:00:58. > :01:06.This programme contains Welcome to our show, welcome to our
:01:06. > :01:15.world, and welcome to the wonderful # Written in graffiti
:01:15. > :01:25.# "Do you ever get the feeling that # Written up in marker
:01:25. > :01:35.# "I struggle with the feeling that # See the arrow that they shot
:01:35. > :01:35.
:01:35. > :02:38.Apology for the loss of subtitles for 62 seconds
:02:38. > :02:48.# Yes, I feel nervous # How come they're out when they
:02:48. > :02:48.
:02:48. > :02:58.# So on concrete canvas # I'll be armed with
:02:58. > :02:58.
:02:58. > :05:14.Apology for the loss of subtitles for 62 seconds
:05:14. > :05:19.# When you use your heart We are delighted to have Coldplay
:05:19. > :05:23.back in the studio. Coldplay! We will be hearing more from them on
:05:23. > :05:28.the show and talking to them. Very pleased to have them back and very
:05:28. > :05:33.pleased to have all of our guests here tonight. From Paris, the one
:05:33. > :05:40.and only amazing Camille. From Wellington, New Zealand, especially
:05:40. > :05:48.for us, the Phoenix Foundation. Delighted to welcome back into this
:05:48. > :05:57.room, from Jacksonville, North Carolina, Ryan Adams. From all over
:05:57. > :06:02.the place, but Ireland mostly, a The Waterboys. I will be chatting
:06:02. > :06:12.to Nicky Wire from the Manic Street Preachers. And now, from London,
:06:12. > :06:14.
:06:14. > :06:24.joined by Emili Sande, Professor # I wanna scream till the words
:06:24. > :06:36.
:06:36. > :06:46.Suffered and cried Never mothered or shy to trouble
:06:46. > :06:46.
:06:46. > :06:53.When I wanted to get pence hustled Saying I tried to cash in on
:06:53. > :06:54.I wanted to vent but instead I said nothing at all
:06:54. > :06:56.After all, you were never kin to me
:06:56. > :06:58.Family is something that you never been to me
:06:58. > :06:59.In fact making it harder for me to see my father
:06:59. > :07:00.Was the only thing that you ever did for me.
:07:00. > :07:01.# I wanna sing
:07:01. > :07:03.# I wanna shout
:07:03. > :07:08.# I wanna scream till the words dry out
:07:08. > :07:11.# So put it in all of the papers
:07:11. > :07:13.# I'm not afraid
:07:13. > :07:16.# They can read all about it
:07:16. > :07:19.# Read all about it
:07:19. > :07:22.# Oh
:07:22. > :07:24.# Oh oh oh
:07:24. > :07:25.# Oh
:07:25. > :07:26.# Oh oh oh
:07:26. > :07:29.# Oh oh oh oh. #
:07:29. > :07:30.Yeah, Dad
:07:30. > :07:31.As a kid I looked up to you
:07:31. > :07:32.Only thing was I never saw enough of you
:07:32. > :07:35.Last thing I said to you was I hated you
:07:35. > :07:37.I loved you but now it's too late to say to you
:07:37. > :07:40.Just didn't know what to do and how to deal with it
:07:40. > :07:42.Even now, deep down, I still live it
:07:42. > :07:46.To think I used to blame me I wonder what I did to you
:07:46. > :07:48.To make you hate me I wasn't even five
:07:48. > :07:50.Life's a journey and mine wasn't an easy ride
:07:50. > :07:52.You never even got to see me rap
:07:52. > :07:54.I just wish you woulda reached out
:07:54. > :07:57.I wish you woulda been round when I been down
:07:57. > :07:59.I wish that you could see me now
:07:59. > :08:01.Wherever you are I really hope you find peace
:08:01. > :08:04.But know that if I ever have kids unlike you
:08:04. > :08:06.I'll never let them be without me.
