:00:04. > :00:10.in the breeze. Lee Westwood finds themselves 13 behind going into the
:00:10. > :00:18.weekend. A lot of work to be done. We are gearing up to live coverage
:00:18. > :00:24.this weekend starting at 2:15pm tomorrow on BBC One, and then the
:00:24. > :00:29.decisive final round on Sunday on BBC Two. What a final round we had
:00:30. > :00:34.last year between the world numbers 1 and 2. That will clearly not
:00:34. > :00:44.happen this year but regardless of the outcome, it will be compelling.
:00:44. > :00:44.
:00:44. > :02:28.Apology for the loss of subtitles for 104 seconds
:02:28. > :02:38.In the meantime, from all of us, This programme contains
:02:38. > :02:38.
:02:38. > :03:38.Apology for the loss of subtitles for 104 seconds
:03:38. > :03:48.Welcome to Later. Very nice, and Clap along. Sing along. Scream
:03:48. > :04:07.
:04:07. > :04:17.along, and nobody gets hurt. I # Spin your head up
:04:17. > :04:48.
:04:48. > :04:57.# We're gonna drink, # You should turn around,
:04:57. > :05:07.# Our god is a sinner, # The room's about to crumble
:05:07. > :05:17.
:05:17. > :05:27.# You gotta when you go # Like a tiger taking out
:05:27. > :05:43.
:05:43. > :05:53.# You should turn around, # Our god is a sinner,
:05:53. > :06:10.
:06:10. > :06:20.# The room's about to crumble # Spin your head up
:06:20. > :06:44.
:06:44. > :06:48.APPLAUSE Thank you, The Hives, Go Right
:06:48. > :06:57.Ahead. Also tonight a fantastic show - I am delighted to welcome
:06:57. > :07:02.back into the studio the wonderful Paloma Faith. From Portland, Oregon,
:07:02. > :07:09.the marvellous sound of Esperanza Spalding. From Nottingham for you
:07:09. > :07:16.lovely people - yes, Jake Bugg. From Baltimore, the lovely sound of
:07:16. > :07:24.Beach House. But now I shall be chatting with Mr Smith right over
:07:24. > :07:32.here. I'll be chatting with you in a moment, but for now, from Jamaica,
:07:32. > :07:42.the legend - yes, he's here - Jimmy # They say the world
:07:42. > :07:49.
:07:49. > :07:59.# They say the world # Looking at the world today
:07:59. > :08:10.
:08:10. > :08:20.# They say the world # They say the world
:08:20. > :08:39.
:08:39. > :08:49.# Ooh, I say the world # They say the world
:08:49. > :08:50.
:08:50. > :09:00.# They say the world # Ooh, I say the world
:09:00. > :09:25.
:09:25. > :09:35.# They say the world # They say the world
:09:35. > :09:54.
:09:54. > :10:04.# Ooh, I say the world # Have they lost their sanity
:10:04. > :10:04.
:10:04. > :10:48.Apology for the loss of subtitles for 104 seconds
:10:48. > :10:53.# What about the love, A genius! The joy of having the
:10:53. > :10:58.great legend of the music industry - Jimmy Cliff, World Upside Down.
:10:58. > :11:02.He's got a marvellous, marvellous record called Rebirth out. I'll be
:11:02. > :11:06.chatting to him at the piano about lots of things later. We have a
:11:06. > :11:16.lovely group who have come with us from Baltimore especially to be
:11:16. > :11:16.
:11:16. > :12:29.Apology for the loss of subtitles for 104 seconds
:12:29. > :12:39.with us this evening. Please # What comes after
:12:39. > :13:10.
:13:10. > :13:20.# The consequence # Canyon calling,
:13:20. > :13:43.
:13:43. > :13:52.# You can't keep hangin' on to all that's dead and gone
:13:52. > :13:55.# If you built yourself a myth
:13:55. > :14:00.# You'd know just what to give
:14:00. > :14:05.# Materialise, oh, let the ashes fly
:14:05. > :14:10.# Help me to name it
:14:10. > :14:20.# Help me to name it. #
:14:20. > :14:57.
