:01:26. > :01:36.What a lot of artists. Let's begin # You can't go home
:01:36. > :01:43.
:01:43. > :01:53.# You can walk a million miles # Just filling in the lines
:01:53. > :02:08.
:02:08. > :02:18.# No-one saves me, no-one loves # This place has a special kind
:02:18. > :02:18.
:02:18. > :02:25.# No-one knows where the edge of the knife is
:02:25. > :02:35.# And no-one knows where intelligent life is
:02:35. > :02:35.
:02:35. > :02:42.# Hey, no-one knows me No-one saves me
:02:42. > :02:44.# No-one loves or hates me
:02:44. > :02:47.# Going straight, I only ever really wanted a break
:02:47. > :02:50.# I've been away for too long
:02:50. > :02:56.# No, I never really wanted to stay I've been away for too long
:02:56. > :03:06.# I've been away for too long I've been away for too long
:03:06. > :03:10.
:03:10. > :03:17.# I've been away for too long
:03:17. > :03:27.# I've been away for too long
:03:27. > :03:32.
:03:32. > :03:39.# Keyholes, through keyholes
:03:39. > :03:49.# Where those I am still hiding everyone inside
:03:49. > :03:49.
:03:49. > :03:57.# Tank girls and fly guns and silver boots on my way home
:03:57. > :04:02.# Tank girls and fly guns and silver boots on my way home
:04:02. > :04:11.# Going straight, I only ever really wanted a break
:04:11. > :04:13.# I've been away for too long
:04:13. > :04:17.# No, I never really wanted to stay
:04:17. > :04:22.# Going straight, I only ever really wanted a break
:04:22. > :04:26.# I've been away for too long
:04:26. > :04:28.# No, I never really wanted to stay
:04:29. > :04:35.# I've been away for too long. #
:04:35. > :04:45.CHEERING AND APPLAUSE
:04:45. > :04:50.
:04:50. > :04:52.Thank
:04:52. > :04:53.Thank you
:04:53. > :04:57.Thank you Soundgarden.
:04:57. > :05:06.Thank you Soundgarden. Been Away Too Long. More from them later.
:05:06. > :05:16.A studio packed solid with amazing artists. We have Trey Songz. We
:05:16. > :05:16.
:05:16. > :05:22.have The Staves. From San Francisco, Bhi Bhiman. From Brighton, Bat For
:05:22. > :05:27.Lashes. Patricia Kaas. The greatest artist of France and
:05:27. > :05:37.now welcoming back to the show from Bangor, in Northern Ireland, we
:05:37. > :06:12.
:06:12. > :06:22.# Are you running faster # Sticks and stones
:06:22. > :06:25.
:06:25. > :06:35.# And all your words # There is no time
:06:35. > :06:45.
:06:45. > :06:55.# Of what we will be # It will all be clear
:06:55. > :07:02.
:07:02. > :07:12.# It's coming closer but we don't like to talk about it
:07:12. > :07:15.# The sticks and stones won't build you a home
:07:15. > :07:18.# And every word it will exert you
:07:18. > :07:26.# Till you're done
:07:26. > :07:29.# There is no time For wasting any time
:07:29. > :07:30.# This is the end of the line
:07:30. > :07:32.# The definite sign
:07:32. > :07:40.# Of what we will be Someday
:07:40. > :07:42.# Where do we start If we will end apart?
:07:42. > :07:44.# Where do we go from here?
:07:44. > :07:49.# It's head versus heart
:07:49. > :07:59.# It will all be clear Someday
:07:59. > :07:59.
:07:59. > :09:12.Apology for the loss of subtitles for 73 seconds
:09:12. > :09:13.Lovely
:09:13. > :09:13.Lovely to
:09:13. > :09:23.Lovely to have
:09:23. > :09:33.Lovely to have them back in this room. Thank you Two Door Cinema
:09:33. > :09:35.
:09:35. > :09:45.Club. # Never see a big church steeple
:09:45. > :09:48.
