:02:56. > :03:06.APPLAUSE Welcome to Later, and welcome to
:03:06. > :03:17.
:03:17. > :03:22.Let's all go on an urban safari That means council-housed
:03:22. > :03:26.On second thoughts, don't It's too late
:03:26. > :03:30.He's got some front, ain't we all? What's politics, ain't it all?
:03:30. > :03:32.All year round, all in all Just another brick in the wall
:03:32. > :03:34.Get away with murder in the schools
:03:34. > :03:36.Use four-letter swear words cos we're cool
:03:36. > :03:37.We're all drinkers, drug takers
:03:37. > :03:39.Every single one of us burns the herb
:03:39. > :03:41.Keep on believing what you read in the papers
:03:41. > :03:43.Council estate kids Scum of the earth
:03:43. > :03:45.Think you know how life on a council estate is
:03:45. > :03:47.From everything you've ever read about it or heard
:03:47. > :03:48.Well, it's all true So stay where you're safest
:03:48. > :03:50.There's no need to step foot out the burbs
:03:50. > :03:52.Truth is here, we're all disturbed We cheat and lie, it's so absurd
:03:52. > :03:54.Feed the fear That's what we've learned
:03:54. > :03:57.Fuel the fire Let it burn
:03:58. > :04:01.Oi! I said oi!
:04:01. > :04:04.What you looking at You little rich boy?
:04:05. > :04:07.We're poor round here Run home and lock your door
:04:07. > :04:11.Don't come round here no more You could get robbed for
:04:11. > :04:14.Real Because my manor's ill
:04:14. > :04:20.My manor's ill For real
:04:20. > :04:24.Yeah, you know my manor's ill My manor's ill!
:04:24. > :04:26.You could get lost in this concrete jungle
:04:26. > :04:28.New builds keep springing up outta nowhere
:04:28. > :04:30.Take the wrong turn down a one-way junction
:04:30. > :04:32.Find yourself in the hood Nobody goes there
:04:32. > :04:34.We got an eco-friendly government They preserve our natural habitat
:04:34. > :04:37.Built an entire Olympic village
:04:37. > :04:39.Around where we live without pulling down any flats
:04:39. > :04:41.Give us free money and we don't pay any tax
:04:41. > :04:42.NHS healthcare, yes please Many thanks
:04:42. > :04:44.People get stabbed round here There's many shanks
:04:44. > :04:46.Nice knowing someone's got our backs when we get attacked
:04:46. > :04:48.Don't bloody give me that I'll lose my temper
:04:48. > :04:49.Who closed down the community centre?
:04:49. > :04:52.I killed time there Used to be a member
:04:52. > :04:54.What will I do now till September?
:04:54. > :04:55.School's out, rules out Get your bloody tools out
:04:55. > :04:56.London's burning I predict a riot
:04:56. > :04:58.Fall in, fall out Who knows what it's all about
:04:58. > :04:59.What did that chief say? Something 'bout the Kaisers
:05:00. > :05:01.Kids on the street, no They never miss a beat
:05:01. > :05:03.Never miss a cheap thrill when it comes their way
:05:03. > :05:06.Let's go looting No, not Luton
:05:06. > :05:07.The high street's closer Cover your face
:05:07. > :05:09.And if we see any rich kids on the way
:05:09. > :05:12.We'll make 'em wish they stayed inside
:05:12. > :05:14.There's a charge for congestion Everybody's gotta pay
:05:14. > :05:16.Do what Boris does, rob them blind
:05:16. > :05:18.Oi! I said oi!
:05:18. > :05:20.What you looking at You little rich boy?
:05:21. > :05:26.We're poor round here Run home and lock your door
:05:26. > :05:29.Don't come round here no more You could get robbed for
:05:29. > :05:33.Real Because my manor's ill
:05:33. > :05:39.My manor's ill For real
:05:39. > :05:44.Yeah, you know my manor's ill My manor's ill!
:05:44. > :05:48.Oi, oi, oi, oi
:05:48. > :05:49.We've had it with you politicians Oi, oi, oi, oi
:05:49. > :05:52.You bloody rich kids never listen Oi, oi, oi, oi
:05:53. > :05:56.There's no such thing as broken Britain Oi, oi, oi, oi
:05:56. > :05:59.We're just bloody broke in Britain Oi, oi, oi, oi
:05:59. > :06:02.What needs fixing is the system Not shop windows down in Brixton
:06:02. > :06:04.Riots on the television You can't put us all in prison
:06:04. > :06:12.Oi! I said oi!
