0:00:00 > 0:00:08It's 10pm and Tuesday. We are live. The cold evenings are drawing in,
0:00:08 > 0:00:18but as we come in the warmth of the room, we see all of the amazing
0:00:18 > 0:00:25
0:00:25 > 0:00:35talent around us here. We begin # Stripped to the waist we fall into
0:00:35 > 0:00:40
0:00:40 > 0:00:48# Cover your eyes so you don't know # To see our names are written on
0:00:48 > 0:00:54# Yes, since we found out since we found out that
0:00:54 > 0:00:58# Anything could happen anything could happen
0:00:58 > 0:01:02# Anything could happen anything could happen
0:01:02 > 0:01:08# Anything could happen anything could happen
0:01:08 > 0:01:18# Oh yeah
0:01:18 > 0:01:19
0:01:19 > 0:01:26# After the war we said we'd fight together
0:01:26 > 0:01:35# I guess we thought that's just what humans do
0:01:35 > 0:01:40# Letting darkness grow as if we need its palette
0:01:40 > 0:01:47# And we need its colour but now I've seen it through
0:01:47 > 0:01:54# And now I know the truth that anything could happen
0:01:54 > 0:01:58# Anything could happen anything could happen
0:01:59 > 0:02:01# Anything could happen
0:02:01 > 0:02:11# Anything could happen anything could happen
0:02:11 > 0:02:34
0:02:34 > 0:02:41# But I don't think I need you but I don't think I need you
0:02:41 > 0:02:43# I know it's gonna be, I know it's gonna be, I know it's gonna be
0:02:43 > 0:02:51# I know it's gonna be, I know it's gonna be, I know it's gonna be
0:02:51 > 0:03:00# Oh
0:03:00 > 0:03:10# But I don't think I need you but I don't think I need you
0:03:10 > 0:03:18
0:03:18 > 0:03:28# But I don't think I need you but I don't think I need you
0:03:28 > 0:03:43
0:03:43 > 0:03:44The
0:03:44 > 0:03:45The fab
0:03:45 > 0:03:50The fab artist,
0:03:50 > 0:04:00The fab artist, Ellie Goulding. Live in the room, full of amazing
0:04:00 > 0:04:01
0:04:01 > 0:04:09artists. We have, rod geez. -- rod -- Jimmy Page and Larry Graham &
0:04:09 > 0:04:19Graham Central Station. And we have the Foals and from Portugal, we are
0:04:19 > 0:04:29having Luisa Sobral. And now from south of Caroline that, we enjoy
0:04:29 > 0:04:32
0:04:32 > 0:04:34# Look at the water, look at # And put it back together
0:04:34 > 0:04:36# It's a little biblical a little bit tragic
0:04:36 > 0:04:38# It may be fantastic
0:04:38 > 0:04:45# Every once in a while, every little thing, every little thing
0:04:45 > 0:04:52# But I'm old enough to know I'm holding on for something
0:04:52 > 0:05:02# I'm old enough to see I'm not the only one
0:05:02 > 0:05:03
0:05:03 > 0:05:07# When you get back to town back from the islands
0:05:07 > 0:05:10# Back to where I live
0:05:10 > 0:05:13# Well, we need to have a word
0:05:13 > 0:05:16# A topic to touch on, the topic is touchy
0:05:16 > 0:05:20# Yeah, this is pitiful
0:05:20 > 0:05:26# The lack of reception you never listen
0:05:26 > 0:05:28# I don't need another round
0:05:28 > 0:05:34# Nothing is perfect but this isn't worth it
0:05:35 > 0:05:41# And I'm old enough to know that I'm holding on for something
0:05:41 > 0:05:51# I'm old enough to see I'm not the only one
0:05:51 > 0:05:56
0:05:56 > 0:06:01# I smashed it apart and the rains wouldn't stop
0:06:01 > 0:06:11# Till everybody was gone, moving on to the next one
0:06:11 > 0:06:24
0:06:24 > 0:06:32# I'm old enough to know I'm holding on for something
0:06:32 > 0:06:41# I'm old enough to know I'm holding on for something
0:06:41 > 0:06:46# I'm old enough to know I'm holding on for something
0:06:46 > 0:06:56# I'm old enough to see I'm not the only one. #
0:06:56 > 0:06:58
0:06:58 > 0:07:08CHEERING AND APPLAUSE
0:07:08 > 0:07:13
0:07:13 > 0:07:14Band
0:07:14 > 0:07:14Band Of
0:07:14 > 0:07:22Band Of Horses
0:07:22 > 0:07:25Band Of Horses from their LP. Our next artist invented a style of
0:07:25 > 0:07:35bass playing and he had grand central station and he's Larry
