:00:02. > :00:08.from the Mediterranean, the mid-20s in Berlin, high temperatures in
:00:08. > :00:15.Rome and Athens, rather wet and windy weather in Madrid. Wet and
:00:15. > :00:18.windy across Wales on Sunday. Heavy rain, strong-to-gale force winds,
:00:18. > :00:28.across Scotland and Northern Ireland. The rain will be heavy and
:00:28. > :00:28.
:00:28. > :03:00.Apology for the loss of subtitles for 151 seconds
:03:00. > :03:10.could lead to localised flooding, CHEERING AND APPLAUSE
:03:10. > :03:15.
:03:15. > :03:17.Welcome to a sensational line-up. # And the boy's number there
:03:17. > :03:20.# I eat 16 saltine crackers then I lick my finger
:03:20. > :03:23.# Well every morning I deliver the news
:03:23. > :03:26.# Black hat white shoes and I'm red all over
:03:26. > :03:29.# She's got a big mailbox that she puts up front
:03:29. > :03:30.# Garbage in, garbage out
:03:30. > :03:32.# She's getting what she wants
:03:32. > :03:40.# Who's jealous? Who's jealous?
:03:40. > :03:41.# Who's jealous? Who's jealous?
:03:41. > :03:43.# Who's jealous? Who's jealous of who?
:03:43. > :03:44.# If I get busy
:03:44. > :03:46.# Then I couldn't care less what you do
:03:46. > :03:47.# But then I'm by myself
:03:47. > :03:49.# I think of nothing else
:03:49. > :03:51.# Than if a boy just might be
:03:51. > :04:00.# Getting through and touching you
:04:00. > :04:02.# Spike heels make a hole in a lifeboat
:04:02. > :04:06.# Jumpin' and wavin' I'm talkin' and laughin' as I float
:04:06. > :04:07.# I hear a whistle
:04:07. > :04:09.# That's how I know she's home
:04:09. > :04:11.# Lipstick, eyelash
:04:11. > :04:13.# Broke mirror, broken home
:04:13. > :04:14.# Force fed, force
:04:14. > :04:16.# Mixed till I drop dead
:04:16. > :04:20.# You can't defeat her, when you meet her, you'll be what I said
:04:20. > :04:23.# And Lord knows there's a method to her madness
:04:23. > :04:33.# Bustin' those jokes as I float in a sea of sadness
:04:33. > :04:33.
:04:33. > :04:36.# She doesn't know but when she's gonna sit up and drink a few
:04:36. > :04:39.# I'm sure she's drinkin' two but wonderin' what for and who
:04:39. > :04:42.# And I'm solo rollin' I'm one side off the boat
:04:42. > :04:43.# Looking out, throwin' up
:04:43. > :04:53.# A lifesaver down my throat
:04:53. > :05:10.
:05:10. > :05:11.# Who's jealous? Who's jealous?
:05:11. > :05:13.# Who's jealous? Who's jealous of who?
:05:13. > :05:15.# Who's jealous? Who's jealous?
:05:15. > :05:17.# Who's jealous? Who's jealous of who?
:05:17. > :05:18.# Who's jealous? Who's jealous?
:05:18. > :05:28.# Who's jealous? Who's jealous of who? #
:05:28. > :05:34.
:05:34. > :05:44.APPLAUSE
:05:44. > :05:45.Fabulous.
:05:45. > :05:46.Fabulous. Sixteen
:05:46. > :05:50.Fabulous. Sixteen Saltines
:05:50. > :05:54.Fabulous. Sixteen Saltines with his all female group. He has an all
:05:54. > :06:04.male group as well and they will be appearing on this same show. That
:06:04. > :06:05.
:06:05. > :06:07.amazing line-up includes from Canada, the wonderful, Grimes.
:06:07. > :06:14.APPLAUSE From New York, we're delighted to
:06:14. > :06:15.have back in this studio, the fantastic, Norah Jones.
:06:15. > :06:25.APPLAUSE From Alabama, joining The
:06:25. > :06:26.
:06:26. > :06:27.Chieftains later on, we welcome The Secret Sisters.
:06:27. > :06:30.APPLAUSE From Dublin, celebrating 50 years
:06:30. > :06:36.in music, of Irish music, the fantastic chieftains. It is a
:06:36. > :06:43.privilege to have them with us. From north kor north Carolina, the
:06:43. > :06:53.Carolina chocolate drops. Now from Alabama please welcome the
:06:53. > :06:53.