:14:57. > :15:03.APPLAUSE
:15:03. > :15:04.APPLAUSE The
:15:04. > :15:04.The lovely
:15:04. > :15:04.The lovely sound
:15:04. > :15:09.The lovely sound of
:15:09. > :15:15.The lovely sound of Beach House. The song, Myth, from their album
:15:15. > :15:24.Blue. Now at the piano the man you saw maying a moment ago, one of the
:15:24. > :15:30.greatest ledge enced of Jamaican music, one of the greatest legends
:15:30. > :15:33.of music, Jimmy Cliff. You have this record out, Rebirth, what a
:15:33. > :15:38.fantastic record it is. It's your first record for about seven years.
:15:38. > :15:44.Yes, it is. What inspired you to make this record? Well, it's a time
:15:44. > :15:47.for me to make a new album, first of all, and I always like to
:15:47. > :15:52.highlight and reflect on what's going on in the world as well as my
:15:52. > :15:56.own life, what I'm doing, and that's the inspiration, just from
:15:56. > :15:59.living my life and intermingling with everyone It sounds to me like
:15:59. > :16:05.you're going back to your roots a little bit in this. Would I be
:16:05. > :16:08.right in thinking that? Yes, going back to my roots because this album
:16:08. > :16:14.is like the completion of a chapter that was incomplete, so I decided
:16:14. > :16:18.to go forward to the roots on this one. You have written some amazing
:16:18. > :16:23.songs, but you have also done some covers by people. Which are the
:16:23. > :16:29.people You have covered? Guns of Brixton by the Clash because of my
:16:29. > :16:33.connection with Joe Strummer. The last song he did was with me on my
:16:33. > :16:36.last album, so that's one of the covers I have done. He was great,
:16:36. > :16:41.wasn't he? Fantastic. Yes. And the thing is, you started very young,
:16:41. > :16:46.really, didn't you, in music? How did you get your start in
:16:46. > :16:52.music? Oh, I - you know, I have always known from a very early age
:16:52. > :16:56.singing in church and things like that that music is what I love -
:16:56. > :17:00.the arts. Actually, I like acting more, but music came easier to do,
:17:00. > :17:04.so I did that. I just pursued that, you know? When I left the country,
:17:05. > :17:09.I grew up in the country, then when I went to the city, Kingston, I
:17:09. > :17:13.just had some songs, and I found out who I could get them recorded
:17:13. > :17:19.with. Your first hit I think you had when you were 14, is that
:17:19. > :17:22.right? Yes. In 1960, so the same year as Jamaican independence. Can
:17:22. > :17:27.we have a little bit because it's just a sweet song. I used to dance
:17:27. > :17:37.to that song. Maybe your band will clap along in time because it is
:17:37. > :17:40.
:17:40. > :17:45.# Violets are blue # Believe me
:17:45. > :17:50.# I love you # Let's not be apart because you're
:17:50. > :17:54.the rose of my heart # And sweet rose
:17:54. > :18:00.# You are my Queen # You're my Ms Jamaica
:18:00. > :18:10.# My Ms Jamaica # You're my Ms Jamaica
:18:10. > :18:14.# I'm crowning you myself. # I know you may not have such a
:18:14. > :18:18.fabulous shape # You suit the rest of the world
:18:18. > :18:25.# And you do suit me # That is all I want to know
:18:25. > :18:33.# I need not know nothing more # You're my Ms Jamaica
:18:33. > :18:40.# My Ms Jamaica. # You're my Ms Jamaica
:18:40. > :18:50.# I'm crowning you myself # Because you're my Ms Jamaica
:18:50. > :18:52.
:18:52. > :18:56.# Ms Jamaica, Ms Jamaica APPLAUSE
:18:56. > :19:01.The wonderful Jimmy Cliff. APPLAUSE
:19:01. > :19:06.We'll be hearing more from Jimmy later on in the show. What a joy to
:19:06. > :19:08.have him here. And now let's welcome over in this corner here a
:19:08. > :19:18.sensational new beautiful sound - Esperanza Spalding.
:19:18. > :19:28.
:19:28. > :19:38.# Driving yourself # Traffic won't speed up
:19:38. > :19:38.
:19:38. > :19:42.# But it's the same old stuff # Somehow he feels it
:19:42. > :19:46.# Sends sweet salvation when he starts to play this song
:19:47. > :19:50.# Now you can't help singin' along
:19:50. > :19:54.# Even though you've never heard it, you keep singin' it wrong
:19:54. > :19:59.# This song will keep you grooving, the traffic moving
:19:59. > :20:05.# Play to lift your spirit
:20:05. > :20:15.# So glad you're here and the words are speaking to you
:20:15. > :20:15.
