragon, thank you to Trombone Shorty & Orleans

:26:11. > :26:21.Avenue, thank you to Shaun Ryder. More from all our guests this

:26:21. > :26:37.

:26:37. > :26:47.Friday. Now we finish with the # You can't find the phone

:26:47. > :27:04.

:27:04. > :27:07.# Is he worth all this? # Because if you have to think

:27:07. > :27:12.# Feels like you've loved him more than he loved you

:27:12. > :27:16.# And you wish you'd never met

:27:17. > :27:19.# Don't keel over now

:27:19. > :27:21.# Don't keel over

:27:21. > :27:24.# Don't keel over now

:27:24. > :27:28.# Don't keel over

:27:28. > :27:33.# You've been up all night and the night before

:27:33. > :27:34.# And in one little moment

:27:34. > :27:36.# It all implodes

:27:36. > :27:38.# But this isn't everything you are

:27:38. > :27:40.# Breathe deeply in the silence

:27:40. > :27:43.# No sudden moves

:27:43. > :27:48.# This isn't everything you are

:27:48. > :27:51.# Just take the hand that's offered

:27:51. > :27:53.# And hold on tight

:27:53. > :27:58.# This isn't everything you are

:27:58. > :28:01.# There's joy not far from here, right

:28:01. > :28:03.# I know there is

:28:03. > :28:13.# This isn't everything you are

:28:13. > :28:18.

:28:18. > :28:20.# When you took the call

:28:20. > :28:22.# How could you know

:28:22. > :28:29.# That he'd slipped away last night?

:28:29. > :28:32.# And you wish you'd went home days ago

:28:32. > :28:38.# To say goodbye or just hello

:28:38. > :28:39.# Don't keel over now

:28:39. > :28:42.# Don't keel over

:28:42. > :28:44.# Don't keel over now

:28:44. > :28:49.# Don't keel over

:28:49. > :28:51.# And in one little moment

:28:51. > :28:53.# It all implodes

:28:53. > :28:59.# This isn't everything you are

:28:59. > :29:01.# Breathe deeply in the silence

:29:01. > :29:03.# No sudden moves

:29:04. > :29:09.# This isn't everything you are

:29:09. > :29:11.# Just take the hand that's offered

:29:11. > :29:14.# And hold on tight

:29:14. > :29:19.# This isn't everything you are

:29:19. > :29:21.# There's joy not far from here, right

:29:21. > :29:24.# I know there is

:29:24. > :29:34.# This isn't everything you are

:29:34. > :29:35.

:29:35. > :29:39.# This isn't everything you are

:29:39. > :29:45.# Ahhh