:08:06. > :08:08.# I wanna sing
:08:08. > :08:10.# I wanna shout
:08:10. > :08:14.# I wanna scream till the words dry out
:08:14. > :08:20.# So put it in all of the papers I'm not afraid
:08:20. > :08:22.# They can read all about it
:08:22. > :08:26.# Read all about it
:08:26. > :08:27.# Oh. #
:08:27. > :08:29.I write songs I couldn't listen to
:08:30. > :08:31.Everything I have, I give to you
:08:31. > :08:35.In every one of these lines I sing to you
:08:35. > :08:37.My job's more like public service
:08:37. > :08:39.My life just became yours to read and interpret
:08:39. > :08:42.If you heard it, it'd come across a lot different at times
:08:42. > :08:44.I throw fits when I read how they word things
:08:44. > :08:46.You see me smile
:08:46. > :08:48.Now you're gonna have to see me hurtin'
:08:49. > :08:51.Cos pretending everything is all right
:08:51. > :08:53.When it ain't, really isn't working.
:08:53. > :08:55.# I wanna sing
:08:55. > :08:57.# I wanna shout
:08:58. > :09:02.# I wanna scream till the words dry out
:09:02. > :09:05.# So put it in all of the papers
:09:05. > :09:07.# I'm not afraid
:09:07. > :09:10.# They can read all about it
:09:10. > :09:13.# Read all about it
:09:13. > :09:14.# Oh. #
:09:14. > :09:24.I ain't censoring myself for nobody
:09:24. > :09:25.
:09:25. > :09:27.CHEERING AND APPLAUSE
:09:27. > :09:27.Professor
:09:27. > :09:31.Professor Green.
:09:31. > :09:33.Professor Green. Joined
:09:33. > :09:40.Professor Green. Joined by Emili Sande. Welcome back to the show.
:09:40. > :09:46.She was on a few weeks ago, and how super she was. Now, they have made
:09:46. > :09:56.a beautiful record based on a lot of poetry of W B Yeats. We welcome
:09:56. > :09:56.
:09:56. > :11:36.Apology for the loss of subtitles for 62 seconds
:11:36. > :11:46.# On the leaf-sown, new-mown # The greater grows my light
:11:46. > :11:46.
:11:46. > :13:16.Apology for the loss of subtitles for 62 seconds
:13:17. > :13:23.# On the leaf-sown, new-mown A treat to have The Waterboys in
:13:23. > :13:28.the studio performing songs from their marvellous spell p.
:13:28. > :13:32.Everything good in this corner? Camille, everything good? Beautiful
:13:32. > :13:36.to have you in the room. Coldplay were here and they will be back.
:13:36. > :13:46.But now, with just guitar, playing the title track from his new album,
:13:46. > :14:02.
:14:02. > :14:12.we are delighted to have back in # Well, it gnawed
:14:12. > :14:39.
:14:39. > :14:49.# Her skin smelled like # And the cigarette smoke
:14:49. > :14:49.
:14:49. > :16:20.Apology for the loss of subtitles for 62 seconds
:16:20. > :16:30.# And a heart # And the sailboats
:16:30. > :16:48.
:16:48. > :16:58.# And a heart # Left her with a heart
:16:58. > :16:58.
:16:58. > :17:42.Apology for the loss of subtitles for 62 seconds
:17:42. > :17:47.From the new album by Ryan Adams. And now, conveniently located at a
:17:47. > :17:52.table immediately behind me, I am pleased to welcome into this room
:17:52. > :18:02.Chris and John Lee of Coldplay. Welcome. So nice to have the back
:18:02. > :18:06.in this room with our complimentary bottles of beer. We finished them.
:18:06. > :18:10.And a lovely record to match with your lovely cup of coffee. Thank
:18:10. > :18:16.you. I liked listening to it, I liked the cover, the production and
:18:16. > :18:21.the songs, but I am unsure how to pronounce the title. And the price?
:18:21. > :18:26.The price was pretty good for me. I think it is because I bought quite
:18:26. > :18:31.a lot of them. I bought 20,000 of them. My tip is that it will propel
:18:32. > :18:40.it to number one this Sunday. does, we will thank you. The title
:18:40. > :18:47.is ridiculous but that is what life should be. I assumed it was some
:18:47. > :18:57.German friend. It can be, if you want one. It sounds like a spot
:18:57. > :18:58.
