:03:14. > :03:24.Plau plauz # I walked right out of
:03:24. > :03:24.
:03:24. > :04:20.Apology for the loss of subtitles for 55 seconds
:04:20. > :04:30.# Who close their eyes # I'll tell them
:04:30. > :04:30.
:04:30. > :06:05.Apology for the loss of subtitles for 55 seconds
:06:05. > :06:11.# "Hey" I said Peter Gabriel and the orchestra.
:06:11. > :06:18.Who else have we got? We've got sensational people from Southend on
:06:18. > :06:26.sea. We welcome The Horrors. From Liverpool, the sound of Steve
:06:26. > :06:32.Tilston. An Internet phenomenon, Lana Del
:06:32. > :06:37.Rey. She's in New York City and let's go
:06:37. > :06:43.to Streatham, South London, where we have a Ghostpoet.
:06:43. > :06:53.And now, from Twickenham, also in London, I would like to welcome
:06:53. > :07:02.
:07:02. > :07:12.# Well, I'm just waiting for # Just a silhouette
:07:12. > :07:16.
:07:16. > :07:26.# I'm just waiting # Going head to head
:07:26. > :07:29.
:07:29. > :07:39.# And just waiting for # Cos it's hard to feel like
:07:39. > :07:46.
:07:46. > :07:56.# We're just waiting for # We're just waiting for
:07:56. > :08:02.
:08:02. > :08:12.# And your immortal smile # When I close my eyes it's all I
:08:12. > :08:13.
:08:13. > :08:17.# I'm just waiting for # And you're just looking for
:08:17. > :08:20.# Yeah, a way to see this old life all disappear
:08:20. > :08:22.# Take a gamble on your heart
:08:23. > :08:24.# It will lead you through the dark
:08:24. > :08:28.# You're just waiting for a chance to come
:08:28. > :08:36.# Cos it's hard to feel likeyou're worth something in this life
:08:36. > :08:44.# When you're walking next to me I can hear my body speak
:08:44. > :08:47.# We're just waiting for a chance to come
:08:47. > :08:52.# We're just waiting for a chance to come
:08:52. > :08:55.# And no-one's gonna get in my way
:08:55. > :08:59.# Got to figure it out for myself
:08:59. > :09:03.# Yeah, no-one's gonna make me stay
:09:03. > :09:07.# Got to figure it out for myself
:09:07. > :09:11.# Cos I don't need nothing
:09:11. > :09:21.# I'm just waiting for a chance to come. #
:09:21. > :09:34.
:09:34. > :09:44.CHEERING AND APPLAUSE
:09:44. > :09:44.
:09:44. > :10:36.Apology for the loss of subtitles for 55 seconds
:10:36. > :10:42.# I got the church key Moving in the night
:10:42. > :10:51.# Don't you wish you could live this lie
:10:51. > :10:57.# I couldn't talk about Filling up with longing
:10:57. > :11:04.# Pale horse, green eyes
:11:04. > :11:05.# La la la la
:11:05. > :11:07.# Cos I can see Through you and I don't get it
:11:07. > :11:11.# I can see Through you and there's no way
:11:11. > :11:14.# I can see through you
:11:14. > :11:19.# I can see through
:11:19. > :11:22.# Cos I can see Through you and I don't get it
:11:22. > :11:26.# I can see Through you and there's no way
:11:26. > :11:29.# I can see through you
:11:29. > :11:33.# I can see through
:11:33. > :11:43.# La la la la la
:11:43. > :11:50.
:11:50. > :11:56.# Some people see you To me you're just see-through
:11:56. > :12:06.# No-one remembers your name No-one tries
:12:06. > :12:11.# And let you step outside In the fever of evening
:12:11. > :12:18.# No-one remembers your name No-one tries
:12:18. > :12:21.# Cos I can see Through you and I don't get it
:12:21. > :12:25.# I can see Through you and there's no way
:12:25. > :12:28.# I can see through you
:12:28. > :12:32.# I can see through
:12:32. > :12:35.# Cos I can see Through you and I don't get it
:12:35. > :12:39.# I can see Through you and there's no way
:12:39. > :12:43.# I can see through you
:12:43. > :12:53.# I can see through
:12:53. > :13:02.