:20:15. > :20:17.# As if they knew you
:20:17. > :20:25.# Ooh, this song's the one
:20:25. > :20:35.# Even though you never heard it, you keep singin' it wrong
:20:35. > :20:50.
:20:50. > :20:54.# Waiting for some magic to come and make you feel better
:20:54. > :20:59.# Enter that song, now that's how we know the power of song can save
:20:59. > :21:01.# That's still how we know the power of song can save
:21:02. > :21:06.# Well, it can surely save the day and keep you grooving
:21:06. > :21:10.# The traffic moving, playing to lift your spirits
:21:10. > :21:13.# The world is speaking to you
:21:13. > :21:16.# This song's the one
:21:16. > :21:19.# La loo la loo la-la loo la
:21:19. > :21:23.# La loo la
:21:23. > :21:26.# Smiling and driving, can't help
:21:26. > :21:29.# Grooving while you're listening
:21:29. > :21:32.# Your skin starts bristling here comes the part you know
:21:32. > :21:36.# And you can't help singing along even though you've never heard it
:21:36. > :21:39.# You keep singing it wrong
:21:39. > :21:43.# This song will keep you grooving
:21:43. > :21:49.# The traffic moving, playing to lift your spirits
:21:49. > :21:51.# The world is speaking to you as if they knew you
:21:51. > :21:53.# Ooh, this song's the one
:21:53. > :21:58.# The traffic moving, playing to lift your spirits
:21:58. > :22:01.# And the world is speaking to you
:22:01. > :22:11.# Ooh, this song's the one
:22:11. > :22:17.
:22:17. > :22:20.# Sing it loud with love, with love in your heart
:22:20. > :22:25.# Because you like to because you need to
:22:25. > :22:27.# Now if you want to
:22:27. > :22:30.# Sing it loud with love
:22:30. > :22:32.# With love in your heart
:22:32. > :22:42.# Because you like to
:22:42. > :22:43.
:22:43. > :22:45.# Sing it loud with love
:22:45. > :22:49.# With love in your heart
:22:49. > :22:59.CHEERING AND APPLAUSE
:22:59. > :23:02.
:23:02. > :23:03.The
:23:03. > :23:03.The inspirational
:23:03. > :23:07.The inspirational sound
:23:07. > :23:15.The inspirational sound of Esperanza Spalding and Radio Song,
:23:15. > :23:25.a marvellous band from her album. Now, he first appeared on the Music
:23:25. > :23:35.
:23:35. > :23:45.Stage at Glastonbury last summer, # So I can cry your name
:23:45. > :24:20.
:24:20. > :24:30.# Run so far from me # Call upon the ones
:24:30. > :25:04.
:25:04. > :25:14.# And please just come on # From the strings
:25:14. > :25:36.
:25:36. > :25:46.# If you lead a lonely, lonely life, # And if you've been constantly
:25:46. > :25:49.
:25:49. > :25:54.# I'm on the phone, the telephone, # If you got an all-consuming need,
:25:54. > :25:59.# And if you got heart or lung disease, you got to be aware
:25:59. > :26:01.# Cos you got bills to pay
:26:01. > :26:04.# God knows you got bills to pay
:26:04. > :26:08.# I'm on the phone, the telephone, dial happiness today
:26:08. > :26:14.# You wanna live a life well, you gotta be aware
:26:14. > :26:18.# I got a thousand answers, one's gotta be right
:26:18. > :26:24.# Give me a thousand chances and I'll get it right
:26:24. > :26:28.# And it does it up with all the lies, you got to be aware
:26:28. > :26:31.# I'll give you all the whens and whys
:26:31. > :26:35.# You got to be aware cos you got nothing to say
:26:35. > :26:38.# God knows you got nothing to say
:26:38. > :26:42.# I'm on the phone, the telephone, dial happiness today
:26:42. > :26:47.# You wanna live a life well, you gotta be aware
:26:47. > :26:52.# I got a thousand answers, one's gotta be right
:26:52. > :26:56.# Give me a thousand chances and I'll get it right
:26:56. > :27:02.# I got a thousand answers, one's gotta be right
:27:02. > :27:05.# Give me a thousand chances and I'll get it right
:27:05. > :27:07.# I got a thousand answers, one's gotta be right
:27:07. > :27:10.# I got a million answers,
:27:10. > :27:15.# I got a gazillion answers, one's gotta be right. #
:27:15. > :27:18.CHEERING AND APPLAUSE
:27:18. > :27:18.Thank
:27:18. > :27:18.Thank you
:27:18. > :27:28.Thank you very
:27:28. > :27:37.
