:01:13. > :01:15.This programme contains some strong CHEERING AND APPLAUSE
:01:15. > :01:25.Welcome to this incredible world. What a fantastic week and how
:01:25. > :01:38.
:01:38. > :01:48.fantastic to have Lou Reed and # If the effort's too high
:01:48. > :02:05.
:02:05. > :02:12.# You can't catch the moon # Now, me
:02:12. > :02:19.# Not running heat that flames then out
:02:19. > :02:21.# But the proud piece of ice that always floats
:02:21. > :02:23.# Iced honey
:02:23. > :02:27.# Iced honey
:02:27. > :02:37.# Iced honey
:02:37. > :02:39.
:02:39. > :02:43.# If I can't trap a butterfly # If I can't keep my heart
:02:43. > :02:48.# If no matter how much soul and heart I put to the wood
:02:48. > :02:50.# If a flaming heart is not that good
:02:50. > :02:54.# Iced honey
:02:54. > :02:58.# Iced honey
:02:58. > :03:08.# Iced honey
:03:08. > :03:18.
:03:18. > :03:26.# If you can't put a butterfly # Poured on a piece
:03:26. > :03:30.# And your oxygen starts to run out
:03:30. > :03:34.# If your final gasp has the recipe wrong
:03:34. > :03:39.# Instead of hello You say "So long"
:03:39. > :03:42.# If your energy starts to leak out
:03:42. > :03:45.# And people wonder what you're all about
:03:45. > :03:49.# A heartbreaker with an unattached heart
:03:49. > :03:53.# The story of love gives them all a start
:03:53. > :03:56.# And me, I've always been that way
:03:56. > :04:00.# Not by choice, just this way
:04:00. > :04:05.# I can't put my honey pot in a jar
:04:05. > :04:08.# Or a heart or a fist of some young boy
:04:08. > :04:11.# If you can't put a butterfly in a jar
:04:11. > :04:13.# No wonder
:04:13. > :04:16.# No need to wonder where you are
:04:16. > :04:19.# It might seem like hell the River Styx
:04:19. > :04:25.# Your affection never sticks no matter what you say
:04:25. > :04:27.# No matter what you do
:04:27. > :04:31.# A butterfly heart flies right past you
:04:31. > :04:35.# There's nothing to say Nothing to do
:04:35. > :04:39.# See if the ice will melt for you
:04:39. > :04:42.# See if the ice will melt for you
:04:42. > :04:52.# See if the ice will melt for you
:04:52. > :04:52.
:04:52. > :06:10.Apology for the loss of subtitles for 77 seconds
:06:10. > :06:18.So fan tast So fantastic to have Lou Reed and Metallica together.
:06:18. > :06:23.Who are our other guests? What an incredible mix. From New Ar Orleans,
:06:23. > :06:32.we have Aaron Neville. And brand- new and from London, we're
:06:32. > :06:40.delighted to have from London, Various Cruelties. I'm so pleased
:06:40. > :06:48.that we have The Soul Rebels Brass Band. They play beautiful. From New
:06:48. > :06:55.York, a great man, Steve Earle and The Dukes and dech esz. And
:06:56. > :07:03.duchesses. Mr Keb' Mo'. I shall be talking to Nile Rodgers and just
:07:03. > :07:13.generally enjoying myself, but from Shepherd's Bush with a new reggae-
:07:13. > :07:39.
:07:39. > :07:49.style sound. Please welcome Hollie # You look at the News of the World
:07:49. > :07:50.
:07:50. > :07:57.# If only you could shine through the darkness, yeah
:07:57. > :08:02.# Hey, and the day and the night you dine out
:08:02. > :08:09.# So far the reason you feel lonely
:08:09. > :08:14.# Hey, you should try You should try
:08:14. > :08:18.# The milk and the rice
:08:18. > :08:28.# With just a bit of honey
:08:28. > :08:36.
:08:36. > :08:40.# Every day in the evening paper view
:08:40. > :08:46.# You see the boys and the girls
:08:46. > :08:47.# They wanna be famous
:08:47. > :08:53.# You talk and laugh You don't care for the rules
:08:53. > :08:58.# You know that nothing ever really changes
:08:58. > :09:00.# Yeah
:09:00. > :09:05.# Hey, and the day and the night you dine out
:09:05. > :09:10.# So far the reason you feel lonely
:09:10. > :09:15.# Hey, you should try You should try
:09:15. > :09:19.# The milk and the rice
:09:19. > :09:29.# With just a bit of honey. #
:09:29. > :09:46.
:09:46. > :09:56.HE SCATS
:09:56. > :09:56.
