:00:15. > :00:18.Good evening, Britain. Good evening, the world. We're live. It's April.
:00:18. > :00:26.The showers, the sunshine - there is laughter. There is tears, and in
:00:26. > :00:36.here, a brand new live series of fantastic music. Let's start with
:00:36. > :00:36.
:00:36. > :00:46.somebody who is truly great, a great voice, a great laugh - we
:00:46. > :00:46.
:00:46. > :01:56.Apology for the loss of subtitles for 69 seconds
:01:56. > :02:06.# But what it shows # But what it shows
:02:06. > :02:06.
:02:06. > :03:00.Apology for the loss of subtitles for 69 seconds
:03:00. > :03:05.# And crash back through Paul Weller, tonight celebrating
:03:05. > :03:09.his marvellous new LP. That was The Attic. Tonight we have a room full
:03:09. > :03:16.of amazing people. From Chicago, Willis Earl Beal. I'll be chatting
:03:16. > :03:18.to Mike Skinner. From South London, we'll enjoy The Maccabees.
:03:18. > :03:24.APPLAUSE From Brazil, which is a long way to
:03:24. > :03:29.go and a long way for me to walk - we will be welcoming Cell.
:03:29. > :03:39.From Glasgow, his first solo record for awhile, and we're welcoming the
:03:39. > :03:49.wonderful Paul Buchanan. But now from Newcastle, the superb
:03:49. > :04:08.
:04:08. > :04:18.sound of Beth Jeans Houghton and # You walked through her door
:04:18. > :04:21.
:04:21. > :04:29.# I see, I see amour, when looking through lenses
:04:29. > :04:37.# Cry blind for creation like you're blind for me
:04:37. > :04:47.# Ride swift through the houses like blood rides through me
:04:47. > :04:53.# Red wine and whiskey are no good for me
:04:53. > :04:58.# Ride swift through the houses like blood rides through me
:04:58. > :05:04.# Red wine and whiskey are no good for me
:05:04. > :05:08.# Dissecting the atlas for places we've been
:05:08. > :05:18.# Your list is longer but you've got more years on me
:05:18. > :05:22.
:05:22. > :05:28.# A token to dispense, we take it all in doubles
:05:28. > :05:37.# And weeping on concrete then stealing away
:05:37. > :05:43.# You opened up her mouth and let out all her secrets
:05:43. > :05:53.# Assumed her disordered in her thirst to stray
:05:53. > :06:06.
:06:06. > :06:06.# So pray, sleep sweet and sharpenyour teeth and escape from this body
:06:06. > :06:08.# Your soul is impounded beneath
:06:08. > :06:15.# Abort the nonchalance and clap for your culture
:06:15. > :06:23.# Your tanned hide exerting the sum of your parts
:06:23. > :06:29.# The bridges will advance devout of their structure
:06:29. > :06:37.# Armour the estuaries that plough through your heart
:06:37. > :06:41.# Ride swift through the houses like blood rides through me
:06:41. > :06:49.# Red wine and whiskey are no good for me
:06:49. > :06:56.# Dissecting the atlas for places we've been
:06:56. > :07:06.# Your list is longer but you've got more years on me. #
:07:06. > :07:14.
:07:14. > :07:21.CHEERING AND APPLAUSE
:07:21. > :07:21.That's
:07:21. > :07:22.That's Jean
:07:22. > :07:28.That's Jean Quan,
:07:28. > :07:33.That's Jean Quan, another beautiful bit of vocalised harmonies there,
:07:33. > :07:39.the Hooves Of Destiny. In a moment, we're going to be coming over to
:07:39. > :07:46.this area, and Mid Air, Paul Buchanan has his new solo record,
:07:46. > :07:51.the Blue Nile. What will you be playing from this? Jools, you and I
:07:51. > :07:55.will be playing Mid Air. I will look forward to seeing Paul
:07:55. > :08:05.Buchanan in a moment. But now, let's go to this direction here and
:08:05. > :08:15.