0:07:35 > 0:07:47
0:07:48 > 0:07:55# If the music makes you feel like # Yeah, if the music makes you feel
0:07:55 > 0:08:02# Yeah, if the music makes you feel like dancing, it's all right
0:08:02 > 0:08:09# Yeah, because the music might become enhancing, it's all right
0:08:09 > 0:08:19# Yeah
0:08:19 > 0:08:29
0:08:29 > 0:08:37# If the music makes you feel like clapping, it's all right
0:08:37 > 0:08:43# Yeah, you know GCS is happening it's all right
0:08:43 > 0:08:45# Yeah
0:08:45 > 0:08:49# If the music makes you feel like singing, it's all right
0:08:49 > 0:08:52# Yeah
0:08:52 > 0:08:55# Good music to you is what we're bringing
0:08:55 > 0:08:58# It's all right
0:08:58 > 0:09:08# Yeah
0:09:08 > 0:09:33
0:09:33 > 0:09:40# Dancing and singing is all I really ever wanted to do
0:09:40 > 0:09:50# I said dancing and singing well is all I really ever wanted to do
0:09:50 > 0:09:52# Don't you know that dancing and singing
0:09:52 > 0:09:57# Is all I really ever wanted to do
0:09:57 > 0:10:04# I said dancing and singing is all I really ever wanted to do
0:10:04 > 0:10:08# Do you feel like dancing
0:10:08 > 0:10:14# Yeah, do you feel like singing yeah, do you feel like screaming
0:10:14 > 0:10:21# Yeah, then scream, yeah
0:10:21 > 0:10:28# Dancing and singing is all I really ever wanted to do
0:10:28 > 0:10:36# Dancing and singing is all I really ever wanted to do
0:10:36 > 0:10:46# Dancing and singing is all I really ever wanted to do
0:10:46 > 0:11:09
0:11:09 > 0:11:13Dancing and singing is all CHEERING AND APPLAUSE
0:11:13 > 0:11:19Larry Graham & Graham Central Station! One of the originators of
0:11:19 > 0:11:29funk music. That's from his Raise Up LP. Speaking of originators and
0:11:29 > 0:11:33
0:11:33 > 0:11:38legends, I have another one right here in the form of Jimmy Page. And
0:11:38 > 0:11:43Led Zeppelin performed in 2007, after everybody kept begging you to
0:11:43 > 0:11:53get back together and you made a DVD of that amazing one-off
0:11:53 > 0:11:55
0:11:55 > 0:12:01performance. What was it that made you get back together? Well, Arnie
0:12:01 > 0:12:05from Atlantic Records, he died and there was this call to have a
0:12:05 > 0:12:10foundation really and there was a charity gig that was lined up to be
0:12:10 > 0:12:13done at the O2. Originally they had asked us to do 20 minutes, but we
0:12:13 > 0:12:20did two hours and 20 minutes, but so many other bands came along too
0:12:20 > 0:12:25to support the charity. You must have thought such a lot of Ahmed to
0:12:25 > 0:12:31do a gig, because everyone had been begging you for ages? We have come
0:12:31 > 0:12:35together with Jason to play the Atlantic 40th, which was 20-
0:12:35 > 0:12:40something years beforehand, so it was good to bet back together and
0:12:40 > 0:12:46have a serious crack. You get the whole story. Jason must have
0:12:46 > 0:12:51brought a different dimension to the group? Well, yes, he did. By my
0:12:51 > 0:12:59estimation he had the hardest job of anybody there. We put a lot of
0:12:59 > 0:13:03rehearsal into it and a lot of work, so we had a tight fit and so we
0:13:03 > 0:13:09would go off on one tangent and another and the whole energy that
0:13:09 > 0:13:19Jason had all the way through was phenomenal. We'll look a little. We
0:13:19 > 0:13:58
0:13:58 > 0:14:03# It passes on... # APPLAUSE
0:14:03 > 0:14:08Amazing footage in there. Once you got back on stage and you were on
0:14:08 > 0:14:13the stage did it feel like the same and like you were in a comfortable
0:14:13 > 0:14:17place to be back in? It was the only gig we did. We didn't do any
0:14:17 > 0:14:22warmups, so it was the only way we could gauge in front of the
0:14:22 > 0:14:25audience and a lot of it, to be honest, it was very powerful on
0:14:25 > 0:14:31stage. There were serious moments and you can catch that in this.
