Episode 6

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:00:18. > :00:22.The sinister moon peering out from behind the clouds. It is Tuesday,

:00:22. > :00:29.that same moon is shining all over the world, or some of it. The

:00:29. > :00:39.question that burns on all our lips, is, is the moon naid of cheese, and

:00:39. > :00:43.

:00:43. > :00:49.if so, who cares? Tonight we have # Blonde hair blowin'

:00:49. > :00:52.# I'd been on her trail for a little while

:00:52. > :00:57.# But that was the night that she broke down and held my hand

:00:57. > :01:00.# The teenage rush

:01:00. > :01:04.She said "Ain't we all just runaways?

:01:04. > :01:08.# "We got time" Well, that ain't much

:01:08. > :01:16.# We can't wait till tomorrow

:01:16. > :01:20.# You gotta know that this is real baby, why you wanna fight it?

:01:20. > :01:28.# It's the one thing you can choose, oh!

:01:28. > :01:32.# We got engaged on a Friday night

:01:32. > :01:36.# I swore on the head of our unborn child

:01:36. > :01:40.# That I could take care of the three of us

:01:40. > :01:44.# But I got the tendency to slip when the nights get wild

:01:45. > :01:49.# It's in my blood

:01:49. > :01:56.# She says she might just runaway somewhere else, some place good

:01:56. > :02:03.# We can't wait till tomorrow

:02:03. > :02:07.# You gotta know that this is real baby, why you wanna fight it?

:02:07. > :02:11.# It's the one thing you can choose

:02:11. > :02:15.# Let's take a chance baby, we can't lose

:02:15. > :02:19.# Ain't we all just runaways?

:02:19. > :02:26.# I knew it when I met you I'm not gonna let you runaway

:02:26. > :02:36.# I knew it when I held you I wasn't lettin' go

:02:36. > :02:47.

:02:47. > :02:51.# We used to look at the stars and confess our dreams

:02:51. > :02:55.# Hold each other to the morning light

:02:55. > :02:59.# We used to laugh now we only fight

:02:59. > :03:04.# Baby, are you lonesome now?

:03:04. > :03:09.# At night I come home after they go to sleep

:03:09. > :03:13.# Like a stumbling ghost I haunt these halls

:03:13. > :03:16.# There's a picture of us on our wedding day

:03:16. > :03:24.# I recognize the girl but I can't settle in these walls

:03:24. > :03:32.# We can't wait till tomorrow

:03:32. > :03:36.# No, we're caught up in the appeal baby, why you wanna hide it?

:03:36. > :03:40.# It's the last thing on my mind Why you wanna hide it?

:03:40. > :03:47.# I turn the engine over and my body just comes alive

:03:47. > :03:51.# And we all just runaways

:03:51. > :03:59.# I knew it when I met you I'm not gonna let you run away

:03:59. > :04:03.# I knew it when I held you I wasn't lettin go

:04:03. > :04:06.# Oh, oh, oh!

:04:07. > :04:09.# Ain't we all just runaways?

:04:09. > :04:15.# Yeah, runaway

:04:15. > :04:24.# Ain't we all just runaways? Yeah

:04:24. > :04:31.CHEERING AND APPLAUSE

:04:31. > :04:33.$:/STARTFEED.

:04:33. > :04:33.APPLAUSE

:04:33. > :04:38.APPLAUSE .

:04:38. > :04:39.. Thanks

:04:39. > :04:39.. Thanks to

:04:39. > :04:44.. Thanks to The

:04:44. > :04:50.. Thanks to The Killers. The song run away, tonight from Tennessee

:04:50. > :04:57.Valerie June. I shall be chatting to Adam Ant. We will welcome

:04:57. > :05:07.Kristina Train from Georgia,, we will welcome Polica. We will enjoy

:05:07. > :05:20.