:06:12. > :06:15.What you looking at You little rich boy?
:06:15. > :06:18.We're poor round here Run home and lock your door
:06:18. > :06:20.Don't come round here no more You could get robbed for
:06:20. > :06:23.Real Because my manor's ill
:06:23. > :06:27.My manor's ill For real
:06:27. > :06:32.Yeah, you know my manor's ill My manor's ill!
:06:32. > :06:42.APPLAUSE AND CHEERING
:06:42. > :06:53.
:06:53. > :06:53.Thank
:06:53. > :06:54.Thank you,
:06:54. > :06:58.Thank you, Plan
:06:58. > :07:04.Thank you, Plan B, Ill Manors, a film, a record, everything. We'll
:07:04. > :07:10.be talking to them and finding it more. Who are our incredible guests
:07:10. > :07:15.this evening? From Wales we welcome one of the greatest singers of all
:07:15. > :07:20.time, Sir Tom Jones, a myriad of melodious marvels are in the room
:07:20. > :07:25.this evening. From all over Britain, they now live in London, and they
:07:25. > :07:29.are Django Django. From Brooklyn, New York, Punch
:07:29. > :07:36.Brothers. APPLAUSE
:07:36. > :07:40.From Philadelphia, Melody Gardot. APPLAUSE
:07:40. > :07:50.Oh! What joy we have in this room! And now from Salford, please give
:07:50. > :08:06.
:08:06. > :08:16.it up for Ren Harvieu. # But I can't see you lookin'
:08:16. > :08:32.
:08:32. > :08:37.# But I don't see us talkin' # Open up your arms
:08:37. > :08:47.# Let me in before it's too late, darlin'
:08:47. > :08:47.
:08:47. > :08:56.# Open up your arms Let me in
:08:56. > :09:02.# Let me in Before it's too late
:09:02. > :09:04.# How you hear me
:09:04. > :09:07.# How you hear me
:09:07. > :09:09.# You say that you can hear me
:09:09. > :09:15.# But I don't see you listening any more
:09:15. > :09:22.# Think you've sussed me
:09:22. > :09:25.# Think you've sussed me
:09:25. > :09:29.# Think that you have sussed me out
:09:29. > :09:37.# But I know that you don't know what you're talkin' about
:09:37. > :09:46.# Open up your arms Let me in
:09:47. > :09:52.# Let me in before it's too late, darlin'
:09:52. > :09:57.# Open up your arms Let me in
:09:57. > :10:07.# Let me in Before it's too late
:10:07. > :10:16.
:10:16. > :10:23.# Let me in
:10:23. > :10:31.# Let me in
:10:31. > :10:41.# Let me in
:10:41. > :11:17.
:11:17. > :11:26.Thank you, Ren Harvieu. APPLAUSE
:11:26. > :11:36.Open Up Your Arms, a wonderful album, Flu the Night. Let's enjoy
:11:36. > :12:12.
:12:12. > :12:20.more brilliant talent and welcome # We just lit the fire
:12:20. > :12:23.# Why don't you hand it over Time is up, you've had your shot
:12:23. > :12:27.# Gather once again Disasters in the end
:12:27. > :12:32.# It's like a default
:12:32. > :12:34.# You thought you'd make the grade Oh, your memories start to fade
:12:34. > :12:38.# We threw it in the fire It's better that it not remain
:12:38. > :12:41.# You just brought together Didn't seem to have the heart
:12:41. > :12:44.# Wheels coming off now You knew that it would fall apart
:12:44. > :12:50.# Take one for the team You're a cog in the machine
:12:50. > :12:55.# It's like a default
:12:55. > :12:58.# Like D, default
:12:58. > :13:02.# Like D, default Like default
:13:02. > :13:05.# Like D, default Like default
:13:05. > :13:15.# Like D, default Like default
:13:15. > :13:28.
:13:28. > :13:30.Like D, default Take one for the team
:13:30. > :13:32.# You took part in the race Disappeared without a trace
:13:32. > :13:35.# You thought you'd set the bar I'd never tried to work it out
:13:35. > :13:38.# We just lit the fire And now you want to put it out
:13:38. > :13:46.# Forget about the cause Press rewind then stop and pause
:13:46. > :13:48.# It's like a default
:13:48. > :13:54.# Like D, default Like default
:13:54. > :14:03.# Like D, default Like default
:14:03. > :14:13.# Like D, default Like default
:14:13. > :14:34.