:09:56. > :10:51.Apology for the loss of subtitles for 77 seconds
:10:51. > :10:52.The
:10:52. > :10:55.The wonderful,
:10:55. > :10:59.The wonderful, Hollie
:10:59. > :11:03.The wonderful, Hollie Cook. Milk And Honey from her new album,
:11:03. > :11:08.Hollie Cook. I'm delighted to welcome one of the great poets of
:11:08. > :11:18.American music. He is joined by his band The Dukes and and duchesses.
:11:18. > :11:38.
:11:38. > :11:47.# I grew up in a military town # Wonderin' what to do
:11:47. > :11:57.# Lookin' back # To sing about livin'
:11:57. > :12:21.
:12:21. > :12:31.# Chicken Little # Spent a lonely lifetime
:12:31. > :12:34.
:12:34. > :12:44.# Never once crossed # Come upon an ocean
:12:44. > :12:47.
:12:47. > :12:57.# Walkin' on the water # Searchin' for the Holy Grail
:12:57. > :13:14.
:13:14. > :13:24.# Been across the oceans # Been around enough
:13:24. > :13:44.
:13:44. > :13:51.# Been around enough # Now I'm sitting
:13:51. > :13:54.# Singin' a song about a red-headed girl
:13:54. > :13:57.# Was a time I would have said them days was gone
:13:58. > :14:01.# But I'm givin' it another whirl
:14:01. > :14:04.# Didn't know that I was gonna live this long
:14:04. > :14:08.# Now I'm sittin' on top of the world
:14:08. > :14:11.# Sittin' on top of the world, y'all
:14:11. > :14:15.# Sittin' on top of the world
:14:15. > :14:17.# Eyes wide open till the messenger calls
:14:18. > :14:27.# Sittin' on top of the world. #
:14:28. > :14:32.
:14:32. > :14:42.APPLAUSE
:14:42. > :14:45.
:14:45. > :14:45.The
:14:45. > :14:47.The love
:14:47. > :14:54.The love this
:14:54. > :14:59.The love this band, The Dukes and Duchesses, Steve Earle.
:14:59. > :15:08.We saw them, we heard them earlier on in this show, what a fantastic
:15:08. > :15:11.pairing of people, one and one has added up to 237. We welcome
:15:11. > :15:17.Metallica and Lou Reed. It is lovely to have you back. It is
:15:17. > :15:22.great to have you in this room. What an exciting start to the show
:15:22. > :15:29.as well an interesting pairing. A very inspiring room to be in.
:15:29. > :15:36.It shocked a lot of people the pairing. Who met who? We were both
:15:36. > :15:46.trying on the same pair of jeans. At the same time? Yes. We got a
:15:46. > :15:51.little stock of them and we got talking. We played at the the
:15:51. > :15:58.Rock'n'roll Hall of Fame together. We played there and we had so much
:15:58. > :16:07.fun that I yelled at him down the hall "we should do this again."
:16:07. > :16:12."let's make a record together, Lou.". For fun. That's why people
:16:12. > :16:16.are supposed to do this, for the fun and not the money.
:16:16. > :16:24.They agree with you. We agree with you. I put the record on and it is
:16:24. > :16:28.great. It is like going into a very, it is like going into a 1930s
:16:28. > :16:31.surrealist dark film for me and I like that. Blank faces.
:16:31. > :16:38.That's one of the nicest things I heard!
:16:38. > :16:41.I don't know, you know, is hamlet dark? Yes.
:16:41. > :16:49.Well, that's dark. LAUGHTER
:16:49. > :16:59.Shakespeare is dark. Anyway... Everybody is dead at the end of
:16:59. > :17:06.
:17:06. > :17:16.Shakespeare. So tell us who Lulu? He is a German
:17:16. > :17:18.
:17:18. > :17:28.character. He took two swipes at T it was essentially to stir this up.
:17:28. > :17:30.
:17:30. > :17:40.He took two swipes, and in any Pandora's box, Louise Brookes took
:17:40. > :17:45.
:17:45. > :17:53.a silent movie trapes at it. Then a a director wanted to take a crack
:17:53. > :17:57.at it. He asked me to get involved with the music and they did it as
:17:57. > :18:03.you might think would be done over there and I took the whole thing
:18:03. > :18:07.and went over here. That is a a different zone to the
:18:07. > :18:13.German opera. We would like to think so.
:18:13. > :18:16.Can we see you you playing in places? Let's see how tonight goes.
:18:16. > :18:20.That was the first time we ever played.
:18:20. > :18:25.What do you think so far? ALL: Very good.
:18:25. > :18:31.This was the first time we ever played outside the rehearsal room.
:18:31. > :18:36.The tempo was so heavy. Oh, the temp ewas -- tempo was great.
:18:36. > :18:41.He comes in where others leave off. The last time you were here, I said,
:18:41. > :18:47."What's your perfect day?" You said you wouldn't know what a perfect
:18:47. > :18:52.day was if it came up and bit you. It is all true. Nothing has
:18:52. > :18:57.changed? My idea of perfect day is this. That's the whole reason for
:18:57. > :19:02.everything. The minute that beat kicks in, that's it for me.