:09:48. > :09:51.# Never whisper you a great love story
:09:52. > :09:55.# Only scream and cry and moan
:09:55. > :09:57.# But you're a good man
:09:57. > :09:59.# But you're a good man
:09:59. > :10:09.# I keep telling myself to just let go
:10:09. > :10:10.
:10:10. > :10:17.# Ooh, let go...of the one who took all your gold
:10:17. > :10:20.# I get home and there's a love note waiting
:10:20. > :10:23.# But only he is here tonight
:10:23. > :10:27.# And the words the promises you're making
:10:27. > :10:30.# Only echo all his lies
:10:30. > :10:34.# And for every sweet nothing you whisper
:10:34. > :10:37.# Why is goodbye my reply?
:10:37. > :10:40.# Cos you're a good man
:10:40. > :10:41.# Cos you're a good man
:10:41. > :10:46.# I keep telling myself to just let go
:10:46. > :10:49.# There was someone that I knew before
:10:49. > :10:57.# A heart from the past That I cannot forget
:10:58. > :11:05.# I let him take all my gold And hurt me so bad
:11:05. > :11:10.# That now for you I have nothing left
:11:10. > :11:15.# Of all my gold
:11:15. > :11:18.# A ghost from the past Has turned my heart black
:11:18. > :11:27.# Am I ever gonna let him go? And get my gold back?
:11:27. > :11:30.# And today I was a dead girl walking
:11:30. > :11:34.# City light burnt through the tears
:11:34. > :11:37.# Heard you say my name and get to talking
:11:37. > :11:41.# About the love and all the fear
:11:41. > :11:44.# And you saw all the pain I was holding
:11:44. > :11:48.# And yet still you hold me near
:11:48. > :11:50.# Cos you're a good man
:11:50. > :11:52.# Cos you're a good man
:11:52. > :11:56.# I keep telling myself to just let go
:11:56. > :12:01.# There was someone that I knew before
:12:01. > :12:07.# A heart from the past That I cannot forget
:12:07. > :12:15.# I let him take all my gold And hurt me so bad
:12:15. > :12:24.# That now for you I have nothing left
:12:24. > :12:29.# Cos there was someone that I knew before
:12:29. > :12:36.# A heart from the past That I cannot forget
:12:36. > :12:43.# I let him take all my gold And hurt me so bad
:12:43. > :12:49.# That now for you I have nothing left
:12:49. > :12:59.# Of all my gold. #
:12:59. > :13:08.
:13:08. > :13:18.APPLAUSE AND CHEERING
:13:18. > :13:25.
:13:25. > :13:26.Thank
:13:26. > :13:26.Thank you
:13:26. > :13:30.Thank you wonderful
:13:30. > :13:36.Thank you wonderful Bat For Lashes, All Your Gold. A superb new album
:13:36. > :13:39.without called the Haunted Man. Getting to the top of the charts in
:13:39. > :13:45.America is difficult. Topping the charts all over the world is tricky.
:13:45. > :13:55.That is what our next arty has done. We are delighted to have him here,
:13:55. > :14:29.
:14:29. > :14:32.# That I will never ever # Oh, now I can't stop dreaming
:14:33. > :14:39.# That I will never ever see you again
:14:39. > :14:44.# And I'll never ever hold you again
:14:44. > :14:52.# In my arms, never ever again
:14:52. > :15:00.# And I will never ever feel you again
:15:00. > :15:05.# But I will always love you the same
:15:05. > :15:12.# My girl. never ever again
:15:12. > :15:16.# I wish we had a little more luck in love
:15:16. > :15:21.# Now you are long gone
:15:21. > :15:25.# But I still got your birthday card
:15:25. > :15:33.# Yeah, put a stamp on her address
:15:33. > :15:38.# Oh, now I can't stop dreaming 'bout you
:15:38. > :15:40.# I'm a lost star without you
:15:40. > :15:43.# It hurts but it's true
:15:43. > :15:51.# That I will never ever see you again
:15:51. > :15:57.# And I'll never ever hold you again
:15:57. > :16:05.# In my arms, never ever again
:16:05. > :16:12.# And I will never ever feel you again
:16:12. > :16:20.# But I will always love you the same
:16:20. > :16:25.# My girl never ever again
:16:25. > :16:29.# I wish we had a little more luck in love
:16:29. > :16:34.# Suddenly it takes me all along
:16:34. > :16:39.# To the point where it breaks my heart
:16:39. > :16:48.# Such a major love Never gonna touch again
:16:48. > :16:56.# I will never ever see you again
:16:56. > :17:00.# And I'll never ever hold you again
:17:00. > :17:07.# In my arms, never ever again
:17:07. > :17:11.# I wish we had a little more to look in love
:17:11. > :17:18.# Never ever again
:17:18. > :17:24.# Never ever again
:17:24. > :17:29.# Never again. #
:17:29. > :17:39.APPLAUSE AND CHEERING
:17:39. > :17:44.