:13:02. > :13:05.# Cos I can see Through you and I don't get it
:13:05. > :13:09.# I can see Through you and there's no way
:13:09. > :13:13.# I can see through you
:13:13. > :13:17.# I can see through
:13:17. > :13:20.# Cos I can see Through you and I don't get it
:13:20. > :13:23.# I can see Through you and there's no way
:13:24. > :13:28.# I can see through you
:13:28. > :13:31.# I can see through
:13:31. > :13:34.# La la la la la
:13:34. > :13:38.# La la la la la
:13:38. > :13:48.# La la la la la
:13:48. > :14:15.
:14:15. > :14:20.Thank you, The Horrors. I Can See Through You.
:14:20. > :14:29.We have someone who is new and then legendry music. Please welcome
:14:29. > :14:33.Peter Gabriel. Welcome to the show. And this is a
:14:34. > :14:38.fantastic orchestra, a fantastic sound. It means we have pushed the
:14:38. > :14:43.studio around. We appreciate that. No, we appreciate the sound. The
:14:43. > :14:53.record is beautiful. I looked at the sleeve. I liked it. What is it?
:14:53. > :14:54.
:14:54. > :15:01.It's a cell on a pin. It's called New Blood. That is a blood cell
:15:01. > :15:05.magnified? It is. That has answered a lot of questions. I was rather
:15:05. > :15:09.interested. What made you decide to interested. What made you decide to
:15:09. > :15:15.make the record with an orchestra. You had done things solo before.
:15:15. > :15:20.What was your thinking? It fell out of the back of the last project,
:15:20. > :15:25.which was a song writer exchange idea. Then we came to the tour. I
:15:25. > :15:34.realised I didn't have enough material, just the scratch my back
:15:34. > :15:38.stuff. John Metcalf, and I loved the way things were going, I
:15:38. > :15:42.thought, "let's make it a record." You have toured with a vast number
:15:42. > :15:47.of people? It has been fantastic. It was scary at first.
:15:47. > :15:52.I have a band of 22 people, but you have 50 people. Something like that.
:15:52. > :15:58.What are the advantages and disadvantaged? Size isn't
:15:58. > :16:06.everything. No. It can count for something. And it's amazing to be
:16:06. > :16:10.in front of so many brilliant players and there is a huge live
:16:10. > :16:17.noise being generated. Can you remember the first gig you ever
:16:17. > :16:27.did? I was a drummer in a pretty bad jazz band. When you first
:16:27. > :16:28.
:16:28. > :16:35.started playing, who did you want to be when you grew up? Well, Ortis
:16:35. > :16:40.Reeding was my hero and the Who and the Beetles. R&B were the first
:16:40. > :16:48.thing. We have footage, because you are in this corner of the room.
:16:48. > :16:55.Here we go. We don't have you with your first jazz band performance.
:16:55. > :17:05.What were you 12, 14? Something like that. Instead of you with a
:17:05. > :17:12.
:17:12. > :17:22.vast orchestra, we have you solo # Here comes the flood
:17:22. > :17:22.
:17:22. > :17:28.# Flesh and blood # The sea issy lent and he's still
:17:28. > :17:35.alive # It will be those who gave their
:17:35. > :17:44.island to survive # Drink up, dreamers
:17:44. > :17:51.# You're running dry # APPLAUSE. I haven't changed at all!
:17:51. > :17:56.I could hear elements of Otis in your voice. Once you said you liked
:17:56. > :18:01.him, I could hear something about him. He was like the sun coming up.
:18:01. > :18:08.I saw him live in London in '67. What is the next thing you'll play
:18:08. > :18:16.for us It is a song called San Jacinto. It is native America meets
:18:16. > :18:20.culture. It was from a story told to me by a porter in a hotel in the
:18:20. > :18:24.Northwest. He told you this, you bumped into him? It started the
:18:24. > :18:28.story rolling and a few other things were thrown in. His
:18:28. > :18:33.apartment was burning down at the time. He took the time to talk to
:18:33. > :18:36.you? I took him the time to drive him to his apartment. We got
:18:36. > :18:43.talking afterwards. I don't want to go on about this, but a fella said
:18:43. > :18:47.to you, "Quick, help me, my apartment is burning down." Is this
:18:47. > :18:50.what happened? Pretty much. He was not worried at all about his
:18:50. > :18:55.possessions. He was worried about his little cat that actually
:18:55. > :19:00.survived and then, I'm sure you don't have time for this. It's a
:19:00. > :19:09.long story. I'll tell you afterwards. A saint saving all
:19:09. > :19:13.these people. Peter Gabriel CHEERING AND APPLAUSE
:19:13. > :19:23.The fantastic orchestra. Now we welcome a man, who if you were
:19:23. > :19:25.