:14:34. > :14:41.You've missed the starting gun Like D, default
:14:41. > :14:45.Django Django and their Django Django album. Now we're going to
:14:45. > :14:48.chat to a man over here that you have to have huge respect for
:14:48. > :14:56.because as well as being a successful musician, he's really
:14:56. > :14:57.broken into the world of film on his own terms. Now, let's welcome
:14:57. > :15:01.Plan B. APPLAUSE
:15:01. > :15:04.And one of the stars of the film. Nice to see you now. First of all,
:15:04. > :15:08.let's go back. What was the first film that you wanted to make?
:15:09. > :15:13.Because you have made this film now, but what was the first film?
:15:13. > :15:17.wrote a film in my head when I couldn't get to sleep. It was based
:15:17. > :15:22.on - my house got raided by police because the police thought we had a
:15:22. > :15:26.real gun. We had a toy gun. I wrote a film about it. I posted it to the
:15:26. > :15:33.film company. They said, we love it. We want to give you a budget of a
:15:33. > :15:38.million pounds. Great. Did you do it? No, because they asked who I
:15:38. > :15:44.wanted to direct it? I said me. I had to prove that I could direct. I
:15:44. > :15:49.took the last four grand I had from the recording in advance, put it
:15:49. > :15:52.into the pilot for the feature film I just shot. It's amazing because
:15:52. > :15:55.it's very difficult to make a feature film these days, and you
:15:55. > :15:59.have managed to do that what is the story of Ill Manors? It's six
:15:59. > :16:04.stories, isn't it, really? It's kind of like all the stuff you read
:16:04. > :16:08.in the newspaper, like, all the mindless crimes that happen for me
:16:08. > :16:12.that newspapers - they never write about why they happen, just that
:16:12. > :16:16.they happen. For me, I am always interested in getting to the root
:16:16. > :16:19.of the problem, not why someone committed a crime, but why their
:16:19. > :16:24.mind thinks in that way anyway, you know, what happened to them in the
:16:24. > :16:32.past, you know? A lot of our issues stem from our childhood, and Ill
:16:32. > :16:36.Manors kind of - it kind of - it definitely shows that. When you
:16:36. > :16:39.watch the film, we tell back stories going right back to when
:16:39. > :16:44.people are kids in the film. The only way we can do that is the
:16:44. > :16:48.musical element of it. Parts of the film are told through music videos.
:16:48. > :16:58.Let's have a look at a little bit of it, shall we?
:16:58. > :17:04.
:17:04. > :17:08.# Boy, I said boy # What you looking at? You little
:17:08. > :17:14.rich boy # Open the door
:17:14. > :17:24.# Don't come round here no more # You looking for a thrill
:17:24. > :17:29.
:17:29. > :17:33.Ill Manors - just a glimpse of that film there and quite a dark-looking
:17:33. > :17:36.film, but there is a positive side to it. I think if you can
:17:36. > :17:40.understand why negative things happen more, then it's easier to
:17:40. > :17:44.find a solution to prevent them in the future. I think if we don't
:17:44. > :17:48.educate ourselves about why things happen, then the only thing we can
:17:48. > :17:52.do to these people is punish them, you know? And we can't learn from
:17:52. > :17:59.it or make, you know, the younger generations learn from what they've
:17:59. > :18:06.done, you know? Where did you get the actors and the crew for all the
:18:06. > :18:12.film? Ed. Hey! Me and Ed - Ed actually got me into rapping. How
:18:12. > :18:16.long have we known each other? Three, four years. He started out
:18:16. > :18:22.me rapping. I knew he could do it, so I asked him. You went around to
:18:22. > :18:25.schools and got people to work as actors and on the crew. Yeah, I
:18:25. > :18:29.specifically targeted underprivileged kids in poorer
:18:29. > :18:33.schools because those were the kind of kids I was looking for. I was
:18:33. > :18:39.looking for 13 to 14-year-old kids. I needed the real deal. Some of the
:18:40. > :18:43.kids that didn't make it in the film - because not everybody has an
:18:43. > :18:48.obvious talent in acting. There are other things they could do. We gave
:18:48. > :18:52.them runner jobs. By making the film, they have a greater sense of
:18:52. > :18:55.purpose. And to get an opportunity to get an understanding of a
:18:55. > :19:01.different sort of world. As well as being the writer and director of
:19:01. > :19:06.the film, you're starring in a film yourself - a remake - or a feture
:19:06. > :19:16.film of the Sweeney. It's a proper London gangster film, isn't it?
