:01:25. > :01:32.Welcome to Later, and welcome to # Blonde hair blowin'
:01:32. > :01:36.# I'd been on her trail for a little while
:01:36. > :01:40.# But that was the night that she broke down and held my hand
:01:41. > :01:44.# The teenage rush
:01:44. > :01:48.She said "Ain't we all just runaways?
:01:48. > :01:52.# "We got time" Well, that ain't much
:01:52. > :02:00.# We can't wait till tomorrow
:02:00. > :02:04.# You gotta know that this is real baby, why you wanna fight it?
:02:04. > :02:08.# It's the one thing you can choose, oh!
:02:08. > :02:13.# We got engaged on a Friday night
:02:13. > :02:16.# We got engaged on a Friday night
:02:16. > :02:20.# I swore on the head of our unborn child
:02:20. > :02:24.# That I could take care of the three of us
:02:24. > :02:29.# But I got the tendency to slip when the nights get wild
:02:29. > :02:32.# It's in my blood
:02:32. > :02:39.# She says she might just runaway somewhere else, some place good
:02:39. > :02:47.# We can't wait till tomorrow
:02:47. > :02:51.# You gotta know that this is real baby, why you wanna fight it?
:02:51. > :02:55.# It's the one thing you can choose
:02:55. > :02:58.# Let's take a chance baby, we can't lose
:02:58. > :03:03.# Ain't we all just runaways?
:03:03. > :03:10.# I knew it when I met you I'm not gonna let you runaway
:03:10. > :03:20.# I knew it when I held you I wasn't lettin' go
:03:20. > :03:31.
:03:31. > :03:35.# We used to look at the stars and confess our dreams
:03:35. > :03:39.# Hold each other to the morning light
:03:39. > :03:43.# We used to laugh now we only fight
:03:43. > :03:48.# Baby, are you lonesome now?
:03:48. > :03:52.# At night I come home after they go to sleep
:03:52. > :03:56.# Like a stumbling ghost I haunt these halls
:03:56. > :04:00.# There's a picture of us on our wedding day
:04:00. > :04:07.# I recognize the girl but I can't settle in these walls
:04:07. > :04:16.# We can't wait till tomorrow
:04:16. > :04:20.# No, we're caught up in the appeal baby, why you wanna hide it?
:04:20. > :04:24.# It's the last thing on my mind Why you wanna hide it?
:04:24. > :04:31.# I turn the engine over and my body just comes alive
:04:31. > :04:35.# And we all just runaways
:04:35. > :04:43.# I knew it when I met you I'm not gonna let you run away
:04:43. > :04:47.# I knew it when I held you I wasn't lettin go
:04:47. > :04:49.# Oh, oh, oh!
:04:49. > :04:51.# Ain't we all just runaways?
:04:51. > :04:56.# Yeah, runaway
:04:56. > :05:06.# Ain't we all just runaways? Yeah
:05:06. > :05:09.
:05:09. > :05:19.CHEERING AND APPLAUSE
:05:19. > :05:20.
:05:20. > :05:20.A
:05:20. > :05:20.A delight
:05:20. > :05:25.A delight to
:05:25. > :05:30.A delight to have them back in this room. The Killers, with runaways.
:05:30. > :05:38.An exquisite line-up almost entirely from America. We welcome
:05:38. > :05:48.from Minneapolis, Polica. From can Turkey, Jackie DeShannon. From
:05:48. > :05:49.
:05:49. > :05:58.Atlanta, Georgia, Cody ChesnuTT. From Tennessee, Valerie June. I
:05:58. > :06:04.will be chatting to the legendary Adam Ant. Now, somebody with a
:06:04. > :06:14.delight for voice, we welcome Kristina Train. -- a delightful
:06:14. > :06:14.
:06:14. > :07:47.Apology for the loss of subtitles for 93 seconds
:07:47. > :07:57.# Cos this life # Dappled light is falling
:07:57. > :07:57.
:07:57. > :08:56.Apology for the loss of subtitles for 93 seconds
:08:56. > :09:06.# Cos this life # Cos this life
:09:06. > :09:06.