:19:25. > :19:35.observing, was one of of the contenders for the mercury prize.
:19:35. > :19:44.
:19:44. > :19:45.# I'm 44 years old # Like Gil Scott said
:19:45. > :19:47.# Got no cheque book Got no credit card
:19:47. > :19:50.# Life is pretty hard I'm sure you can see that
:19:50. > :19:52.# I'm plus under-rated plus bare knock-backs
:19:52. > :19:54.# Been shown the door cos they talking 'bout cut backs
:19:54. > :19:57.# And you think what next Left or the right or
:19:57. > :20:01.# Key in the door but the door won't open and heartbeat frozen
:20:01. > :20:04.# Look to the heavens, but nobody's coming and the pie's in the oven
:20:04. > :20:06.# So you stop mind wandering and back to the present
:20:06. > :20:10.# It's a dinner for one with the dimmer lights on
:20:10. > :20:12.# And you're tryna get atmosphere
:20:12. > :20:13.# Like she was here but she's long gone
:20:13. > :20:22.# Like Rocky Balboa and AdrianTeardrops while you sip on the Evian
:20:23. > :20:24.# No no no no no no
:20:24. > :20:25.# I ain't got the licence to kill like double-0
:20:25. > :20:28.# I just wanna live life and survive it
:20:28. > :20:30.# No no no no no no
:20:30. > :20:33.# I ain't got the licence to kill like double-0
:20:33. > :20:38.# I just wanna live life and oh oh oh oh oh survive it
:20:38. > :20:40.# I gotta move, man, but it's hard when you're glued in place
:20:41. > :20:43.# I so desperately wanna leave this pace
:20:43. > :20:45.# In a steamy hot bath I just hide my face
:20:45. > :20:47.# The world looks different underwater
:20:47. > :20:49.# I coulda had a son or a daughter
:20:49. > :20:51.# When I had the chance to a trip to Majorca
:20:51. > :20:54.# Life is a funny thing with the twists and turns
:20:54. > :20:56.# And in the bad times It just breaks and burns
:20:56. > :20:58.# But as you get older you just live and learn
:20:58. > :21:01.# And shrug your shoulders and be the bigger man
:21:01. > :21:04.# But I remember nights in December
:21:04. > :21:07.# Fairy lights and torn-out wrapping paper and happy times
:21:07. > :21:11.# Now it's happy slaps and how big's your gat and all that crap
:21:11. > :21:13.# Oh, Mac, allow that I know there's reason to part
:21:13. > :21:16.# But I'll get through if I just remember that
:21:16. > :21:18.# No no no no no no
:21:18. > :21:21.# I ain't got the license to kill like double-0
:21:21. > :21:25.# I just wanna live life and survive it
:21:26. > :21:27.# No no no no no no
:21:27. > :21:30.# I ain't got the licence to kill like double-0
:21:30. > :21:36.# I just wanna live life and survive it
:21:36. > :21:40.# I know Times are hard
:21:40. > :21:46.# You're against the wall, and Your head is down, but I think
:21:46. > :21:50.# Oooh oooh ooh You'll get there soon
:21:50. > :21:52.# Just have a little faith, mate
:21:52. > :21:54.# Ooh oooh It'll turn out great
:21:54. > :21:56.# Yeah, it's all mapped out like one of them satnavs
:21:57. > :21:59.# You need to get over there then down to here
:21:59. > :22:01.# Go down the road and left at the roundabout
:22:01. > :22:04.# Head out the window So much to shout about
:22:04. > :22:06.# Unnaturally buzzing Allow pessimism
:22:06. > :22:08.# Burn in the flames like a phoenix has risen
:22:08. > :22:10.# Well, I hope so
:22:10. > :22:13.# That's the plan in the end Get a nice house a few true friends
:22:13. > :22:16.# A wife I can cry with Laugh and create with
:22:16. > :22:18.# Kids so beautiful they're truly a blessing
:22:18. > :22:20.# But I'm just guessing Just speculating.
