:00:12. > :00:18.Shepherd's Bush, Tuesday evening and we're live. It's raining
:00:19. > :00:22.outside as you can see. But in my hub the sun is shining because
:00:22. > :00:27.there's amazing artists and musicians ready to perform for you
:00:27. > :00:37.live, yes live and direct here from London. We bring you some of the
:00:37. > :01:02.
:01:02. > :01:11.greatest artists on earth. We begin # And we'll be happy
:01:11. > :01:20.# Yeah, he's the sweetest man # And he's got
:01:20. > :01:29.# I can't believe me luck # Girls, you know
:01:29. > :01:39.# When he takes me # When he takes me
:01:39. > :01:39.
:01:39. > :02:23.Apology for the loss of subtitles for 44 seconds
:02:23. > :02:33.# And we'll be happy # That they'll be happy
:02:33. > :02:33.
:02:33. > :03:23.Apology for the loss of subtitles for 44 seconds
:03:23. > :03:33.# I won't believe me luck # And we'll be happy
:03:33. > :03:35.
:03:35. > :03:45.# Yeah, he's the sweetest man # I can't believe me luck
:03:45. > :03:47.
:03:47. > :03:53.# Girls, you know # When he takes me
:03:53. > :04:03.# When he takes me # When he takes me
:04:03. > :04:33.
:04:33. > :04:41.4Th and Vine from Sinead O'Connor. We welcome the wonderful Ilal. We
:04:41. > :04:46.meet Courtney Pine. Mr Mud Morganfield as well. And Biffy
:04:46. > :04:56.Clyro. I'll chat with Bryan Ferry and keeping my eye on Dani Baker.
:04:56. > :05:02.
:05:02. > :05:12.# Shaking his big grey trunk # He knows that you're dreaming
:05:12. > :05:21.
:05:21. > :05:31.# And it's not like mister # There must be something deep down
:05:31. > :05:40.
:05:41. > :05:44.# He's got friends # Who don't care too much
:05:44. > :05:51.# Oh, look, there he is now coming down the stairs
:05:51. > :06:01.# Here it comes
:06:01. > :06:01.
:06:01. > :07:32.Apology for the loss of subtitles for 44 seconds
:07:32. > :07:36.# Cos he doesn't like it looking like he looks back
:07:36. > :07:44.# He talks like his opinion is a simple fact
:07:44. > :07:48.# Somebody grabbed his collar
:07:48. > :07:51.# He cried the whole way home
:07:51. > :07:59.# He won't remember a thing till they start again
:07:59. > :08:06.# That's how it is till the end
:08:06. > :08:11.# Yeah. #
:08:11. > :08:21.CHEERING AND APPLAUSE
:08:21. > :08:23.
:08:23. > :08:24.Thank
:08:24. > :08:24.Thank you,
:08:24. > :08:29.Thank you, Tame
:08:29. > :08:33.Thank you, Tame Impala. Elephant. Our next guest, I love his playing,
:08:33. > :08:38.the way this man plays is superb and the authorities agree. Because
:08:38. > :08:48.Her Majesty the Queen made him a CBE. He is the wonderful Courtney
:08:48. > :08:48.
:08:48. > :12:09.Apology for the loss of subtitles for 44 seconds
:12:09. > :12:13.That was Courtney Pine. And his very fine band fr. His new album
:12:13. > :12:19.House of Legends. Speaking of legends, I welcome Bryan Ferry!
:12:19. > :12:24.APPLAUSE You've got a fantastic new record
:12:24. > :12:27.out. Danny Baker, he's not allowed to speak on this show for various
:12:27. > :12:31.reasons. On Friday we can hear him speaking. Don't say a word. He made
:12:31. > :12:36.you sign this record. It's very unusual because you're not singing
:12:36. > :12:43.or playing on it at all. It's a wonderful record, explain how that
:12:43. > :12:48.can be. It's an album of my songs over the years. It's something that
:12:49. > :12:53.we've produced in my studio. Yeah, it's got great players on it and
:12:53. > :13:00.it's done in the 1920s style. beautifully recorded. It puts you
:13:00. > :13:07.straight in that humour. As soon as I put it on, I wanted to wear the
:13:07. > :13:13.right suit, drive the right Packard car. A racoon coat. I think I was
:13:13. > :13:23.wearing that. We have some footage of it. It's amazing, having one of
:13:23. > :14:01.