:19:02. > :19:07.Yes. How about you, what's your perfect day? It is probably being
:19:07. > :19:10.at home on a weekend with my kids. Getting away from those people. It
:19:10. > :19:16.is great to have you both here. is nice to be back.
:19:16. > :19:23.We are really happy to be here with you Jools.
:19:23. > :19:28.Thank you very much to Metallica and Lou Reed. And now, we move to
:19:28. > :19:38.this corner and enjoy a brand-new band, Various Cruelties.
:19:38. > :19:43.
:19:43. > :19:53.# The universe # We'll spin around the planets
:19:53. > :19:57.
:19:57. > :20:07.# Mercury is rushing through # The universe is gonna throw it
:20:07. > :20:14.
:20:14. > :20:24.# To get it back # Put your faith
:20:24. > :20:25.
:20:25. > :20:28.# Release it, watch it burn up # Just give up the ghost
:20:28. > :20:34.# You know it doesn't have to be a mystery
:20:34. > :20:38.# Ohh-ohhh-ohh oh oh-ohh-ohh oh
:20:38. > :20:41.# To get it back All we need is let it go
:20:41. > :20:45.# Ohh-ohhh-ohh oh oh-ohh-ohh oh
:20:45. > :20:55.# Put your faith Put your trust in the chemicals
:20:55. > :21:09.
:21:09. > :21:18.# Ohh ohh-ohh ohh ohh-ohh
:21:18. > :21:22.# Ohh ohh-ohh ohh ohh-ohh
:21:22. > :21:24.# If it's meant to be
:21:24. > :21:27.# The universe is gonna throw it back to me
:21:27. > :21:29.# If it's meant to be
:21:29. > :21:35.# The universe is gonna throw it back to me
:21:35. > :21:39.# It's gonna throw it back to me
:21:39. > :21:42.# Ohh-ohhh-ohh oh oh-ohh-ohh oh
:21:42. > :21:46.# To get it back All we need is to let it go
:21:46. > :21:49.# Ohh-ohhh-ohh oh oh-ohh-ohh oh
:21:49. > :21:54.# Put your faith Put your trust in the chemicals
:21:54. > :21:57.# Ohh-ohhh-ohh oh oh-ohh-ohh oh
:21:57. > :22:00.# To get it back All we need is to let it go
:22:00. > :22:04.# Ohh-ohhh-ohh oh oh-ohh-ohh oh
:22:04. > :22:08.# Put your faith Put your trust in the chemicals
:22:08. > :22:12.# Put your faith, put your trust in the chemicals
:22:12. > :22:18.# Put your faith Put your trust in the chemicals. #
:22:18. > :22:28.APPLAUSE
:22:28. > :22:28.Various
:22:28. > :22:28.Various Cruelties,
:22:28. > :22:34.Various Cruelties, ladies
:22:34. > :22:38.Various Cruelties, ladies and gentlemen.
:22:38. > :22:48.So now, some people have a wall of sound. You have got a wall of sound
:22:48. > :22:54.and a wall, ladies and gentlemen. I think it deserves a round of
:22:54. > :23:00.applause. So now our next artist, I am such a fan of this man, I bought
:23:00. > :23:10.his records, he has a lovely new record out called The Reflection.
:23:10. > :23:24.
:23:24. > :23:32.# Tell the truth # Now you got a girl
:23:32. > :23:42.# Put a smile on your face # To love somebody
:23:42. > :23:45.
:23:45. > :23:54.# That you gotta # What you're gonna do
:23:54. > :24:04.# Than the man you had # What you gonna do
:24:04. > :24:14.
:24:14. > :24:19.# Where your anticipation # We all get used
:24:19. > :24:21.# But now you're dealing with a situation
:24:21. > :24:23.# That involves someone else
:24:23. > :24:25.# Well, it's about to get different
:24:25. > :24:28.# You're gonna need a new device
:24:28. > :24:30.# Cos she's gonna open up your mind
:24:30. > :24:34.# And open up your life
:24:34. > :24:36.# So tell me now
:24:36. > :24:39.# That you gotta whole enchilada
:24:39. > :24:42.# Now that you gotta
:24:42. > :24:44.# What you're gonna do?
:24:44. > :24:46.# Are you gonna be any better
:24:46. > :24:48.# Than the man you had to be to get her?
:24:48. > :24:51.# Oh, now that you gotta
:24:51. > :24:54.# What you gonna do What you gonna do?
:24:54. > :25:04.# What you gonna do?
:25:04. > :25:12.