:22:20. > :22:23.# Thinking out loud You know all that's what I do
:22:23. > :22:25.# And I don't know much but I know what is right
:22:25. > :22:27.# Don't mock my grit, skin I'm trying my best
:22:27. > :22:30.# But I'm only a man doing what I can
:22:30. > :22:33.# I'll go forth, with these words in my hand, in my hand
:22:33. > :22:35.# No no no no no no
:22:35. > :22:37.# I ain't got the licence to kill like double-0
:22:37. > :22:42.# I just wanna live life and survive it
:22:42. > :22:44.# No no no no no no
:22:44. > :22:48.# I ain't got the licence to kill like double-0
:22:48. > :22:55.# I just wanna live life and survive it. #
:22:55. > :23:05.CHEERING AND APPLAUSE
:23:05. > :23:18.
:23:18. > :23:20.# Thick cloud
:23:20. > :23:22.# Steam rising
:23:22. > :23:29.# Hissing stone on sweat lodge fire
:23:29. > :23:30.# Around me
:23:31. > :23:33.# Buffalo robe
:23:33. > :23:35.# Sage in bundle
:23:35. > :23:42.# Rub on skin
:23:42. > :23:43.# Outside
:23:43. > :23:46.# Cold air
:23:46. > :23:55.# Stand and wait for rising sun
:23:55. > :23:56.# Red paint
:23:56. > :23:58.# Eagle feathers
:23:58. > :24:00.# Coyote calling
:24:00. > :24:08.# It has begun
:24:08. > :24:11.# Something moving in
:24:11. > :24:21.# I taste it in my mouth and in my heart
:24:21. > :24:23.# It feels like dying
:24:23. > :24:30.# Slow
:24:30. > :24:40.# Letting go of life
:24:40. > :24:42.
:24:42. > :24:45.# Medicine man lead me up through town
:24:45. > :24:47.# Indian ground
:24:47. > :24:54.# So far down
:24:54. > :24:56.# Cut up land
:24:56. > :24:58.# Each house a pool
:24:58. > :25:00.# Kids wearing water wings
:25:00. > :25:08.# Drink in cool
:25:08. > :25:11.# Follow dry river bed
:25:11. > :25:20.# Watch scouts and guides make pow-wow signs
:25:20. > :25:23.# Past Geronimo's Disco
:25:23. > :25:26.# Sitting Bull Steakhouse
:25:26. > :25:33.# White men dream
:25:33. > :25:37.# A rattle in the old man's sack
:25:37. > :25:39.# Look at mountain top
:25:39. > :25:45.# Keep climbing up
:25:46. > :25:49.# Way above us the desert snow
:25:49. > :25:58.# White wind blow
:25:58. > :26:02.# I hold the line
:26:02. > :26:11.# The line of strength that pulls me through the fear
:26:11. > :26:17.# San Jacinto
:26:17. > :26:23.# I hold the line
:26:23. > :26:28.# San Jacinto
:26:28. > :26:33.# The poison bite and darkness take my sight
:26:33. > :26:37.# I hold the line
:26:37. > :26:43.# And the tears roll down my swollen cheek
:26:43. > :26:46.# Think I'm losing it
:26:46. > :26:49.# Getting weaker
:26:49. > :26:55.# I hold the line
:26:56. > :27:02.# I hold the line
:27:02. > :27:06.# San Jacinto
:27:06. > :27:12.# Yellow eagle flies down from the sun
:27:12. > :27:22.# From the sun
:27:22. > :27:22.
:27:22. > :28:28.Apology for the loss of subtitles for 55 seconds
:28:28. > :28:28.Peter
:28:28. > :28:29.Peter Gabriel
:28:29. > :28:33.Peter Gabriel and
:28:33. > :28:39.Peter Gabriel and the New Blood Orchestra.
:28:39. > :28:46.More from him in a moment. And the beautiful orchestra. Before
:28:46. > :28:51.that we enjoyed Ghostpoet. So, now, our next artist I saw in
:28:51. > :28:54.Germany the other week. She is from New York. She has an extraordinary,
:28:54. > :28:58.huge explosion on the internet. I am delighted that we have managed
:28:58. > :29:08.to fit her into this room this evening, please welcome Lana Del
:29:08. > :29:18.