:27:37. > :27:47.Thank you, The Hives, 1,000 Answers - marvellous to have them back. One
:27:47. > :27:47.
:27:47. > :27:49.person I am going to pass I have to say hello to because she always
:27:49. > :27:56.dresses beautifully, absolutely impeccably, Paloma Faith. Wonderful
:27:56. > :28:02.to have you here. You sing beautifully. Where did this
:28:02. > :28:06.marvellous dress come from? It's a designer called Inbar Spectre who
:28:06. > :28:14.sculpts beautiful things. It is beautiful. It fits beautifully into
:28:14. > :28:18.the neck of the piano as if it were a glove. Here is your record -
:28:18. > :28:23.you're in another fantastic frock. I have to ask, is that your parrot?
:28:23. > :28:27.No, but I wish it was. It was really well trained. It's a real
:28:27. > :28:32.parrot? It's a real parrot, and it just flew back and forth all day
:28:32. > :28:36.long without getting angry. How did you know it wasn't angry? It just
:28:36. > :28:41.seemed well behaved. When you have experience -- I have experience
:28:41. > :28:45.with birds from the magic day, and they always seemed to fly off when
:28:45. > :28:47.they got bored, but this was a very focused parrot.
:28:47. > :28:51.LAUGHTER Do you have any pet yourself?
:28:51. > :28:54.don't. I don't have the attention span to look after them. What would
:28:54. > :28:59.you have - if you did have a few moments to look after a pet, what
:29:00. > :29:04.would you have? A tiger. We will get you one! You're going to be
:29:04. > :29:07.playing a marvellous song in a moment, which we shall look forward
:29:07. > :29:11.to hearing that - Paloma Faith. Marvellous to see you. Now, you're
:29:11. > :29:21.going to be hearing her in just a moment, but now, let's hear the one
:29:21. > :29:33.
:29:33. > :29:43.# You can get it # But you must try,
:29:43. > :29:43.
:29:43. > :30:31.Apology for the loss of subtitles for 104 seconds
:30:31. > :30:41.# But you must try, # Win or lose,
:30:41. > :30:41.
:30:41. > :31:26.Apology for the loss of subtitles for 104 seconds
:31:26. > :31:36.# You can get it if you really want # But you must try,
:31:36. > :31:44.
:31:44. > :31:54.# But you must try # You can get it if you really want
:31:54. > :31:54.
:31:54. > :33:04.Apology for the loss of subtitles for 104 seconds
:33:04. > :33:14.# Cos there's no-one else # Let's see one another
:33:14. > :33:14.