:09:06. > :10:00.Apology for the loss of subtitles for 93 seconds
:10:00. > :10:04.Dream of Lee, from her Dark Black L P, Kristina Train. -- dream of me.
:10:04. > :10:14.We will, of course, look forward to hearing more of her later. It is a
:10:14. > :10:19.
:10:19. > :10:29.room with legends and new artists, # What is mine
:10:29. > :10:40.
:10:40. > :10:50.# Not my child # Until she's
:10:50. > :11:14.
:11:14. > :11:17.# Ain't a man in this world # From my dark star
:11:17. > :11:27.# I will remain there It's done me good so far
:11:27. > :11:27.
:11:27. > :11:31.# Ain't a man in this world who can pull me down
:11:31. > :11:34.# From my dark star dark star
:11:34. > :11:44.# I will remain there It's done me good so far
:11:44. > :11:53.
:11:54. > :11:57.# What is mine what is all mine
:11:58. > :12:05.# Not my child not my child
:12:05. > :12:10.# Hold you just a little while
:12:10. > :12:15.# I'm gonna give her all my life
:12:15. > :12:20.# Until she's until she's
:12:20. > :12:28.# Swooped up, swooped up by the sea of love
:12:28. > :12:32.# Ain't a man in this world who can pull me down
:12:32. > :12:35.# From my dark star dark star
:12:35. > :12:45.# I will remain there It's done me good so far
:12:45. > :12:49.# Ain't a man in this world who can pull me down
:12:49. > :12:52.# From my dark star dark star
:12:52. > :13:02.# I will remain there It's done me good so far
:13:02. > :13:07.
:13:07. > :13:08.# What is mine, oooh What is all mine
:13:08. > :13:15.Not my child not my child
:13:15. > :13:21.# Hold you just a little while
:13:21. > :13:25.# I'm gonna give her all my life
:13:25. > :13:35.# Until she's, until she's Swooped up by the sea of love. #
:13:35. > :13:55.
:13:55. > :14:05.CHEERING AND APPLAUSE
:14:05. > :14:09.
:14:09. > :14:09.Thank
:14:09. > :14:11.Thank you,
:14:11. > :14:18.Thank you, Polica.
:14:18. > :14:25.Thank you, Polica. Dark Star, from their album. Lovely to see two
:14:25. > :14:29.drummers in a room. And I am comfortable to step from brand new
:14:29. > :14:38.artist to legend. That is what it is about in this room. I am
:14:38. > :14:42.delighted to welcome a great legend, Adam Ant. Very good to see you.
:14:42. > :14:47.Congratulations. Back with a marvellous new record, which you
:14:47. > :14:53.have got here, and on tour. In this little chat, I would like to go to
:14:53. > :14:59.the beginning. Where does music start for you? Would it be bazooka
:14:59. > :15:08.Joe, or before then? That was the first time we got paid. It was a
:15:08. > :15:12.fiver. It was a lot of them. I went to wake College of Art, and there
:15:12. > :15:18.was this pub, and be used to go there, and I played bass and
:15:18. > :15:24.learned to write. I remember that the members of Madness used to come
:15:24. > :15:32.and do formation dancing. They still do that. What made you move
:15:32. > :15:35.from playing base into the lead vocal situation? Seeing the Sex
:15:35. > :15:41.Pistols in November 1975, their first performance at St Martin's
:15:41. > :15:45.College of Art. It was like a moment. I thought, this is very
:15:45. > :15:49.simple. They made it very clear that anybody could do it if they
:15:49. > :15:54.worked hard enough. So I took over. Instead of doing backing vocals,
:15:54. > :16:00.started writing and singing the lead. Your style was unique, a look
:16:00. > :16:05.that nobody else had. Where did that come from? I have always liked
:16:05. > :16:11.history and I liked the flamboyance of the eighteenth-century. Mix that
:16:11. > :16:17.with the punk rock and the leva, and the glam era was very
:16:17. > :16:21.influential, Marc Bolan. Just put them together. The videos were
:16:21. > :16:31.fantastic. I think we're going to have a spurt over here of your new
:16:31. > :16:36.video, called Kadlec zombie. What has inspired this? You directed it.