:19:16. > :19:17.
:19:17. > :19:22.Yeah, it's Nick Love's version of the Sweeney. It's me and Nick. He's
:19:22. > :19:28.an idol of mine. He took me under his wing. Do you go screaming
:19:28. > :19:33.around London in Grenadas? we're driving a Focus. Not a
:19:34. > :19:38.Woolsly or a Grenada? No, that was the thing. I think we would have
:19:38. > :19:42.shot ourselves in the foot if we tried to set it in the '70s. I
:19:42. > :19:46.think it was the right move... Thank you very much for joining us,
:19:46. > :19:54.and Ed. We look forward to seeing you in a moment. Thank you very
:19:54. > :20:04.much, Plan B. And now so delighted to have back in this room the
:20:04. > :20:26.
:20:26. > :20:36.sensational talent that is Melody # The felicidad
:20:36. > :20:50.
:20:50. > :21:00.# And if in the world # Mira
:21:00. > :21:09.
:21:09. > :21:19.# In all that I've seen # In every smile there's a trace
:21:19. > :21:19.
:21:19. > :22:16.Apology for the loss of subtitles for 56 seconds
:22:16. > :22:26.# Mira, this is such a lovely way # Mira, this is such a lovely way
:22:26. > :22:26.
:22:26. > :24:52.Apology for the loss of subtitles for 56 seconds
:24:52. > :24:57.Absolutely fantastic, the marvellous Melody Gardot. We'll be
:24:57. > :25:02.hearing more from her Absence album later, and now also incredible
:25:02. > :25:06.guest - one of the greatest singers of all time, yes, who stayed at the
:25:06. > :25:12.top of music because he's always reinventing and finding something
:25:13. > :25:16.new. I am delighted now to record a man who is about to have a superb
:25:16. > :25:26.new record come out. Please welcome the wonderful Tom Jones.
:25:26. > :25:42.
:25:42. > :25:45.# Well, my friends are gone # I ache in the places
:25:45. > :25:51.# And I'm crazy for love But I'm not coming on
:25:51. > :26:01.# I'm just paying my rent every day Oh, in the Tower of Song
:26:01. > :26:01.
:26:01. > :26:07.# I said to Hank Williams How lonely does it get?
:26:07. > :26:12.# Hank Williams hasn't answered me yet
:26:12. > :26:17.# But I hear him coughing all night long
:26:17. > :26:27.# A hundred floors above me In the Tower of Song
:26:27. > :26:27.
:26:27. > :26:31.# I was born like this I had no choice
:26:31. > :26:36.# I was born with the gift of a golden voice
:26:36. > :26:41.# And 27 angels from the great beyond
:26:42. > :26:46.# They tied me to this stage right here
:26:46. > :26:51.# In the Tower of Song
:26:51. > :26:55.# So you can stick your little pins in that voodoo doll
:26:55. > :27:00.# I'm very sorry, baby Doesn't look like me at all
:27:00. > :27:08.# I'm standing by the window Where the light is strong
:27:08. > :27:17.# They don't let women kill you Not here in the Tower of Song
:27:17. > :27:27.# Now you can say that I've grown bitter
:27:27. > :27:42.
:27:42. > :27:46.# Now you can say that I've grown bitter
:27:46. > :27:48.# But of this you may be sure
:27:48. > :27:49.# The rich have got their channels in the bedrooms of the poor
:27:49. > :27:52.# And there's a mighty judgement coming, baby
:27:52. > :27:58.# But I may be wrongYou see, you hear these funny voices
:27:58. > :28:07.# In the Tower of Song
:28:08. > :28:10.# I see you standing on the other side
:28:10. > :28:13.# I don't know how the river got so wide
:28:13. > :28:22.# I loved you baby, way back when
:28:22. > :28:26.# And all the bridges are burning that we might have crossed
:28:26. > :28:30.# And I feel so close to everything we lost
:28:30. > :28:39.# We'll never have to lose it again
:28:39. > :28:43.# I bid you farewell I don't know when I'll be back
:28:43. > :28:45.# They're moving us tomorrow to that tower down the track
:28:45. > :28:50.# And you'll be hearing from me Baby, long after I'm gone
:28:50. > :28:56.# I'll be speaking to you sweetly
:28:56. > :29:06.# From a window in the Tower of Song. #
:29:06. > :29:14.
