:00:11. > :00:14.Good evening. The autumn is here so I have my autumnal shoes on and
:00:14. > :00:17.it's time for a lovely show. Wherever you are watching now,
:00:17. > :00:22.perhaps you are in your bed, in your shed, perhaps you are in your
:00:22. > :00:27.car, perhaps in a bar, wherever you are, we are live and direct to you.
:00:27. > :00:32.And live in the room I have an amazing selection of artists!
:00:32. > :00:42.In every corner, we have people from all over the world. We have
:00:42. > :01:00.
:01:00. > :01:10.legends, new people and we start # Yes is the answer
:01:10. > :01:10.
:01:10. > :01:52.Apology for the loss of subtitles for 42 seconds
:01:52. > :02:02.# Cold is the shoulder # Dance with your hips
:02:02. > :02:02.
:02:02. > :03:57.Apology for the loss of subtitles for 42 seconds
:03:57. > :04:02.Thank you Miles Kane! A room full of exquisite talent this evening,
:04:02. > :04:08.from Jamaica Little Roy, one of the greatest legends, the wonderful man
:04:08. > :04:14.and wonderful voice, Tony Bennett, from Nashville, sensational The
:04:14. > :04:17.Silver Seas. Also from Nashville, the wonderful The Civil Wars. Now
:04:17. > :04:27.from Hampshire, I am delighted to welcome back to this room Laura
:04:27. > :05:02.
:05:02. > :05:12.# But the mine's so dark # Now I leave my rage to the sea
:05:12. > :05:40.
:05:40. > :05:50.# But the mine's so dark # Married her off
:05:50. > :06:02.
:06:02. > :06:12.# I leave my rage to the sea # I leave my rage to the sea
:06:12. > :06:31.
:06:31. > :06:41.# I leave my rage to the sea # I leave my rage to the sea
:06:41. > :07:06.
:07:06. > :07:09.Laura Marling! All My Rage. We will be back on Friday with a much
:07:09. > :07:11.longer show. We have half April hour live of fantastic guests and
:07:11. > :07:16.speaking of fantastic guests you couldn't have a more fantastic
:07:16. > :07:21.guest than Mr Tony Bennett! APPLAUSE.
:07:21. > :07:26.Great to have you here, Tony. It's wonderful to have you here. You
:07:26. > :07:32.have this album out now, it's number one in America. Everywhere.
:07:32. > :07:41.It's number one in China. doesn't surprise me. Everyone is on
:07:41. > :07:45.it, Amy Winehouse, Lady Gaga, how did you choose a song with her?
:07:45. > :07:50.worked out beautiful, the first time we got along and she's
:07:50. > :07:55.magnificent. I really feel she's become - eventually she'll become
:07:55. > :08:05.bigger than Elvis Presley, the whole world loves her. We have
:08:05. > :08:10.
:08:10. > :08:14.# I love to row boat with you # She goes to the opera and stays
:08:14. > :08:21.wide awake # Yes, I do, that's why this lady
:08:21. > :08:25.is a tramp. APPLAUSE. That is fantastic. Isn't
:08:25. > :08:29.that something. To celebrate your 85th birthday you have this amazing
:08:29. > :08:32.record. What is the key, you have been a success for such a long time,
:08:33. > :08:36.what's the key. So many people come and go quickly, what's the key to
:08:36. > :08:41.success? I think it's about surviving, you know, instead of
:08:41. > :08:46.just a quick fame where you become famous for about 13 weeks or so.
:08:46. > :08:49.The whole idea is that you have be - the next show is more important
:08:49. > :08:54.than the one you just finished. It's a beautiful record. Thank you.
:08:54. > :09:01.One of my favourite songs is The Sunny Side of The Street and you
:09:01. > :09:11.met the guy that wrote it. That's right, Jimmy. Would you give us a
:09:11. > :09:16.
:09:16. > :09:21.# Grab your coat and get your hat # Leave your worries on the
:09:21. > :09:31.doorstep # Just direct your feet
:09:31. > :09:37.# To the sunny side of the street # Can't you hear that pitter patter
:09:37. > :09:45.# That happy tune is your step # Life can be so sweet
:09:45. > :09:55.# On the sunny side of the street I used to walk in the shade
:09:55. > :09:56.
:09:56. > :10:02.# With all those blues on parade # But I am not afraid
:10:02. > :10:12.# As Rover crossed over # If I never had a a cent
:10:12. > :10:26.