:25:12. > :25:14.# This is the beginning
:25:14. > :25:16.# Are you ready to learn
:25:16. > :25:18.# To love somebody for a lifetime?
:25:18. > :25:21.# Wake up, it's your turn
:25:21. > :25:25.# So tell me now
:25:25. > :25:28.# That you gotta whole enchilada
:25:28. > :25:31.# Now that you gotta
:25:31. > :25:33.# What you're gonna do What you gonna do?
:25:33. > :25:35.# Are you gonna be any better
:25:35. > :25:37.# Than the man you had to be to get her?
:25:37. > :25:40.# Oh, now that you gotta
:25:40. > :25:46.# What you gonna do What you gonna do?
:25:46. > :25:56.# What you gonna do?
:25:56. > :25:57.
:25:57. > :26:07.APPLAUSE
:26:07. > :26:38.
:26:38. > :26:40.# I am a chorus
:26:40. > :26:41.# Of the voices
:26:41. > :26:43.# That gather up the magnets
:26:43. > :26:49.# Set before me
:26:49. > :26:52.# I attract you
:26:52. > :26:54.# And repel you
:26:54. > :26:55.# A science of the heart
:26:55. > :27:01.# And blood and meaning
:27:01. > :27:06.# The coldness of most beauties is a challenge that our youth
:27:06. > :27:08.# Must quickly conquer
:27:08. > :27:09.# There is no time for guilt
:27:09. > :27:11.# Or second guessing Second guessing
:27:11. > :27:15.# Based on feeling
:27:15. > :27:17.# I am the truth, the beauty
:27:17. > :27:21.# That causes you to cross your sacred boundaries
:27:21. > :27:29.# I have no morals Some think me cheap
:27:30. > :27:32.# And someone who despises
:27:32. > :27:34.# The normalcy of heartbreak
:27:35. > :27:41.# The purity of love
:27:41. > :27:43.# But I worship the young and just-formed angel
:27:43. > :27:45.# Who sits upon the pin of lust
:27:45. > :27:46.# Everything else
:27:46. > :27:51.# Bores me
:27:51. > :27:57.# I want to see your suicide I want to see you give it up
:27:57. > :28:01.# Your life of reason
:28:01. > :28:05.# I want you on the floor
:28:05. > :28:08.# And in a coffin your soul shaking
:28:08. > :28:10.# I want to have you doubting
:28:10. > :28:12.# Every meaning you've amassed
:28:12. > :28:14.# Like a fortune
:28:14. > :28:20.# Oh, throw it away
:28:20. > :28:26.# For worship someone who actively despises you
:28:26. > :28:35.# For worship someone who actively despises you
:28:35. > :28:38.# I am the root
:28:38. > :28:41.# I am the progress
:28:41. > :28:44.# I'm the aggressor
:28:44. > :28:47.# I am the tablet
:28:47. > :28:57.# These ten stories Ah
:28:57. > :29:04.
:29:04. > :29:07.# Pain and evil have their place sitting here beside me
:29:07. > :29:11.# I offer them to you as servants of the gold that you must give
:29:11. > :29:13.# Pain and evil have their place
:29:13. > :29:16.# Sitting here beside me and I offer them
:29:16. > :29:18.# I offer them to you
:29:18. > :29:20.# As servants of the gold that you must give to me
:29:20. > :29:22.# I want to see your suicide
:29:22. > :29:24.# I want to see you give it up
:29:24. > :29:27.# Give it up your your life of reason
:29:27. > :29:37.# I want to see you on the floor
:29:37. > :29:43.
:29:43. > :29:46.# And in a coffin soul shaking
:29:46. > :29:48.# Soul shaking
:29:48. > :29:50.# I want to have you doubting
:29:50. > :29:54.# Every meaning you've amassed like a fortune
:29:54. > :29:57.# Like a fortune throw it away
:29:57. > :30:02.# For worship of someone who actively despises you
:30:02. > :30:08.# Who actively despises you
:30:08. > :30:11.# I am the view
:30:11. > :30:13.# I am the table
:30:13. > :30:16.# I am the view
:30:16. > :30:17.# I am the table
:30:17. > :30:18.# I am all this
:30:18. > :30:20.# I am the root
:30:20. > :30:21.# The progress
:30:22. > :30:23.# The aggressor
:30:23. > :30:25.# I am the table
:30:25. > :30:26.# I am the ten stories
:30:26. > :30:28.# I am the table
:30:28. > :30:29.# I am
:30:29. > :30:32.# I am
:30:32. > :30:42.# I am
:30:42. > :30:42.
:30:42. > :31:32.Apology for the loss of subtitles for 77 seconds
:31:32. > :31:42.APPLAUSE
:31:42. > :31:44.