:33:14. > :33:19.# But know that you're flying home to me
:33:19. > :33:21.# I was born
:33:21. > :33:25.# Thinking it would all be dreamy
:33:25. > :33:32.# But I know that I wouldn't be happy that way
:33:32. > :33:37.# You wear me out with frustration and heartache and anger
:33:37. > :33:43.# But we wait for the wave just to wash it away
:33:43. > :33:45.# Don't
:33:45. > :33:46.# Say
:33:46. > :33:49.# Nothin'
:33:49. > :33:50.# Just
:33:50. > :33:52.# Sit
:33:52. > :33:55.# Next to me
:33:55. > :33:57.# Don't
:33:57. > :33:59.# Say
:33:59. > :34:00.# Nothin'
:34:00. > :34:03.# Shhhh
:34:03. > :34:13.# Just be
:34:13. > :34:18.# Let's let go together
:34:18. > :34:24.# Let us unfold one another
:34:24. > :34:27.# And watch all the little things
:34:27. > :34:30.# That once drew me to you
:34:30. > :34:36.# Eventually get on my nerves
:34:36. > :34:41.# I wear you out with frustration and heartache and anger
:34:41. > :34:48.# But we wait for the wave just to wash it away
:34:48. > :34:49.# Don't
:34:50. > :34:51.# Say
:34:51. > :34:54.# Nothin'
:34:54. > :34:55.# Just
:34:55. > :34:57.# Sit
:34:57. > :35:00.# Next to me
:35:00. > :35:03.# Don't
:35:03. > :35:05.# Say
:35:05. > :35:06.# Nothin'
:35:06. > :35:08.# Shhhhh
:35:08. > :35:12.# Just be
:35:12. > :35:14.# Oooh
:35:14. > :35:17.# When you're sick of the every day
:35:17. > :35:20.# Oooh
:35:20. > :35:24.# When you're tired of my voice
:35:24. > :35:29.# When you tell me you'll walk out that door
:35:29. > :35:32.# That's when I know
:35:33. > :35:35.# That you'll stay
:35:35. > :35:39.# Oooh
:35:39. > :35:41.# Don't
:35:41. > :35:42.# Say
:35:42. > :35:44.# Nothin'
:35:44. > :35:46.# Just sit
:35:47. > :35:50.# Next to me
:35:50. > :35:52.# Don't
:35:52. > :35:54.# Say
:35:54. > :35:57.# Nothin'
:35:57. > :36:01.# Just be
:36:01. > :36:03.# Don't
:36:03. > :36:04.# Say
:36:04. > :36:06.# Nothin'
:36:06. > :36:08.# Just sit
:36:08. > :36:10.# Next to me
:36:10. > :36:12.# Oooh
:36:12. > :36:13.# Don't
:36:13. > :36:15.# Say
:36:15. > :36:17.# Nothin'
:36:17. > :36:22.# Just be
:36:22. > :36:24.# Don't
:36:24. > :36:25.# Say
:36:25. > :36:27.# Nothin'
:36:27. > :36:29.# Shhhhh. #
:36:29. > :36:39.CHEERING AND APPLAUSE
:36:39. > :36:48.
:36:48. > :36:48.The
:36:48. > :36:48.The wonderful
:36:48. > :36:57.The wonderful Paloma
:36:57. > :37:01.The wonderful Paloma Faith. Just Be from her superb album Call to Grace.
:37:01. > :37:05.Before that we enjoyed Jimmy Cliff. APPLAUSE
:37:05. > :37:06.I'm feeling good tonight. Are you feeling good tonight? Me too.
:37:06. > :37:11.Feeling good over there? APPLAUSE
:37:11. > :37:21.Me too. We have some lovely artists in this room, so now let's enjoy
:37:21. > :37:21.
:37:21. > :40:35.Apology for the loss of subtitles for 104 seconds
:40:35. > :40:45.# When you couldn't see # Like no other
:40:45. > :40:56.
:40:56. > :41:06.# Like no other # Like no other
:41:06. > :41:06.
:41:06. > :43:57.Apology for the loss of subtitles for 104 seconds
:43:57. > :44:07.# If there's a little bit # If there's a beating
:44:07. > :44:36.
:44:36. > :44:42.Very nice manoeuvring from Jake Bugg. Jake Bugg and Trouble Town.
:44:42. > :44:45.Before that we enjoyed Beach House, done beautifully there. A lovely
:44:45. > :44:49.room full of people here - beautifully dressed as well. Can I
:44:49. > :44:54.just point this out - it is television - beautifully dressed
:44:54. > :44:58.people in this room, very nice to see. And now, next, this is the
:44:58. > :45:03.last in our current series, but on to the next few weeks at the same
:45:03. > :45:06.time are some incredible films all about punk music, which was, of
:45:06. > :45:11.course, invented here in Britain and London and everything. These
:45:11. > :45:18.are amazing films, and one of the people they feature rather allot is
:45:19. > :45:26.this man here, TV Smith. Of course, we - I remember, of
:45:26. > :45:31.course, you in the adverts - this great punk band you were a part of.