0:14:31 > 0:14:35Even when we looked at this, we thought wow. It is captured on this.
0:14:35 > 0:14:41Finally, I suppose 20 million people applied for tickets for that
0:14:41 > 0:14:44show and you could only fit 20,000, only 20,000, but Led Zeppelin are
0:14:44 > 0:14:52very, very popular. That's more people than this, more people
0:14:52 > 0:14:57that's in my Big Band, unbelievably, or more than anybody I know, so
0:14:57 > 0:15:03there are they to be disappointed, or is there likely to be another?
0:15:03 > 0:15:06We are almost five years after the O2 concert and I must say that I
0:15:06 > 0:15:12thought there might be some other sort of get-together for some
0:15:12 > 0:15:16reason or another, but as the years tick by one year, two, three, four
0:15:16 > 0:15:20and now almost five years, it doesn't look very little, does it?
0:15:20 > 0:15:23You have captured the wonderful moment there. It's all there.
0:15:23 > 0:15:26you very much for joining us, Jimmy Page.
0:15:26 > 0:15:33APPLAUSE And now, come over here, because we
0:15:33 > 0:15:37are live and we don't have lots of time, but I love it when we visit
0:15:37 > 0:15:47other artists. She is from list Bonn and superb. Please welcome,
0:15:47 > 0:15:57
0:15:57 > 0:16:07# I see children playing going # And a big scarecrow with a hat on
0:16:07 > 0:16:21
0:16:21 > 0:16:31# But I'm not there yet but someday # Will you hold me and dance will
0:16:31 > 0:16:31
0:16:31 > 0:17:15Apology for the loss of subtitles for 44 seconds
0:17:15 > 0:17:25# But you're not there yet # Will we have a Sunday picnic
0:17:25 > 0:17:33
0:17:33 > 0:17:43# Will we make everybody watch # But we're not there yet
0:17:43 > 0:17:43
0:17:43 > 0:18:37Apology for the loss of subtitles for 44 seconds
0:18:37 > 0:18:41# But we're not there yet Luisa Sobral. Luisa Sobral! 2007,
0:18:41 > 0:18:51the year that Led Zeppelin were doing their show, was the first
0:18:51 > 0:18:58
0:18:58 > 0:19:08year this band appeared on the show. # You don't have my number
0:19:08 > 0:19:10
0:19:10 > 0:19:17# Now I feel I feel alive I feel I feel alive
0:19:17 > 0:19:25# I feel the streets are all pulling me down
0:19:25 > 0:19:32# So people of the city I don't need your counsel
0:19:32 > 0:19:41# Now I don't need your good advice You don't have my lover's touch
0:19:41 > 0:19:47# You don't have my number we don't need each other now
0:19:47 > 0:19:57# The creed or the culture we can move beyond it now
0:19:57 > 0:20:03
0:20:03 > 0:20:09# Now the wolf is knocking at my door, bang bang, it asks for more
0:20:09 > 0:20:16# Stand here we stand tall we can move beyond these walls
0:20:16 > 0:20:23# I don't need your counsel I don't need these city streets
0:20:23 > 0:20:33# I don't need that good advice we can move beyond it now
0:20:33 > 0:20:39# You don't have my number we don't need each other now
0:20:39 > 0:20:49# The creed or the culture you don't have my lover's touch
0:20:49 > 0:21:11
0:21:11 > 0:21:13# Can you even hear me do you even know my name
0:21:13 > 0:21:23# Can you see the ocean there you don't have my lover's touch
0:21:23 > 0:21:31
0:21:31 > 0:21:40# You don't have my number you don't have my number
0:21:40 > 0:21:50# I don't need these city streets the creed or the culture now. #
0:21:50 > 0:21:59
0:21:59 > 0:22:09CHEERING AND APPLAUSE
0:22:09 > 0:22:15
0:22:15 > 0:22:16We welcome back Foals. So,
0:22:16 > 0:22:16We welcome back Foals. So, there's
0:22:16 > 0:22:16We welcome back Foals. So, there's an
0:22:16 > 0:22:17an extraordinary
0:22:17 > 0:22:17an extraordinary story
0:22:17 > 0:22:20an extraordinary story attached
0:22:20 > 0:22:23an extraordinary story attached to the next artist. He was struggling
0:22:23 > 0:22:30in Detroit. For many years, he didn't realise that his records had
0:22:30 > 0:22:36been released in South Africa, where he was worshipped like Elvis.