:14:01. > :14:05.the great singers not singing on Slave to love, the only face, all
:14:05. > :14:10.of these great, Virginia playing, they're all on here in a jazzy
:14:10. > :14:13.style. Would you like to have lived in a jazz age? I'm intrigued by the
:14:13. > :14:17.period. There was so much going on, kind of the birth of so many things.
:14:17. > :14:26.It was the beginning of a lot of stuff, like the beginning of modern
:14:26. > :14:30.music with Louis Armstrong, Ella Fitzgerald. The beginning of
:14:30. > :14:33.everything we know. They're going like that, which means you're
:14:33. > :14:38.marvellous and it's superb. I'm handing that back to Danny Baker.
:14:38. > :14:41.He's with us on Friday. Thank you so much, Bryan Ferry. Now this
:14:41. > :14:51.group is just wonderful. I like listening to them in the evening,
:14:51. > :14:51.
:14:51. > :18:26.Apology for the loss of subtitles for 44 seconds
:18:26. > :18:32.having a dance around when I get Thank you Lau. I was having a
:18:32. > :18:42.beautiful jig to that music. Over in this corner, the eldest son of
:18:42. > :18:42.
:18:42. > :20:39.Apology for the loss of subtitles for 44 seconds
:20:39. > :20:49.muddy Waters is an amazing artist. # Then it's you I'm glad
:20:49. > :20:49.
:20:49. > :22:20.Apology for the loss of subtitles for 44 seconds
:22:20. > :22:30.# It's been seven hours # I go out every night
:22:30. > :22:52.
:22:53. > :23:02.# Since you been gone # I can eat my dinner
:23:03. > :23:26.
:23:26. > :23:36.# But nothing, I said nothing can # It's been so lonely
:23:36. > :23:48.
:23:48. > :23:57.# Nothing can stop # Tell me, baby
:23:57. > :24:05.# I could put my arms around every boy I see
:24:05. > :24:13.# But they'd only remind me of you
:24:13. > :24:19.# I went to the doctor, guess what he told me, guess what he told me
:24:19. > :24:26.# He said, girl, you better try to have fun, no matter what you do
:24:26. > :24:28.# But he's a fool
:24:28. > :24:32.# Cos nothing compares
:24:32. > :24:34.# Nothing compares
:24:35. > :24:44.# To you
:24:45. > :25:17.
:25:17. > :25:21.# In the back yard
:25:21. > :25:28.# All died when you went away
:25:28. > :25:32.# I know that living with you, baby
:25:32. > :25:36.# Was sometimes hard
:25:36. > :25:43.# But I'm willing to give it another try
:25:43. > :25:47.# Nothing compares
:25:47. > :25:54.# Nothing compares to you
:25:55. > :25:58.# Nothing compares
:25:58. > :26:08.# Nothing compares to you
:26:08. > :26:17.
:26:17. > :26:27.CHEERING AND APPLAUSE
:26:27. > :26:29.
:26:29. > :26:29.Thank
:26:29. > :26:29.Thank you
:26:29. > :26:34.Thank you Sinead
:26:34. > :26:39.Thank you Sinead O'Connor! And thank you to all of our guests that
:26:39. > :26:43.we've been in this room with this evening. We'll be back on Friday
:26:43. > :26:52.with even more and Outrageous from Danny Baker br. We go further,
:26:52. > :26:55.unfortunately I have to report that we have lost Stan Greig. Let's have
:26:55. > :27:05.a final round of applause for him. APPLAUSE
:27:05. > :27:26.
:27:26. > :27:35.We now finish off the show where we # You say love
:27:35. > :27:38.# You make me laugh I make you cry
:27:38. > :27:43.# I guess that rhymes
:27:43. > :27:47.# You're contained by floors and walls
:27:47. > :27:51.# I'm contained by your control
:27:51. > :27:55.# You're overthrown but underworn
:27:55. > :27:59.# I told you so
:27:59. > :28:04.# We're singing for the stingin' belle
:28:04. > :28:08.# She's really lost her way
:28:08. > :28:12.# Claiming all the simple times
:28:12. > :28:19.# Inside her tragic day
:28:19. > :28:23.# Grow some balls and speak your mind
:28:23. > :28:27.# You think you're cool like a porcupine
:28:27. > :28:31.# You're more like doves They're taking flight
:28:31. > :28:36.# The sky is mine
:28:36. > :28:39.# We're singing for the stingin' belle
:28:39. > :28:44.# She's really lost her way
:28:44. > :28:48.# Claiming all the simple times
:28:48. > :28:55.# Inside her tragic day
:28:55. > :28:57.# We're singing for the stingin' belle
:28:57. > :29:01.# She's really lost her way