:05:20. > :05:27.Jackie Deshannon, but now, from # I see the smoke stacks

:05:28. > :05:32.# Of the working classes' faith in democracy

:05:32. > :05:36.# Church house tilting on that banknote

:05:36. > :05:39.# Attracting folk will give me some money, lordy

:05:40. > :05:43.# A three-piece snack is riding on a three-minute song

:05:43. > :05:44.# With that horse hair sellin' out

:05:44. > :05:46.# While the subwoofer's bumpin'

:05:46. > :05:50.# Hollerin' about I'm hungry for my freedom

:05:50. > :05:53.# But I don't know how to eat that way

:05:53. > :05:57.# Because I'm under the spell of the handout

:05:57. > :06:01.# Under the spell of the handout

:06:01. > :06:04.# I adore the gold and cash I go for treason

:06:04. > :06:08.# If that will increase my pay

:06:08. > :06:12.# Because I'm under the spell of the handout

:06:12. > :06:15.# Under the spell

:06:15. > :06:24.# Give me my share, please

:06:24. > :06:26.# 25 years to life

:06:26. > :06:28.# The new degree new occupation

:06:28. > :06:30.# Census can't quantify

:06:30. > :06:34.# The desperation ailing the hungry and the beaten

:06:34. > :06:37.# All across the dreamy USA

:06:37. > :06:40.# The ball is under the spell of the handout

:06:40. > :06:45.# Under the spell of the handout under the spell of the handout

:06:45. > :06:48.# Give me my share

:06:48. > :06:52.# Oh, lord, lord, give me my share

:06:52. > :06:59.# Share...

:06:59. > :07:00.# I heard the pleas and cries

:07:00. > :07:02.# Give me a voice

:07:02. > :07:05.# Give me my mind back give me the floor

:07:05. > :07:07.# Give me some room

:07:07. > :07:09.# You got to take it

:07:09. > :07:13.# Take, take, take demand it

:07:13. > :07:16.# I heard the pleas and cries make me the choice

:07:16. > :07:18.# Let me in the cast

:07:18. > :07:21.# Give my poor son and daughter a pass

:07:21. > :07:26.# You got to take it got to take it

:07:26. > :07:28.# Sometimes you got to ask yourself

:07:28. > :07:31.# What am I feeding on?

:07:31. > :07:35.# What am I stepping in?

:07:35. > :07:42.# What am I giving up now?

:07:42. > :07:45.# What am I depending on?

:07:45. > :07:49.# What do I represent here?

:07:49. > :07:59.# What am I thinking of now?

:07:59. > :08:02.

:08:02. > :08:12.# I got, I got, I got all the talent in the world

:08:12. > :08:14.

:08:14. > :08:23.# Under the spell of the handout under the spell of the handout

:08:23. > :08:25.# Because I'm under I'm under

:08:25. > :08:34.# I'm hungry for a freedom if that will

:08:34. > :08:44.# Oooh, gimme, gimme, gimme, gimme gimme, gimme, and I'm gone. #

:08:44. > :08:47.

:08:47. > :08:57.APPLAUSE AND CHEERING

:08:57. > :08:59.

:08:59. > :08:59.Thank

:08:59. > :08:59.Thank you.

:08:59. > :09:09.Thank you. Cody

:09:09. > :09:13.Thank you. Cody Chesnutt. Under the spell of the hand out. And now, we

:09:13. > :09:19.welcome on the table, we are delighted to meet up with a legend,

:09:19. > :09:25.Adam Ant. Welcome to the show Adam. Unusually, all of our the bests

:09:25. > :09:32.this week are American, fantastic. You are the one not American. That

:09:32. > :09:38.is marvellous. You have a new record out called Zom by, and the

:09:38. > :09:42.Adam Ant is the blue black husband sar in the, marrying the Gunners

:09:42. > :09:46.daughter. That is a great title. Can you discuss that and explain

:09:46. > :09:51.that. The blue black husband sar is the character I imagine what the

:09:51. > :09:54.guy with the white stripe 25 years ago or so would look like now if he

:09:54. > :10:01.had walked to Moscow with Napoleon's husband sars and come

:10:01. > :10:08.back. Is that something you would like to have done? If you were a

:10:08. > :10:12.historic figure who would you be. My favourite was Picasso, or

:10:12. > :10:17.Stanley Spencer. They went out brassed up on their horses and had

:10:17. > :10:22.to walk back. It was just an idea, and marrying the Gunners daughter

:10:22. > :10:26.part, is a navel term. I am interested in Nelson and the Navy.