:06:53. > :10:41.Apology for the loss of subtitles for 151 seconds
:10:41. > :10:48.# "You got to come on up, The sensational, a lot of groove
:10:48. > :10:55.going on there. Alabama Shakes with Hold On from their Boys and Girls
:10:55. > :11:00.album. Over here, our next artist has an incredible album out. She
:11:01. > :11:10.first appeared on this show in 2001. How pleased we are to have her back.
:11:11. > :11:11.
:11:11. > :12:40.Apology for the loss of subtitles for 151 seconds
:12:40. > :12:50.# Well, it ain't easy # I'm loosened up but it's too late
:12:50. > :13:13.
:13:13. > :13:23.# I'm dropping bolts on the ground # I know that you're dying
:13:23. > :13:23.
:13:23. > :14:23.Apology for the loss of subtitles for 151 seconds
:14:23. > :14:33.# Well, it ain't easy What a joy to have Norah Jones back
:14:33. > :14:40.in the studio. Norah Jones, ladies and gentlemen. With Say Goodbye
:14:40. > :14:45.from her Broke Hearts LP. So we're going over here. Somebody was going
:14:45. > :14:49.like that and I thought they meant stop, but it means we only have got
:14:49. > :14:52.four minutes to talk to the wonderful, Jack White. You are a
:14:52. > :14:56.marvel. First of all, I want to discuss this, because you have made
:14:56. > :15:00.one of these and not a lot of people have these. Can I just show
:15:00. > :15:08.the people what it is? Yes. Some of the younger viewers may not know
:15:08. > :15:14.what this is. How would you describe this this? It is a
:15:14. > :15:17.gigantic compact disc. You prefer vinyl to CD? It is the
:15:17. > :15:22.most romantic way to experience music.
:15:22. > :15:28.You make it in Nashville and your record company is in Nashville. Why
:15:28. > :15:33.do you choose Nashville? It just felt good to me. I was always
:15:33. > :15:41.working in Tennessee. I always found myself in Tennessee. I don't
:15:41. > :15:43.know why. I looked off over down south.
:15:43. > :15:49.There is great music. For sure.
:15:49. > :15:53.The other thing I should explain, you started off with the fantastic
:15:53. > :15:57.all female group, but you have an all male group. Why two instead of
:15:57. > :16:02.one? I wanted to challenge myself. It would be easier if I had five or
:16:02. > :16:06.six people to back you up on stage and learn your songs like they are
:16:06. > :16:09.on the record, but I want to try things differently and make myself
:16:09. > :16:13.work every night and challenge ourselves. We don't have a set list
:16:13. > :16:17.and we challenge each other. When we go out there, we don't know what
:16:18. > :16:27.we're going to do. We do different versions of the same songs, but it
:16:27. > :16:32.is still a lot of work. We were talking about the song St
:16:32. > :16:39.James Infirmary Blues. It is a very old London song, but you have a
:16:39. > :16:49.great take on it? Yeah, you know what, Meg and I covered that track
:16:49. > :16:51.
:16:51. > :17:01.on one of our early records. We had Betty Boop cartoons.
:17:01. > :17:27.
:17:27. > :17:35.I can do my northern Detroit # I'm going down St James Infirmary
:17:35. > :17:44.# To see, my little darling # Oh how she looks so good
:17:44. > :17:51.# Yeah, let her go, let her go # God bless her
:17:51. > :18:01.# You may search this whole wide world over, but she will never find
:18:01. > :18:07.
:18:07. > :18:17.another sweetheart like me # Yeah
:18:17. > :18:24.
:18:24. > :18:28.# All right # APPLAUSE
:18:28. > :18:33.Always an absolute privilege and a joy to have Jack White in this
:18:33. > :18:37.studio. APPLAUSE
:18:37. > :18:40.If I dropped dead tomorrow, I would leave my job to him! We have one of
:18:40. > :18:43.the greatest legends actually, one of the greatest legends of music
:18:43. > :18:49.here celebrating 50 years together now, The Chieftains are joined by
:18:49. > :18:59.the Carolina chocolate drops. Yes, the Carolina chocolate drops
:18:59. > :19:16.