:08:15. > :08:22.# So soon we're, so soon we're # And we knew we only
:08:22. > :08:24.# Before you know it before you know it
:08:24. > :08:27.# Before you know it parent a parent
:08:27. > :08:37.# Ohhh, ohhh, ohhh
:08:37. > :08:40.# To have it all, to have it allTo have it all and still want more
:08:40. > :08:44.# One thing's for sure One thing's for sure
:08:44. > :08:46.# One thing's for sure we're all getting older
:08:46. > :08:47.# So we take a lover So we take a lover
:08:47. > :08:49.# So we take a lover waiting in the corner
:08:49. > :08:52.# And before you know it Before you know it
:08:52. > :08:54.# Before you know it pushing up the daisies
:08:54. > :09:04.# Ohhh, ohhh, ohhh
:09:04. > :09:11.# And we go back to where we came from
:09:11. > :09:14.# Like those before and those to come
:09:14. > :09:21.# And know it's the ever and the more
:09:21. > :09:24.# And again and again and again and again we go
:09:24. > :09:28.# In the end, in the end In the end nothing comes easy
:09:28. > :09:30.# So you find a way So you find a way
:09:30. > :09:33.# So you find a way to take a little with you
:09:33. > :09:35.# For the ones you love For the ones you love
:09:36. > :09:38.# For the ones you love there if they need to
:09:38. > :09:43.# Pharaoh, pharaoh, pharaoh They're not coming with you
:09:43. > :09:51.# Go back to where we came from
:09:51. > :09:53.# Like those before and those to come
:09:53. > :09:59.# And know it's the ever and the more
:09:59. > :10:03.# And again and again and again and again, go
:10:04. > :10:05.# Ohhh
:10:05. > :10:15.# Ohhh. #
:10:15. > :10:35.
:10:35. > :10:36.# And we knew we, and we knew we
:10:36. > :10:37.# And we knew we only had a little while
:10:37. > :10:38.# In the middle, in the middleIn the middle just keep ticking over
:10:38. > :10:40.# Before you know it before you know it
:10:40. > :10:43.# Before you know it parent a parent
:10:43. > :10:46.# Ohhh, ohhh, ohhh
:10:46. > :10:56.# To have it all, to have it allTo have it all and still want more
:10:56. > :11:16.
:11:16. > :11:26.# Ohhh
:11:26. > :11:50.
:11:50. > :11:57.# The buttons on your collar
:11:57. > :12:01.# The colour of your hair
:12:01. > :12:11.# I think I see you everywhere
:12:11. > :12:12.
:12:12. > :12:17.# I want to live forever
:12:17. > :12:27.# And watch you dancing in the air
:12:27. > :12:27.
:12:27. > :12:32.# All the lies and make believe
:12:32. > :12:39.# The very things that one day leave
:12:39. > :12:49.# But I can see you standing in mid air
:12:49. > :12:52.
:12:52. > :12:56.# The girl I want to marry
:12:56. > :13:02.# Up on the high trapeze
:13:02. > :13:07.# The day she fell and hurt her knees
:13:07. > :13:16.# And only time can make you
:13:16. > :13:24.# The wind that blows away the leaves
:13:24. > :13:34.# For everything that life was worth
:13:34. > :13:35.
:13:35. > :13:38.# The fallen snow, the virgin birth
:13:39. > :13:47.# I can see you standing in mid air
:13:47. > :13:57.# I can see you standing in mid air. #
:13:57. > :14:08.
:14:08. > :14:18.CHEERING AND APPLAUSE
:14:18. > :14:24.
:14:24. > :14:25.The
:14:25. > :14:25.The amazing
:14:25. > :14:29.The amazing Paul
:14:29. > :14:39.The amazing Paul Buchanan with Mid Air from Mid Air, his new solo
:14:39. > :14:39.
:14:39. > :17:30.Apology for the loss of subtitles for 69 seconds
:17:30. > :17:36.record. And now an amazing talent Contravento from Ceu, marvellous
:17:36. > :17:39.sound. So now over at the piano, a man that has decided it's high time
:17:39. > :17:43.he had his autobiography out, and it's superb. We welcome Mike
:17:43. > :17:48.Skinner. APPLAUSE
:17:49. > :17:55.The book there, The Streets, and it's a fantastic book. Why did you
:17:55. > :18:00.decide to - why was now the time for you to write this? Just because
:18:00. > :18:03.I wouldn't be - I wouldn't remember in the future, yeah. I noticed you
:18:03. > :18:07.were warming up, actually, in the dressing room next to me. Oh, I'm
:18:07. > :18:12.sorry. Did you have a full grand in your dressesing room? No, it's just
:18:12. > :18:15.a little upright. It sounded great. Thanks. It's funny, you get a
:18:15. > :18:19.little vibration. Sometimes you have the guests - in the dressing
:18:19. > :18:24.room, you have a great laugh, but you can never capture it again.
:18:24. > :18:31.should record it all. You too do that... Your whole lives. But
:18:31. > :18:35.that's what you have done with your book, if I can neatly dovetail back
:18:36. > :18:40.into it... Can we just boogiewoogie instead? It's much easier, but
:18:40. > :18:43.we're here to talk about you, not my fingers, so let's talk about you
:18:43. > :18:53.and about some of the lovely pictures in this book. This is my
:18:53. > :18:58.