:10:26. > :10:33.My grandfather was in the Navy. That is a term for punishment.

:10:33. > :10:41.was it, do you know? It would have been some 06 my experiences in the

:10:41. > :10:46.music business! We have a bit of Ant Music. Can we look at that.

:10:46. > :10:49.# I stand here # What do I see

:10:49. > :10:53.# A big nothing # Threatening me

:10:53. > :10:56.# So sad when you're young # To be told

:10:56. > :11:03.# You're having fun # So unplug the jukebox

:11:03. > :11:07.# And do us all a favour # That music's lost its taste

:11:07. > :11:17.# So try another flavour # Ant music

:11:17. > :11:21.

:11:21. > :11:28.# Ant music. # Fantastic. I had forgotten what a

:11:28. > :11:31.style icon you were. Brilliantly, if I may say so taking from various

:11:31. > :11:38.historic figure, who are your favourites would you say? I am

:11:38. > :11:42.attracted to the 18th century. isn't? And, I think certain, the

:11:42. > :11:49.Light Brigade, that was a disaster but the uniforms are marvellous.

:11:49. > :11:56.And Nelson you were saying. Yes, I never get tired of studying him.

:11:56. > :12:03.What were they called those people, with huge big hair, and sort of

:12:03. > :12:09.oversized cuff, the macaroons. macaronis. Never been tempted to go

:12:09. > :12:15.that far? Was more attracted to the French revolution. The idea of,

:12:15. > :12:19.they were applied to fashion. They were incredible. They exaggerated

:12:19. > :12:23.the kus tomb. You are on tour, so people can look forward to seeing

:12:23. > :12:29.you, the record is out, on Friday we will have a longer chat. It is

:12:29. > :12:39.mafrthrous see you. Adam Ant! APPLAUSE

:12:39. > :13:03.

:13:03. > :13:13.Now, from Tennessee, we welcome # I ain't fit to be no mother

:13:13. > :13:14.

:13:14. > :13:18.# I've been wor king all my life, yeah

:13:18. > :13:28.# All my life, yeah all my life, yeah

:13:28. > :13:37.

:13:37. > :13:45.# Ain't no dinner on the table ain't no food in the frigerator

:13:45. > :13:48.# I go to work and I'll be back later

:13:48. > :13:52.# I go to work said I'll be back later

:13:52. > :13:56.# I've been working like a man, y'all

:13:56. > :14:00.# I've been working all my life, yeah

:14:00. > :14:10.# All my life, yeah

:14:10. > :14:19.

:14:19. > :14:23.# Lord, you know I'm a good-looking woman

:14:23. > :14:26.# Lord you know I'm a good-looking girl

:14:26. > :14:30.# And a if you want to give me something

:14:30. > :14:34.# Anything in this great, big world

:14:34. > :14:41.# Lord, you know that I am ready for my sugar, my sugar daddy

:14:41. > :14:51.# Lord, you know that I am ready for my sugar, my sugar daddy. #

:14:51. > :15:23.

:15:23. > :15:33.CHEERING AND APPLAUSE

:15:33. > :15:39.

:15:39. > :15:40.Valerie

:15:40. > :15:41.Valerie June.

:15:41. > :15:47.Valerie June. Working

:15:47. > :15:53.Valerie June. Working won -- worken woman's blues. We move on to brand-

:15:53. > :16:03.new artists, who am delighted, two drummers, why have one when you can

:16:03. > :16:06.

:16:06. > :16:16.# What is mine # Not my child

:16:16. > :16:55.