:17:44. > :17:45.Joy
:17:45. > :17:45.Joy to
:17:45. > :17:54.Joy to have
:17:54. > :18:04.Joy to have tray songs in the studio with Never Again.
:18:04. > :18:08.
:18:08. > :18:13.Great to have you here. I've got the lot here. It is nice
:18:13. > :18:22.to have somebody who has a record. Can I get it out and smell it?
:18:22. > :18:27.have not seen this. I don't think any of us have. Oh, vinyl! Have a
:18:27. > :18:34.sniff of this! That is a nice quality piece of vinyl. People can
:18:34. > :18:40.see it, smell it, live it. It is the first record for 16 years. Why?
:18:40. > :18:43.What inspired you to make it after all this time - 16 years - why?
:18:43. > :18:47.discussed having a long history of recordings and albums and fans we
:18:47. > :18:54.were not in touch with. It was our responsible to go out there and
:18:54. > :18:59.reconnect with them. In that process, we decided, it is the most
:18:59. > :19:08.fun thing, but since... Making new music is the most fun thing. There
:19:08. > :19:11.are a lot of skulls here. And snow:. Correct me if I am wrong, but the
:19:11. > :19:17.ancient Greeks would hang these on the buildings of the wooden temples
:19:17. > :19:22.to ward off evil spirits. Is that what you were doing here? Exactly.
:19:22. > :19:29.It is a great record. You are playing back together, do you have
:19:29. > :19:35.a different atmosphere together after all this time? It makes 15
:19:35. > :19:39.years seem like not that long. Music seems to transcend time, when
:19:39. > :19:44.we are rehearsing a song we have not played in 25 years and we are
:19:44. > :19:48.listening to the radio and why we arrange it that way and you
:19:48. > :19:52.remember the room we were standing in and the discussion we were
:19:52. > :19:59.having. What made you want to start in the first place? What made you
:19:59. > :20:03.think, right I have to do music? are all big fans of music. I, for
:20:03. > :20:07.one, believed if I was good enough and into music as a musician and
:20:07. > :20:12.writer that the best band in the world would show up and beg me to
:20:12. > :20:20.be in their band and that didn't happen. So you had to get there.
:20:20. > :20:29.we had to invent our dream band and that's Soundgarden. You have done a
:20:29. > :20:33.superb job of it. Others all coming from Seattle - is that an important
:20:33. > :20:38.part of the city - did that play an important part in creating your
:20:38. > :20:45.sound and what you were about? think we were part of a bigger
:20:45. > :20:49.picture, which was the Indy scene, it was in the US, the UK, Australia,
:20:49. > :20:55.Canada. That is what we wanted to participate in and all our friends
:20:55. > :21:03.wanted to be part of that same thing. It is how it started out.
:21:03. > :21:07.Johnnie Cash did one of your songs, Rusty Cage. Did you meet him?
:21:07. > :21:12.was terrifying. He seemed to be 11 feet tall when he spoke. He had a
:21:12. > :21:16.very deep voice. He was a gentleman, a very sweet person, but I was
:21:16. > :21:22.afraid. Fantastic! He loved that song, he must have loved it to do
:21:22. > :21:30.it. He was great. He is almost part of the unique, special club of
:21:30. > :21:40.people who have recorded a James Bond theme, which is casino Royale.