:29:18. > :29:25.# Swinging in the backyard # Whistling my name
:29:25. > :29:35.# Take it over here and play a video game
:29:35. > :29:37.
:29:37. > :29:40.# I'm in his favourite sun dress Watching me get undressed
:29:40. > :29:42.# Take that body downtown I say you the bestest
:29:42. > :29:47.# Lean in for a big kiss Put his favorite perfume on
:29:47. > :29:52.# Go play a video game
:29:52. > :29:56.# It's you, it's you It's all for you
:29:56. > :30:02.# Everything I do I tell you all the time
:30:02. > :30:05.# Heaven is a place on earth with you
:30:05. > :30:10.# Tell me all the things you want to do
:30:10. > :30:17.# I heard that you like the bad girls, honey, is that true?
:30:17. > :30:22.# It's better than I ever even knew
:30:22. > :30:27.# They say that the world was built for two
:30:27. > :30:36.# Only worth living if somebody is loving you
:30:36. > :30:46.# Baby, now you do
:30:46. > :30:50.# Singing in the old bars Swinging with the old stars
:30:50. > :30:54.# Living for the fame
:30:54. > :30:58.# Kissing in the blue dark Playing pool and wild darts
:30:58. > :31:03.# Video games
:31:03. > :31:07.# He holds me in his big arms Drunk and I am seeing stars
:31:07. > :31:13.# This is all I think of Watching all our friends fall
:31:13. > :31:19.# In and out of Old Paul's This is my idea of fun
:31:19. > :31:24.# Playing video games
:31:24. > :31:28.# It's you, it's you It's all for you
:31:28. > :31:34.# Everything I do I tell you all the time
:31:34. > :31:37.# Heaven is a place on earth with you
:31:37. > :31:42.# Tell me all the things you want to do
:31:42. > :31:50.# I heard that you like the bad girls, honey, is that true?
:31:50. > :31:54.# It's better than I ever even knew
:31:54. > :31:59.# They say that the world was built for two
:31:59. > :32:08.# Only worth living if somebody is loving you
:32:08. > :32:18.# Baby, now you do
:32:18. > :32:30.
:32:30. > :32:32.# It's you, it's you It's all for you
:32:32. > :32:36.# Everything I do I tell you all the time
:32:36. > :32:40.# Heaven is a place on earth with you
:32:40. > :32:44.# Tell me all the things you want to do
:32:45. > :32:53.# I heard that you like the bad girls, honey, is that true?
:32:53. > :32:57.# It's better than I ever even knew
:32:57. > :33:02.# They say that the world was built for two
:33:02. > :33:12.# Only worth living if somebody is loving you
:33:12. > :33:16.# Baby, now you do
:33:16. > :33:26.# Now you do
:33:26. > :33:33.
:33:34. > :33:43.CHEERING AND APPLAUSE
:33:44. > :33:59.
:33:59. > :34:01.# There's a boy with his head
:34:01. > :34:06.# Pressed up to the window of a bus heading out of town
:34:06. > :34:08.# In his breath on the glass
:34:08. > :34:14.# He draws with his finger a map of the roads they go down
:34:14. > :34:17.# Circles of street lights are the only signal
:34:17. > :34:21.# That there's people out there in the black
:34:21. > :34:25.# He waves goodbye at the town he grew up in
:34:25. > :34:29.# He knows that he'll never come back
:34:29. > :34:33.# The night outside is five below His heart is pumping blood
:34:33. > :34:36.# On his lips a perfect smile His eyes begin to flood
:34:36. > :34:44.# Tonight's the kind of night Where everything could change
:34:44. > :34:51.# Tonight's the kind of night Where everything could change
:34:51. > :34:55.# The rumble-strip clack and the rattling frame
:34:55. > :34:59.# Beat out a pulse on his head
:34:59. > :35:06.# The engine hums a humble tune A melody of rubber and lead
:35:07. > :35:10.# Under lamp light glow and paradise stars
:35:10. > :35:14.# An infinity of dancing white light
:35:14. > :35:18.# He sees that his debt is to experience only
:35:18. > :35:22.# And not to those who'd plan out his life
:35:22. > :35:26.# The night outside is five below The moon is in the sky
:35:26. > :35:29.# His heart is full of perfect joy He whispers his goodbye
:35:29. > :35:36.# Tonight's the kind of night Where everything could change
:35:36. > :35:46.# Tonight's the kind of night Where everything could change
:35:46. > :35:46.