:19:16. > :19:19.joining The Chieftains. # Pretty little girl
:19:19. > :19:29.# Pretty little girl # Pretty little girl
:19:29. > :19:33.
:19:33. > :19:43.# Sheep in the meadow # Swing that girl
:19:43. > :20:18.
:20:18. > :20:28.# Pretty little girl # Pretty little girl
:20:28. > :20:28.
:20:28. > :21:31.Apology for the loss of subtitles for 151 seconds
:21:32. > :21:38.# Pretty little girl What a great line-up we have in
:21:38. > :21:43.this place this evening. Summing it all up, Chocolate Drops with The
:21:43. > :21:48.Chieftains. The chief Chieftains have a marvellous record out where
:21:48. > :21:52.they collaborated with all sorts of people to make this lovely music.
:21:52. > :22:02.We have a contrast of everything in this studio this evening and now
:22:02. > :22:14.
:22:14. > :22:24.I'm delighted to welcome the very # Oh, my heart I never be
:22:24. > :22:37.
:22:37. > :22:47.# My heart I never be # Oh, heart I never be, I never see
:22:47. > :22:47.
:22:47. > :24:09.Apology for the loss of subtitles for 151 seconds
:24:09. > :24:19.# My heart I never be, I never see # My heart I never be, I never see
:24:19. > :24:19.
:24:19. > :26:05.Apology for the loss of subtitles for 151 seconds
:26:05. > :26:11.# Well, I get into the game # I'm the man with the name
:26:11. > :26:13.# Call me whatever you may I ain't stoppin' the train
:26:13. > :26:17.# I got a field full of pain Hip Eponymous Poor Boy, boy
:26:17. > :26:25.# And I know that I can't defeat you
:26:25. > :26:29.# Yeah, don't worry now I ain't going to preach to you
:26:29. > :26:32.# Well, there ya go
:26:32. > :26:36.# But I'll be going right there with you
:26:36. > :26:41.# Yeah, wherever you'll be You'll be lookin' at me
:26:41. > :26:42.# But don't get out of your chair
:26:42. > :26:44.# Put a bow in your hair, yo
:26:44. > :26:46.# u might be makin' 'em stare
:26:46. > :26:49.# So leave the care to the poor boy, the boy
:26:49. > :26:51.# And that's the name of the game
:26:51. > :26:54.# Keep on stayin' the same Ain't nobody to blame
:26:54. > :26:59.# Nobody but the poor boy The poor boy
:26:59. > :27:04.# Well, OK, so you fell asleep today
:27:04. > :27:09.# What's funny to me though is that you did that yesterday
:27:09. > :27:12.# You might think I'm mad
:27:12. > :27:15.# For doing all the things that I don't need to do
:27:15. > :27:19.# But while you're laughin' at me Well, I'll be laughin' at you
:27:19. > :27:22.# So I get into the game but always keep it the same
:27:22. > :27:24.# And I'll be usin' your name
:27:24. > :27:28.# But they'll be yellin' at me Poor boy, boy
:27:28. > :27:30.# But I'll be happy for you cos you got nothin' to do
:27:30. > :27:32.# And I'll be singin' the blues
:27:32. > :27:38.# Walkin' around singin' Poor boy, boy
:27:38. > :27:42.# Sometimes a cold shiver comes over me
:27:42. > :27:48.# And it turns me on when the song takes over me
:27:48. > :27:54.# But all right, I can't fight it The odds are against me
:27:54. > :27:59.# But I can't sit still Because I know that I will
:27:59. > :28:01.# And you'll be watching me, girl Takin' over the world
:28:01. > :28:03.# Let the stripes unfurl
:28:03. > :28:06.# Gettin' rich singin' Poor boy, boy
:28:06. > :28:11.# And I'll be comin' to play I do it every day
:28:12. > :28:16.# And the title will stay Hip Eponymous Poor Boy, poor boy
:28:16. > :28:26.# Yeah. #
:28:26. > :28:36.
:28:36. > :28:46.APPLAUSE AND CHEERING
:28:46. > :28:50.