:16:36. > :16:40.Yes, I directed it with Adam Ross. This is like a trailer because we
:16:40. > :16:45.are still editing. There was a period when I lived in Tennessee. I
:16:45. > :16:50.did one of those things. I was going from Miami and going to drive
:16:50. > :16:56.up to Las Vegas. I stopped in a tiny town called Dayton, Tennessee.
:16:56. > :17:01.I took out a magazine of local places to buy it. There was an A-
:17:01. > :17:07.frame house in that top of Tennessee. I thought, have to buy
:17:07. > :17:10.this. I lived there for two years. Let me get this straight. You were
:17:10. > :17:18.driving along and happened to see a house on a hill. I was going to get
:17:18. > :17:21.married in Las Vegas. Did you have a survey done? Really? Just on a
:17:21. > :17:26.whim? It was one of those things, probably the most irresponsible
:17:26. > :17:34.thing I have ever done. Basically, it was one of those things. It is a
:17:34. > :17:38.period that I have not made public before. The thing was, Big Country
:17:38. > :17:43.stars like Johnny Cash used to come through and play in these small
:17:44. > :17:49.towns like this on a regular basis. My next-door neighbour, Ron, who
:17:49. > :17:52.was in the American navy, he used to take me to visit some of his
:17:52. > :17:58.mates in the woods, there were really out there. You thought you
:17:58. > :18:02.would never come back. There was this idea of putting that in a song,
:18:02. > :18:07.as a dedication to him, who sadly passed away. It was a very
:18:07. > :18:17.different experience for me. What a great story. Let's look at the
:18:17. > :18:28.
:18:28. > :18:34.# I bought an A-frame house that suited me in Tennessee
:18:34. > :18:42.# The kind of place a lost soul can hide
:18:42. > :18:52.# Has not changed since Bonnie and Clyde
:18:52. > :19:05.
:19:05. > :19:11.# He took me on a tour of God's That is great. I can see from that,
:19:11. > :19:17.you became a fashion icon, really. Is it true that you gave Michael
:19:17. > :19:22.Jackson fashion tips? I did this wonderful show called the Motown 25.
:19:22. > :19:29.I was invited to perform with all of the major Motown artists. Berry
:19:29. > :19:35.Gordy asked me to choose a song from the repertoire. And I got to
:19:35. > :19:40.know Michael through that. After the show, because I was 10 ft away
:19:40. > :19:44.when he did his debut of the moonwalk, and I was next. And then
:19:44. > :19:48.I got a call, when I was making Kings Of the Wild Frontier, at
:19:48. > :19:52.about 6:00am. Hello, this is Michael, and I would like to speak
:19:52. > :19:58.to Adam. I thought it was my drummer, so I swore at him and
:19:58. > :20:02.slammed the phone down. He called again, and it was Quincy Jones
:20:02. > :20:09.saying, it is Michael. Sorry about that. He asked me where I got my
:20:09. > :20:15.jacket from. I gave him the Taylor and the place that I go, the
:20:15. > :20:20.theatrical costume us. And he took it from there. Never looked back.
:20:20. > :20:24.Giving tips to the famous. You are on tour. What can people hope to
:20:24. > :20:31.see? Just to reacquaint the audience with the catalogue, which
:20:31. > :20:36.is lovely. But now bringing in some new songs and a bit of dressing up.
:20:36. > :20:40.The audience? Do they dress up? They do sometimes. I hope it goes
:20:40. > :20:49.very well. We look forward to seeing you again very soon. Thank
:20:49. > :20:59.you very much, Adam Ant. And now, over in this corner of the room, we
:20:59. > :21:29.
:21:29. > :21:39.are delighted to welcome to the # I was a stranger in a foreign land
:21:39. > :21:48.
:21:48. > :21:58.# I took a stroll # And I looked around
:21:58. > :21:58.
:21:58. > :22:57.Apology for the loss of subtitles for 93 seconds
:22:57. > :23:07.# I was a stranger in # When I was bound
:23:07. > :23:46.
