:00:06. > :00:11.Page Three girl -- or Usain? We are going to leave it there. Thank you
:00:11. > :00:20.very much. The front of the papers tomorrow - the Guardian has aged
:00:20. > :00:25.future rise in joblessness for women over 50. The times as bad
:00:25. > :00:35.trip to the Himalayas which ended in tragedy for seven Britons. That
:00:35. > :00:49.
:00:49. > :00:56.Good evening. Given the week of whether we have had, a quiet start
:00:57. > :01:01.to the weekend is probably one you would all want. A few showers to
:01:01. > :01:04.the West, some of them continuing into the afternoon. Even the
:01:04. > :01:12.morning showers across the north- west will fade away, some good
:01:12. > :01:22.sunny spells. Not especially warm, but still a bit of strength to the
:01:22. > :01:22.
:01:22. > :01:28.sunshine. The sunshine may start to turn a little bit hazy across the
:01:28. > :01:34.north and west of Wales, as it will do in Northern Ireland. A few spots
:01:34. > :01:38.of rain it here cannot be ruled out. We will continue to two showers
:01:38. > :01:45.across western Scotland, but many central and eastern areas will
:01:45. > :01:49.finish the day on a dry night. If you're heading further afield into
:01:49. > :01:55.Europe, it is looking OK across many north-western parts, not
:01:55. > :01:59.especially warm, but dry with sunny spells. But quite stormy for some
:01:59. > :02:06.across the Mediterranean, particularly in Spain and into the
:02:06. > :02:16.French Riviera. We will even see some drops as we going to Sunday.
:02:16. > :02:16.
:02:16. > :03:11.Apology for the loss of subtitles for 55 seconds
:03:11. > :03:21.Northern England, Wales and the This programme contains some strong
:03:21. > :03:21.
:03:21. > :04:19.Apology for the loss of subtitles for 55 seconds
:04:19. > :04:23.A show begun by legends, packed with legends of today, tomorrow and
:04:24. > :04:33.yesterday and tomorrow and the lot. Now, we start off with the
:04:34. > :04:57.
:04:57. > :05:07.# Oooh 1, 2, 3, 4 # In this chaos
:05:07. > :05:45.
:05:45. > :05:55.# Oooh 1, 2, 3, 4 # In this chaos
:05:55. > :05:55.
:05:55. > :06:42.Apology for the loss of subtitles for 55 seconds
:06:42. > :06:52.# Oooh 1, 2, 3, 4 # In this chaos
:06:52. > :06:55.
:06:56. > :07:00.# Well, I know that soon # Oooh 1, 2, 3, 4
:07:00. > :07:04.# And I know that the system hasn't teached us
:07:04. > :07:09.# Oooh 5, 6, 7, minus 9 lives
:07:09. > :07:19.# You've arrived at Panic Station! #
:07:19. > :07:24.
:07:24. > :07:34.APPLAUSE AND CHEERING
:07:34. > :07:40.
:07:40. > :07:40.Thank
:07:40. > :07:40.Thank you,
:07:40. > :07:47.Thank you, Muse,
:07:47. > :07:50.Thank you, Muse, how marvellous to have them back in this room. An
:07:50. > :07:54.evening packed with legends. I'm delighted to say who are our guests.
:07:54. > :08:01.From all over the global we have Public Image Limited.
:08:01. > :08:10.CHEERING AND APPLAUSE The globe being a. From south
:08:10. > :08:13.London we are delighted to welcome the return of The xx. A gifted new
:08:13. > :08:18.performer from Nottingham, Natalie Duncan.
:08:18. > :08:21.CHEERING AND APPLAUSE Now, one of the most amazing and
:08:21. > :08:26.legendary groups of all-time. We are delighted to have in the studio
:08:26. > :08:36.for the first time, altogether here, celebrating 50 years, from
:08:36. > :09:07.
