Episode 5

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:00:17. > :00:24.It's Tuesday. It is ten o'clock. We are live. I am going into a

:00:24. > :00:34.fantastic studio. A studio filled with legends. Let's begin with a

:00:34. > :00:47.

:00:47. > :00:57.legend now and welcome the one and # Well, we got no choice

:00:57. > :01:00.

:01:00. > :01:05.# Yeah, we can't salute ya can't find a flag

:01:05. > :01:08.# If that don't suit ya that's a drag

:01:08. > :01:12.# School's out for summer

:01:12. > :01:17.# School's out forever

:01:17. > :01:27.# School's been blown to pieces

:01:27. > :01:29.

:01:29. > :01:39.# No more pencils no more books no more teacher's

:01:39. > :01:48.

:01:48. > :01:58.# Dirty looks

:01:58. > :02:06.

:02:06. > :02:13.# Well, we got no class and we got no principles

:02:13. > :02:18.# And we got no innocence

:02:18. > :02:21.# We can't even think of a word that rhymes

:02:21. > :02:26.# School's out for summer

:02:26. > :02:36.# School's out forever

:02:36. > :02:37.

:02:37. > :02:47.# My school's been blown to pieces

:02:47. > :02:51.

:02:51. > :03:01.# No more pencils no more books no more teacher's dirty looks

:03:01. > :03:05.

:03:05. > :03:15.# Out for summer, out till fall we might not go back at all

:03:15. > :03:34.

:03:34. > :03:41.# School's out forever

:03:41. > :03:50.# School's out for summer

:03:50. > :04:00.# School's been blown to pieces! #

:04:00. > :04:08.

:04:08. > :04:16.CHEERING AND APPLAUSE

:04:16. > :04:18.It

:04:18. > :04:18.It was

:04:18. > :04:23.It was wonderful.

:04:23. > :04:26.It was wonderful. Alice Cooper. CHEERING AND APPLAUSE

:04:26. > :04:31.Legends from all five corners of the globe. From Leeds, we are going

:04:31. > :04:40.to be welcoming alt-J. From Mississippi, Charley Pride.

:04:40. > :04:50.From New Jersey, Dionne Warwick and marvellous new artists from

:04:50. > :05:11.

:05:11. > :05:21.Manchester, Josephine and the # Even though that they know that

:05:21. > :05:34.

:05:34. > :05:40.# It grows and grows and grows # There's nothing there

:05:40. > :05:45.# Those mirrors started to lie to him

:05:45. > :05:49.# His reflection faded

:05:49. > :05:57.# The crowd are waiting he takes the stage

:05:57. > :06:01.# Cross his heart, hand on heart open heart

:06:01. > :06:11.# That he's gone legit he was never there, no

:06:11. > :06:15.

:06:15. > :06:21.# Oh, it grows and grows and grows Inside of him

:06:21. > :06:28.# There's nothing there all along he knows

:06:28. > :06:32.# Those mirrors started to lie to him

:06:32. > :06:41.# His reflection faded as easy as closing his eyes

:06:41. > :06:51.# So he begins to lie the cameras watching

:06:51. > :06:51.

:06:51. > :07:54.Apology for the loss of subtitles for 62 seconds

:07:54. > :07:54.Thank

:07:54. > :07:56.Thank you,

:07:56. > :08:06.Thank you, Bloc

:08:06. > :08:08.Thank you, Bloc Party. APPLAUSE

:08:08. > :08:09.Now at the table here, a fantastic legend, the one and only, Alice

:08:09. > :08:13.Cooper. CHEERING AND APPLAUSE

:08:13. > :08:16.That was a great song. You have got a marvellous box set out and you

:08:16. > :08:21.are recording, but you are also at Wembley, you are going to have

:08:21. > :08:25.having a huge Hallowe'en party. Hallowe'en comes to London. Should

:08:25. > :08:29.people be frightened to come? should come in costume.

:08:29. > :08:35.Really? Yes. What sort of costume would you hope

:08:35. > :08:40.for? There will be a lot of Lady Gagas and a lot of zombies and we

:08:40. > :08:43.won't mention the other one. The last two times we have been here,

:08:43. > :08:50.there have been some elaborate costumes.