:23:46. > :23:50.# Lord knows I was a stranger # Said I was a stranger
:23:50. > :23:56.# I was walking in darkness with no sense of direction
:23:56. > :23:59.# Then you came and made a way for me
:23:59. > :24:00.# To see all my afflictions
:24:00. > :24:05.# Said I was a stranger in danger
:24:05. > :24:09.# Stranger in a foreign land
:24:09. > :24:14.# Stranger in a foreign land
:24:14. > :24:24.# Stranger in a foreign land
:24:24. > :24:29.
:24:29. > :24:37.# I was walking in darkness # Then you came, came
:24:38. > :24:47.# I was walking in darkness # Then you came and made
:24:48. > :24:48.
:24:48. > :26:39.Apology for the loss of subtitles for 93 seconds
:26:39. > :26:49.# Then you came and made # Borrowed time
:26:49. > :26:49.
:26:49. > :29:23.Apology for the loss of subtitles for 93 seconds
:29:23. > :29:33.# Oh, but I still hear # You were standing with your
:29:33. > :30:01.
:30:01. > :30:11.# When I look back on # The leather seats
:30:11. > :30:11.
:30:11. > :31:30.Apology for the loss of subtitles for 93 seconds
:31:30. > :31:33.# But the fall from grace # It feels just like a dagger
:31:33. > :31:37.# You run for cover but you can't escape the second attack
:31:37. > :31:39.# Your soul was innocent
:31:39. > :31:40.# She kissed him and she painted it black
:31:40. > :31:46.# You should have seen your little face
:31:46. > :31:47.# Miss Atomic Bomb
:31:47. > :31:50.# Making out, we've got the radio on
:31:50. > :31:54.# You're gonna miss me when I'm gone
:31:54. > :31:59.# You're gonna miss me when I'm gone
:31:59. > :32:02.# Racing shadows in the moonlight
:32:02. > :32:05.# And taking chances on a hot night
:32:05. > :32:09.# And for a second there we'd won
:32:09. > :32:17.# Yeah, we were innocent and young
:32:17. > :32:20.# The dust cloud has settled
:32:20. > :32:24.# And my eyes are clear
:32:24. > :32:30.# But sometimes in dreams of impact I still hear
:32:30. > :32:34.# Miss Atomic Bomb
:32:34. > :32:44.# But I'm standing here and you're too late
:32:44. > :32:50.
:32:50. > :32:53.# But I'm standing here and you're too late
:32:53. > :32:55.# You're gonna miss me when I'm gone
:32:55. > :33:01.# Your shockwave whisper has sealed your fate
:33:01. > :33:04.# It feels like a dagger buried deep in your back
:33:04. > :33:08.# It's a cruel world
:33:08. > :33:11.# You run for cover but you can't escape the second attack
:33:11. > :33:13.# She kissed him and she painted it black
:33:13. > :33:14.# And you turn your back on a losing game
:33:14. > :33:14.# You should have seen your little face
:33:14. > :33:17.# Burning for love holding on for your life
:33:17. > :33:19.# All that I wanted was a little touch
:33:19. > :33:20.# But you can't survive
:33:20. > :33:21.# A little tenderness and truth
:33:21. > :33:22.# When you want it all
:33:22. > :33:24.# I didn't ask for much
:33:24. > :33:25.# Talk about being at the
:33:25. > :33:26.# There's another side
:33:26. > :33:34.# Wrong place at the wrong time. #
:33:34. > :33:44.CHEERING AND APPLAUSE
:33:44. > :33:47.
:33:47. > :33:47.Miss
:33:47. > :33:47.Miss Atomic
:33:47. > :33:56.Miss Atomic Bomb.
:33:56. > :34:00.Miss Atomic Bomb. The Killers. Before that, we enjoyed Valerie
:34:00. > :34:04.June. In fact, if you have just joined us, there are a lot of
:34:04. > :34:09.fantastic people yet to come. Polica over there, Jackie DeShannon
:34:09. > :34:19.over there, Cody ChesnuTT over there. But now we welcome the
:34:19. > :34:46.
