:00:13. > :00:17.The May Day moon shines bright. Wherever you are, happy May Day.
:00:17. > :00:20.Welcome to the show. Perhaps you are about to dance around the
:00:20. > :00:25.Maypole or perhaps - live television. Give me a hand here.
:00:26. > :00:31.Thank you. Thank you very much. Live television.
:00:31. > :00:41.APPLAUSE A beautiful evening! All of Britain
:00:41. > :00:47.
:00:47. > :00:57.is waiting for some beautiful music # You'll not leave
:00:57. > :01:01.
:01:01. > :01:03.# A thing we feel but can never hold
:01:03. > :01:10.# You'll leave your body behind you
:01:10. > :01:12.# When you leave this place
:01:12. > :01:20.# You'll leave your body behind you
:01:20. > :01:23.# And you'll make a space
:01:23. > :01:28.# Kindness should be our way of life
:01:28. > :01:33.# Not something you have to think about twice
:01:33. > :01:38.# All you will be remembered for
:01:38. > :01:43.# Is what folks say when you walk out the door
:01:43. > :01:50.# You'll leave your body behind you
:01:50. > :01:53.# When you leave this place
:01:53. > :02:01.# You'll leave your body behind you
:02:01. > :02:03.# And you'll make a space
:02:03. > :02:13.# Is there any more?
:02:13. > :02:21.# You'll leave your body behind you
:02:21. > :02:24.# When you leave this place
:02:24. > :02:31.# You'll leave your body behind you
:02:31. > :02:41.# And you'll make a space
:02:41. > :02:48.
:02:48. > :02:50.# Leave your body behind you
:02:50. > :02:57.# Leave your body behind you
:02:57. > :03:01.# Leave your body behind you
:03:01. > :03:11.# And change
:03:11. > :03:27.
:03:27. > :03:37.# Is there any more?
:03:37. > :03:37.
:03:37. > :03:47.# Leave your body behind you
:03:47. > :03:52.
:03:52. > :04:02.# And change
:04:02. > :04:12.CHEERING AND APPLAUSE
:04:12. > :04:15.
:04:15. > :04:15.Thank
:04:15. > :04:16.Thank you,
:04:16. > :04:23.Thank you, the
:04:23. > :04:29.Thank you, the great Richard Hawley. Also tonight, the wonderful pianist.
:04:29. > :04:33.From New York, St Vincent. Also from New York, Charles Bradley.
:04:33. > :04:43.From west London, David albarn. But, now, also from west London, Rita
:04:43. > :05:11.
:05:11. > :05:21.# Let my perfume # Say you'll be here soon
:05:21. > :05:24.
:05:24. > :05:34.# Follow my lead # Thought it over and decided
:05:34. > :05:35.
:05:35. > :07:03.Apology for the loss of subtitles for 88 seconds
:07:03. > :07:08.# I wonder # Yeah I hear you talking, don't
:07:08. > :07:10.# I'm in control, but with you being a man
:07:10. > :07:16.# You don't seem to understand I-I-I'm ready for ya
:07:16. > :07:18.# I-I-I'm ready for ya
:07:18. > :07:22.# I-I-I'm ready for ya
:07:22. > :07:26.# So keep thinking you're a man cos it's all part of my plan
:07:26. > :07:28.# I-I-I'm ready for ya
:07:28. > :07:30.# Yea-ea-ea-eah
:07:30. > :07:34.# You feel my heart is beating
:07:34. > :07:36.# Yea-ea-ea-eah
:07:36. > :07:40.# You feel my heart is beating
:07:40. > :07:41.# Yea-ea-ea-eah
:07:41. > :07:41.# You feel my heart is beating
:07:41. > :07:46.# R.I.P. to the girl you used to see
:07:46. > :07:50.# Her days are over
:07:50. > :07:52.# Baby, she's over
:07:52. > :07:55.# I'm ready for ya
:07:55. > :08:00.# I decided to give you all of me to
:08:00. > :08:08.# Baby, come closer
:08:08. > :08:13.# RIP to the girl you used to see
:08:13. > :08:23.# Her days are over... #
:08:23. > :08:26.
:08:26. > :08:36.CHEERING AND APPLAUSE
:08:36. > :08:39.
:08:39. > :08:39.Rita
:08:39. > :08:42.Rita Ora!
:08:42. > :08:46.Rita Ora! Now,
:08:46. > :08:53.Rita Ora! Now, a man who for years has played in clubs and then made a
:08:53. > :09:03.brilliant record and the world has started to recognise, the fantastic
:09:03. > :09:03.
:09:03. > :12:22.Apology for the loss of subtitles for 88 seconds
:12:22. > :12:27.# I can't turn my head away Charles Bradley! So, now I'm going
:12:27. > :12:32.around this way, to meet at the table over here, a marvellous
:12:32. > :12:37.fellow, who has a fascinating album out. Welcome to the show, Damon.