:45:31. > :45:37.What was your first introduction of the world of punk? Well, we moved
:45:37. > :45:43.to London in '76 and were one of the first bands to play at the
:45:43. > :45:50.Roxie. By the beginning of '77 it was all kicking off. We played that
:45:50. > :45:55.club, and within the first week we were at 20, 30 bands. How many
:45:55. > :45:59.people played... We supported. was one of them. It was great,
:45:59. > :46:04.really good. I remember it well. What would you say, maybe a hundred
:46:04. > :46:09.people I would have thought. Yeah. I would think you were be pushed to
:46:09. > :46:13.get 70, a hundred people in there. But what do you think - what was it
:46:13. > :46:17.that created punk music? What were things like before there was punk I
:46:17. > :46:21.suppose? Well, it was a big music industry, and lots of bands were
:46:21. > :46:25.just satisfied with what they were doing. They weren't pushing against
:46:25. > :46:28.anything. The situation in the country was very bad, and the
:46:29. > :46:33.musicians were ignoring it. They were presenting the same old thing
:46:33. > :46:37.over and over again, and we needed something new, and loads of punk
:46:37. > :46:41.bands came in. They stormed in. They took over. They all did
:46:41. > :46:46.something they believed in - lots of new things happening, lots of
:46:46. > :46:49.excitement. Yes, and I should also - which you don't see so much
:46:49. > :46:53.anymore which is couldn't care less. We don't care what you think of us.
:46:53. > :46:57.This is what we do sort of thing, which is almost like a blues
:46:57. > :47:00.attitude. Definitely. There is definitely a tradition of it that
:47:00. > :47:04.musicians say we don't care about you. We're going to do what we want,
:47:04. > :47:09.and if that doesn't happen, things carry on the same way they ever do.
:47:09. > :47:13.Do you think in the punk time it was bait like in the medieval time
:47:13. > :47:18.or in the Renaissance - we look back and go, we're in the
:47:18. > :47:23.Renaissance. They didn't go, we're in the Renaissance now! But did
:47:23. > :47:27.they realise what was happening? don't think we thought about it.
:47:27. > :47:32.That's the thing in these great moments. You seize the opportunity
:47:32. > :47:37.and don't sit around thinking it's of historical significance. But we
:47:37. > :47:42.are! 35 years later, here we are. Now we've got a little bit of
:47:42. > :47:47.footage of you on Top Of The Pops, quite rare for a punk group. Punk
:47:47. > :47:53.groups weren't welcome on Top Of The Pops. Top Of The Pops was a
:47:53. > :47:58.traditional thing. They wanted nice, happy, clap-along bands, and the
:47:58. > :48:02.punk groups were popular enough to get in the chart, so they couldn't
:48:03. > :48:08.resist us. Guaranteed the stillly
:48:08. > :48:12.# Because people see the same # Looking through Gary Gilmoreos
:48:12. > :48:15.eyes # Looking through Gary Gilmore's
:48:15. > :48:22.eyes # Looking through Gary Gilmore's
:48:22. > :48:25.eyes # Gary don't need no eyes to see
:48:25. > :48:33.# Gary and his eyes have parted company #
:48:33. > :48:39.Marvellous. APPLAUSE
:48:39. > :48:42.So you - now you work solo a lot of time. You go out with just a guitar.
:48:42. > :48:46.That's right. Would you say it has that spirit of punk music about it?
:48:46. > :48:49.It's exactly the same spirit. It's all about rebelling and seeing what
:48:49. > :48:52.you mean and getting out there and looking people in the eyes and
:48:52. > :49:02.giving them what you believe is the truth. Yes, a little bit of
:49:02. > :49:05.
:49:05. > :49:15."couldn't care less". I love that. You're in this film, Punk Britannia.
:49:15. > :49:21.It's interesting to see because of the haircuts and people don't have
:49:21. > :49:27.cars and - lovely. Thank you for joining us, TV Smith.
:49:27. > :49:37.Now, we've got a beautiful sound over here - what a beautiful band
:49:37. > :49:38.
:49:38. > :49:48.sitting in a giant boom box. We # High enough to see who you are,
:49:48. > :50:14.
:50:14. > :50:24.# Now maybe no-one else # Think of all the strength
:50:24. > :50:30.
:50:30. > :50:40.# From the blood # They'll be folks hell-bent
:50:40. > :50:52.