:34:46. > :34:55.# I remember colours # Green was for the springtime
:34:55. > :35:04.# And now the skies have darkened the white clouds turn to grey
:35:04. > :35:12.# What a way to break a heart you took all the colours away
:35:12. > :35:21.# Dark black is the colour of my life
:35:21. > :35:29.# Since you've been gone Since you've been gone
:35:29. > :35:35.# Oh, if you come back
:35:35. > :35:40.# Make my whole world bright
:35:40. > :35:43.# Since you've been gone
:35:43. > :35:50.# Dark black is the colour of my life
:35:50. > :35:58.# I remember visions you taught me how to see
:35:58. > :36:05.# The world of vivid colours was right there in front of me
:36:05. > :36:10.# Oh, but what good is a rainbow
:36:10. > :36:15.# If the picture's in black and in white?
:36:15. > :36:25.# Oh, what good is a future when there's not a colour in sight?
:36:25. > :36:34.
:36:34. > :36:41.# Since you've been gone Since you've been gone
:36:41. > :36:51.# Oh, if you come back Make my whole world bright
:36:51. > :36:52.
:36:52. > :36:55.# Since you've been gone
:36:55. > :36:59.# Dark black is the colour of my life
:36:59. > :37:09.# Dark black Dark black
:37:09. > :37:09.
:37:09. > :37:19.# Mmm, mmm, mmm. #
:37:19. > :37:29.
:37:29. > :37:29.What
:37:30. > :37:30.What an
:37:30. > :37:36.What an enchanting
:37:36. > :37:41.What an enchanting moment to have. Kristina Train. Dark Black. The
:37:41. > :37:51.title track of her wonderful album. And now, into this corner, we will
:37:51. > :38:12.
:38:12. > :38:22.enjoy once again the sensational # Who you gon' call now
:38:22. > :38:30.
:38:30. > :38:40.# And when you're standing # Why you don't even
:38:40. > :39:01.
:39:01. > :39:10.# And the lady that sacrificed # Saggin' round with an
:39:10. > :39:14.# The only reason I take the time cos I don't want to bury ya
:39:14. > :39:17.# Church boy, school boy, dope boy
:39:17. > :39:22.# I ain't gon' throw my hands up I'ma love ya
:39:22. > :39:24.# Love ya, love ya
:39:24. > :39:27.# I know times can get hard
:39:27. > :39:28.# But I love ya, son
:39:28. > :39:30.# But bein' hard ain't gon' get the weight off
:39:30. > :39:32.# And rid the scars
:39:32. > :39:34.# No matter how you feel
:39:34. > :39:35.# Your blood is on the seal
:39:35. > :39:38.# You can't just treat her any way
:39:38. > :39:40.# Law says here's the deal
:39:40. > :39:42.# That's still Mama
:39:42. > :39:45.# Yeah, that's still Mama
:39:45. > :39:47.# Yeah, let the recognition show
:39:47. > :39:49.# That's still Mama
:39:49. > :39:51.# Your mama, ooh
:39:51. > :39:54.# Church boy, school boy, dope boy
:39:54. > :40:04.# I'm on fire, do it cos I love ya
:40:04. > :40:06.
:40:06. > :40:09.# I'm on fire, do it cos I love ya
:40:09. > :40:11.# Do it cos I love ya
:40:12. > :40:13.# I do it, do it cos I love ya
:40:13. > :40:16.# I do it, do it cos I love ya
:40:16. > :40:17.# I do it, doo
:40:18. > :40:18.# Cos I love ya
:40:18. > :40:19.# I do it, doo
:40:19. > :40:20.# Cos I love ya
:40:20. > :40:21.# I do it, doo
:40:21. > :40:22.# Cos I love ya
:40:22. > :40:26.# I do it doo, ooh
:40:26. > :40:30.# Had to clean your backside
:40:30. > :40:32.# When you couldn't feed yourself
:40:32. > :40:33.# Couldn't clean your eyes
:40:33. > :40:38.# How on earth did you get so beside yourself
:40:38. > :40:41.# And abuse a queen that did it all?
:40:41. > :40:45.# Boy, you're confused
:40:45. > :40:46.# No matter how you feel
:40:46. > :40:46.# Your blood is on the seal
:40:47. > :40:49.# You can't just treat her any way
:40:49. > :40:52.# Law says here's the deal
:40:52. > :40:53.# That's still Mama
:40:53. > :40:56.# That's still your mama
:40:56. > :40:59.# Let the recognition show
:40:59. > :41:07.# I remember Mama
:41:07. > :41:12.# I remember Mama
:41:12. > :41:18.# I remember Mama
:41:18. > :41:25.# Mama
:41:25. > :41:28.# I remember Mama
:41:29. > :41:34.# I remember her love and guidance. #
:41:34. > :41:44.CHEERING AND APPLAUSE
:41:44. > :42:24.