:29:14. > :29:24.CHEERING AND APPLAUSE
:29:24. > :29:32.
:29:32. > :29:33.#
:29:33. > :29:33.# There's
:29:33. > :29:38.# There's no
:29:38. > :29:48.# There's no way back from here # Oh, no
:29:48. > :29:49.
:29:49. > :29:58.# Only one place left to go # One place left to go now
:29:58. > :30:07.# Crashing like an aeroplane # From the sky in the storming rain
:30:07. > :30:15.# The pilot is plying without aim # He goes up in flames
:30:15. > :30:18.# Paid the price for her mistakes # Because she only has herself to
:30:18. > :30:22.blame # And it's her that is the deepest
:30:22. > :30:29.shame # There's no way back from here
:30:29. > :30:37.# Oh, no. # Only one place left to go
:30:37. > :30:42.# One place left to go - down # She was once a Princess, but now
:30:42. > :30:46.she's a mess # Soliciting sex for much less
:30:46. > :30:49.# But in the day # Abused in the child
:30:49. > :30:53.# She was always going to end up this way
:30:53. > :30:57.# Took away the pain # So she hit the flames
:30:58. > :31:01.# Once again # She's on the game
:31:02. > :31:04.# Only herself to blame snow she sells herself
:31:04. > :31:07.# There is a million other girls like Michelle
:31:07. > :31:10.# Out on the streets # Selling themselves
:31:10. > :31:17.# So - # Age no way back from here
:31:17. > :31:25.# Oh, no # Only place left to go
:31:25. > :31:32.# One place left to go - down # There is no way back from here
:31:32. > :31:42.# Oh, no # Only one place left to go
:31:42. > :31:42.
:31:42. > :31:47.# One place left to go - down. # I have been working on that road
:31:47. > :31:53.for so long now # I just can't tell if there's
:31:53. > :31:57.# Any way back the way I came # Oh, I've lost myself
:31:57. > :32:01.# In the deepest shame # I have been dragging myself
:32:01. > :32:06.# To the lowest low # For such a while
:32:06. > :32:08.# I just don't know # That pain is something I can't
:32:08. > :32:13.change # One thing that's in my way
:32:13. > :32:20.# Is the deepest shame # There's no way back from here
:32:20. > :32:29.# Oh, no # Only one place left to go
:32:29. > :32:34.# One place left to go now. # There's no way back from here
:32:34. > :32:40.# There's no way, no way, no way # Back from here
:32:40. > :32:46.# Only one place left to go # Only one way - only one way
:32:46. > :32:56.# Left to go - down # There's no way back from here
:32:56. > :33:15.
:33:15. > :33:19.# Oh, no, oh, no. Before that, the amazing Tom Jones,
:33:19. > :33:23.the best version of that song I have ever heard. Tom Jones, let's
:33:23. > :33:26.hear it for him, everyone. Yes. Wonderful to have him back in here.
:33:27. > :33:31.There's a lot of lovely people in the room this evening - lots of
:33:31. > :33:36.mixes of stuff I am delighted to say, so now I think we need to get
:33:36. > :33:46.a nice modern version of blue grass music, and who better to do that
:33:46. > :33:54.
:33:54. > :34:04.# Did he ever live # For a thing
:34:04. > :34:04.
:34:04. > :37:21.Apology for the loss of subtitles for 56 seconds
:37:21. > :37:29.# But the thrill of movement Punch Brothers, Movement and
:37:29. > :37:33.Location. So now I am going to go to the piano and see a dear friend,
:37:33. > :37:38.but a man who always comes up with something brilliant and new when he
:37:39. > :37:44.records, and he has a brand new record out now. Welcome Tom Jones.
:37:45. > :37:48.Oh, well, first of all, I loved your new record. Tower of Song -
:37:48. > :37:52.that songs like it was written for you. Yeah, well, you know, my
:37:52. > :37:56.friends are gone. My hair is grey. It's the truth. You'll be singing
:37:56. > :38:01.from the Tower of Song... Exactly. It's a great record. Your last
:38:01. > :38:07.record, there was a lot of blues, gospel music. Have you gone to a
:38:07. > :38:16.similar... Yeah, Ethan Johns produced it. We did it in a box in
:38:16. > :38:22.Wiltshire. Did it in a box?! the name of the city is Box in
:38:22. > :38:25.Wiltshire. Peter Gabrielle? That's right. We did the first one, then
:38:25. > :38:31.thought, maybe lightning will strike twice. Can we do something
:38:31. > :38:41.from it? What can we do? There is one called Travelling Shoes. I
:38:41. > :38:51.think that would be good with the # Death went down
:38:51. > :38:57.