:09:07. > :09:14.# Memories and photographs # And yet the game
:09:14. > :09:18.# Isn't it time we danced the night away?
:09:18. > :09:23.# How about doing it just like yesterday?
:09:23. > :09:27.# Every time I think of you
:09:27. > :09:31.# And all of those things we used to do
:09:31. > :09:35.# Remember those nights we spent, just you and I?
:09:35. > :09:40.# Little did we know how the time would fly
:09:40. > :09:44.# Isn't it time?
:09:44. > :09:52.# Isn't it time?
:09:52. > :09:56.# The good times never have to end
:09:56. > :10:00.# And now's the time to let them happen again
:10:00. > :10:04.# And we can have ourselves a blast
:10:04. > :10:09.# The good times they aren't only in the past
:10:09. > :10:14.# Isn't it time we danced the night away?
:10:14. > :10:19.# How about doing it just like yesterday?
:10:19. > :10:23.# Every time I think of you
:10:23. > :10:28.# And all of those things we used to do
:10:28. > :10:32.# Remember those nights we spent, just you and I?
:10:32. > :10:36.# Little did we know how the time would fly
:10:36. > :10:40.# Isn't it time?
:10:40. > :10:45.# Isn't it time?
:10:46. > :10:49.# And as the sun goes down
:10:49. > :10:59.# We raise our glass to kindness
:10:59. > :11:01.
:11:01. > :11:11.# Isn't it time we get ready and then?
:11:11. > :11:15.
:11:15. > :11:23.# Isn't it time?
:11:23. > :11:25.# Every time I think of you
:11:25. > :11:27.# And all of those things we used to do
:11:28. > :11:30.# Remember those nights we spent, just you and I?
:11:30. > :11:33.# Little did we know how the time would fly
:11:33. > :11:37.# Isn't it time?
:11:37. > :11:44.# Isn't it time?
:11:44. > :11:48.# Isn't it time? #
:11:48. > :11:58.CHEERING AND APPLAUSE
:11:58. > :12:04.
:12:04. > :12:04.How
:12:04. > :12:04.How fantastic
:12:04. > :12:12.How fantastic to
:12:12. > :12:20.How fantastic to have those men in this room, The Beach Boys. Isn't it
:12:21. > :12:26.time from, That's Why God Made The Radio, their new LP. They are here
:12:26. > :12:31.for 50 years. Now, a band we would have had on before, but they
:12:31. > :12:36.haven't been here and had a record out since we started this show 20
:12:36. > :12:45.years ago. This is their new record, we are delighted to welcome, Public
:12:45. > :12:55.Image Limited. Hello, girls! Mipt # You see Reginald
:12:55. > :12:55.
:12:55. > :13:01.# He don't see reason Just Eve and Adam
:13:01. > :13:11.# Back in the Garden...of Eden
:13:11. > :13:11.
:13:11. > :13:15.# Shine like a beacon in the Garden of Eden
:13:15. > :13:18.# Shine
:13:18. > :13:21.# Got no reason No reason for leaving
:13:21. > :13:25.# Shine
:13:25. > :13:28.# We shine like a beacon in the Garden of Eden
:13:28. > :13:31.# Shine
:13:31. > :13:34.# I've been seeing no reason for leaving
:13:34. > :13:37.# Shine
:13:37. > :13:40.# He is from London
:13:40. > :13:44.# I am...from London
:13:44. > :13:49.# You see, many of us come from London
:13:49. > :13:59.# But no matter where you come from
:13:59. > :14:06.# You can still be a better person
:14:06. > :14:09.# Shine like a beacon in the Garden of Eden
:14:09. > :14:12.# Shine
:14:12. > :14:16.# I've been dreaming We've all been dreaming
:14:16. > :14:20.# Shine
:14:20. > :14:23.# I've been seeing no reason for leaving
:14:23. > :14:26.# Shine
:14:26. > :14:29.# I shine like a beacon in the Garden of Eden
:14:29. > :14:32.# Shine
:14:32. > :14:38.# From the Cali weed
:14:38. > :14:44.# I have all of the Seven Sisters that I need
:14:44. > :14:51.# Finsbury Park I am having a lark
:14:51. > :14:54.# You wait for the penny to drop
:14:54. > :14:56.# Well, you're out of sync with the world
:14:56. > :15:04.# And you do not know a lot
:15:04. > :15:07.# Shine
:15:07. > :15:13.# A ladies' man
:15:13. > :15:20.# An innocent man
:15:20. > :15:23.# Shine like a beacon in the Garden of Eden
:15:23. > :15:26.# Shine
:15:26. > :15:30.# See no reason for leaving the Garden
:15:30. > :15:32.# Shine
:15:33. > :15:36.# Shine like a beacon in the Garden of Eden
:15:36. > :15:41.# Shine
:15:41. > :15:44.# See no reason for leaving the Garden
:15:44. > :15:54.# Shine
:15:54. > :15:59.