:42:24. > :42:28.# Yeah, i've been working like a man, y'all
:42:28. > :42:32.# I've been working all my life, yeah
:42:32. > :42:42.# All my life, yeah all my life, yeah
:42:42. > :42:51.
:42:51. > :42:59.# Ain't no dinner on the table ain't no food in the frigerator
:42:59. > :43:02.# I go to work and I'll be back later
:43:02. > :43:06.# I go to work said I'll be back later
:43:06. > :43:10.# I've been working like a man, y'all
:43:10. > :43:14.all my life, yeah
:43:14. > :43:24.# All my life, yeah
:43:24. > :43:33.
:43:33. > :43:37.# Lord, you know I'm a good-looking woman
:43:37. > :43:40.# Lord you know I'm a good-looking girl
:43:40. > :43:44.# And if you want to give me something
:43:44. > :43:48.# Anything in this great, big world
:43:48. > :43:56.# Lord, you know that I am ready for my sugar, my sugar daddy
:43:56. > :44:06.# Lord, you know that I am ready for my sugar, my sugar daddy. #
:44:06. > :44:36.
:44:36. > :44:46.CHEERING AND APPLAUSE
:44:46. > :44:51.
:44:51. > :44:51.Workin'
:44:51. > :44:51.Workin' Woman
:44:51. > :45:01.Workin' Woman Blues,
:45:01. > :45:01.
:45:01. > :45:06.Workin' Woman Blues, Valerie June. Let's hear it for Valerie June. Yes.
:45:06. > :45:12.So now, at the piano, a chat with the legend. Think of some of these
:45:12. > :45:17.songs. When You Walk In The Room, Bette Davis eyes, breakaway, put a
:45:17. > :45:22.little loving your heart. Just the tip of the iceberg with some of the
:45:22. > :45:28.amazing songs this guest has written and sung. Please welcome at
:45:28. > :45:31.the piano Jackie DeShannon. Thank you so much. You have this great
:45:31. > :45:37.record, that you have done a lot of your songs acoustically, which we
:45:37. > :45:42.will go to in a moment. But let's go back to the start. Were your
:45:42. > :45:47.parents musical? Yes, my dad played guitar and sang with his brother,
:45:47. > :45:52.way back in the day, like the Everly Brothers. And my mum was a
:45:52. > :45:57.big band singer. My aunt taught at Conservatory in Chicago, classical
:45:57. > :46:03.music. And what made you realise that you had a thing where you
:46:03. > :46:06.could write and sing? I think basically when I was very young and
:46:06. > :46:12.in school and writing poetry, I think the big push was that I
:46:12. > :46:18.couldn't get material because it would go to people who had record
:46:18. > :46:23.contracts. Everyone I talked to said, you'd better start writing if
:46:23. > :46:26.you want some material, so I just started writing. Out of necessity.
:46:27. > :46:31.A lot of people did that. The Beatles did that because they said
:46:31. > :46:35.in Hamburg they did not have enough material so they had to write stuff.
:46:35. > :46:40.And you toured with the Beatles on their first American tour. I had
:46:40. > :46:47.the honour. They thought the world of you. Paul McCartney rang to say
:46:47. > :46:52.hello to you. Hello. What was that like? It looks completely mad.
:46:52. > :47:00.was pretty mad. Basically, they just screamed, we want the Beatles,
:47:00. > :47:07.all through our songs, which was fine with me. It was a once-in-a-
:47:07. > :47:10.lifetime thing. To be part of that is a great honour for me. In a
:47:10. > :47:15.moment you're going to be doing When You Walk In The Room, a great
:47:15. > :47:19.song. That has been covered by lots of people, amazing versions, but
:47:19. > :47:22.you wrote it. There is something so great about the poetry of it,
:47:22. > :47:28.because when the person does walk in the room, they can't say
:47:28. > :47:34.anything. Who was the song written about? I can't tell you. They don't
:47:34. > :47:39.even know. No one knows but me. It is a mystery and I want to keep it
:47:39. > :47:44.a mystery. Another great song was put a little loving your heart,
:47:44. > :47:50.which Al Green did and a lot of different people. Annie Lennox. You
:47:50. > :47:57.can't get better than that. What inspired that? It came from my mum.