:08:50. > :08:53.Did I not come as Henry the fifth with an army... You came as Henry

:08:53. > :08:57.with a fifth! It was a marvellous time. Now we

:08:57. > :09:02.have got over here a little bit of footage of you, I think, in 1971.

:09:02. > :09:08.Would you mind if we observed it? 1971? OK.

:09:08. > :09:18.# What have I got # That makes you want to love me

:09:18. > :09:23.# Is it my body # Or something I might make

:09:24. > :09:31.# Or something inside me # You better tell me

:09:31. > :09:38.# Tell me # It's really up to you

:09:38. > :09:47.# And you have got the time to find # Who I really am #

:09:47. > :09:50.Yes! CHEERING AND APPLAUSE

:09:50. > :09:52.I mean, here, tonight, we can see you of course on sun. There is a

:09:52. > :09:55.snake there. Will you behaving a snake on Sunday at Wembley? There

:09:55. > :09:59.could be a snake. There is another artist here,

:09:59. > :10:06.Charley Pride, I believe you unleashed a snake on Charley Pride?

:10:06. > :10:14.We lost a 13-foot python in Tennessee. She went down the toilet

:10:14. > :10:21.and she was in the plumbing for about two weeks! We couldn't find

:10:21. > :10:27.her. We got a call and the python came up in Charley Pride's toilet

:10:28. > :10:33.and I don't know if he was shaving. The last time I saw Charley,

:10:33. > :10:38.Charley, he was chasing me around the Grammy Awards with a bottle!

:10:38. > :10:45.Alice Cooper, thank you. We will see you Sunday night at Wembley.

:10:45. > :10:55.Now, after Alice Cooper a new artist. We welcome over here, from

:10:55. > :11:15.

:11:15. > :11:25.# We are what we saw on TV when we # Am I a portrait of the person

:11:25. > :11:37.

:11:37. > :11:47.# Am I a portrait of the person # How would I know, how would I know

:11:47. > :12:00.

:12:00. > :12:10.# We are constantly trying to prove # Every rose we grow

:12:10. > :12:15.

:12:15. > :12:25.# Am I a portrait of the person # Am I a portrait of the person

:12:25. > :12:51.

:12:51. > :13:01.# And how would I know # How would I know, how would I know

:13:01. > :13:02.

:13:02. > :13:08.# If I'm a portrait of the person I'm supposed to be

:13:08. > :13:18.# If I'm a portrait of the person I'm supposed to be

:13:18. > :13:20.

:13:20. > :13:26.# If I'm a portrait of the person I'm supposed to be

:13:26. > :13:27.# What should I

:13:27. > :13:34.# What should I be

:13:34. > :13:41.# If I'm a portrait of the person I'm supposed to be

:13:41. > :13:51.CHEERING AND APPLAUSE

:13:51. > :13:53.

:13:53. > :13:53.Thank

:13:53. > :13:54.Thank you,

:13:54. > :14:01.Thank you, Josephine.

:14:01. > :14:08.Thank you, Josephine. A song Portrait from her record, Portrait.

:14:08. > :14:18.Our next artist has an amazing record out. Celebrating 60 years in

:14:18. > :14:24.

:14:25. > :14:34.music. I am delighted to welcome, # Make it easy on yourself

:14:35. > :14:54.

:14:54. > :15:04.# If you really love her and there's nothing I can do

:15:04. > :15:12.

:15:12. > :15:16.# Don't try to spare my feelings

:15:16. > :15:26.# Just tell me that we're through that we're through

:15:26. > :15:26.

:15:26. > :15:36.# And make it easy on yourself make it easy on yourself

:15:36. > :15:42.

:15:42. > :15:52.# Cos breaking up is so very hard to do

:15:52. > :16:03.

:16:03. > :16:13.# And if the way I hold you can't compare to her caress

:16:13. > :16:17.

:16:17. > :16:27.# No words of consolation will make me miss you less, miss you less

:16:27. > :16:33.

:16:33. > :16:37.# My darling

:16:37. > :16:47.# If this is goodbye I just know I'm gonna cry

:16:47. > :16:49.

:16:49. > :16:59.# So run to her before you start crying too

:16:59. > :17:07.