:15:59. > :16:04.# I've been dreaming I've been dreaming
:16:04. > :16:14.# See no reason I've been living
:16:14. > :16:15.
:16:15. > :16:19.# Back in the Garden. #
:16:19. > :16:29.APPLAUSE AND CHEERING
:16:29. > :16:32.
:16:32. > :16:32.Public
:16:32. > :16:32.Public Image
:16:32. > :16:36.Public Image Limited.
:16:36. > :16:44.Public Image Limited. I'm delighted to say we will be having chats with
:16:44. > :16:52.John Lydon later on in this show. This is PIL, that is their album.
:16:52. > :16:58.It has been two since then this band had had an amazing award-
:16:58. > :17:08.winning album. We welcome them back in the studio, give it up for The
:17:08. > :17:08.
:17:08. > :19:53.Apology for the loss of subtitles for 55 seconds
:19:53. > :20:02.# It's not a secret The xx. What a joy to have them
:20:02. > :20:07.back in the studio. From their album Co-exist. This next band is a
:20:07. > :20:14.band that I grew up with. One of the first records I had was theirs.
:20:14. > :20:19.It's an honour and a thrill to welcome to the show The Beach Boys.
:20:19. > :20:24.Fan tasttoibg see you all. Great to have -- fan tasttoibg see you all.
:20:24. > :20:30.Great to have here. Welcome back to the show. Great to see you all here.
:20:30. > :20:35.Have you 50 greatest hits has come out. How do you pick? We have the
:20:35. > :20:41.good fortune to have a lot of Top 40 records and there are nice album
:20:41. > :20:46.cuts on there. Your sound is unique. We used to play Tears in the
:20:46. > :20:54.Morning. All these amazing songs you have written. There is a rumour
:20:54. > :20:57.one of our albums is named after you. You actually called a record
:20:57. > :21:00."Holland." I love everything about The Beach Boys. It's great.
:21:00. > :21:10.Wonderful to have you in here. Is there something you could give us
:21:10. > :21:18.