:47:57. > :48:02.She used to say that about people being unkind, not being nice. She
:48:02. > :48:06.used to say, why don't they put a little love in their heart? And of
:48:06. > :48:11.course, I would not give her credit for that, but she really was the
:48:11. > :48:21.inspiration behind that. Would you give us a burst of it? I would love
:48:21. > :48:23.
:48:23. > :48:26.to. We need some rhythm. Everybody # Think of your fellow man, lend
:48:26. > :48:34.him a helping hand # Put a little loving your heart
:48:34. > :48:37.# You see, it's getting late # Please don't hesitate
:48:37. > :48:43.# Everybody, put a little loving your heart
:48:43. > :48:51.# And the world will be a better place
:48:51. > :48:58.# And the world will be a better place for you
:48:58. > :49:05.# Yes, and me # Why don't you wait and see
:49:05. > :49:11.# Take a good look around # If you're looking down, put a
:49:11. > :49:16.little loving your heart of # I am hoping you decide to let
:49:16. > :49:21.kindness be your dined # Put a little loving your heart
:49:21. > :49:29.# And don't you know the world will be a better place at
:49:29. > :49:33.# And the world will be a better place for you
:49:34. > :49:40.# Yes, and me # Why don't you wait and see
:49:40. > :49:43.# And everybody, saying it # Put a little loving your heart
:49:43. > :49:49.Bosong put a little love in your heart
:49:49. > :49:59.# There's no other way # Why don't you?
:49:59. > :50:07.
:50:07. > :50:12.# Put a little love in your heart. Thank you. The wonderful Jackie
:50:12. > :50:18.DeShannon, who we will be hearing more of in a moment her. We will be
:50:18. > :50:22.hearing one of a great songs. And now, a wonderful brand new singer.
:50:22. > :50:32.The room is packed with amazing people tonight. We welcome Kristina
:50:32. > :50:32.
:50:32. > :51:50.Apology for the loss of subtitles for 93 seconds
:51:50. > :52:00.# I have fallen # Baby, don't you know
:52:00. > :52:15.
:52:15. > :52:25.# I have fallen out of grace onto my knees
:52:25. > :52:26.
:52:26. > :52:31.# Always searching for the ending
:52:31. > :52:38.# But the cycle just repeats
:52:38. > :52:40.# Are you a saviour
:52:40. > :52:44.# Coming to love me
:52:44. > :52:49.# When the night time takes a toll?
:52:49. > :52:52.# Are you an angel
:52:52. > :52:56.# Rising above me?
:52:56. > :53:02.# You are so damn beautiful
:53:02. > :53:07.# Baby, don't you know I'm a lonely sinner
:53:07. > :53:14.# I don't want to strip you of your soul
:53:14. > :53:20.# Baby, don't you know I'm a lonely sinner
:53:20. > :53:25.# Baby, don't you know I'm a lonely sinner
:53:25. > :53:31.# Baby, don't you know I'm a lonely sinner
:53:31. > :53:41.# Baby, don't you know I'm a lonely sinner. #
:53:41. > :53:41.
:53:41. > :54:32.Apology for the loss of subtitles for 93 seconds
:54:32. > :54:40.# I can feel a new expression on my face
:54:40. > :54:49.# I can feel a glowing sensation taking place
:54:49. > :54:57.# I can hear the guitars playin' lovely tunes
:54:57. > :55:07.# Every time that you walk in the room
:55:07. > :55:11.
:55:12. > :55:21.# I close my eyes for a second and pretend it's me you want
:55:21. > :55:28.# Meanwhile I try to act so nonchalant
:55:28. > :55:37.# I feel a summer's night with a magic moon
:55:37. > :55:47.# Every time that you walk in the room
:55:47. > :55:53.