:28:50. > :28:50.#
:28:50. > :28:50.# I
:28:50. > :28:54.# I know
:28:54. > :28:59.# I know that I can't defeat you Thank you very much, the wonder
:28:59. > :29:04.female group. There is an all male group to come which he has over
:29:04. > :29:13.there. We enjoyed Norah Jones doing songs from her little Broken Heart
:29:13. > :29:16.album. But she is at the the piano now and I'm going to invite her to
:29:16. > :29:26.do something different. Norah Jones, it is lovely to see you.
:29:26. > :29:34.
:29:34. > :29:44.I happen to know what you have got a cover band call the Little
:29:44. > :29:48.
:29:48. > :29:58.Willies. And you wanted to do a # Don't look so sad
:29:58. > :30:01.
:30:01. > :30:08.# I know it's over # But life goes on
:30:08. > :30:18.# This whole world will keep on turning
:30:18. > :30:18.
:30:19. > :30:28.# # Let's just be glad we had sometime to spend together
:30:29. > :30:29.
:30:29. > :30:39.# There is no need to watch the bridges that were burning -- that
:30:39. > :30:47.
:30:47. > :30:57.we're burning # Lay your head upon my pillow
:30:57. > :31:00.
:31:00. > :31:10.# Hold your warm and tender body close to mine
:31:10. > :31:18.
:31:18. > :31:28.# Hear the rain drops falling soft against the window
:31:28. > :31:43.
:31:43. > :31:50.APPLAUSE The wonderful, beautiful voice of
:31:51. > :31:57.Norah Jones. APPLAUSE
:31:58. > :32:07.When Nora sings, I just love it. I'm so happy being in this room and
:32:08. > :32:43.
:32:43. > :32:53.# Let the ocean worry about # Roll with the tide
:32:53. > :33:14.
:33:14. > :33:24.# And we'll let the sun # Let the ocean worry about
:33:24. > :33:24.
:33:24. > :34:36.Apology for the loss of subtitles for 151 seconds
:34:36. > :34:39.# Roll with the tide Alabama Shakes.
:34:39. > :34:46.APPLAUSE From their Boys and Girls LP. I am
:34:46. > :34:52.delighted to welcome, I don't throw the word "legend" about, no, I use
:34:52. > :35:01.it where it is appropriate. I welcome a welcome to the table.
:35:01. > :35:06.From the chief Chieftains, it is Paddy Maloney.
:35:06. > :35:13.Am I right at right table? Yes. Congratulations because The
:35:13. > :35:16.Chieftains are celebrating 50 years? 50 years of madness. A great
:35:16. > :35:23.journey. A great journey. You have got this great record and
:35:23. > :35:27.it is called The Voice of ages and lots of fantastic people have done
:35:28. > :35:33.stuff with you. There is some people in the room, tell us about
:35:33. > :35:37.who is in the room that's going to be stuff with you, the Carolina
:35:37. > :35:44.Chocolate Drops and it fits perfectly into their blue grass
:35:44. > :35:52.style and fitting our reels into their music and the music was just
:35:52. > :35:54.amazing altogether and also Peggy Gordon, a lovely song from The
:35:54. > :35:59.Secret Sisters. That was all a great joy.
:35:59. > :36:04.And they seemed to fit in beautifully? When I heard a lot of
:36:04. > :36:10.the music from the various, there must be nine or ten, artists on
:36:10. > :36:18.like Bonnie who sings a lovely song called down by Will Gardens which
:36:18. > :36:21.is an old melody called The Men Of The West. A lot of the songs came
:36:21. > :36:26.from Irish tunes and that sort of thing.
:36:26. > :36:31.That's where they first sprang out of the fields or fromted fairy
:36:31. > :36:37.fairy glades. Is that true, there is supposed to be a place where the
:36:37. > :36:43.fairies live and the music is created? We don't have much of that
:36:43. > :36:50.over there! I I think we have got a bit from the middle period of your
:36:50. > :37:00.career, from 1977. Oh gosh. I think here we are from the London
:37:00. > :37:00.
:37:00. > :37:43.Apology for the loss of subtitles for 151 seconds
:37:43. > :37:46.THEY PLAY IRISH MUSIC APPLAUSE
:37:46. > :37:53.You are a terrible man. You are a terrible man!
:37:53. > :37:58.It has got a great beat. What is that drum called? The boran.