:10:26. > :10:30.# I'd be rich as Rokefeller APPLAUSE. What joy! The amazing,
:10:30. > :10:37.the wonderful - he is going to be doing another number on the show,
:10:38. > :10:47.so stay tuned for Tony Bennett! And now a man who has created a
:10:48. > :10:50.
:10:50. > :11:00.beautiful record of Nirvana songs but in his own style, the leg
:11:00. > :11:14.
:11:14. > :11:24.# I'm so ugly, # Sunday morning is every day
:11:24. > :12:01.
:12:01. > :12:11.# Light my candles in a daze # And just maybe I'm to blame
:12:11. > :12:11.
:12:11. > :13:46.Apology for the loss of subtitles for 42 seconds
:13:46. > :13:56.# I'm so ugly, # Sunday morning is every day
:13:56. > :13:56.
:13:56. > :15:24.Apology for the loss of subtitles for 42 seconds
:15:24. > :15:33.# Light my candles in a daze # Out of the tree of life
:15:33. > :15:43.# You came along # The best is yet to come
:15:43. > :15:52.
:15:52. > :16:02.# You think you've seen the sun # Wait till you see that sunshine
:16:02. > :16:05.
:16:05. > :16:15.# The best is yet to come # The best is yet to come
:16:15. > :16:30.
:16:30. > :16:36.# Wait till your charms are ripe # You'd think you'd flown before
:16:36. > :16:39.# Wait till you're locked in my embrace
:16:39. > :16:42.# Wait till I draw you near
:16:42. > :16:45.# Wait till you see that sunshine place
:16:45. > :16:49.# Ain't nothin' like it here
:16:49. > :16:55.# The best is yet to come and babe, won't that be fine
:16:55. > :17:02.# The best is yet to come Come the day you're mine
:17:02. > :17:12.# Out of the tree of life I just picked me a plum. #
:17:12. > :17:26.
:17:26. > :17:27.The
:17:27. > :17:27.The amazing
:17:27. > :17:34.The amazing Tony
:17:34. > :17:39.The amazing Tony Bennett! Fabulous Tony Bennett. Before that
:17:39. > :17:49.we enjoyed Little Roy. Now we welcome from Nashville The Silver
:17:49. > :17:49.
:17:49. > :18:43.Apology for the loss of subtitles for 42 seconds
:18:43. > :18:53.# I lived in gray # Can't tell my emotions
:18:53. > :18:53.
:18:53. > :19:40.Apology for the loss of subtitles for 42 seconds
:19:40. > :19:50.# I live in gray # I can't get no nicotine
:19:50. > :19:52.
:19:52. > :20:02.# Can't get no sympathy # Can't get no,
:20:02. > :20:30.
:20:30. > :20:40.# I live in gray # I lived in gray
:20:40. > :20:41.
:20:41. > :21:24.Apology for the loss of subtitles for 42 seconds
:21:24. > :21:30.The super sound of The Silver Seas, from their wonderful album. We are
:21:30. > :21:40.more artists from Nashville in the studio tonight, live Joy Williams
:21:40. > :21:59.
:21:59. > :22:09.and John Paul White are The Civil # But that's the least
:22:09. > :22:09.
:22:09. > :24:36.Apology for the loss of subtitles for 42 seconds
:24:36. > :24:46.# Won't do me no good washing # Won't do me no good washing
:24:46. > :25:10.
:25:10. > :25:14.Thank you The Civil Wars. Thank you also - where has he gone? There he
:25:14. > :25:22.is, he is hiding, thank you also to Miles Kane. Lovely to have you back
:25:22. > :25:26.here. Thank you to the sensational Little Roy. Tony Bennett has
:25:26. > :25:33.whizzed off to a birthday celebration but thank you. Thank
:25:33. > :25:36.you The Silver Seas. And, as often happens, it turns out we have a
:25:36. > :25:39.minute left, this should have only about 30 seconds but that's live
:25:39. > :25:43.television. You can look at the website, there we are. I haven't
:25:43. > :25:50.got much else to say. I will give you a little talk, we have 40
:25:50. > :25:55.seconds, would anybody like a talk on a subject? History of art.
:25:55. > :26:00.right, so we start, I suppose, how long have we got now? 30 seconds.
:26:00. > :26:04.We start with the paintings of the cave man, we move rapidly to the
:26:04. > :26:09.gothic paintings and the altar pieces, then the Italian
:26:09. > :26:13.rennaissance and the lovely paintings of the Dutch masters. How
:26:13. > :26:16.long now? 15. This is BBC2. You have been educated and informed,