:00:14. > :00:20.Is it a remark of the Red Shoes? Of course, it isn't. It's Tuesday
:00:20. > :00:26.night and 10pm. We are live. Live, live from the middle of London,
:00:26. > :00:36.with a room full of amazingly talented people. Let's begin with
:00:36. > :00:37.
:00:37. > :00:42.# No mystery # But I could make out
:00:42. > :00:45.# God, I'm so obvious and I should let it go
:00:46. > :00:51.# Oh, I don't know, oh
:00:51. > :00:53.# I'm no teenage icon
:00:53. > :00:55.# I'm no Frankie Avalon
:00:55. > :01:05.# I'm nobody's hero, oh-oh-oh
:01:05. > :01:09.# Preserved and shy Your average guy
:01:09. > :01:14.# No piercing stare Just out of shape with messy hair
:01:14. > :01:18.# But I always figured I was somebody who'd wait
:01:19. > :01:22.# And now I'm guessing that my moment must be late
:01:22. > :01:27.# Cos I need it, oh
:01:27. > :01:30.# I'm no teenage icon
:01:30. > :01:32.# I'm no Frankie Avalon
:01:32. > :01:37.# I'm nobody's hero, oh-oh-oh
:01:37. > :01:47.# I'm not magnetic or mythical
:01:47. > :01:59.
:01:59. > :02:04.# I'm not magnetic or mythical
:02:04. > :02:08.# I'm suburban and typical
:02:08. > :02:10.# But I got it, I got it
:02:10. > :02:20.# I'm overrun with it all
:02:20. > :02:21.
:02:21. > :02:26.# Seductive charm, a way with words
:02:26. > :02:30.# So effortless Not leather clad or dangerous
:02:30. > :02:35.# But I always did it like a real rebel would
:02:35. > :02:39.# I had a photo where John Lennon may have stood
:02:39. > :02:44.# Or so I'm told
:02:44. > :02:46.# I'm no teenage icon
:02:46. > :02:49.# I'm no Frankie Avalon
:02:49. > :02:53.# I'm nobody's hero, oh-oh
:02:53. > :03:02.# I'm no teenage icon
:03:02. > :03:04.# I'm no teenage icon
:03:04. > :03:07.# I'm no Frankie Avalon
:03:07. > :03:14.# I'm nobody's hero, oh-oh. #
:03:14. > :03:17.CHEERING AND APPLAUSE
:03:17. > :03:27.$:/ENDFEED.
:03:27. > :03:33.
:03:33. > :03:33.Top-of-the-range
:03:33. > :03:33.Top-of-the-range group,
:03:33. > :03:34.Top-of-the-range group, The
:03:34. > :03:34.Top-of-the-range group, The Vaccines!
:03:34. > :03:34.Vaccines! Who
:03:34. > :03:35.Vaccines! Who are
:03:35. > :03:37.Vaccines! Who are our
:03:37. > :03:44.Vaccines! Who are our guests? We have from Germany the amazing
:03:44. > :03:50.Herbert Gronemeyer. From status quo, we have Francis Rossi. From New
:03:50. > :03:57.York, we have Sharon Van Etten. From south London, we have the
:03:57. > :04:07.wonderful Jessie Ware. From LA, the wonderful Beth Hart and now from
:04:07. > :04:34.
:04:34. > :04:44.# Building were empty # That you were coming back
:04:44. > :04:46.
:04:47. > :04:56.# Looking to make # Hey you, wait up
:04:57. > :05:12.
:05:12. > :05:22.# Hey you, wait up # Blending the sights
:05:22. > :05:29.
:05:29. > :05:37.# It's very clear # Hey you, wait up
:05:37. > :05:47.# Hey you, wait up I wanna talk to you
:05:47. > :05:54.
:05:54. > :05:58.# If you like me were undecided
:05:58. > :06:03.# There was plenty left to say
:06:03. > :06:11.# But the combination sounded wrong again
:06:11. > :06:21.# Hey you, wait up I wanna talk to you
:06:21. > :06:29.
:06:29. > :06:36.# Hey you, wait up I wanna talk to you
:06:36. > :06:45.# Hey you, wait up I wanna talk to you
:06:45. > :06:53.# Hey you, wait up I wanna talk to you
:06:53. > :07:03.# Hey you, wait up I wanna talk to you
:07:03. > :07:20.