:35:46. > :35:50.# Come back home
:35:50. > :35:51.# Oooh
:35:51. > :35:56.# Tonight he's not going to Come back home
:35:56. > :35:58.# Oooh
:35:58. > :36:02.# Tonight he's not going to Come back home
:36:02. > :36:06.# Oooh
:36:06. > :36:12.# Oooh
:36:12. > :36:19.# Tonight's the kind of night Where everything could change
:36:19. > :36:26.# Tonight's the kind of night Where everything could change
:36:26. > :36:36.# Tonight's the kind of night Where everything could change
:36:36. > :37:03.
:37:03. > :37:13.Tonight's the kind of night Tonight's the kind of night
:37:13. > :37:25.
:37:25. > :37:32.Thank you Noah & The Whale. Before that we enjoyed, very much,
:37:32. > :37:39.Lana Del Rey. And in fact the whole orchestra -
:37:39. > :37:49.we enjoyed that, didn't we? Yes. So, now I am delighted to welcome Steve
:37:49. > :37:49.
:37:49. > :38:30.Apology for the loss of subtitles for 55 seconds
:38:30. > :38:40.# Don't mix well like whiskey # I may never get to sing you
:38:40. > :39:19.
:39:19. > :39:29.# I could have packed my dreams # Paying for those things
:39:29. > :39:39.
:39:39. > :39:49.# I may never get to sing you # I could have packed my dreams
:39:49. > :39:49.
:39:49. > :40:48.Apology for the loss of subtitles for 55 seconds
:40:48. > :40:58.# The scarecrows are guarding # I may never get to sing you
:40:58. > :41:07.
:41:07. > :41:17.# I could have packed my dreams # I could have packed my dreams
:41:17. > :41:17.
:41:17. > :42:03.Apology for the loss of subtitles for 55 seconds
:42:03. > :42:12.# So I'm switching # So like me or like me these are
:42:12. > :42:22.# Just me truly sending them out # Life is too short to store up
:42:22. > :42:36.
:42:36. > :42:46.# Life is too long to make # One, one, two, two, three
:42:46. > :43:24.
:43:24. > :43:33.# So I'm switching # Like me or like me these are the
:43:33. > :43:43.# Just me truly sending them # Life is too short to store up
:43:43. > :43:49.
:43:49. > :43:53.# I'm counting up time that I ain't using
:43:53. > :43:57.# One, one, two, two, three three, four
:43:57. > :43:59.# I need a good use for all these
:43:59. > :44:01.# Lines and lines
:44:01. > :44:03.# And lines and lines
:44:03. > :44:05.# And lines and lines
:44:05. > :44:15.# And lines and lines
:44:15. > :44:15.
:44:15. > :45:03.Apology for the loss of subtitles for 55 seconds
:45:03. > :45:13.Ghostpoet. Chore cheer.
:45:13. > :45:21.
:45:21. > :45:29.Now, I am very start that Burt Yanx died last week. I am going to
:45:29. > :45:36.welcome to the piano Steve Tilston. Now, you've got a marvellous record
:45:36. > :45:46.out as well. We heard you sing. Lovely! How did you get to know
:45:46. > :45:46.
:45:46. > :45:50.Burt? We shared the same manager. I did a few gigs with him. Basically
:45:50. > :45:55.I was living in Bristol at that time and moved to London. He moved
:45:55. > :46:04.back to London. We were moving in the same circles really. What were
:46:04. > :46:11.his great qualitys? I think he laid down the blueprint for a kind of
:46:11. > :46:17.genre, the singer-songwriter, singer-songwriter-guitarist. He
:46:17. > :46:27.excelled in all departments. He was the first. I think, at one time he
:46:27. > :46:28.
:46:28. > :46:38.was vying with Dylan for inflew wen shialty. Charming? Yes. Just one of
:46:38. > :46:59.
:46:59. > :47:09.the great talents. One of the great # To beg your mind
:47:09. > :47:12.