:12:37. > :12:45.Welcome back here. Lovely to see you. You'll be playing songs from
:12:45. > :12:55.Dr Dee. Happy May Day. Will you be celebrating in anyway particular?
:12:55. > :12:56.
:12:56. > :13:06.No. Dr Dee? He would have celebrated May Day? Who was he?
:13:06. > :13:11.16 century Elizabethan philosopher, astrologer to Queen Elizabeth I.
:13:11. > :13:18.Merlin sort of a figure? Yes. You've written a whole cycle of
:13:18. > :13:24.songs about him? Yeah. A kind of response to learning about him and
:13:24. > :13:29.him really sort of - I don't know - get carried away with the whole
:13:29. > :13:34.period. A fascinating character because he was someone who put all
:13:35. > :13:44.the disciplines together and imagined a British empire, kind of.
:13:44. > :13:48.In the very earliest times. Fantastic. Fascinating project. We
:13:48. > :13:57.have got your first performance on this show, which is going right
:13:57. > :14:01.back, which is a great one. Let's glance quickly over here.
:14:01. > :14:06.# It really, really, really could happen
:14:06. > :14:14.# Yes, it could really, really, really could happen
:14:14. > :14:23.# When the day, they seem to fall through you, well, just let them
:14:23. > :14:27.go... # APPLAUSE
:14:27. > :14:35.You are going to play us a song. Which is the one you're going to
:14:35. > :14:42.play? Apple Carts. What does it refer to? That's a good question.
:14:42. > :14:47.It's the image of people pulling the carts up on to a hill, which is
:14:47. > :14:57.near Stonehenge, setting them alight. The great mystic spot?
:14:57. > :15:02.
:15:02. > :15:07.Are you a keen Henkist? I am. -- Hengisst? I am. You are going to be
:15:07. > :15:13.back with blur. Yeah, I'm doing this and then I'm going over to
:15:13. > :15:17.Hyde Park. The English National Opera. It's marvellous having you.
:15:17. > :15:23.We're looking forward to hearing that song in a moment. Thank you
:15:23. > :15:33.for joining us, Damon Albarn. APPLAUSE
:15:33. > :15:36.
:15:36. > :15:46.Now, a man who woven his native songs into his music. We welcome
:15:46. > :15:46.
:15:46. > :18:34.Apology for the loss of subtitles for 88 seconds
:18:34. > :18:44.The lovely stylings of Tigran. Now, we welcome over here Annie Clark,
:18:44. > :18:48.
:18:48. > :18:58.# Bodies can't you see what # Forgive the kids
:18:58. > :18:58.
:18:58. > :20:14.Apology for the loss of subtitles for 88 seconds
:20:14. > :20:24.# Can't you see # Can't you see
:20:24. > :20:44.
:20:44. > :20:54.# You were the one waving flares # And they were
:20:54. > :20:54.
:20:54. > :22:19.Apology for the loss of subtitles for 88 seconds
:22:19. > :22:29.# Blowing fastly # Pull the apple carts
:22:29. > :22:29.
:22:29. > :23:43.Apology for the loss of subtitles for 88 seconds
:23:43. > :23:53.# Burn them until a great fire # Raining down from above
:23:53. > :24:30.
:24:30. > :24:40.# High up on the hill # Cast the barley out
:24:40. > :25:14.
:25:14. > :25:24.That's from his cycle of songs about Dr Dee. Thank you to all of
:25:24. > :25:25.
:25:25. > :25:27.our guests, Rita Ora. Thank you, Charles Bradley. Thank you lovely
:25:27. > :25:36.audience. APPLAUSE
:25:36. > :25:42.Thank you St Vincent. And, thank you to the lovely work of Tigran.
:25:42. > :25:48.Well, you can see more of all of my guests, I think next Friday night.
:25:48. > :25:52.We'll also in an extended programme, be chatting with Kenny Jones and
:25:52. > :25:58.also the next guest, Richard Hawley, he's going to be revealing on our
:25:58. > :26:01.Friday show, his creten shals at this piano. Something --
:26:01. > :26:06.credentials at this piano. Something to look forward to. He
:26:06. > :26:11.has a brand new Radio 2 show, featuring rocker Billy music,
:26:11. > :26:16.starting on Thursday. We seem to have a bit more time this week.
:26:16. > :26:26.That's one of the things of live television. Happy May Day to the
:26:26. > :26:38.
:26:38. > :26:48.# But to kiss # Stolen love
:26:48. > :27:16.
:27:16. > :27:26.# Around your shoulders # My eyes are blinded
:27:26. > :27:45.
:27:45. > :27:55.# A fungus grows # Eat me and you
:27:55. > :28:17.