:17:07. > :17:17.# And make it easy on yourself make it easy on yourself

:17:17. > :17:27.

:17:27. > :17:37.# Cos breaking up, breaking up is so very hard to do

:17:37. > :17:52.

:17:52. > :18:02.# Is so hard to do

:18:02. > :18:11.

:18:11. > :18:12.The

:18:13. > :18:13.The wonderful

:18:13. > :18:20.The wonderful Dionne

:18:20. > :18:22.The wonderful Dionne Warwick. CHEERING AND APPLAUSE

:18:22. > :18:32.From her incredible new album Now with lots of those beautiful songs

:18:32. > :18:33.

:18:33. > :18:38.on it. It and now a band that # She may contain the urge

:18:38. > :18:39.# Cetirizine your fever's gripped me again

:18:39. > :18:41.# Never kisses all you ever send are full stops, la la la la

:18:41. > :18:43.# Do you know where the wild things go

:18:43. > :18:45.# They go along to take your honey la la la la

:18:45. > :18:49.# Break down now weep build up breakfast now

:18:49. > :18:51.# Let's eat my love my love love love la la la la

:18:51. > :18:53.# Muscle to muscle and toe to toe

:18:53. > :18:55.# The fear has gripped me but here I go

:18:55. > :18:58.# My heart sinks as I jump up

:18:58. > :19:01.# Your hand grips hand as my eyes shut

:19:01. > :19:11.# Ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah

:19:11. > :19:14.

:19:14. > :19:17.# Do you know where the wild things go

:19:17. > :19:21.# They go along to take your honey la la la la

:19:21. > :19:24.# Break down let's sleep build up breakfast now

:19:24. > :19:27.# Let's eat my love my love love love, la la la la

:19:27. > :19:30.# She bruises coughs she splutters pistol shots

:19:30. > :19:33.# But hold her down with soggy clothes and breeze blocks

:19:33. > :19:36.# She's morphine queen of my vaccine

:19:36. > :19:40.# My love my love love love la la la la

:19:40. > :19:42.# Muscle to muscle and toe to toe

:19:42. > :19:45.# The fear has gripped me but here I go

:19:45. > :19:49.# My heart sinks as I jump up

:19:49. > :19:53.# Your hand grips hand as my eyes shut

:19:53. > :19:59.# And ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah

:20:00. > :20:09.# Ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah

:20:10. > :20:18.

:20:18. > :20:21.# She may contain the urge to runaway

:20:21. > :20:25.# But hold her down with soggy clothes and breezeblocks

:20:25. > :20:31.# Germaline disinfect the scene my love my love love love

:20:31. > :20:41.But please don't go I love you so my lovely

:20:41. > :20:42.

:20:42. > :20:48.# Please don't go, please don't go I love you so, I love you so

:20:48. > :20:53.# Please don't go, please don't go I love you so, I love you so

:20:53. > :20:56.# Please break my heart, hey please don't go, please don't go

:20:56. > :21:01.# I love you so, I love you so

:21:01. > :21:05.# Please don't go, please don't go I love you so, I love you so

:21:05. > :21:08.# Please break my heart, ah ha

:21:08. > :21:11.# Please don't go I'll eat you whole

:21:11. > :21:15.# I love you so, I love you so I love you so

:21:15. > :21:19.# Please don't go I'll eat you whole I love you so

:21:19. > :21:29.# I love you so, I love you so I love you so. #

:21:29. > :21:37.

:21:37. > :21:39.# Please don't go I'll eat you whole I love you so

:21:39. > :21:49.# I love you so, I love you so I love you so. #

:21:49. > :21:50.

:21:51. > :21:56.# Please don't go I'll eat you whole I love you so

:21:56. > :22:05.# Please don't go I'll eat you whole I love you so

:22:05. > :22:15.CHEERING AND APPLAUSE

:22:15. > :22:17.

:22:17. > :22:18.Alt-J

:22:18. > :22:19.Alt-J with

:22:19. > :22:24.Alt-J with Breezeblocks

:22:24. > :22:29.Alt-J with Breezeblocks from their album. So now, a legendary artist,

:22:29. > :22:39.he sold 70 million records and he has performed at the White House.