:07:20. > :07:25.CHEERING AND APPLAUSE
:07:25. > :07:33.$:/ENDFEED.
:07:33. > :07:34.Wales, the legendary John Cale. I
:07:34. > :07:34.Wales, the legendary John Cale. I Wanna
:07:34. > :07:34.Wanna Talk
:07:34. > :07:34.Wanna Talk 2
:07:34. > :07:44.Wanna Talk 2 U,
:07:44. > :07:45.
:07:45. > :07:55.Wanna Talk 2 U, John Cale! Now, we go over here. We enjoy the
:07:55. > :08:17.
:08:17. > :08:27.# You and I, bloodlines # Two wrongs, no rights
:08:27. > :08:44.
:08:44. > :08:54.# Everyone must be wondering # We could be the greatest
:08:54. > :09:20.
:09:20. > :09:30.# We could be the greatest # Wherever there's smoke
:09:30. > :09:54.
:09:54. > :10:04.# Everyone must be wondering # We could be the greatest
:10:04. > :10:41.
:10:41. > :10:51.# We could be the greatest # Everyone must be wondering
:10:51. > :11:05.
:11:05. > :11:15.# We could be the greatest # We could be the greatest
:11:15. > :11:47.
:11:47. > :11:54.wonderfullness that is Jessie Ware. Fantastic. Jessie Ware. From her
:11:54. > :12:00.Devotion LP. Now we head over here to meet one of the great legends of
:12:00. > :12:10.popular music, Francis Rossi. 50 years of Status Quo.
:12:10. > :12:13.
:12:13. > :12:16.Congratulations. On this DVD here, what is the key to your longevity?
:12:16. > :12:22.Persistence and being insecure little showoffs and desperate.
:12:22. > :12:26.that the key to being in music generally? I think so, insecure and
:12:26. > :12:36.showoff. Then you have a chance to be a big star? Yes. Very good
:12:36. > :12:41.
:12:41. > :12:48.advice indeed. This fit many shows you re-uniting after 50 years, was
:12:48. > :12:54.that a pleasant experience for you? It was interesting. -- film. It was
:12:55. > :12:59.pleasant. Things - the problems we have may have been sorted out now.
:12:59. > :13:07.For you, what was the best thing about Status Quo, about being
:13:07. > :13:13.together? The original band, but the band as a whole? The bapd as a
:13:13. > :13:18.whole. It's a huge -- the band as a whole. It's something I wanted to
:13:18. > :13:23.do when I was 12 or 3. I'm still doing it. I didn't want to be a
:13:23. > :13:28.one-hit wonder. To still be there and still surviving I suppose. You
:13:28. > :13:33.still need it like a drug. It never gets quenched. It still wants more.
:13:33. > :13:39.You go on and do a show, you know what it's like, you look forward to
:13:39. > :13:45.the next one. You want to go on the next day. Once you're on you love
:13:45. > :13:55.it. Yeah. You are great. We have footage of you re-uniting and all
:13:55. > :14:04.
:14:05. > :14:14.being lovely. # My ears are burning
:14:15. > :14:32.
:14:32. > :14:42.# Now my feet have started turning # Reran along the rooftops... #
:14:42. > :14:49.
:14:49. > :14:55.APPLAUSE The question I do ask, but any
:14:55. > :14:58.other tips for being a pop star now? Don't give up. Normally what I
:14:58. > :15:02.would say if someone asks me, I say forget it, because if they have
:15:02. > :15:09.what it takes they won't listen to the silly sod. Exactly. They're not
:15:09. > :15:14.going to ask, but get on with it. Exactly. Thanks very much for being
:15:14. > :15:16.an insecure showoff. Thank you for your advice and marvellous DVD.
:15:16. > :15:22.Thank you, Francis Rossi. APPLAUSE
:15:22. > :15:32.Now, come over this way. We have got a lot of great people on the
:15:32. > :15:32.
:15:32. > :17:18.Apology for the loss of subtitles for 106 seconds
:17:18. > :17:28.# We were born # Everybody will declare
:17:28. > :17:28.
:17:28. > :18:32.Apology for the loss of subtitles for 106 seconds
:18:32. > :18:42.# Bullets made from silver spoons # And the last bang bang
:18:42. > :19:07.