:16:55. > :17:00.# Until she's # Ain't a man in this world

:17:00. > :17:09.# I will remain there It's done me good so far

:17:09. > :17:13.# Ain't a man in this world who can pull me down

:17:13. > :17:16.# From my dark star dark star

:17:16. > :17:26.# I will remain there It's done me good so far

:17:26. > :17:36.

:17:36. > :17:40.# What is mine what is all mine

:17:40. > :17:46.# Not my child not my child

:17:46. > :17:52.# Hold you just a little while

:17:52. > :17:57.# I'm gonna give her all my life

:17:57. > :18:03.# Until she's until she's

:18:03. > :18:10.# Swooped up, swooped up by the sea of love

:18:10. > :18:14.# Ain't a man in this world who can pull me down

:18:14. > :18:17.# From my dark star dark star

:18:17. > :18:27.# I will remain there It's done me good so far

:18:27. > :18:31.# Ain't a man in this world who can pull me down

:18:31. > :18:35.# From my dark star dark star

:18:35. > :18:45.# I will remain there It's done me good so far

:18:45. > :18:51.

:18:51. > :18:54.Not my child not my child

:18:55. > :19:02.# Hold you just a little while

:19:02. > :19:07.# I'm gonna give her all my life

:19:07. > :19:17.# Until she's, until she's Swooped up by the sea of love. #

:19:17. > :19:38.

:19:38. > :19:42.CHEERING AND APPLAUSE

:19:42. > :19:49.$:/ENDFEED.

:19:49. > :19:54.Polica. Polica.

:19:54. > :19:54.Polica. Polica. Dark

:19:54. > :19:58.Polica. Polica. Dark --

:19:58. > :20:07.Polica. Polica. Dark -- Dark Star. We have a wonderful selection of

:20:07. > :20:17.newys, and legends in the room. So now somebody who wrote an amazing

:20:17. > :20:19.

:20:19. > :20:29.song, with when you walk in the # I can feel a new expression

:20:29. > :20:30.

:20:30. > :20:39.# I can hear the guitars playin' lovely tunes

:20:39. > :20:49.# Every time that you walk in the room

:20:49. > :20:54.

:20:54. > :21:03.# I close my eyes for a second and pretend it's me you want

:21:03. > :21:11.# Meanwhile I try to act so nonchalant

:21:11. > :21:20.# I feel a summer's night with a magic moon

:21:20. > :21:30.# Every time that you walk in the room

:21:30. > :21:36.

:21:36. > :21:45.# Baby it's a dream come true Standin' right along side of you

:21:45. > :21:50.# Wish I could show you how much I care

:21:50. > :21:58.# But I only have the nerve to stare

:21:58. > :22:07.# I can feel a something pounding in my brain

:22:07. > :22:16.# Just any time that someone speaks your name

:22:16. > :22:25.# Trumpets sound I hear thunder boom

:22:25. > :22:35.# Every time that you walk in the room

:22:35. > :22:37.

:22:37. > :22:47.# Every time that you walk in the room

:22:47. > :22:47.

:22:47. > :22:57.# Every time that you walk in the room

:22:57. > :23:01.

:23:01. > :23:06.CHEERING AND APPLAUSE

:23:06. > :23:12.$:/ENDFEED.

:23:12. > :23:12.The

:23:12. > :23:12.The legendary

:23:12. > :23:17.The legendary Jackie

:23:17. > :23:22.The legendary Jackie Deshannon. Song written in 1963, recorded by

:23:22. > :23:26.loads of people. You can see more of Jackie doing another song the if

:23:26. > :23:30.you join us on Friday. Now, a legend in the making. We welcome,

:23:30. > :23:40.the wonderful voice of a song I hope you have heard a bit of on the

:23:40. > :24:01.