:22:39. > :22:55.

:22:55. > :23:05.# Oh the crystal chandeliers # Our statueettes are standing in

:23:05. > :23:15.

:23:15. > :23:18.the hall # # I did never fit in to well with

:23:18. > :23:28.folks you knew # And it is plain to see that the

:23:28. > :23:30.

:23:30. > :23:36.likes of me don't fit with you # So you treated me with all the

:23:36. > :23:42.gay the gaiety of the well-to-do # And you turned away from the love

:23:42. > :23:51.I offered you # Oh the crystal chandeliers light

:23:51. > :24:01.up the paintings on your wall # And the marble statuettes are

:24:01. > :24:09.

:24:09. > :24:16.standing stately in the hall # # And the new crystal chandelier

:24:16. > :24:25.# I see your picture in the news most and every day

:24:25. > :24:31.# You are the chosen girl of the of the social world so the stories say

:24:31. > :24:38.# But the papers might only last a while and then it fades away

:24:38. > :24:47.# And the love we knew will come home to you some day

:24:47. > :24:55.# Oh the crystal chandeliers light up the paintings on your wall

:24:55. > :25:01.# The marbe statuettes are standing stately in the hall

:25:01. > :25:11.# But will the time we found as the light we found help you draw your

:25:11. > :25:28.

:25:28. > :25:35.tears CHEERING AND APPLAUSE

:25:36. > :25:38.The wonderful, Mr Charley Pride. CHEERING AND APPLAUSE

:25:38. > :25:41.And you can see him on the 9th and 11th November, London, Liverpool

:25:41. > :25:45.and Glasgow. You can see him there. Thank you to all our guest. Thank

:25:45. > :25:52.you to Bloc Party and Josephine. Thank you to Dionne Warwick. Thank

:25:52. > :25:59.you to, alt-J. We will be back on Friday and you can see more of the

:25:59. > :26:02.type of things we have had. I will be saying hello to Paloma. Or you

:26:02. > :26:06.can just remain anonymous throughout the whole thing which is

:26:07. > :26:14.probably safest because I'm going to introduce one of the great

:26:14. > :26:24.legends of popular music. Yes, I speak of none other than, Alice

:26:24. > :26:33.

:26:33. > :26:37.# Cool and clean with seduction # She turned around looked me up

:26:37. > :26:44.# She took me by surprise I tried to run, I tried to hide

:26:44. > :26:48.# But my feet were made of clay

:26:48. > :26:54.# Looked in her eyes I was paralysed I just couldn't get away

:26:54. > :26:58.# She licked her lips, they were bloody red

:26:58. > :27:02.# She had the heart of the living dead

:27:02. > :27:06.# She pushed me down on a burning bed

:27:06. > :27:10.# Thought I was in heaven but instead

:27:10. > :27:15.# She turned her head and she softly said

:27:15. > :27:20.# I'll bite your face off I'll bite your face off

:27:20. > :27:27.# I'll bite your face off little man, I'll bite your face off

:27:27. > :27:36.# You know that I can

:27:36. > :27:39.# She put the whip into cream she was a sinner's queen

:27:39. > :27:44.# Oh, a delicious angelface

:27:44. > :27:47.# She'd invite you in come and lick my skin

:27:47. > :27:51.# You'd sell your soul for another taste

:27:51. > :27:55.# She took my heart my resistance fled

:27:55. > :28:02.# I loved each lie that I was fed she pushed me down on a burning bed

:28:02. > :28:07.# Thought I was in heaven but instead

:28:07. > :28:09.# She turned her head and she softly said

:28:09. > :28:15.# I'll bite your face off I'll bite your face off

:28:15. > :28:23.# I'll bite your face off little man, I'll bite your face off

:28:23. > :28:33.# You know that I can

:28:33. > :29:12.

:29:12. > :29:16.# Thought I was in heaven but instead

:29:16. > :29:19.# She turned her head and she softly said

:29:19. > :29:29.# I'll bite your face off I'll bite your face off

:29:29. > :29:30.

:29:30. > :29:33.# I'll bite your face off little man, I'll bite your face off

:29:33. > :29:36.# You know that I can

:29:36. > :29:40.# I'll bite your face off I'll bite your face off