:55:53. > :56:02.# Baby it's a dream come true Standin' right along side of you
:56:02. > :56:07.# Wish I could show you how much I care
:56:07. > :56:14.# But I only have the nerve to stare
:56:14. > :56:23.# I can feel a something pounding in my brain
:56:23. > :56:32.# Just any time that someone speaks your name
:56:32. > :56:41.# Trumpets sound I hear thunder boom
:56:41. > :56:51.# Every time that you walk in the room
:56:51. > :56:53.
:56:53. > :57:03.# Every time that you walk in the room
:57:03. > :57:04.
:57:04. > :57:14.# Every time that you walk in the room
:57:14. > :57:18.
:57:18. > :57:28.CHEERING AND APPLAUSE
:57:28. > :57:34.
:57:34. > :57:34.The
:57:34. > :57:34.The wonderful
:57:34. > :57:37.The wonderful Jackie
:57:37. > :57:47.The wonderful Jackie DeShannon, When You Walk In The Room. Before
:57:47. > :57:53.
:57:53. > :58:03.that, Kristina Train. And now we # Get your cards out
:58:03. > :58:40.
:58:40. > :58:50.# Lay your cards out # Lay your cards out
:58:50. > :59:28.
:59:28. > :59:38.# Lay your cards out # Get your cards out
:59:38. > :59:38.
:59:38. > :00:18.Apology for the loss of subtitles for 93 seconds
:00:18. > :00:28.# Lay your cards out # Get, get
:00:28. > :00:28.
:00:28. > :01:20.Apology for the loss of subtitles for 93 seconds
:01:20. > :01:24.# Girl, girl, get Thanks, Polica. A beautiful pair of
:01:24. > :01:34.drummers. Thank you to all of our guests. Thank you to Jackie
:01:34. > :01:35.
:01:35. > :01:44.DeShannon. Thank you to Cody ChesnuTT. Thank you to Valerie June.
:01:44. > :01:49.Thank you to Adam Ant. Thank you to Kristina Train. Thank you. We will
:01:49. > :01:54.be back on Tuesday. You can see more staff on the website, if you
:01:54. > :02:04.want. But we finish where we started and we well, and say good
:02:04. > :02:10.
:02:10. > :02:13.# A little birdie # You've been cooking up
:02:13. > :02:16.# Put your hands in things you should have known
:02:16. > :02:18.# You was riding in the danger zone
:02:19. > :02:21.# Well, you had us all fooled with your quarterback smile
:02:21. > :02:24.# And your crocodile tears there for a while
:02:24. > :02:27.# And my paradigm shifted Man, you're making me shout
:02:27. > :02:30.# Hey, from here from out
:02:30. > :02:34.# Friends are gonna be hard to come by
:02:34. > :02:36.# Left us wonderin' what it all was about
:02:36. > :02:39.# He had it easy man, he chose the hard way
:02:39. > :02:44.# Walk that old, lonely road in the shadow of a doubt
:02:44. > :02:54.# From here on out
:02:54. > :02:57.
:02:57. > :03:00.# Should our paths ever decide to cross
:03:00. > :03:03.# You may wonder what the trouble cost
:03:03. > :03:06.# That don't matter now life goes on
:03:06. > :03:08.# Hallelujah, the trouble's gone
:03:08. > :03:11.# No sense in holdin' grudges and it's better to forgive
:03:11. > :03:14.# These are things that I must learn to practice while I live
:03:14. > :03:16.# And my paradigm shifted man, you're making me shout
:03:16. > :03:19.# Hey, from here on out
:03:19. > :03:23.# Friends are gonna be hard to come by
:03:23. > :03:26.# Left us wonderin' what it all was about
:03:26. > :03:29.# He had it easy man, he chose the hard way
:03:29. > :03:31.# Walk that old, lonely road in the shadow of a doubt
:03:31. > :03:35.# Hey, from here on out
:03:35. > :03:38.# Let the bugle blow a song of peace time
:03:38. > :03:41.# Left us wonderin' what it all was about
:03:41. > :03:43.# You may deny it but you carry it with you
:03:43. > :03:50.# Down that old lonely road in the shadow of a doubt