:19:07. > :19:17.show tonight. We welcome Beth Hart. Bang Bang Boom Boom, Beth Hart! Now,
:19:17. > :19:52.
:19:52. > :20:00.# It was a close call # Sitting in the back of the room
:20:00. > :20:07.with a bowl # But then he didn't know
:20:07. > :20:17.# Closing on my back # I feel safe at times
:20:17. > :20:20.
:20:20. > :20:30.# Certain emblems tell me it's time # Serpents in my mind
:20:30. > :20:31.
:20:31. > :20:41.# Looking for your cries # Everything changes
:20:41. > :20:43.
:20:43. > :20:48.# I don't want life to this time # You enjoy sucking on dreams
:20:48. > :20:52.# So I will fall asleep # With someone other than you
:20:52. > :21:01.# I had a thought # You would take me
:21:01. > :21:11.# Seriously and listen up # Serpents in my mind
:21:11. > :21:16.
:21:16. > :21:25.# I am searching for your cries # Everything changes
:21:25. > :21:35.# In time you'll stay # Frozen in time
:21:35. > :21:36.
:21:36. > :21:40.# Girls, controlling minds # You hold the mirror to everybody
:21:40. > :21:50.else # Serpents in my mind
:21:50. > :21:50.
:21:50. > :22:00.# Trying to forgive # Your cries
:22:00. > :22:19.
:22:19. > :22:29.# Everyone changes in time # I hope he changes this time... #
:22:29. > :22:32.Plaus Lovely, Sharon Van Etten. Serpents
:22:33. > :22:37.from her new album. Our next guest is one of the greatest stars of
:22:37. > :22:39.Germany. Huge-selling artist and he's just put out a new record in
:22:39. > :22:49.English and it's absolutely sensational. Welcome Herbert
:22:49. > :22:49.
:22:49. > :24:02.Apology for the loss of subtitles for 106 seconds
:24:02. > :24:12.# And it's one more time # No hell, no heaven
:24:12. > :24:35.
:24:35. > :24:45.# Tear the letters # And it's one more time
:24:45. > :25:12.
:25:12. > :25:22.# No hell, no heaven # Tear the letters
:25:22. > :25:22.
:25:22. > :26:16.Apology for the loss of subtitles for 106 seconds
:26:16. > :26:22.Gronemeyer. The remarkable voice of Herbert Gronemeyer. Thanks to all
:26:22. > :26:28.of our guests. Thank you to Sharon Van Etten. Thank you Beth Hart. Yes,
:26:28. > :26:38.thank you Francis Rossi. Thank you John Cale. Thank you Jessie Ware.
:26:38. > :27:05.
:27:05. > :27:15.More from everybody on Friday and # Cos you talk to me
:27:15. > :27:17.
:27:17. > :27:24.# So let's go to bed before you say something real
:27:24. > :27:30.# Let's go to bed before you say how you feel
:27:30. > :27:32.# Cos it's you
:27:32. > :27:35.# Oh, it's always you
:27:35. > :27:39.# Oh, I always knew
:27:39. > :27:43.# Oh, it's you
:27:43. > :27:48.# I try my best to unwind
:27:48. > :27:56.# Nothing on my mind but you
:27:56. > :28:01.# Oblivious to all that I'll owe
:28:01. > :28:07.# I'm hanging on to what I don't know
:28:07. > :28:14.# So let's go to bed before you say something real
:28:14. > :28:20.# Let's go to bed before you say how you feel
:28:20. > :28:22.# Cos it's you
:28:23. > :28:26.# Oh, it's always you
:28:26. > :28:29.# Oh, I always knew
:28:29. > :28:32.# Oh, it's you
:28:32. > :28:35.# Yeah, it's you
:28:35. > :28:38.# Oh, it's always you
:28:38. > :28:41.# Oh, I always knew
:28:41. > :28:51.# Oh, it's you
:28:51. > :29:11.
:29:11. > :29:13.# Well, it's you
:29:13. > :29:16.# Oh, it's always you
:29:16. > :29:19.# Oh, I always knew
:29:19. > :29:24.# Oh, it's you
:29:24. > :29:25.# I knew
:29:25. > :29:29.# Oh, I always knew
:29:29. > :29:32.# Yes, I always knew
:29:32. > :29:42.# Oh, it's you. #
:29:42. > :29:51.