:37:58. > :38:04.It is like a whole kit? Yes. You have lasted, I mean the Rolling
:38:04. > :38:11.Stones are going to be going for 50 years and you too have been going
:38:11. > :38:16.for 50 years. What's the secret to your longevity? Madness! It has to
:38:16. > :38:20.do with the music, this great folk artist of music and there is a
:38:20. > :38:26.great buzz there and now we start to spread it around the the world
:38:26. > :38:30.and to mix it in other traditions, from China, we played on the Great
:38:30. > :38:36.Wall of China with Chinese musicians. So there is no stop on
:38:36. > :38:39.it, you know, and the last one was Mexico, you know, and people
:38:40. > :38:43.joining in with us. Anyway, I could go on forever.
:38:43. > :38:47.It is great to have you in the studio. What a marvellous record.
:38:47. > :38:55.We have got more to hear which we're looking forward to on the
:38:55. > :38:59.show. Ladies and gentlemen, Paddy Maloney.
:38:59. > :39:09.From North Carolina who were with The Chieftains, but now we enjoy
:39:09. > :39:30.
:39:30. > :39:40.them on their own, the Carolina # You may wonder what's the reason
:39:40. > :39:46.
:39:46. > :39:55.# Got a big load off my mindHere's the papers, sealed and signed
:39:55. > :40:03.# And the judge was nice and kind All through the trial
:40:03. > :40:11.# This ends the five-year war I am myself once more
:40:11. > :40:15.# I can come when I please I can go when I please
:40:15. > :40:18.# I can flit, fly and flutter Like the birds in the trees
:40:18. > :40:23.# Because I'm no man's mama now
:40:23. > :40:26.# Hey, hey I can say what I like I can do what I like
:40:26. > :40:30.# I'm a gal who is on a matrimonial strike
:40:30. > :40:35.# Which means I'm no man's mama now
:40:35. > :40:39.# I'm screamin', "There, I know how
:40:39. > :40:41.# "A fella feels gettin' out of jail,"
:40:41. > :40:44.# I've got twin beds
:40:44. > :40:48.# But I take pleasure in announcin' one's for sale
:40:48. > :40:50.# And I'm makin' it plain I will never again
:40:51. > :40:55.# Drag around another ball and chain
:40:55. > :41:05.# Because I'm no man's mama now
:41:05. > :41:24.
:41:24. > :41:27.# I can smile, I can wink I can go take a drink
:41:27. > :41:30.# And I don't have to worry what my hubby will think
:41:30. > :41:35.# Because I'm no man's mama now
:41:35. > :41:36.Are you gettin' what I'm tellin' you?
:41:36. > :41:39.# I can spend if I choose I can play and sing the blues
:41:39. > :41:42.# There's nobody messing with my ones and my twos
:41:43. > :41:49.# Because I'm no man's mama now
:41:49. > :41:54.# You know that there was a time I used to think that men were grand
:41:54. > :41:57.# But no more for mine
:41:57. > :42:01.# I've gone and labeled my apartment No Man's Land!
:42:01. > :42:04.# I got rid of my cat cos my cat's name was Pat
:42:04. > :42:07.# Won't even have a mailbox in my flat
:42:07. > :42:12.# Because I'm no man's mama now
:42:12. > :42:15.# Am I makin' it plain I will never again
:42:15. > :42:18.# Drag around another ball and chain
:42:18. > :42:27.# Because I'm no man's mama now. #
:42:27. > :42:37.APPLAUSE AND CHEERING
:42:37. > :42:45.
:42:45. > :42:46.# Little broken hearts of the night
:42:46. > :42:52.# Slowly picking up their knives On the way to the fight
:42:52. > :42:56.# Tonight they want revenge
:42:56. > :43:01.# Beautiful soldiers in their beds Making love inside their heads
:43:01. > :43:05.# With no chance to defend Tonight could be their end
:43:05. > :43:15.# With the weapons in their hands And their eyes closed as they stand
:43:15. > :43:20.
:43:20. > :43:26.# With the weapons in their hands And their eyes closed as they stand
:43:26. > :43:32.# Can they end it all tonight so easily?
:43:32. > :43:40.# Did the darkness of their days Make them let go of their light?
:43:40. > :43:46.# Will they want to find a way To make it all right?
:43:46. > :43:51.# When the beautiful awake See the sadness in their eyes
:43:51. > :44:01.# Will they want to find a way To make it all right
:44:01. > :44:11.# Can they ever find a way To sleep side by side?