:18:58. > :19:04.favourite picture. This is you - What are you in front of here?
:19:04. > :19:09.fine hi-fi... And an important thing a here - a record - vinyl. Do
:19:09. > :19:14.you like records? No. I was into MP3s from very early on. They
:19:14. > :19:19.didn't have them then. No, not at that age. Oh. I am actually into
:19:19. > :19:24.film, like camera film. I'm not so much into digital photos. I am into
:19:24. > :19:30.film. Oh, I see. But in terms of music, I was really into the fact
:19:30. > :19:33.that you could have thousands of songs, you know, in a small silver
:19:33. > :19:39.box. Yeah, but not then you couldn't. You could only have these
:19:39. > :19:44.records. No, not then. You're pointing at it. It was all just a
:19:44. > :19:49.very expensive, messy affair, vinyl. No, I love my records. I was in a
:19:49. > :19:54.record shop today. I was in this one. Come on. Share the love.
:19:54. > :19:58.jazz bloke - you have to go and support your local record shop. If
:19:58. > :20:02.you don't, it's all over. This is the BBC... Let's have a look at you
:20:02. > :20:08.- before all the people rushed to the record stores and bought your
:20:08. > :20:12.record, this is what they saw back in 19 - (Mumbles)
:20:12. > :20:15.# Quit staring into space # At your -
:20:15. > :20:20.# She'll want you # And stop me if I'm wrong
:20:20. > :20:22.# Stop me if I'm wrong # Why should she be the one who
:20:22. > :20:27.decides # And the girl's rude
:20:27. > :20:31.# I know she's rude # But she's brilliant
:20:31. > :20:40.# Hold on, boys # Your head is messed up
:20:40. > :20:44.# I know what she's thinking - # Marvellous. Brand new trainers. Did
:20:44. > :20:48.you see how knew those were? They were then, but you've not got them
:20:48. > :20:51.on now. No, I just took them off yesterday. We only have 20 seconds
:20:52. > :20:55.left. This is a great book, very entertaining. I believe you're
:20:55. > :20:59.going to be doing a film next. going to be doing - it's going to
:20:59. > :21:03.be a very long process, but we have written a short, and we have
:21:03. > :21:06.started to write a feature. I could see you in a film. Thank you.
:21:06. > :21:11.I could see that. And I look forward to recommending this book
:21:11. > :21:15.to more of my friends, and I shall see you in the record shop very
:21:15. > :21:20.soon - I have to go. I'm not being rude. It's just, it's live TV. I
:21:20. > :21:30.have to move on. Mike Skinner, The Streets - his book is out now. And
:21:30. > :21:46.
:21:46. > :21:55.over here from Chicago, we welcome # Calculator broken
:21:55. > :22:03.# Marks on the board from your late # Jack of hearts don't court
:22:03. > :22:04.# Throne's vacant there never was no king
:22:04. > :22:05.# Earl is coming with the switching of the scene
:22:05. > :22:07.# Sprouted stalk only got one bean
:22:07. > :22:09.# Enchanted got up out of his head
:22:09. > :22:12.# Throwed down to a valley now red
:22:12. > :22:14.# Ate and drank like he never been fed
:22:14. > :22:18.# From liquid and a flesh that bled
:22:18. > :22:20.# Pour is great till he found his fate
:22:20. > :22:24.# Parallel power at the end of the hour
:22:24. > :22:27.# Clock's dead so there is no late decimate
:22:27. > :22:30.# Dualities tendency to cower
:22:30. > :22:32.# Shower assured so he lifts his fist
:22:33. > :22:35.# Caught a rare fish number one on his list
:22:36. > :22:38.# Can't let it go cos he had the bliss
:22:38. > :22:40.# No more insist and hiss
:22:40. > :22:50.# Cos he received the gist
:22:50. > :22:54.
:22:54. > :22:57.# Swing on low in the flow
:22:57. > :23:00.# For the souls that don't know now I'm whole
:23:00. > :23:02.# Swing on low in the flow
:23:02. > :23:05.# For the souls that don't know now I'm whole
:23:05. > :23:15.# Swing on low swing on low
:23:15. > :23:20.