:18:58. > :19:01.cream. I am trying to get it. worked with Brian Eno and his
:19:01. > :19:06.philosophy is, don't be afraid to try anything. So we said, can we
:19:06. > :19:12.call it this weird word question mark he said, No. I am not sure he
:19:12. > :19:21.was listening. He is a genius, but does he have unusual methods in the
:19:21. > :19:25.He just brings up an enthusiasm for what you're doing. When we started
:19:26. > :19:31.working with him we had gone three weird period where we were working
:19:31. > :19:36.out why we were in a band, and what we were doing. He got us back to a
:19:36. > :19:41.point where we just loved playing in a room together again. This is
:19:41. > :19:46.your fifth album. With your first album, it was loads of fun and you
:19:46. > :19:50.could not care less, I am guessing. That was how I felt. And then as
:19:50. > :19:56.you have success, the pressure mounts. I am not sure it is
:19:56. > :20:01.pressure, it is just this new thing. You don't realise how vocal people
:20:01. > :20:06.are about music. Somehow, you become some people's worst enemy by
:20:06. > :20:12.playing the wrong chords, which takes a few weeks to get used to.
:20:12. > :20:17.Van drivers and start. I don't like that B minor. I don't mind people
:20:17. > :20:22.arguing about that kind of thing cost of maybe it is just being from
:20:22. > :20:32.Devon and we are not taught that. You do not have that caught in
:20:32. > :20:38.We had only three chords when I grew up. They brought in a 4th in
:20:38. > :20:43.1986 and I was set alight. Where did you go to learn the 4th chord?
:20:43. > :20:48.I went to Dorset. In Hampshire, they teach you the scales and in
:20:48. > :20:54.London they tell you how to write pop songs. I believe you made up an
:20:54. > :21:01.interesting new word to describe Brian Eno. He made it up. We said,
:21:01. > :21:11.what do you do? Not as aggressively as that. How would you describe
:21:11. > :21:12.
:21:12. > :21:19.what you do? And you're jumping into Nicky Wire's interview. Brian
:21:19. > :21:29.Eno makes up things, and he made up this word. He is like the
:21:29. > :21:36.
:21:36. > :21:40.headmaster in Harry Potter. He is like Gandalf. He is from the Hobbit.
:21:40. > :21:45.We said, would you like to make up your own title for what you do, and
:21:45. > :21:50.that is what he came up with. you were talking to you at 18 years
:21:50. > :21:58.old, 15 years old, what advice would you give to yourself as a 15-
:21:58. > :22:06.year-old? I would probably say, shit, you have got me on the spot.
:22:06. > :22:11.I would not say that. This is not the live show, is it? No, it is not.
:22:11. > :22:16.I would say, don't worry so much, but you should do because that is
:22:16. > :22:21.what makes albums. And 15-year-old me would say, what are you talking
:22:21. > :22:28.about, who are you? You look like an old me. And then I would have
:22:28. > :22:31.run away and hidden. She is telling me to go over there. Isn't it
:22:31. > :22:38.marvellous to have Coldplay here. Thank you very much, Chris and
:22:38. > :22:45.Johnny. We will be hearing more of them later. I did not even get to
:22:45. > :22:50.ask about the graffiti. So much to talk about, so little time. That is
:22:51. > :22:53.life. The next artists are not only superb, but they have come all the
:22:53. > :23:03.way from New Zealand especially to be here tonight. While Khumbu
:23:03. > :23:03.
:23:03. > :26:58.Apology for the loss of subtitles for 62 seconds
:26:58. > :27:07.# Shining stars The song Buffalo, from the album,
:27:07. > :27:12.Buffalo MACRO. -- Buffalo. Thank you. The next artist is one of my
:27:12. > :27:16.favourites. She's from France and I love her voice. I love her records
:27:16. > :27:26.and I am so delighted she is here. If you are at home, Ternopil
:27:26. > :28:01.
:28:01. > :28:11.television and enjoy the # Do you know what it feels like
:28:11. > :28:47.