:24:01. > :24:10.# I remember colours # Green was for the springtime

:24:10. > :24:19.# And now the skies have darkened the white clouds turn to grey

:24:19. > :24:27.# What a way to break a heart you took all the colours away

:24:27. > :24:37.# Dark black is the colour of my life

:24:37. > :24:44.# Since you've been gone Since you've been gone

:24:44. > :24:50.# Oh, if you come back

:24:51. > :24:54.# Make my whole world bright

:24:54. > :24:58.# Since you've been gone

:24:58. > :25:05.# Dark black is the colour of my life

:25:05. > :25:12.# I remember visions you taught me how to see

:25:12. > :25:20.# The world of your colours was right there in front of me

:25:20. > :25:25.# Oh, but what good is a rainbow

:25:25. > :25:30.# If the picture's in black and in white

:25:30. > :25:40.# Oh, what good is a future when there's not a colour in sight

:25:40. > :25:51.

:25:51. > :25:56.# Since you've been gone Since you've been gone

:25:56. > :26:06.# Oh, if you come back Make my whole world bright

:26:06. > :26:10.# Since you've been gone

:26:10. > :26:14.# Dark black is the colour of my life

:26:14. > :26:24.# Dark black Dark black

:26:24. > :26:32.# Oooh, ooh, ooh. #

:26:32. > :26:42.$:/ENDFEED.

:26:42. > :26:43.

:26:43. > :26:47.APPLAUSE

:26:47. > :26:47.APPLAUSE Kristina

:26:47. > :26:48.Kristina Train.

:26:48. > :26:49.Kristina Train. What

:26:49. > :26:51.Kristina Train. What a

:26:51. > :26:59.Kristina Train. What a beautiful song, beautifully sung. So thank

:26:59. > :27:09.you to our guests, this week. Valerie June, Adam Ant. Cody

:27:09. > :27:10.

:27:10. > :27:13.Chesnutt. Jackie Deshannon. Polica. All great American guests. We give

:27:13. > :27:23.our best wishes to the people in the horrid storm in Norwegian New

:27:23. > :27:23.

:27:23. > :27:27.York -- New York. I am sad to say that Terry Callier passed away. We

:27:27. > :27:34.have lovely footage of him there on this show. Now it is time to finish

:27:34. > :27:44.the show off. I will hand over to you. We will be back with more, now,

:27:44. > :28:13.

:28:13. > :28:16.# A little birdie # You've been cooking up

:28:16. > :28:19.# Put your hands in things you should have known

:28:19. > :28:23.# You was riding in the danger zone

:28:23. > :28:24.# Well, you had us all fooled with your quarterback smile

:28:24. > :28:27.# And your crocodile tears there for a while

:28:27. > :28:30.# And my paradigm shifted man, you're making me shout

:28:30. > :28:34.# Hey, from here from out

:28:34. > :28:37.# Friends are gonna be hard to come by

:28:37. > :28:39.# Left us wonderin' what it all was about

:28:39. > :28:42.# He had it easy man, he chose the hard way

:28:42. > :28:47.# Walk that old, lonely road in the shadow of a doubt

:28:47. > :28:57.# From here on out

:28:57. > :29:00.

:29:00. > :29:02.# Should our paths ever decide to cross

:29:03. > :29:06.# You may wonder what the trouble cost

:29:06. > :29:08.# That don't matter now life goes on

:29:08. > :29:11.# Hallelujah, the trouble's gone

:29:11. > :29:14.# No sense in holdin' grudges and it's better to forgive

:29:14. > :29:17.# These are things that I must learn to practice while I live

:29:17. > :29:20.# And my paradigm shifted man, you're making me shout

:29:20. > :29:23.# Hey, from here on out

:29:23. > :29:26.# Friends are gonna be hard to come by

:29:26. > :29:29.# Left us wonderin' what it all was about

:29:29. > :29:32.# He had it easy man, he chose the hard way

:29:32. > :29:35.# Walk that old, lonely road in the shadow of a doubt

:29:35. > :29:38.# Hey, from here on out

:29:38. > :29:41.# Let the bugle blow a song of peace time

:29:41. > :29:43.# Left us wonderin' what it all was about

:29:43. > :29:46.# You may deny it but you carry it with you

:29:46. > :29:53.# Down that old lonely road in the shadow of a doubt

:29:53. > :30:03.# Yeah, from here on out. #

:30:03. > :30:20.