:38:57. > :39:07.# Sinner cried out # The sinner cried out
:39:07. > :39:17.
:39:17. > :39:27.# And then Death went down # The gambler cried out
:39:27. > :39:48.
:39:48. > :39:58.# The gambler cried out # And then Death went down
:39:58. > :40:04.
:40:04. > :40:14.# The preacher cried out # The preacher cried out
:40:14. > :40:40.
:40:40. > :40:47.All right. APPLAUSE
:40:47. > :40:54.Travelling Shoes. The fantastic voice - Sir Tom Jones.
:40:54. > :40:58.APPLAUSE And now let's enjoy another
:40:58. > :41:08.wonderful voice from Salford, that dirty old town, which we've already
:41:08. > :41:13.
:41:13. > :41:20.# Why don't you tell me # I'll tell you where it is
:41:20. > :41:24.# Don't think I don't know so much about you, boy
:41:24. > :41:31.# Just because I never came undone on your hook
:41:31. > :41:38.# You can play like it's some kind of game
:41:38. > :41:43.# And everyone you ever needed will get a page in your book
:41:43. > :41:47.# Yeah, but how many times do I have to tell you, sweetheart
:41:47. > :41:52.# Just what it took?
:41:52. > :41:59.# Well, if you'd only do right by me
:42:00. > :42:05.# Yeah, if you'd only do right by me
:42:05. > :42:09.# Well, if you'd only do right by me
:42:09. > :42:19.# Then I'll do all right by you
:42:19. > :42:27.
:42:27. > :42:31.# Once you held a candle in the palm of your hand
:42:32. > :42:40.# It helped you light your way down to the coast
:42:40. > :42:42.# It brought you shelter from the howling night
:42:43. > :42:49.# Just when you needed it the most
:42:49. > :42:54.# You can make out you only get as lost as you please
:42:54. > :43:00.# And that you like the way it feels when you feel just like a ghost
:43:00. > :43:04.# How many times you gonna play this scene out
:43:04. > :43:10.# When you know the way it goes?
:43:11. > :43:19.# Well, if you'd only do right by me
:43:19. > :43:22.# Yeah, if you'd only do right by me
:43:22. > :43:29.# Well, if you'd only do right by me
:43:29. > :43:36.# Then I'll do all right by you
:43:36. > :43:41.# Saw you smile when you thought you had crossed the line
:43:41. > :43:46.# Only to realise you'd never left the start
:43:46. > :43:50.# Well, I know you won't admit it, baby
:43:50. > :43:55.# But I can see it's breaking your heart
:43:55. > :44:02.# Yeah, if you'd only do right by me
:44:02. > :44:09.# Well, if you'd only do right by me
:44:09. > :44:14.# Yeah, if you'd only do right by me
:44:14. > :44:22.# Then I'll do all right by you
:44:22. > :44:27.# Well, if you'd only do right by me
:44:27. > :44:31.# If you'd only do right by me
:44:31. > :44:36.# Well, if you'd only do right by me
:44:36. > :44:46.# Then I'll do all right by you. #
:44:46. > :44:49.
:44:49. > :44:53.CHEERING AND APPLAUSE
:44:53. > :45:03.APPLAUSE
:45:03. > :45:03.
:45:03. > :45:59.Apology for the loss of subtitles for 56 seconds
:45:59. > :46:09.# Whoo
:46:09. > :46:15.
:46:15. > :46:18.# Press the button and drop it on the zone
:46:18. > :46:21.# Took it all you had to strip me to the bone
:46:22. > :46:26.# Don't slam the door way down deep in hell
:46:26. > :46:30.# Took a chance on you and it's time to ring the bell
:46:30. > :46:40.# Go
:46:40. > :46:47.
:46:47. > :46:51.# Whoo
:46:51. > :47:01.# Oooh-oooh
:47:01. > :47:03.