:28:47. > :28:57.# Do you know what it feels like # Do you know what it feels like
:28:57. > :28:57.
:28:57. > :29:41.Apology for the loss of subtitles for 62 seconds
:29:41. > :29:51.# Do you know what it feels like # Do you know what it feels like
:29:51. > :29:52.
:29:52. > :30:47.Apology for the loss of subtitles for 62 seconds
:30:47. > :30:57.# Para-para # Para-para
:30:57. > :31:25.
:31:25. > :31:35.# Para-para # Life goes on
:31:35. > :31:52.
:31:52. > :32:02.# Para-para # Para-para
:32:02. > :32:03.
:32:03. > :32:08.# Para-para # Para-para
:32:09. > :32:18.# Para-para # Para-para
:32:19. > :32:45.
:32:45. > :32:54.# Lying underneath # "Oh I know the sun
:32:54. > :33:04.# Para-para # Para-para
:33:04. > :33:05.
:33:05. > :33:10.# Para-para # Para-para
:33:10. > :33:20.# Para-para # Para-para
:33:20. > :33:36.
:33:36. > :33:46.# Para-para # Para-para
:33:46. > :34:19.
:34:19. > :34:26.# Para-para Thank you, Coldplay. Such a treat
:34:26. > :34:31.to have them back in the studio. It is so great to have them here.
:34:31. > :34:37.Before that, we enjoyed the amazing Camille. Fantastic to have you here.
:34:37. > :34:44.Thank you so much for coming on the show. You have this record out. You
:34:44. > :34:50.sang beautifully, but would you sink something in French. Yes. I
:34:50. > :34:54.will sing a song about my country, a funny song. We look forward to
:34:54. > :34:59.that in a moment. Thank you, Camille. We will be back with her
:34:59. > :35:09.in a moment. And now, in this corner, back to the poems of WB
:35:09. > :35:09.
:35:09. > :37:43.Apology for the loss of subtitles for 62 seconds
:37:43. > :37:53.# Assistance from others # Was persuaded by summer air to
:37:53. > :37:59.# The decision so innocent # An innocence interrupted
:37:59. > :38:02.# She came from the depths and ascended
:38:02. > :38:04.# Bumped into he who dement
:38:04. > :38:07.# Intent on inflicting the same pain that been lent him
:38:07. > :38:11.# The decision made by he for she had never consented
:38:11. > :38:13.# And unprovoked The most vemonous attack
:38:13. > :38:16.# He took from her that which she can't get back
:38:16. > :38:19.# And left her with that that she can't get rid of
:38:19. > :38:23.# Which is why whenever it's time for lift-off, she
:38:23. > :38:29.# She builds a rocket out of stars in her spoon
:38:29. > :38:35.# Straps up, the only way to make it to the moon
:38:35. > :38:39.# Dear God I hope you haven't for got
:38:39. > :38:49.# This young brave astronaut
:38:49. > :38:50.
:38:50. > :38:51.# And she'd rather feel nothing than the pain
:38:51. > :38:54.# An evening she can't forget Memories she can't stomach
:38:54. > :38:57.# Not for nothing but I need a shot in the vein
:38:57. > :39:00.# Friends she ignored till the phone stopped ringing
:39:00. > :39:01.# Till her door stopped knocking
:39:01. > :39:10.# Her door she only opens to let him in
:39:10. > :39:11.# You can take that either away
:39:11. > :39:12.# A window she rarely opens so she can see the day
:39:12. > :39:14.# Her stove she only uses to heat her spoon
:39:14. > :39:21.# For her the only way she can reach the moon, she
:39:21. > :39:27.# She builds a rocket out of stars in her spoon
:39:27. > :39:35.# Straps up, the only way to make it to the moon
:39:35. > :39:38.# Dear God I hope you haven't forgot
:39:38. > :39:44.# This young brave astronaut
:39:44. > :39:49.# Looking up, looking up, looking up for the young brave astronaut
:39:49. > :39:55.# Give it up, give it up, give it up for the young brave astronaut
:39:55. > :39:58.# I know that you're busy but any time you got
:39:58. > :40:02.# I know that you're busy but any time you got
:40:02. > :40:07.# God, please make a visit
:40:07. > :40:10.# To the young, to the young To the young
:40:10. > :40:13.# To the young brave astronaut
:40:13. > :40:15.# She opens the window for a glimpse out
:40:15. > :40:18.# And heats a spoon over the stove
:40:18. > :40:21.# Feels a familiar sting and then slips out
:40:21. > :40:25.# With a window that isn't quite closed
:40:25. > :40:27.# With the window open and the stove still lit
:40:28. > :40:30.# Along with the rain came a gust of wind
:40:30. > :40:33.# Which blew the fire out
:40:33. > :40:37.# Gas still running and her still breathing the gas in
:40:37. > :40:43.# She builds a rocket out of stars in her spoon
:40:43. > :40:50.# Straps up, the only way to make it to the moon
:40:50. > :40:55.# Dear God I hope you haven't forgot
:40:55. > :41:05.# This young brave astronaut. #
:41:05. > :41:20.