:50:52. > :50:55.# 'Cause not necessarily # Think of all the strength
:50:55. > :50:59.# From the blood you carry within you
:50:59. > :51:01.# Ancient men, powerful men
:51:01. > :51:05.# Builders of civilization
:51:05. > :51:07.# Think of all the strength you have in you
:51:07. > :51:10.# Powerful, powerful men
:51:10. > :51:18.# Builders of civilization
:51:18. > :51:21.# Hold your head as high as you can
:51:21. > :51:24.High enough to see who you are, little man
:51:24. > :51:29.# Life sometimes is cold and cruel
:51:29. > :51:31.# Baby no-one else will tell you
:51:31. > :51:34.# So remember that you are black gold
:51:34. > :51:35.# Black gold
:51:35. > :51:38.# You are Black Gold
:51:38. > :51:48.# There'll be folks hell-bent on putting you down
:51:48. > :52:11.
:52:11. > :52:14.# Think of all the strength you have in you
:52:14. > :52:17.# From the blood you carry within you
:52:17. > :52:19.# Builders of civilization
:52:19. > :52:22.# Think of all the strength you have in you
:52:22. > :52:24.# Powerful, powerful men
:52:24. > :52:30.# Builders of civilization
:52:30. > :52:33.# Hold your head as high as you can
:52:33. > :52:36.# High enough to see who you are, little man
:52:36. > :52:39.# Life sometimes is cold and cruel
:52:39. > :52:41.# Baby, no-one else will tell you
:52:41. > :52:44.# So remember that you are black gold
:52:44. > :52:47.# Black gold
:52:47. > :52:56.# You are black gold
:52:56. > :53:02.# You are black gold
:53:02. > :53:12.# You are black gold
:53:12. > :53:40.
:53:40. > :53:50.# High enough to see who you are, # So remember that you are
:53:50. > :53:50.
:53:50. > :54:47.Apology for the loss of subtitles for 104 seconds
:54:47. > :54:56.# They don't do # But I can't hear you
:54:56. > :55:06.# I ain't here to # But my head is stuck in the
:55:06. > :55:06.
:55:06. > :55:47.Apology for the loss of subtitles for 104 seconds
:55:47. > :55:57.# That they got drugs # Oh I ain't here
:55:57. > :55:57.
:55:57. > :57:23.Apology for the loss of subtitles for 104 seconds
:57:23. > :57:28.# But my head is stuck Thank you, The Hives, Wait a Minute.
:57:28. > :57:34.Silence in the room, please. I need silence in the room. Sadly, two
:57:34. > :57:39.great legends of music have been lost this week, Donna Summer and
:57:39. > :57:41.robin Gibb. On Tuesday's film we saw a short film of Robin Gibb. Now
:57:41. > :57:51.we're going to take a moment to remember the wonderful, lovely
:57:51. > :58:00.
:58:00. > :58:03.so I love this song particularly. # When I find myself in times of
:58:03. > :58:09.trouble # Mother Mary comes to me
:58:09. > :58:18.# Speaking words of wisdom # Let it be
:58:18. > :58:23.# And in my hour of darkness shot she is standing right in front of
:58:23. > :58:33.# Smiling to forever # Let it be
:58:33. > :58:37.
:58:38. > :58:47.# There will be an answer # Let it be
:58:48. > :59:06.
:59:06. > :59:16.# There will be an answer Oh! Thank you.
:59:16. > :59:17.
:59:17. > :59:21.Wonderful. The wonderful Donna Summer. So you can see more of all
:59:21. > :59:25.of that on our website and more things on our website, of course.
:59:25. > :59:27.Now I think we need to thank all of our guests. Thank you for joining
:59:27. > :59:31.us, Paloma Faith. Thank you, The Hives. Thank you, Esperanza
:59:31. > :59:34.Spalding. APPLAUSE
:59:34. > :59:39.Thank you, Jake Bugg. APPLAUSE
:59:39. > :59:45.Thank you, Beach House. APPLAUSE
:59:45. > :59:49.Thank you, TV Smith. You can see that whole lovely punk series on
:59:49. > :59:53.BBC Four. This is the last of our series - the last of the current
:59:53. > :59:58.series. We'll be back at the end of the year. You can see lot more on
:59:58. > :00:01.our website if you like. I'll also be back in a few weeks with a
:00:01. > :00:11.programme especially about the songs of old London, but now we
:00:11. > :00:14.
:00:14. > :00:24.finish off with the amazing person Now, this one is one more. I'm
:00:24. > :00:43.
:00:43. > :00:53.going to take the first part, and # I've got one more
:00:53. > :00:53.
:00:53. > :01:47.Apology for the loss of subtitles for 104 seconds