:21:18. > :21:24.to give us a bit of a vibration. # Rockin' and a reelin'
:21:24. > :21:27.# Saw Barbara Ann so I thought I'd take a chance
:21:27. > :21:29.# With Barbara Ann
:21:29. > :21:32.# Bah bah bah bah Barbara Ann
:21:32. > :21:33.# Take my hand
:21:33. > :21:35.# Bah bah bah bah Barbara Ann
:21:35. > :21:36.# You got me rockin' and a rollin'
:21:36. > :21:38.# Rockin' and a reelin' Barbara Ann
:21:38. > :21:40.# Bah bah bah bah Barbara Ann
:21:40. > :21:43.# Bah bah bah bah Barbara Ann
:21:43. > :21:46.# Bah bah bah bah Barbara Ann
:21:46. > :21:48.# Barbara Ann
:21:48. > :21:50.# Bah bah bah bah Barbara Ann
:21:50. > :21:51.# Take my hand
:21:51. > :21:53.# Bah bah bah bah Barbara Ann
:21:53. > :21:54.# Barbara Ann
:21:54. > :21:56.# Bah bah bah bah Barbara Ann
:21:56. > :21:58.# You got me rockin' and a rollin'
:21:58. > :22:00.# Rockin' and a reelin' Barbara Ann
:22:00. > :22:03.# Bah bah bah bah Barbara Ann
:22:03. > :22:05.# Tried Betty Sue
:22:05. > :22:06.# Tried Peggy Sue
:22:06. > :22:09.# Tried Betty Lou but I knew she wouldn't do
:22:09. > :22:11.# Barbara Ann Barbara Ann
:22:11. > :22:12.# Bah bah bah bah Barbara Ann
:22:12. > :22:14.# Take my hand
:22:14. > :22:17.# Bah bah bah bah Barbara Ann
:22:17. > :22:19.# You got me rockin' and a rollin'
:22:19. > :22:20.# Rockin' and a reelin' Barbara Ann
:22:20. > :22:30.# Bah bah bah bah Barbara Ann
:22:30. > :22:41.
:22:41. > :22:44.# Bah bah bah bah Barbara Ann
:22:44. > :22:48.# Barbara Ann
:22:48. > :22:50.# Barbara Ann
:22:50. > :22:54.# Barbara Ann
:22:54. > :22:56.# You got me rockin' and a rollin'
:22:56. > :22:58.# Rockin' and a reelin' Barbara Ann
:22:58. > :23:01.# Bah bah bah bah Barbara Ann
:23:01. > :23:11.APPLAUSE AND CHEERING
:23:11. > :23:12.
:23:12. > :23:13.That
:23:13. > :23:13.That was
:23:13. > :23:22.That was fantastic!
:23:22. > :23:29.That was fantastic! Thank you so much. That was amazing. The Beach
:23:29. > :23:33.Boys, ladies and gentlemen. That really was like going to heaven
:23:33. > :23:43.without any of the expense or inconvenience. And now we enjoy the
:23:43. > :23:53.
:23:53. > :24:03.# I, I can't get these memories # And some kind of madness
:24:03. > :24:03.
:24:03. > :24:57.Apology for the loss of subtitles for 55 seconds
:24:57. > :25:07.# But some kind of madness # And now I need to know
:25:07. > :25:18.
:25:18. > :25:28.# Or is it just madness # And when I look back
:25:28. > :25:28.
:25:28. > :26:26.Apology for the loss of subtitles for 55 seconds
:26:26. > :26:36.# And now I have finally # And now I have finally
:26:36. > :26:36.
:26:36. > :29:09.Apology for the loss of subtitles for 55 seconds
:29:09. > :29:19.# He waved his hand # Receiving your signal
:29:19. > :29:19.
:29:19. > :30:52.Apology for the loss of subtitles for 55 seconds
:30:52. > :31:00.# He waved his hand That's why God made the radio. A
:31:00. > :31:06.beautiful new song from the wonderful, The Beach Boys. What a
:31:06. > :31:13.joy to have them in this room. So, great legends of our time. Maybe
:31:13. > :31:23.now the new legend. Our next artist, it's her first time on the show,
:31:23. > :31:45.
:31:45. > :31:55.she has marvellous songs. What more # Cos, hell, I don't
:31:55. > :31:59.
:31:59. > :32:09.# Ooh, the words you wrote # So now I feel like
:32:09. > :32:09.
:32:09. > :33:13.Apology for the loss of subtitles for 55 seconds
:33:13. > :33:23.# Cos, hell, I don't # Ooh and the words you wrote
:33:23. > :33:23.
:33:23. > :35:33.Apology for the loss of subtitles for 55 seconds
:35:33. > :35:43.# The ocean seas # The sailing breeze of tears
:35:43. > :35:44.