:31:45. > :31:45.Mixed
:31:45. > :31:45.Mixed together
:31:45. > :31:48.Mixed together for
:31:48. > :31:54.Mixed together for the first time ever on British it is, Lou Reed and
:31:54. > :32:04.Metallica. CHEERING AND APPLAUSE
:32:04. > :32:04.
:32:04. > :32:10.Before that, we enjoyed the wonderful, Keb' Mo'.
:32:10. > :32:20.I love a room where we have new people and we have a fair share of
:32:20. > :32:21.
:32:21. > :32:27.legends. We welcome Nile Rodgers. It is good to see you, Nile. What a
:32:27. > :32:36.good book. Filled with chic and all the incredible people you produced,
:32:36. > :32:39.you name it, you produced them, Diana Ross and David Bowy, but --
:32:40. > :32:44.Bowie, you have written this book. Why did you decide to write a book
:32:44. > :32:48.now? I was actually tricked into doing it by a literary agent, but
:32:48. > :32:53.once I started doing it, I started to interview my family and a lot of
:32:53. > :32:58.artists and a lot of friends ands as I started to hear their answers,
:32:58. > :33:01.I got more and more fascinated with what our lives were like and I just
:33:01. > :33:05.kept and the next thing you know, four years later I was done.
:33:05. > :33:09.were you asking, could you not remember what had gone on?
:33:09. > :33:14.remembered well, but I wanted to get it right. If two people were
:33:14. > :33:18.standing on a corner and we see an accident and somebody asks you,
:33:18. > :33:25."Jools, describe what you saw?" It will be different.
:33:25. > :33:28.I'm sure that is true. Of course, you were the co-founder.
:33:29. > :33:32.What an amazing group. What do you think was the key to it for you?
:33:32. > :33:38.think what happened was we came along at a very interesting time
:33:38. > :33:42.where we were able to fuse R&B with jazz and with dance with rock
:33:42. > :33:46.overtones and do something that was speaking to the heart and soul of
:33:46. > :33:51.the New York dance scene at the time. Studio 54 was the centre as
:33:51. > :33:57.you well know the disco universe and I lived around the corner.
:33:57. > :34:03.So it was easy to get to. I was living on 52nd Street.
:34:03. > :34:08.Were you in there every night? was in there almost every night
:34:08. > :34:18.after they let me in. We have a little bit of footage
:34:18. > :34:22.
:34:22. > :34:26.# All that pressure got you down # Your head spinning all around
:34:26. > :34:35.# Feel the rhythm # Check the vibe
:34:36. > :34:45.# I'm going along to have a good time
:34:45. > :34:50.# Oh what a joy # Just come on down
:34:50. > :34:56.# Freak out # So chic
:34:57. > :35:03.# Freak out # That was fantastic.
:35:03. > :35:06.That was from 1978 and Nile Rodgers is here with us now. Nile, that was
:35:06. > :35:11.one part of your life, but the other big professional part of your
:35:11. > :35:15.life is as a record producer. You must be one of the most successful
:35:15. > :35:21.record producers there has ever been, 100 million records, all the
:35:21. > :35:25.great artists, you have produced them. Often producers aren't sure
:35:25. > :35:32.what they do. How would you describe what your job has been as
:35:32. > :35:38.a producer. Quincy Jones said the producer
:35:38. > :35:42.afrecord is like a Director of A film. A record is a smaller project,
:35:42. > :35:46.we have to handle every aspect. I have to deal with the budget, the
:35:46. > :35:50.psychology if it is a ban and I have to turn the -- band and I have
:35:50. > :35:56.to turn the project on time and under budget and I do that most of
:35:56. > :35:59.the time except when I'm working with Duran Duran!
:35:59. > :36:04.When it is over budget, but at least if we have hits all is
:36:04. > :36:07.forgiven. I think the psychology must be
:36:07. > :36:14.different having to - especially if they are arguing. What's your tip
:36:14. > :36:18.to get people to work together? be the bad guy or the good guy. I
:36:18. > :36:26.mean typically I have been lucky in that every band I worked with, I
:36:27. > :36:30.just become part of the band. I try and hear every aspect of the story
:36:30. > :36:36.and that's just it. I mean, you know, if you read the book, there
:36:36. > :36:43.is not many bad things except for me. I'm doing the bad bad stuff.
:36:43. > :36:53.You're too good really. An amazing man and an incressable book --
:36:53. > :36:54.
:36:54. > :36:55.incredible book. We're delighted to have Nile Rodgers.
:36:55. > :37:00.APPLAUSE A great legend of of the popular
:37:00. > :37:05.music world. This week, we have two artists from New Orleans. This lot
:37:05. > :37:15.are brand-new and fantastic and the other is a legend of New Orleans
:37:15. > :37:15.
