:00:15. > :00:25.Good evening. Welcome to my show, which is live from Shepherd's Bush.
:00:25. > :00:28.
:00:28. > :00:32.A few specks of rain it is a special day. It is Chuck Berry's
:00:32. > :00:37.birthday. So # Happy birthday to you
:00:37. > :00:44.# Happy birthday # Dear Chuck
:00:44. > :00:54.# Happy birthday to you # CHEERING AND APPLAUSE
:00:54. > :01:15.
:01:15. > :01:25.We celebrate, starting with the # A writ into the night came
:01:25. > :01:34.
:01:34. > :01:44.# My horse had worked the fields # When I walk inside the dark
:01:44. > :02:24.
:02:24. > :02:29.# We waste time on blame # And stop looking
:02:29. > :02:32.# You carry on as if I don't love you
:02:32. > :02:34.# And so we find the way to lie
:02:34. > :02:37.# To cover hard I have a doubt
:02:37. > :02:40.# The room's full eyes are empty
:02:40. > :02:43.# Like your letters never sent me
:02:43. > :02:46.# Your words are like a lasso
:02:46. > :02:56.# You're an instrumental tune
:02:56. > :03:12.
:03:12. > :03:17.# Whoa whoa whoa oh
:03:17. > :03:19.# How come you never go there
:03:19. > :03:22.# How come I'm so alone there
:03:22. > :03:28.# Whoa whoa whoa oh
:03:28. > :03:30.# How come you never go there
:03:30. > :03:33.# How come I'm so alone there
:03:33. > :03:38.# Whoa whoa whoa oh
:03:39. > :03:41.# How come you never go there
:03:41. > :03:44.# How come I'm so alone there
:03:44. > :03:50.# Whoa whoa whoa oh
:03:50. > :03:52.# How come you never go there
:03:52. > :03:54.# How come I'm so
:03:54. > :04:01.# Alone there. #
:04:01. > :04:11.APPLAUSE
:04:11. > :04:12.
:04:13. > :04:13.D
:04:13. > :04:13.D thank
:04:13. > :04:18.D thank you.
:04:18. > :04:19.D thank you. Our
:04:19. > :04:20.Our guest
:04:20. > :04:20.Our guest tonight
:04:20. > :04:27.Our guest tonight from
:04:27. > :04:36.Our guest tonight from Atlanta Mastodon. From Philadelphia with
:04:36. > :04:46.amazing Buddy Greco. From South London, Lianne La Havas. Now, an
:04:46. > :04:46.
:04:46. > :05:53.Apology for the loss of subtitles for 66 seconds
:05:53. > :06:03.# Mais je sais qu'en vrai # J'ai pas l'humour
:06:03. > :06:07.
:06:07. > :06:17.# J'ai pas la science infuse # J'ai pas la chance
:06:17. > :06:39.
:06:39. > :06:49.# Plusieurs cordes a mon arc # Mais je sais qu'en vrai
:06:49. > :06:49.
:06:49. > :08:29.Apology for the loss of subtitles for 66 seconds
:08:29. > :08:39.The lovely sound of French soul. Ben L'Oncle Soul.
:08:39. > :09:12.
:09:12. > :09:22.And now it is time for some legends # I sealed them
:09:22. > :09:22.
:09:22. > :12:18.Apology for the loss of subtitles for 66 seconds
:12:18. > :12:25.Black Tongue from the album the hunter. Mastodon in the studio.
:12:25. > :12:34.The sound of Mastodon. Now I am delighted to welcome to the piano
:12:35. > :12:42.one of the Rat Pack, Mr Buddy Greco. You'll be performing for us in a
:12:42. > :12:48.moment. You have a record coming out of you at the Sands, just after
:12:49. > :12:58.frank Sinatra. A lovely, and just looking at the photographs, there's
:12:59. > :13:01.
:13:01. > :13:06.you with Dean Martin and cuddling Marolyn Munroe. She came up to see
:13:06. > :13:12.frank and all the people. I said hello to her. Somebody took a
:13:12. > :13:16.couple of shots of her and I've had couple of shots of her and I've had
:13:16. > :13:22.them all these years. This is the stuff of legend. We have some
:13:22. > :13:30.footage of you. Let's look over here.
:13:30. > :13:34.# Just no doubt # She doesn't understand # She puts
:13:34. > :13:40.in a dime # And the ice comes out
:13:40. > :13:50.# That's why the lady's a tramp # Diamonds and lace
:13:50. > :13:50.