:35:44. > :36:37.Apology for the loss of subtitles for 55 seconds
:36:38. > :36:47.# And those bristles burns # Deeper water, deeper water
:36:48. > :37:17.
:37:18. > :37:27.# Deeper water, deeper water # And lead you to the shore
:37:28. > :37:28.
:37:28. > :38:16.Apology for the loss of subtitles for 55 seconds
:38:16. > :38:26.# Deeper water, deeper water # Deeper water, deeper water
:38:26. > :38:59.
:38:59. > :39:09.# Deeper water, deeper water # Deeper water, deeper water
:39:09. > :39:39.
:39:39. > :39:46.# Deeper water, deeper water Thank you, Public Image Limited.
:39:46. > :39:53.PIL, thank you Deeper Water. Marvellous. That was all right.
:39:53. > :39:59.With the flu, I'm doing OK. careful. We will chat about that in
:39:59. > :40:04.a moment. Natalie Duncan was wonderful, wasn't she? Yeah,
:40:04. > :40:14.beautiful. How fantastic she was. Now, let's have more wonderful.
:40:14. > :40:34.
:40:34. > :40:44.# I saw you again # It's like the sun
:40:44. > :40:49.
:40:49. > :40:59.# And what have you done # When I look into your eyes
:40:59. > :41:23.
:41:23. > :41:32.# We make believe, I've never seen # And catch my eye
:41:32. > :41:39.# You were more than just a friend Oh, but the feeling
:41:39. > :41:48.# It never came to an end I can't bear to see you
:41:48. > :41:52.# I always thought it was a shame
:41:52. > :41:56.# That we have to play these games
:41:56. > :42:00.# It felt like you really knew me
:42:00. > :42:10.# Now it feels like you see through me
:42:10. > :42:36.
:42:36. > :42:41.# When I see you again
:42:41. > :42:44.# I'll know not to expect
:42:45. > :42:48.# Stay one step away
:42:48. > :42:53.# We will have to wait
:42:53. > :42:57.# When I see you again
:42:57. > :43:01.# And I'm greeted as a friend
:43:01. > :43:03.# And I'm greeted as a friend
:43:03. > :43:06.# It is understood
:43:06. > :43:09.# That we did all we could
:43:09. > :43:12.# I always thought it was sad
:43:13. > :43:16.# The way we act like strangers
:43:16. > :43:20.# After all that we had
:43:20. > :43:24.# We act like we had never met
:43:24. > :43:28.# I always thought it was a shame
:43:28. > :43:32.# That we have to play these games
:43:33. > :43:38.# It felt like you really knew me
:43:38. > :43:42.# Now it feels like you see through me. #
:43:42. > :43:52.APPLAUSE AND CHEERING
:43:52. > :44:01.
:44:01. > :44:02.Thank
:44:02. > :44:05.Thank you,
:44:05. > :44:12.Thank you, The
:44:12. > :44:16.Thank you, The xx. Sunset from their Co-exist LP. We couldn't have
:44:16. > :44:21.one of the inVenters of jazz on the programme, I don't think any of
:44:21. > :44:30.them will be with us any more. We can have one of the inventors of
:44:30. > :44:37.punk music with us here. Let's welcome the legendary, John Lydon.
:44:37. > :44:42.You are a bad bunny. First of all, I'm sorry you have flu. I've got a
:44:42. > :44:48.really bad head cold. It's not going into flu. You can hear I'm
:44:48. > :44:55.struggling up there. So what, I'm on TV and I look good! Exactly!
:44:55. > :44:59.Marvellous to have you here. I'm a bad bunny. We have been going for
:44:59. > :45:02.20 years... 20 years is a long time for the record company to keep me
:45:02. > :45:09.out of business. Now I'm independent much I don't have to
:45:09. > :45:14.row with the major laib els any more or be under the kosh for
:45:14. > :45:19.financial obligations. It has taken me 20 years to get into this state
:45:20. > :45:26.of affairs. I tell you right now, thank God for British butter!