:41:20. > :41:20.Professor
:41:20. > :41:22.Professor Green.
:41:22. > :41:28.Professor Green. The
:41:28. > :41:34.Professor Green. The beautiful poetry of Professor Green. Before
:41:34. > :41:37.that, the Waterboys. And now, from the Manic Street Preachers, I am
:41:37. > :41:43.delighted to welcome back into this room Nicky Wire. Lovely to see you
:41:43. > :41:48.here. Lovely to have you back. We have lots to talk about and only 12
:41:48. > :41:53.seconds to do it. There is too much talent on the show tonight. I am
:41:53. > :42:00.glad we are not playing. Do you find it stressful when you play
:42:00. > :42:07.here? Very stressful. We love it when you're here. So do I, but it
:42:07. > :42:14.is nerve-racking. Was it nerve- racking making these? There are up
:42:14. > :42:18.30 eighth singles, all 38 singles on one amazing thing. When you look
:42:18. > :42:23.back, are you amazed you stayed together that long? The greatest
:42:23. > :42:27.thing was that we are still best friends. We went to school together
:42:27. > :42:30.at the age of four. It is really unhealthy, knowing somebody for
:42:30. > :42:35.that long. When you did your first singles, did you think you would
:42:35. > :42:39.still be there in five years. think James and Sean, the musicians,
:42:39. > :42:44.they did, but we were just interested in crushing and burning.
:42:44. > :42:49.I think they were in for the long wall. -- crashing and burning.
:42:49. > :42:53.are going to do a show where you will play 38 singles are. Yes, but
:42:53. > :43:01.we will have an interval because we will need steroids, massage and
:43:01. > :43:11.ice-cream. It is part of the ticket price for the audience. I think we
:43:11. > :43:21.have a little bit of video of you doing a song. If you do it
:43:21. > :43:24.
:43:24. > :43:31.# You watch a plane flying across the clear blue sky
:43:31. > :43:41.# This is the day your life will surely change
:43:41. > :43:54.
:43:54. > :43:58.# This is the day when things fall Marvellous. A great record. What is
:43:58. > :44:02.a national treasure. There is a hint of irony in the title. I do
:44:02. > :44:08.not think we have reached that level. Stephen Fry is a national
:44:08. > :44:11.treasure. And I think this is, this book. Like many musicians, you are
:44:11. > :44:17.a visual artist and you have made this great book of Polaroid
:44:17. > :44:24.pictures. When did you first get into them? There are about 10,000 I
:44:24. > :44:30.have from the early 1990s. I had to edit it to 600. Meander Japanese
:44:30. > :44:35.photographer collaborated. He followed us on the road. -- me and
:44:35. > :44:41.a Japanese photographer. They have a unique look to them. They went
:44:41. > :44:45.bust. The digital world tramped over the analogue. I remember being
:44:45. > :44:50.photographed by Paula Yates in my pants on a Polaroid. You used to
:44:50. > :44:54.have to put them under your arm to keep them warm. Which one did you
:44:55. > :44:59.use? The lower pocket. It is a fantastic book, filled with amazing
:44:59. > :45:09.pictures. I am afraid we are running out of time, but it is
:45:09. > :45:15.