:13:50. > :13:55.# So what Can you give us some of that in a
:13:55. > :14:03.moment? Yes. And, I think people don't realise what an amazing
:14:03. > :14:08.pianist you are. Coming from you, that's compliment. You are in fact
:14:08. > :14:14.Chuck Berry is 85 today. You are fit and play beautifully. What is
:14:14. > :14:19.the secret? Taking care of yourself and booze and broads. Take care in
:14:19. > :14:23.what you are doing and be honest with yourself and your craft.
:14:23. > :14:29.are on tour. We can see you with the big band in November. We'll see
:14:29. > :14:33.shows around London. I'll be around London. I am doing theatre with a
:14:33. > :14:37.big 18-piece band. It will be wonderful. We look forward to
:14:37. > :14:44.seeing you in a moment. The marvellous Buddy Greco. We'll be
:14:44. > :14:49.returning to them in a moment. Now, we welcome back to this room.
:14:49. > :14:59.The last time he was here was with a solo guitar. Now he has a
:14:59. > :15:21.
:15:21. > :15:31.sensational vast orchestra. Now we # What a mischief you would bring
:15:31. > :16:00.
:16:00. > :16:10.# When you're up for it # I'd a tore your hair out
:16:10. > :16:12.
:16:12. > :16:17.# Can you tell that it's just ceremony?
:16:17. > :16:22.# Now you've added up to what you're from
:16:22. > :16:30.# Whoah oh oh ahh
:16:30. > :16:39.# Build your tether rain-out from your fragments
:16:39. > :16:42.# Break the sailor's table
:16:42. > :16:49.# On your sacrum
:16:49. > :16:52.# Fought the fiercest fables
:16:52. > :17:00.# I'm with Hagen
:17:00. > :17:04.# For the love comes the burning young
:17:04. > :17:09.# From the liver sweating through your tongue
:17:09. > :17:12.# Well you're standing on my sternum
:17:12. > :17:17.# Don't you climb down darling
:17:17. > :17:21.# Oh the sermons are the first to rest
:17:22. > :17:26.# Smoke on Sundays when you're drunk and dressed
:17:26. > :17:31.# Out the hollows where the swallow nests
:17:31. > :17:38.# Whoooh ohhh oooh oooh. #
:17:38. > :17:48.APPLAUSE
:17:48. > :17:53.
:17:53. > :17:55.# That's why the lady
:17:55. > :17:56.# That's why the lady is a tramp
:17:56. > :17:59.# She gets too hungry for dinner at eight
:17:59. > :18:02.# I like the theatre but never come late
:18:02. > :18:05.# She never bothers with people she hates
:18:05. > :18:09.# That's why that's why the lady is a tramp
:18:09. > :18:13.# I don't like crap games with barons and earl
:18:13. > :18:16.# Won't go to Harlem in ermine and pearls
:18:16. > :18:19.# She won't dish the dirt with the rest of the girls
:18:19. > :18:22.# That's why the lady is a tramp
:18:22. > :18:24.# I like the free, fresh
:18:24. > :18:26.# Wind in her hair
:18:26. > :18:28.# Life without care
:18:28. > :18:30.# She's broke, it's OK
:18:30. > :18:31.# Hates California
:18:31. > :18:33.# So cold and it's damp
:18:33. > :18:35.# That's why the lady is a tramp
:18:35. > :18:37.# Tramp
:18:37. > :18:40.# She gets massages and she cries and she moans
:18:40. > :18:43.# Tell Jools Holland just to leave her alone
:18:43. > :18:46.# She's not so hot but her shape is her own
:18:46. > :18:49.# That's why that's why the lady is a tramp
:18:49. > :18:53.# The food in my hotel is great no doubt
:18:53. > :18:56.# But she doesn't understand what my motel room's about
:18:56. > :18:59.# She puts in a dime and some ice comes out
:18:59. > :19:03.# That's why the lady is a tramp
:19:03. > :19:04.# She loves the free, fresh
:19:04. > :19:06.# Wind in her face
:19:06. > :19:08.# Diamonds and lace
:19:08. > :19:10.# Got the lot, so what
:19:10. > :19:13.# For Frank Sinatra she whistles and stamps
:19:13. > :19:16.# That's why the lady is a tramp
:19:16. > :19:20.# She doesn't know the reason for cocktails at five
:19:20. > :19:23.# She don't like flying but I'm glad I'm alive