:45:26. > :45:31.did British butter help? Here's three mounds of it. The money got
:45:31. > :45:35.me into a state where I could put money into the outstanding debt,
:45:35. > :45:44.and raise enough for us to start rehearsing again. You know this
:45:44. > :45:49.about me, Jools, I'm independent I'm outsite of the shit stirs. I
:45:49. > :45:55.always have been. You are in LA? view myself as a Calfornian. This
:45:55. > :46:03.is a good evening with the Beach Boys. You are back at home. This is
:46:03. > :46:08.your home. They are making me feel young! Yes. Good Vibrations.
:46:08. > :46:11.Fantastic to have you on the show. What advice would you have given to
:46:11. > :46:16.the ten-year-old you. What would you have said to him? That was when
:46:16. > :46:20.I met you in a New York bar and you insisted on playing New Orleans
:46:20. > :46:27.stuff on the piano. That was nice, do you remember that? No, it
:46:27. > :46:32.weren't. We had a blazing row. memories change. I remember a
:46:32. > :46:39.lovely sing song? It was peel and squeeze. Didn't we sing the old
:46:39. > :46:44.songs and cuddle? We did as it happened. It always ends up Knees
:46:44. > :46:48.up Mother Brown, one way or another. Very good to see you John. I look
:46:48. > :46:53.forward to hearing more of this great record. Well done for doing
:46:53. > :47:02.it all yourself. John Lydon. We will be hearing more from him later.
:47:02. > :47:12.Now, with, not with the amazing... With the normal bass this time, I'm
:47:12. > :47:12.
:47:12. > :48:47.Apology for the loss of subtitles for 55 seconds
:48:47. > :48:57.coming around this way, we welcome # To history
:48:57. > :49:07.
:49:07. > :49:17.# You don't have long # I am on to you
:49:17. > :49:17.
:49:17. > :50:49.Apology for the loss of subtitles for 55 seconds
:50:49. > :50:59.# You don't have long # I am on to you
:50:59. > :50:59.
:50:59. > :51:59.Apology for the loss of subtitles for 55 seconds
:51:59. > :52:09.# Time it has come to destroy # Yeah, yeah... #
:52:09. > :52:41.
:52:41. > :52:51.# Well, I'm happy to have # I'm crossing over
:52:51. > :52:51.
:52:51. > :53:54.Apology for the loss of subtitles for 55 seconds
:53:54. > :54:04.# I'm happy to have # I'm adaptable
:54:04. > :54:34.
:54:34. > :54:44.# I'm changing my ways # Now are you ready
:54:44. > :54:49.
:54:49. > :54:57.# Behind the curtain Out of the cupboard
:54:57. > :55:06.# You take the first train into the big world
:55:06. > :55:09.# When I find you Will you be there?
:55:09. > :55:13.# This is not a love song
:55:13. > :55:19.# This is not a love song
:55:19. > :55:29.# This is not a love song
:55:29. > :55:29.
:55:29. > :56:42.Apology for the loss of subtitles for 55 seconds
:56:42. > :56:52.# I do love you, but not all the time
:56:52. > :56:59.# Not a love song. Thank you Jools for having us and being oh so kind.
:56:59. > :57:08.It was a pleasure having Public Image Limited with This Is Not A
:57:08. > :57:13.Love Song. We hope you feel better. Next week we have Mumford & Sons.
:57:13. > :57:22.Lisa Marie Presley, Jeff Lynn and much, much more. Now we thank our
:57:22. > :57:27.guests. Thank you, Muse. Thank you xx. Thank you, Natalie Duncan. Now,
:57:27. > :57:37.we finish where we started with the amazing, the legendary, The Beach
:57:37. > :57:49.
:57:49. > :57:59.# Once at night Catillian # And she was right
:57:59. > :58:01.