:37:15. > :40:33.Apology for the loss of subtitles for 77 seconds
:40:33. > :40:41.music. We welcome The Soul Rebels # I'm rollin' down
:40:41. > :40:45.# I know it ain't OK but I can't stop wantin' you
:40:45. > :40:48.# I do the best that I can
:40:48. > :40:51.# I'm starin' in a highbeam headlight
:40:51. > :40:55.# Burnin' your name On the back of my brain
:40:55. > :40:58.# I swear I hear you callin'
:40:58. > :41:08.# I might have to turn around cos I'm goin' insane
:41:08. > :41:10.# I love you baby but I just can't tell
:41:10. > :41:14.# This kinda love comes from Heaven or hell
:41:14. > :41:18.# Heaven or hell
:41:18. > :41:27.# Heaven or hell
:41:27. > :41:31.# New moon against a long, dark, midnight blue
:41:31. > :41:35.# Ain't a star any brighter than you
:41:35. > :41:39.# I look in your eyes and I see that spark inside
:41:39. > :41:42.# And it's all I can do
:41:42. > :41:46.# To keep tellin' myself there ain't no way
:41:46. > :41:50.# You're gonna do me like you did then
:41:50. > :41:54.# I'm standin' my ground on feet of clay
:41:54. > :42:01.# Oh, no, here I go again
:42:01. > :42:05.# I love you baby but I just can't tell
:42:05. > :42:10.# This kinda love comes from Heaven or hell
:42:10. > :42:13.# Heaven or hell
:42:13. > :42:22.# Heaven or hell
:42:22. > :42:29.# There ain't nothing nobody can say
:42:29. > :42:32.# There ain't nothing nobody can say
:42:32. > :42:36.# There ain't nothing nobody can do
:42:36. > :42:40.# Get down on their knees and pray
:42:40. > :42:47.# I love you baby but I just can't tell
:42:47. > :42:51.# This kinda love comes from Heaven or hell
:42:51. > :42:54.# Heaven or hell
:42:54. > :43:04.# Heaven or hell
:43:04. > :43:04.
:43:04. > :43:14.# I love you baby but I just can't tell
:43:14. > :43:26.
:43:26. > :43:36.# I love you baby but I just can't tell. #
:43:36. > :43:44.
:43:44. > :43:54.APPLAUSE
:43:54. > :43:56.
:43:56. > :43:57.The
:43:57. > :43:57.The sweet
:43:57. > :44:06.The sweet sound
:44:06. > :44:11.The sweet sound of Allison Moorer and Steve Earle's voice. Steve
:44:11. > :44:18.Earle. Before that, I think we all enjoyed the The Soul Rebels Brass
:44:18. > :44:23.Band. We liked them, didn't we? Yes. I can see them next week at the
:44:23. > :44:27.London Jazz Festival and another fantastic artist from New Orleans
:44:27. > :44:32.is here now, Keb' Mo' is going to join us now. This particular artist
:44:32. > :44:35.has done a fantastic new record of church church songs that inspired
:44:35. > :44:45.him when he was a young lad. We welcome into this room, Aaron
:44:45. > :44:54.
:44:54. > :45:01.# Travelling through # I've got a home built
:45:01. > :45:08.# And it's not not made by hand
:45:08. > :45:14.# And I got a mother a sister and a father
:45:14. > :45:21.# Who have gone on now to the other shore
:45:21. > :45:29.# And I am determined to go and see them, good Lord
:45:29. > :45:37.# And to be with them for evermore
:45:37. > :45:43.# And I go down to the River of Jordan
:45:43. > :45:49.# Just to bathe my my weary soul
:45:50. > :45:57.# If I can but touch the hem of his garment, good Lord
:45:57. > :46:05.# That is how I know he'll make me whole
:46:05. > :46:15.# And when he lays me down for the last time
:46:15. > :46:37.
:46:37. > :46:41.# And when he lays me down for the last time
:46:41. > :46:47.# With his hard hand resting on my breast
:46:47. > :46:55.# And I don't want all that weeping and crying over me
:46:55. > :47:05.# Cos you know that I've gone to rest
:47:05. > :47:05.
:47:05. > :47:09.# I am a pilgrim and a stranger
:47:09. > :47:16.# Travelling through this this wearisome land
:47:16. > :47:23.# And I've got a home in that yonder city, good Lord
:47:23. > :47:33.# And it's not not made by hand. #
:47:33. > :47:40.
:47:40. > :47:50.APPLAUSE
:47:50. > :47:55.
:47:55. > :48:05.You all right? How are you feeling? Can I hear you?
:48:05. > :48:05.
:48:05. > :48:13.CHEERING
:48:13. > :48:13.I
:48:13. > :48:14.I can't
:48:14. > :48:24.I can't hear
:48:24. > :48:29.
:48:29. > :48:39.# It's been so long # My body beats
:48:39. > :49:07.