:47:03. > :47:05.# Side effects have me walking in a daze
:47:05. > :47:09.# Now the fallout from this thing just radiates
:47:09. > :47:13.# You'll be the first I'll always be the last
:47:13. > :47:17.# I'll duck and cover till the threat has passed
:47:17. > :47:20.# Make your move now and try to win the game
:47:21. > :47:24.# But in the end It always stays the same
:47:24. > :47:30.# don't shy away behind those hostile lines
:47:30. > :47:33.# I read between them almost every time
:47:33. > :47:35.# Let's go
:47:35. > :47:45.# Hold your fire It's all I'm asking for
:47:45. > :48:02.
:48:02. > :48:11.# Ohh
:48:11. > :48:21.# Ohh
:48:21. > :48:22.
:48:22. > :48:25.# Hold your fire It's all I'm asking for
:48:25. > :48:30.# But the aftershock just shook me to the core
:48:30. > :48:33.# Now flick the switch and watch it all erode
:48:33. > :48:38.# Best get out before the whole thing goes
:48:38. > :48:40.# Press the button and drop it on the zone
:48:40. > :48:46.# Took it all you had to strip me to the bone
:48:46. > :48:51.# Don't slam the door way down deep in hell
:48:51. > :48:54.# Took a chance on you and it's time to ring the bell
:48:54. > :48:56.# Let's go
:48:56. > :49:06.# Ahh
:49:06. > :49:06.
:49:06. > :49:16.# Ahh
:49:16. > :49:18.
:49:18. > :49:28.CHEERING AND APPLAUSE
:49:28. > :49:28.
:49:29. > :49:32.Django
:49:32. > :49:33.Django Django,
:49:33. > :49:36.Django Django, Wor
:49:36. > :49:43.Django Django, Wor from the Django Django record. Before that we
:49:43. > :49:48.enjoyed very much Ren Harvieu. APPLAUSE
:49:48. > :49:58.But now let's change the mood once again and have the super beautiful
:49:58. > :49:58.
:49:58. > :51:24.Apology for the loss of subtitles for 56 seconds
:51:24. > :51:34.# Going which ever way # Hoping the bees
:51:34. > :51:34.
:51:34. > :52:45.Apology for the loss of subtitles for 56 seconds
:52:45. > :52:55.# Going whichever way # Such a funny little bird
:52:55. > :52:55.
:52:55. > :53:43.Apology for the loss of subtitles for 56 seconds
:53:43. > :53:53.# Such a funny little bird # Won't somebody tell me
:53:53. > :54:06.
:54:06. > :54:16.# Won't somebody tell me # Well, I've travelled
:54:16. > :54:17.
:54:17. > :56:09.Apology for the loss of subtitles for 56 seconds
:56:09. > :56:19.# I've travelled to # Why don't you answer me
:56:19. > :56:19.
:56:19. > :57:31.Apology for the loss of subtitles for 56 seconds
:57:31. > :57:34.Wonderful, Tom Jones, fantastic. Thank you to all of our guests this
:57:34. > :57:39.evening. Thank you to Ren Harvieu. APPLAUSE
:57:39. > :57:43.Thank you to Melody Gardot. APPLAUSE
:57:43. > :57:50.Thank you to Punch Brothers. APPLAUSE
:57:50. > :57:57.Thank you, Django Django. APPLAUSE
:57:57. > :58:07.I'll be back on Tuesday with Rumour, Jimmy Web and much more. But now
:58:07. > :58:13.
:58:13. > :58:23.let's leave you where we started # No-one's gonna come
:58:23. > :58:46.
:58:46. > :58:47.# Lost my way # Fell down a hole
:58:47. > :58:48.# No-one's gonna come No-one's gonna come
:58:48. > :58:50.# And save my soul And save my soul
:58:50. > :58:52.# Lost my way Lost my way
:58:52. > :58:54.# No going back No going back
:58:54. > :58:56.# I'm stuck right here I'm stuck right here
:58:56. > :59:00.# And that is that And that is that. #
:59:00. > :59:02.Look around you, this manor All you can see
:59:02. > :59:04.Is ill-manored people Ill-manored in the illest manor
:59:04. > :59:06.Person you've ever met in your manor
:59:06. > :59:07.But are likely to meet in any manor
:59:08. > :59:10.Cos this man is deep, he judge them on the life that they lead
:59:10. > :59:12.But then it isn't always as black and white as it seems
:59:12. > :59:14.They're born in some way enslaved in the circumstance
:59:14. > :59:17.Shape the way they behave when they're out on the street
:59:17. > :59:19.That's why... These kids, they got no hope
:59:19. > :59:21.Walking' round their estates Thinkin', "This is it"
:59:21. > :59:23.They ain't never gettin' out and it's no joke
:59:23. > :59:25.Probably is gonna be the best their lives ever gonna get
:59:25. > :59:27.They don't believe they can succeed
:59:27. > :59:29.All the opportunities you say are out there really exist
:59:29. > :59:32.Cos they've been told every day from the minute they were born
:59:32. > :59:34.By the messed-up parents That they ain't it
:59:34. > :59:37.Mum and dad never made nothin'' of themselves
:59:37. > :59:39.Nah, so how the hell are they gonna?