:44:11. > :44:15.
:44:15. > :44:17.# Only the fallen need to rise
:44:17. > :44:20.# What if lightning strikes them twice?
:44:20. > :44:27.# Will they give up on their lives And finally divide?
:44:27. > :44:33.# Did the darkness of their days Make them let go of their light?
:44:34. > :44:39.# Can they ever find a way To sleep side by side?
:44:39. > :44:45.# When the beautiful awake See the sadness in their eyes
:44:45. > :44:52.# Will they want to find a way To make it all right
:44:52. > :44:55.# To make it all right?
:44:55. > :45:00.# To make it all right?
:45:00. > :45:10.# To make it all right?
:45:10. > :45:10.
:45:10. > :45:53.Apology for the loss of subtitles for 151 seconds
:45:53. > :45:54.The
:45:54. > :45:54.The wonderful
:45:54. > :46:04.The wonderful Norah
:46:04. > :46:08.
:46:08. > :46:11.The wonderful Norah Jones. APPLAUSE
:46:11. > :46:15.Before that, we enjoyed Carolina Chocolate Drops with No Man's Mamma.
:46:15. > :46:25.Now Laura and Olivia who are known as The Secret Sisters are here with
:46:25. > :46:46.
:46:46. > :46:56.# O Peggy Gordon, you are my darling # And tell to me the very reason
:46:56. > :47:03.
:47:03. > :47:11.# I'm so deep in love that I can't deny it
:47:11. > :47:19.# My heart lies smothered in my breast
:47:19. > :47:27.# But it's not for you to let the world know it
:47:27. > :47:36.# A troubled mind can find no rest
:47:36. > :47:46.# I leaned myself on a cask of brandy
:47:46. > :47:46.
:47:46. > :47:53.# It was my fancy, I do declare
:47:53. > :48:03.# For when I'm drinking I'm always thinking
:48:03. > :48:11.# Wishing Peggy Gordon was there
:48:11. > :48:21.# O Peggy Gordon, you are my darling Come sit you down upon my knee
:48:21. > :48:27.
:48:28. > :48:37.# And tell to me the very reason Why I am slighted so by thee
:48:38. > :48:38.
:48:38. > :49:27.Apology for the loss of subtitles for 151 seconds
:49:27. > :49:33.# Where womankind cannot be found
:49:33. > :49:43.# And the pretty small birds do change their voices
:49:43. > :49:51.# And every moment a different sound
:49:51. > :50:01.# O Peggy Gordon, you are my darling Come sit you down upon my knee
:50:01. > :50:06.
:50:07. > :50:16.# And tell to me the very reason Why I am slighted so by thee. #
:50:17. > :50:23.
:50:23. > :50:33.APPLAUSE AND CHEERING
:50:33. > :50:36.
:50:36. > :50:46.APPLAUSE AND CHEERING
:50:46. > :50:47.
:50:47. > :50:48.The
:50:48. > :50:49.The sound
:50:49. > :50:54.The sound of
:50:54. > :51:04.The sound of enchantment, The Chieftains and The Secret Sisters
:51:04. > :51:14.and Peggy Gordon from their album, The Voice Of Ages and now let's
:51:14. > :51:35.
:51:35. > :51:45.enjoy once again, Alabama Shakes. # Well, I'll tell you
:51:45. > :51:45.
:51:45. > :52:28.Apology for the loss of subtitles for 151 seconds
:52:28. > :52:38.# And all them lions in the jungle # But don't you call me anything,
:52:38. > :52:53.
:52:53. > :52:57.# They done started messin' with the # They got another thing comin'
:52:57. > :53:04.# Ooh and I would do all that for you, I'd do it for you
:53:04. > :53:07.# Cos all of them girls
:53:07. > :53:11.# Don't know you like I do
:53:11. > :53:17.# All of them girls don't know you like I do
:53:17. > :53:24.# All them ladies don't know you like I do
:53:24. > :53:30.# That's why I call you my baby
:53:30. > :53:35.# Oh yeah yeah yeah
:53:35. > :53:39.# Oh oh oh oh
:53:39. > :53:43.# Oh oh oh oh
:53:43. > :53:46.# Tell me all right
:53:46. > :53:48.# Tell me all right
:53:48. > :53:56.# Ooh
:53:56. > :54:00.# I so wanna know
:54:00. > :54:03.# Would you be mine?