:49:07. > :49:12.# It's been so long # I've been missing you
:49:12. > :49:14.# My body beats and I'm feeling raw
:49:14. > :49:20.# Huh! Stick like Henkle Glue
:49:20. > :49:22.# Huh! Stick like Henkle Glue
:49:22. > :49:24.# Too much places I had fun
:49:24. > :49:25.# Where? Playing the game
:49:25. > :49:27.# Scoring my name
:49:27. > :49:28.# Couldn't have been so wrong
:49:28. > :49:29.# Woman!
:49:29. > :49:31.# But you, you come back
:49:31. > :49:33.# Look how you hot
:49:33. > :49:36.# Turn round the world full of diamonds and pearls
:49:36. > :49:39.# You come back Look how you hot
:49:39. > :49:43.# Turn around the world full of diamonds and pearls
:49:43. > :49:47.# Where have you been to?
:49:47. > :49:50.# A long time I've been missing you, you, you
:49:50. > :49:53.# Anno lie me a tell it is the truth
:49:53. > :49:56.# Cos the love still there it will natural grow
:49:56. > :49:59.# Too much space where you belong
:49:59. > :50:01.# Somewhere dark and warm
:50:01. > :50:02.# It's feeling so right
:50:02. > :50:05.# To be wrong
:50:05. > :50:08.# Well, explain Na
:50:08. > :50:10.HE SCATS
:50:11. > :50:13.# It's been so long since
:50:13. > :50:14.# I've been home
:50:14. > :50:16.# I've been missing you from the start
:50:16. > :50:18.# My body beats and I'm feeling raw
:50:18. > :50:27.# Huh! Stick like Henkle Glue
:50:27. > :50:29.# It's been so long since
:50:29. > :50:31.# I've been home
:50:31. > :50:32.# I've been missing you from the start
:50:32. > :50:34.# My body beats and I'm feeling raw
:50:34. > :50:44.# Huh! Stick like Henkle Glue
:50:44. > :50:52.
:50:52. > :50:54.# Too much places I had fun
:50:54. > :50:55.# Where? Playing the game
:50:56. > :50:58.# Scoring my name
:50:58. > :51:01.# Couldn't have been so wrong
:51:01. > :51:04.# Me atell you
:51:04. > :51:09.# It couldn't have been so wrong
:51:09. > :51:19.# It couldn't have been so wrong
:51:19. > :51:23.
:51:23. > :51:25.# Yeah! #
:51:25. > :51:35.APPLAUSE
:51:35. > :51:41.
:51:41. > :51:41.What
:51:41. > :51:41.What a
:51:41. > :51:49.What a marvellous
:51:49. > :51:58.What a marvellous group, Hollie Cook.
:51:58. > :52:02.The delightful reggae sound. Hey, I will have a quick chat with
:52:02. > :52:03.Aaron. Aaron Neville, ladies and gentlemen.
:52:03. > :52:07.APPLAUSE That's a beautiful song you played
:52:07. > :52:15.there. What other songs have you got on your record? This is a
:52:15. > :52:18.gospel record. It is sort of rhythm 'n' blues and it was a 50 year
:52:18. > :52:24.anniversary of my recording. That's beautiful.
:52:24. > :52:33.It is 50 years? 1960, yeah. We are delighted to have new the
:52:33. > :52:35.studio. APPLAUSE
:52:35. > :52:45.Can we manoeuvre into this corner and welcome a brand-new band,
:52:45. > :52:50.
:52:50. > :53:00.# You know that # Packing up my suitcase
:53:00. > :53:05.
:53:05. > :53:10.# We're dancing on ashes # Cos everything feels
:53:10. > :53:16.# But some things you just never seem to know
:53:16. > :53:21.# Do we fade out or burn like the sun?
:53:21. > :53:26.# Do we let it all go or hold on?
:53:26. > :53:31.# Do we see this through together as one?
:53:31. > :53:35.# Or do we go it alone?
:53:35. > :53:39.# Into the great unknown
:53:39. > :53:48.# Staring at these beautiful scars
:53:48. > :53:53.# Staring at these beautiful scars
:53:53. > :53:58.# Of all the things we hurt for written on our hearts
:53:58. > :54:04.# Somehow you still make me believe
:54:04. > :54:08.# Cos everything feels too familiar
:54:08. > :54:14.# But some things you just never seem to know
:54:14. > :54:19.# Do we fade out or burn like the sun?
:54:19. > :54:24.# Do we let it all go or hold on?
:54:24. > :54:29.# Do we see this through together as one?
:54:29. > :54:32.# Or do we go it alone?