:19:23. > :19:26.# I crave affection baby but not when I drive
:19:26. > :19:30.# That's why the lady is a tramp
:19:30. > :19:33.# She flew down to Rome left me behind
:19:33. > :19:36.# I missed the wedding Liz didn't mind
:19:36. > :19:39.# She won't play Scarlet in Gone with the Wind
:19:39. > :19:40.# It's got to rhyme
:19:40. > :19:42.# That's why the lady is a tramp
:19:43. > :19:45.# I like to hang her hat
:19:45. > :19:46.# Wherever I please
:19:46. > :19:48.# Fly with a breeze
:19:48. > :19:49.# No dough, hi ho
:19:49. > :19:53.# She thinks Sugar Ray Leonard is a great big champ
:19:53. > :19:58.# That's why the lady is a tramp. #
:19:58. > :20:00.# She goes down to Coney she thinks the beach is divine
:20:00. > :20:03.# Goes to the ball games and thinks the Yankees are fine
:20:03. > :20:06.# She reads the Star, the Globe, understands every line
:20:06. > :20:09.# That's why the lady is a tramp
:20:09. > :20:13.# She likes to go roaming down Central Park Lake
:20:13. > :20:16.# Loves a prize fight that isn't a fake
:20:16. > :20:19.# Why she even goes to the opera stays wide awake
:20:19. > :20:22.# That's why the lady is a tramp
:20:22. > :20:24.# I like the green grass
:20:24. > :20:26.# Under my shoes
:20:26. > :20:28.# Now what can I lose
:20:28. > :20:28.# She's flat
:20:28. > :20:30.# Forget it
:20:30. > :20:32.# I'm all alone when I lower my lamp
:20:32. > :20:36.# That's why the lady
:20:36. > :20:46.# That's why the lady is a tramp. #
:20:46. > :20:55.
:20:55. > :21:05.APPLAUSE
:21:05. > :21:06.
:21:06. > :21:06.One
:21:06. > :21:07.One of
:21:07. > :21:16.One of the
:21:16. > :21:25.One of the originators of jazz music, Mr Buddy Greco.
:21:25. > :21:35.Now we welcome... Before that we welcome Bon Iver. They will now
:21:35. > :21:57.
:21:57. > :22:07.enjoy a new art ist, please welcome # I kinda know this other guy
:22:07. > :22:25.
:22:25. > :22:35.# Not a coincidence he left me # Was ready to love me
:22:35. > :22:38.
:22:38. > :22:42.# So is it such a problem # As long as he does
:22:42. > :22:46.# I'm glad that it's just my heart that he stole
:22:46. > :22:52.# And left my dignity alone
:22:52. > :22:56.# When in Rome we landed our first kiss
:22:56. > :23:00.# I slurred my words but he pretended not to notice
:23:01. > :23:04.# And then he sat down to play
:23:04. > :23:08.# My heart sang a symphony!
:23:08. > :23:12.# So far so swimmingly
:23:12. > :23:17.# I'm glad I got out to find my fish in that sea
:23:17. > :23:20.# We've come so far
:23:20. > :23:26.# So who gives a damn about the ages we are?!
:23:26. > :23:29.# Ooh oooh oooh
:23:29. > :23:33.# So is it such a problem if he's old?
:23:33. > :23:37.# As long as he does whatever he's told!
:23:37. > :23:41.# I'm glad that it's just my heart that he stole
:23:41. > :23:46.# And left my dignity alone
:23:46. > :23:50.# So is it such a problem if he's old?
:23:50. > :23:54.# As long as he does whatever he's told!
:23:54. > :23:58.# I know that I'm gonna survive the December cold
:23:59. > :24:03.# With somebody to retrieve my long lost soul.
:24:03. > :24:09.# With somebody to retrieve my long lost soul. #
:24:09. > :24:19.APPLAUSE
:24:19. > :24:27.
:24:27. > :24:27.Thank
:24:27. > :24:28.Thank you
:24:28. > :24:33.Thank you to
:24:33. > :24:40.Thank you to all our guests. Thank you to Ben L'Oncle Soul, who
:24:40. > :24:46.is at the London jazz festival in December. Thank you to to Buddy
:24:46. > :24:56.Greco, thank you Mastodon. Everybody on Friday, how long have
:24:56. > :24:58.
:24:58. > :25:02.we got? 35 seconds. I will continue my talk on cave
:25:02. > :25:07.painting. People painted the caves and the caves were painted. I'll
:25:07. > :25:17.continue my talk next week. We have 10 seconds left. I can introduce
:25:17. > :25:17.
:25:17. > :26:40.Apology for the loss of subtitles for 66 seconds