0:22:36 > 0:22:46It features in a film called Searching for Sugar Man. He's rod
0:22:46 > 0:22:58
0:22:58 > 0:23:08# Sugarman, won't ya hurry # For a blue coin won't ya bring
0:23:08 > 0:23:09
0:23:09 > 0:23:19# Silver magic ships, you carry Jumpers, coke, sweet MaryJane
0:23:19 > 0:23:23
0:23:23 > 0:23:33# Sugarman met a false friend on a lonely, dusty road
0:23:33 > 0:23:33
0:23:33 > 0:23:43# Lost my heart when I found it it had turned to dead, black coal
0:23:43 > 0:23:45
0:23:45 > 0:23:55# Silver magic ships, you carry Jumpers, coke, sweet MaryJane
0:23:55 > 0:23:59
0:23:59 > 0:24:09# Sugarman, you're the answer that makes my questions disappear
0:24:09 > 0:24:10
0:24:10 > 0:24:20# Sugarman, cos I'm weary of these double games
0:24:20 > 0:24:36
0:24:36 > 0:24:46# Sugarman, Sugarman, Sugarman
0:24:46 > 0:24:49
0:24:49 > 0:24:58CHEERING AND APPLAUSE
0:24:58 > 0:24:59Rodriguez
0:24:59 > 0:24:59Rodriguez with
0:24:59 > 0:25:04Rodriguez with Sugar
0:25:04 > 0:25:07Rodriguez with Sugar Man. He'll be in on Friday, explaining about his
0:25:07 > 0:25:16amazing life. Thank you to all of my guests. Behind him, is Larry
0:25:16 > 0:25:22Graham & Graham Central Station. Thank you, Jimmy Page. Thank you
0:25:22 > 0:25:25Band Of Horses. Luisa Sobral and her wonderful group. Foals. But
0:25:25 > 0:25:31there's much more guests on Friday and we'll chat away to them and on
0:25:31 > 0:25:37the website, which is there, you can see Jimmy Page and Robert Plant
0:25:37 > 0:25:43in this room. Now we finish where we started. I hope you enjoyed us.
0:25:43 > 0:25:52We started live and we ended up live. We have to introduce the
0:25:52 > 0:26:02programme at the right time so we can finish on time. But now I can
0:26:02 > 0:26:07
0:26:07 > 0:26:10# Only you can be the aching # My enemy, the only animal
0:26:10 > 0:26:12# You hold me in the dark when storms arrive
0:26:12 > 0:26:17# Only you, only you can see the emptiness I feel
0:26:17 > 0:26:25# When you're with me, when everything you say I'm on my knees
0:26:25 > 0:26:35# Baby, I'm on my knees, baby, I'm on my knees, baby, I'm on my knees
0:26:35 > 0:26:40
0:26:40 > 0:26:45# When everything you say I'm on my knees
0:26:45 > 0:26:52# Baby, I'm on my knees, baby, I'm on my knees, baby, I'm on my knees
0:26:52 > 0:26:57# Only you can be the aching in my heart
0:26:57 > 0:27:04# My enemy, the only animal I couldn't fight
0:27:04 > 0:27:09# You hold me in the dark when storms arrive
0:27:09 > 0:27:19# Only you, only you, only you, only you can see the emptiness I feel
0:27:19 > 0:27:39
0:27:39 > 0:27:44# Only you, only you, only you can see the emptiness I feel
0:27:44 > 0:27:46# When you're with me
0:27:46 > 0:27:49# When everything you say I'm on my knees, baby, I'm on my knees
0:27:49 > 0:27:59# Baby, I'm on my knees baby, I'm on my knees
0:27:59 > 0:28:01
0:28:01 > 0:28:07# When everything you say I'm on my knees, baby, I'm on my knees
0:28:07 > 0:28:13# Baby, I'm on my knees baby, I'm on my knees
0:28:13 > 0:28:17# Only you, only you can be the aching in my heart
0:28:17 > 0:28:24# My enemy, the only animal I couldn't fight
0:28:24 > 0:28:29# You hold me in the dark when storms arrive
0:28:29 > 0:28:39# Only you, only you
0:28:39 > 0:28:57
0:28:57 > 0:29:07# Only you, only you
0:29:07 > 0:29:07
0:29:07 > 0:29:16# Only you, only you
0:29:16 > 0:29:17# Only you can be the aching in my heart
0:29:17 > 0:29:25# My enemy, the only animal I couldn't fight
0:29:25 > 0:29:30# You hold me in the dark when storms arrive