:54:32. > :54:37.# Into the great unknown
:54:37. > :54:40.# Whoa ooh oh
:54:40. > :54:43.# Whoa oh oh oh ah oh
:54:44. > :54:46.# Whoa ooh ah ooh
:54:46. > :54:48.# Whoa ooh ah ooh
:54:48. > :54:51.# Whoa ooh oh
:54:51. > :54:57.# Whoa oh oh oh ah oh
:54:57. > :55:01.# Do we fade out or burn like the sun?
:55:01. > :55:06.# Do we let it all go or hold on?
:55:06. > :55:11.# Do we see this through together as one?
:55:11. > :55:14.# Or do we go it alone?
:55:14. > :55:18.# Into the great unknown
:55:18. > :55:20.# Whoa ooh oh
:55:20. > :55:23.# Whoa oh oh oh ah oh
:55:23. > :55:29.# Whoa ooh ah ooh
:55:29. > :55:32.# Do we see this through together as one?
:55:32. > :55:40.# Or do we go it alone into the great unknown? #
:55:40. > :55:47.APPLAUSE
:55:47. > :55:54.# Come and gather round me, people and a tale to you I'll tell
:55:55. > :56:02.# Of my father and his father in the days before the spill
:56:02. > :56:11.# With an endless sky above 'em and a restless sea below
:56:11. > :56:21.# And every blessing flowing from the Gulf of Mexico
:56:21. > :56:21.
:56:21. > :56:31.# Well, my granddad worked the shrimp boats
:56:31. > :56:36.
:56:36. > :56:40.# Well, my granddad worked the shrimp boats
:56:40. > :56:44.# From the time that he was grown
:56:44. > :56:49.# And he scrimped and saved and bought himself
:56:49. > :56:53.# A trawler of his own
:56:54. > :57:01.# He was rough and he was ready and he drank when he was home
:57:01. > :57:10.# And he made his family's living on the Gulf of Mexico
:57:10. > :57:14.# He was rollin'
:57:14. > :57:18.# He was rollin'
:57:19. > :57:23.# Cross the deep blue water
:57:23. > :57:33.# He was rollin'
:57:33. > :57:45.
:57:45. > :57:52.# Well, my daddy drove a crew boat hauling workers to the rigs
:57:52. > :57:57.# He was sick of mending nets
:57:57. > :58:01.# And couldn't stand the smell of fish
:58:01. > :58:10.# He drew a steady paycheck 20 years to Texaco
:58:10. > :58:18.# When he died, we spread his ashes on the Gulf of Mexico
:58:18. > :58:22.# He was rollin'
:58:23. > :58:27.# He was rollin'
:58:27. > :58:31.# Cross the deep green water
:58:31. > :58:41.# He was rollin'
:58:41. > :58:41.
:58:41. > :59:35.Apology for the loss of subtitles for 77 seconds
:59:35. > :59:40.# That I stepped out on the drilling floor
:59:40. > :59:44.# To earn a roughneck's pay
:59:44. > :59:48.# Then one night I swear I saw the devil
:59:48. > :59:52.# Crawlin' from the hold
:59:52. > :59:56.# And he spilled the guts of hell out
:59:56. > :00:01.# In the Gulf of Mexico
:00:01. > :00:05.# We were rollin'
:00:06. > :00:11.# We were rollin'
:00:11. > :00:15.# Cross the blood-red water
:00:15. > :00:23.# We were rollin'. #
:00:23. > :00:33.APPLAUSE
:00:33. > :00:39.
:00:39. > :00:39.Steve
:00:39. > :00:40.Steve Earle
:00:40. > :00:43.Steve Earle and
:00:43. > :00:48.Steve Earle and The Dukes and dech us. The -- The Dukes and the
:00:48. > :00:53.duchesses. The wonderful Steve Earle. Thank you to all our guests
:00:53. > :00:58.this week. Thank you to Hollie Cook. Thank you to Keb' Mo' and Nile
:00:58. > :01:06.Rodgers. Thank you to The Soul Rebels Brass Band. Thank you,
:01:06. > :01:09.Various Cruelties. Thank you Aaron Neville. Next week, we have a
:01:09. > :01:15.special compilation show some of people who have been on the show in
:01:15. > :01:21.the last that had huge success. In two weeks live time live, we will
:01:21. > :01:31.have the Red Hot Chilli Peppers, but now we finish with a unique and
:01:31. > :01:38.
:01:38. > :01:48.amazing performance from Lou Reed # White light
:01:48. > :01:58.
:01:58. > :02:08.# Don't you know # Ooooh, don't you know
:02:08. > :02:35.
:02:35. > :02:40.# White light, light moving # White light
:02:40. > :02:50.# Ooooh, white heat Goin' down to my toes
:02:50. > :02:53.
:02:53. > :02:58.# Lord, have mercy White light had it, goodness knows
:02:58. > :03:04.# Ooooh, white light
:03:04. > :03:09.# Ooooh, white heat
:03:09. > :03:16.# Ooooh, white light