:23:20. > :23:22.# Big punk small time still in my prime
:23:22. > :23:23.# Send the coupe through the loop of a satisfied mind
:23:24. > :23:27.# I'm the bunny rock hopper
:23:27. > :23:29.# Derelict soul down
:23:29. > :23:30.# Imma dance in a trance till they put me in the pound
:23:30. > :23:34.# I ain't satisfied unless I'm acting a fool
:23:34. > :23:37.# I'm the caffeinated chap microphone is my tool
:23:37. > :23:38.# I'm shiver fit
:23:38. > :23:40.# With a shovel in my fist
:23:40. > :23:42.# Got my graveyard boots cos I hide in the midst
:23:42. > :23:43.# I'm a fiend for the feeling
:23:43. > :23:45.# Got a bone like a rocket
:23:45. > :23:48.# With a motor so loco no bozos can stop it
:23:48. > :23:50.# Frogman, hop it, at the wall I can't knock it
:23:51. > :23:52.# Thunder clatter, chitter chatter
:23:52. > :23:54.# Don't matter if I drop it
:23:54. > :23:55.# One hand in my pocket
:23:55. > :23:58.# The other on the bar sitting back on the seat
:23:58. > :24:00.# And tonight I'm going far
:24:00. > :24:01.# Cocoa butter on my hands
:24:01. > :24:03.# Potpourri on my pants
:24:03. > :24:06.# I'm sitting still on the side because I know in advance
:24:06. > :24:09.# Swing on low in the flow
:24:09. > :24:12.# For the souls that don't know now I'm whole
:24:12. > :24:15.# Swing on low in the flow
:24:15. > :24:17.# For the souls that don't know now I'm whole
:24:17. > :24:27.# Swing on low, swing on low
:24:27. > :24:28.
:24:28. > :24:38.# Swing on low
:24:38. > :24:50.
:24:50. > :24:50.#
:24:50. > :24:50.# Coming
:24:50. > :24:59.# Coming for
:24:59. > :25:08.# Coming for to carry me home # Coming for to carry me home #
:25:08. > :25:14.APPLAUSE Thank you, Willis Earl Beal. Swing
:25:14. > :25:18.Low. Thank you to all of our guests. Thank you, Maccabees. Thank you,
:25:18. > :25:22.the lovely live audience. Thank you, Beth Jeans Houghton & the Hooves of
:25:22. > :25:28.Destiny. APPLAUSE
:25:28. > :25:30.Thank you for the chaps and his marvellous new book, Mike Skinner.
:25:30. > :25:35.Mid Air we enjoyed from Paul Buchanan.
:25:35. > :25:39.APPLAUSE What a lovely record that is. It
:25:39. > :25:39.was a delight and a privilege to have Ceu with us, ladies and
:25:40. > :25:43.gentlemen. APPLAUSE
:25:43. > :25:47.Well, on Friday, if you're around, you can come and look at the show,
:25:47. > :25:50.and there's lots more guests there. You can look at this, and you can
:25:50. > :25:54.see early performances of our next - in fact, you can see the first
:25:54. > :26:04.performance on the show ever of this artist, who is truly great.
:26:04. > :26:11.
:26:12. > :26:17.We're glad to have him here - Paul # The salty days of tears that dare
:26:17. > :26:20.# "I don't care," cried the vicar's wife
:26:20. > :26:27.# They're only numbers melting in the ice
:26:27. > :26:33.# And I don't care about this old world
:26:33. > :26:37.# I'll take my chances in the earth
:26:37. > :26:41.# Rob myself till my eyes are blind
:26:41. > :26:50.# Then settle up and ride into the night
:26:50. > :26:58.# "Seen any bodies?" said the Saracen's head
:26:58. > :26:58.# Damn, damn, damn sure I left it here
:26:58. > :27:05.# It's hard to tell the fighters from the thieves
:27:05. > :27:08.# Moon, moon, moon
:27:08. > :27:11.# Shine your healthy light
:27:11. > :27:13.# Lift up the sons and daughters alike
:27:13. > :27:16.# Tell them that you won't be home tonight
:27:16. > :27:22.# And I don't care about the coming wave
:27:22. > :27:27.# I'll take my chances in the grave
:27:27. > :27:31.# There's only one moment that is now
:27:31. > :27:41.# I can't undo what I don't know how
:27:41. > :27:50.
:27:50. > :27:51.# And I don't care what the neighbours think
:27:51. > :27:54.# I've heard their dripping from the kitchen sink
:27:54. > :27:57.# The damp comes down and changes my wall
:27:57. > :28:07.# Fills my flat I find myself submerged
:28:07. > :28:09.
:28:09. > :28:19.# And I don't care about this old world
:28:19. > :28:36.
:28:36. > :28:38.# And I don't care about this old world
:28:38. > :28:40.# I'll take my chances in the earth
:28:40. > :28:43.# Rob myself till my eyes are blind
:28:43. > :28:53.# Then settle up and ride into the night
:28:53. > :28:56.
:28:56. > :28:57.# Klang, klang, klang
:28:57. > :29:00.# Klang, klang, klang