:59:39. > :59:40.School's a waste of time They're only gonna fail
:59:41. > :59:43.Older brother went jail Why ain't they gonna?
:59:43. > :59:44.I mean, they hang with buds and sell drugs
:59:44. > :59:46.They ain't afraid to put a slug in you if you say somethin'
:59:46. > :59:48.They know that way You don't care either way
:59:48. > :59:51.To you, they're all the same Just a bunch of...
:59:51. > :59:53.Used to the rap every day Workin' for the devil's pay
:59:53. > :59:59.The young souls that went astray Listen and you hear them say...
:59:59. > :59:59.# Lost my way Lost my way
:00:00. > :00:01.# Fell down a hole Fell down a hole
:00:01. > :00:02.# No-one's gonna come No-one's gonna come
:00:02. > :00:04.# And save my soul And save my soul
:00:04. > :00:06.# Lost my way Lost my way
:00:06. > :00:08.# No going back No going back
:00:08. > :00:10.# I'm stuck right here I'm stuck right here
:00:10. > :00:19.# And that is that And that is that. #
:00:19. > :00:21.God said, "Let there be light" Created Adam and Eve
:00:21. > :00:23.Then he gave them eyes and told 'em both to believe
:00:23. > :00:25.In somethin' they would never actually physically see
:00:25. > :00:27.The devil came along and planted a seed
:00:27. > :00:29.And doubt started growing from the ground outta trees
:00:29. > :00:31.Right up to the skies To confound the scene
:00:31. > :00:35.To be the only thing in this life that wasn't a dream
:00:35. > :00:40.Council blocks, finding me Skies everybody could see
:00:40. > :00:42.Some birds in cages will never be free
:00:42. > :00:44.And gradually people began to change their beliefs
:00:44. > :00:46.Till God was nothin' more than a fictional being
:00:46. > :00:49.They worship for money Murder, all kinds of greed
:00:49. > :00:54.Once religion was only driven by greed
:00:54. > :00:55.On the television and the ad breaks in-between
:00:55. > :00:56.Till people only cared about material things
:00:56. > :00:58.And not the lives of other fellow human beings
:00:59. > :01:01.I know I'm guilty of it too And so it seems, you know...
:01:01. > :01:02.# I lost my way Lost my way
:01:02. > :01:04.# Fell down a hole Fell down a hole
:01:04. > :01:06.# No-one's gonna come No-one's gonna come
:01:06. > :01:08.# And save my soul And save my soul
:01:08. > :01:09.# Lost my way Lost my way
:01:09. > :01:11.# No going back No going back
:01:11. > :01:14.# I'm stuck right here I'm stuck right here
:01:14. > :01:15.# And that is that And that is that
:01:15. > :01:19.# Lost my way Lost my way
:01:19. > :01:20.# Fell down a hole Fell down a hole
:01:20. > :01:22.# No-one's gonna come No-one's gonna come
:01:22. > :01:24.# And save my soul And save my soul
:01:24. > :01:26.# Lost my way Lost my way
:01:26. > :01:28.# No going back No going back
:01:28. > :01:31.# I'm stuck right here I'm stuck right here
:01:31. > :01:34.# And that is that And that is that. #
:01:34. > :01:38.Lost your way Lost your way
:01:38. > :01:43.Lost your way Lost your way, lost your way
:01:43. > :01:44.If you don't believe in somethin' Then you're a fool for real
:01:44. > :01:47.If you don't believe in somethin' You're a fool for anything
:01:48. > :01:51.If you don't believe in somethin' Then you're a fool for real
:01:51. > :01:53.If you don't believe in somethin' Then you're a fool for real
:01:53. > :01:55.If you don't believe in somethin' You're a fool for anything
:01:55. > :01:58.Fool for anything Fool for anything
:01:58. > :02:01.If you don't believe in somethin' You're a fool for anything
:02:01. > :02:03.If you don't believe in somethin' You're a fool for anything