:47:12. > :47:16.# Can you feel that burning Got your wonder stuff #
:47:16. > :47:21.CHEERING AND APPLAUSE We do, as well, in fact I was saying to the
:47:21. > :47:29.viewers, we do have on our website, he was on our show a few times F
:47:29. > :47:35.you go to our website you can enjoy much more of Burt. When... You had
:47:35. > :47:45.a folk club with him. It was called the Catch 22 Club. You had to catch
:47:45. > :47:51.the 22 bus to get there. Very good. He, myself and an American
:47:51. > :47:56.guitarist used to run it. Burt was more of a sleeping.... Drinking
:47:56. > :48:01.partner at that particular time. How should we remember him? One of
:48:01. > :48:08.the great originals in all departments.
:48:08. > :48:12.I suppose, wrote some wonderful songs, wonderful songs. His legacy
:48:12. > :48:17.is, a lot of people can play guitar these days, probably without
:48:17. > :48:23.knowing it, but they've got little bits of Burt there. Since he's died,
:48:23. > :48:28.every time I pick up a guitar, a Burt song comes out and songs I
:48:28. > :48:36.thought I had long forgotten are coming out. It's great. Thank you
:48:36. > :48:46.very much indeed, Steve Tilston. Remembering Burt. And from the past
:48:46. > :48:46.
:48:46. > :49:42.Apology for the loss of subtitles for 55 seconds
:49:42. > :49:52.we go to the future and we welcome # The moment that you want is coming
:49:52. > :49:52.
:49:52. > :54:05.Apology for the loss of subtitles for 55 seconds
:54:05. > :54:15.# Formed a band with a couple of # And we called ourselves
:54:15. > :54:51.
:54:51. > :54:54.# Well, we practise every week # While my parents were working
:54:54. > :54:57.# And one morning in our school assembly
:54:57. > :55:01.# Played a cover of Don't Let Me Down
:55:01. > :55:04.# The performance was nervous and awkward
:55:04. > :55:07.# But the passion was real and profound
:55:08. > :55:10.# The kids in the audience laughing
:55:11. > :55:14.# While the band just stared at the ground
:55:14. > :55:17.# But a victory
:55:17. > :55:21.# For the kids who believe in rock'n'roll
:55:21. > :55:25.# I know for me
:55:25. > :55:29.# That performance lives and never grows old
:55:29. > :55:32.# Yeah, we're making our own way out
:55:32. > :55:38.# Yeah, we're making our own way out
:55:38. > :55:41.# I'd give it all back just to do it again
:55:41. > :55:43.# Turn back time and be with my friends
:55:43. > :55:47.# Yeah, I'd give it all back just to do it again
:55:47. > :55:50.# Turn back time and be with my friends
:55:50. > :55:54.# Yeah, I'd give it all back just to do it again
:55:54. > :55:57.# Turn back time and be with my friends
:55:57. > :56:00.# Yeah, I'd give it all back just to do it again
:56:00. > :56:03.# Turn back time and be with my friends
:56:03. > :56:10.# Tonight. #
:56:10. > :56:20.CHEERING AND APPLAUSE
:56:20. > :56:25.
:56:25. > :56:25.Thank
:56:25. > :56:25.Thank you
:56:26. > :56:29.Thank you Noah
:56:29. > :56:33.Thank you Noah & The Whale. In fact it is thank you to all our
:56:33. > :56:39.beautiful guests this week. Thank you very much to The Horrors.
:56:39. > :56:42.CHEERING AND APPLAUSE To Ghostpoet.
:56:42. > :56:50.CHEERING AND APPLAUSE Thank you Lana Del Rey
:56:50. > :56:56.CHEERING AND APPLAUSE thank you Steve Tilston. Let me put this to
:56:56. > :57:01.you, ladies and gentlemen if you had Simon and Garfunkel on you
:57:01. > :57:07.would name them both. If we had The Beatles on we know all the names,
:57:07. > :57:11.we all know that. But a symphony orchestra, they never, ever get
:57:11. > :57:19.name checked. For the first time ever on television I would like to
:57:19. > :57:29.thank all the orchestra. Shouldn't we do that. I would like to thank
:57:29. > :57:32.
:57:32. > :57:42.Roland Richards, Peter han son, Clare haste. Rita, Manning. Cathy
:57:42. > :57:44.
:57:44. > :57:54.thom Ian Rathbone. Vicky, Ian, Caroline, Alice, Nic, will, Jackie,
:57:54. > :58:01.