:45:15. > :45:25.lovely to see you, Nicky Wire! # I don't remember
:45:25. > :45:50.
:45:50. > :46:00.# And the night will break # Waiting outside
:46:00. > :46:02.
:46:02. > :46:12.# Waiting outside # Like bags of trash in the
:46:12. > :46:18.
:46:18. > :46:28.# We've got nothing # Well, the lights will draw you in
:46:28. > :46:33.
:46:33. > :46:43.# And the night will break # Well, the lights will draw you in
:46:43. > :46:43.
:46:43. > :48:21.Apology for the loss of subtitles for 62 seconds
:48:21. > :48:31.# I don't remember # When we won't have to worry
:48:31. > :48:54.
:48:54. > :49:04.# Is it a crime # So flock of hearts
:49:04. > :49:14.
:49:14. > :49:24.# Through the blood red sky # The sleep of the wheel of fortune
:49:24. > :49:43.
:49:43. > :49:53.# I was trapped in a man's body # So flock of hearts
:49:53. > :49:58.
:49:58. > :50:08.# So flock of hearts # Through the blood red sky
:50:08. > :50:45.
:50:45. > :50:55.# So flock of hearts # Through the blood red sky
:50:55. > :51:22.
:51:22. > :51:28.Thank you the Phoenix Foundation. From their album Buffalo. Before
:51:28. > :51:36.that, we enjoyed Ryan Adams. Our next artist did that amazing song
:51:36. > :51:45.on the floor. On her album, it is full of incredible contrasts. How
:51:45. > :51:55.do we pronounce the title of your our bomb? Exactly! -- your album.
:51:55. > :51:55.
:51:55. > :55:28.Apology for the loss of subtitles for 62 seconds
:55:29. > :55:38.Please welcome come meal. -- # Our minds are at their best
:55:39. > :55:43.
:55:43. > :55:53.# That everything outside us # That everything outside us
:55:53. > :55:57.
:55:57. > :56:04.# Horace by Homer stands # And here is Tully's opened page
:56:04. > :56:10.# Were you and I lads mad as the mist and snow?
:56:11. > :56:17.# Were you and I lads mad as the mist and snow?
:56:17. > :56:27.# Hey hey hey hey
:56:27. > :56:46.
:56:46. > :56:52.# What makes me sigh What makes me shudder so?
:56:52. > :57:00.# I shudder and sigh to think that even Cicero
:57:00. > :57:06.# And many minded Homer were mad as the mist and snow
:57:06. > :57:14.# That Cicero and Homer were mad as the mist and snow
:57:14. > :57:19.# That Cicero and Homer were mad as the mist and snow
:57:19. > :57:26.# That Cicero and Homer were mad as the mist and snow
:57:26. > :57:29.# Mad as the mist and snow
:57:29. > :57:33.# Mad as the mist and snow
:57:33. > :57:43.# Mad as the mist and snow
:57:43. > :57:43.
:57:43. > :59:13.Apology for the loss of subtitles for 62 seconds
:59:13. > :59:13.Thank you to
:59:13. > :59:13.Thank you to The
:59:13. > :59:22.Thank you to The Waterboys.
:59:22. > :59:28.Thank you to The Waterboys. Thank you also to all of our sensation of
:59:28. > :59:33.guests. Thank you, Nicky Wire, with his beautiful book of photographs.
:59:33. > :59:42.Thank you Ryan Adams. Thank you, Professor Green, for his beautiful
:59:42. > :59:48.music, thank you to the Waterboys. Thank you to the Phoenix Foundation.
:59:48. > :59:54.Thank you to the sensational Camille. Next week, Florence and
:59:54. > :00:04.the machine, Pete Townshend, Mary J oblige and much more. But we finish
:00:04. > :00:40.
:00:40. > :00:50.where we started, with the # Took a car downtown
:00:50. > :00:53.
:00:53. > :01:03.# I took a car downtown # I saw the lights go down
:01:03. > :01:22.