:54:03. > :54:06.# So be mine
:54:06. > :54:09.# Say, baby, be mine
:54:09. > :54:12.# So be mine
:54:12. > :54:15.# So be mine
:54:15. > :54:17.# So be my baby
:54:17. > :54:18.# Be my baby
:54:18. > :54:19.# Be my baby
:54:19. > :54:23.# Be my, ooh!
:54:23. > :54:24.# Be my baby
:54:24. > :54:26.# Be my baby
:54:26. > :54:27.# Be my, ooh!
:54:27. > :54:29.# Be my baby
:54:29. > :54:30.# Be my baby
:54:30. > :54:40.# Be my baby
:54:40. > :54:40.
:54:40. > :55:48.Apology for the loss of subtitles for 151 seconds
:55:48. > :55:58.# Trying to make it so I never see # Want to make sure that you never
:55:58. > :56:10.
:56:10. > :56:20.# Oh how does it feel to be you # So pick up your piece
:56:20. > :56:20.
:56:20. > :57:02.Apology for the loss of subtitles for 151 seconds
:57:02. > :57:12.# Would you please # Trying to keep myself
:57:12. > :57:24.
:57:24. > :57:34.# Makes me feel like I took # Oh how does it feel to be the one
:57:34. > :57:53.
:57:53. > :58:03.# I won't be a fool for you no more, # Would you please
:58:03. > :58:03.
:58:03. > :58:48.Apology for the loss of subtitles for 151 seconds
:58:48. > :58:54.Happy Pills, the wonderful sound of Norah Jones.
:58:54. > :59:02.What a fantastic line-up I boasted and thank all the people who have
:59:02. > :59:09.been in the line-up. We also enjoyed, Grimess, thank you. We
:59:09. > :59:11.loved Norah Jones. We loved The Secret Sisters.
:59:11. > :59:17.APPLAUSE Who joined, celebrating 50 years
:59:17. > :59:19.and they are just amazing, The Chieftains.
:59:19. > :59:20.APPLAUSE Also well, just being marvellous,
:59:21. > :59:30.Carolina Chocolate Drops. APPLAUSE
:59:31. > :59:32.
:59:32. > :59:35.They are all marvellous. Thank you, Alabama Shakes.
:59:35. > :59:40.APPLAUSE We will be back on Tuesday. But now
:59:40. > :59:44.with his, he has got rid of the female band for the moment and he
:59:44. > :59:54.brought in the male band and I will give you where we started, the
:59:54. > :00:15.
:00:15. > :00:25.# It's quite possible # But it's a fact
:00:25. > :00:27.
:00:27. > :00:29.# It's quite possible that I'm your third man, girl
:00:29. > :00:37.# But it's a fact that I'm the seventh son
:00:37. > :00:39.# And right now you could care less about me
:00:39. > :00:48.# But soon enough you will care By the time I'm done
:00:48. > :00:52.# Let's have a ball and a biscuit, sugar
:00:52. > :00:56.# And take our sweet little time about it
:00:56. > :01:05.# Let's have a ball, girl
:01:05. > :01:12.# And take our sweet little time about it
:01:12. > :01:15.# Tell everybody in the place to just get out
:01:15. > :01:16.# And we'll get clean together
:01:16. > :01:20.# And I'll find me soapbox where I can shout it
:01:20. > :01:30.# Yeah
:01:30. > :01:30.
:01:30. > :02:38.Apology for the loss of subtitles for 151 seconds
:02:38. > :02:43.# Read it in the newspaper
:02:43. > :02:48.# Ask your girlfriends and see if they know
:02:48. > :02:50.# Read it in the newspaper
:02:50. > :03:00.# Ask your girlfriends and see if they know
:03:00. > :03:04.
:03:04. > :03:06.# That my strength is ten-fold, girl
:03:06. > :03:09.# Let's have a ball and a biscuit, sugar
:03:09. > :03:13.# Let's have a ball and a biscuit, sugar
:03:13. > :03:22.# And take our sweet little time about it
:03:22. > :03:25.# Let's have a ball
:03:25. > :03:33.# And take our sweet little time about it
:03:33. > :03:35.# Tell everybody in the place to just get out
:03:35. > :03:39.# We'll get clean together