:21:40. > :21:40.
:21:40. > :21:50.Were you a fan before that? I was a huge ShaunConnery fan and a huge
:21:50. > :21:51.
:21:51. > :22:01.fan of Paul McCartney, Live And Let Die. Did you know where the 007
:22:01. > :22:09.comes from? No. Well Ian Flemming lived in Kent and the bus, from
:22:09. > :22:16.Dover to London or Deal was 007. Is that true? As far as anything,
:22:16. > :22:23.truish. Do you have any tools you take with you? Just a respirator.
:22:23. > :22:31.Are there any gad goats you would like? The Aston -- any gadgets you
:22:31. > :22:36.would like to have? The Aston Martin. I wanted it when I wrote
:22:36. > :22:39.Martin. I wanted it when I wrote the song. It has been great having
:22:39. > :22:49.you here. The band is sounding marvellous. Thank you for joining
:22:49. > :22:53.
:22:53. > :22:57.D we will look forward to hearing Soundgarden in a moment. Now, let's
:22:57. > :23:02.momentarily discuss harmonies, harmonies, which can always be the
:23:02. > :23:12.sweetest, ladies and gentlemen. We welcome The Staves.
:23:12. > :23:33.
:23:33. > :23:43.# You, with your hands # Sing me a song
:23:43. > :23:57.
:23:57. > :24:04.# I'll take the high road that he walked
:24:04. > :24:08.# Once before
:24:08. > :24:18.# You sit and watch me as I come Through the door
:24:18. > :24:19.
:24:19. > :24:26.# Sing me a song Your voice is like silver
:24:26. > :24:36.# And I don't think that I can do this anymore
:24:36. > :24:51.
:24:51. > :24:57.# Oooh ooh ooh
:24:57. > :25:02.# Sing me a song Your voice is like silver
:25:02. > :25:08.# And I don't think that I can do this anymore
:25:08. > :25:13.# Show me the path down to the shoreline
:25:13. > :25:23.# Cos I don't know if I can do this anymore
:25:23. > :25:32.
:25:32. > :25:41.# A room with a window
:25:41. > :25:42.# Facing west. #
:25:42. > :25:52.APPLAUSE AND CHEERING
:25:52. > :25:53.# Ocean blue
:25:53. > :25:57.# What have I done to you?
:25:57. > :25:59.# Cut so deep
:25:59. > :26:09.# Yet growing through and through
:26:09. > :26:21.
:26:21. > :26:23.# Drawn apart
:26:23. > :26:25.# New York and London
:26:25. > :26:27.# All I see now
:26:27. > :26:30.# Are distant drumlins
:26:30. > :26:32.# The roads I knew
:26:32. > :26:36.# Became a city
:26:36. > :26:38.# And I wonder
:26:38. > :26:40.# Will you wait for me?
:26:40. > :26:43.# Although I'm far away
:26:43. > :26:46.# I know I'll stay
:26:46. > :26:49.# Right there with you
:26:49. > :26:51.# Though
:26:51. > :26:53.# It might be too late
:26:53. > :26:56.# What would you say?
:26:56. > :27:06.# What would you do?
:27:06. > :27:11.
:27:11. > :27:12.# I built a hive
:27:12. > :27:16.# Became one with the bees
:27:16. > :27:17.# But we fell like rain
:27:17. > :27:19.# Got lost into the sea
:27:19. > :27:22.# If I don't know
:27:22. > :27:24.# The wind will carry me
:27:24. > :27:30.# So just hold tight
:27:30. > :27:35.# Though I'm far away
:27:35. > :27:36.# I know I'll stay
:27:36. > :27:38.# Right there with you
:27:38. > :27:40.# And though
:27:40. > :27:43.# It might be too late
:27:43. > :27:44.# What would you say?
:27:44. > :27:45.# What would you say?
:27:45. > :27:49.# What would you do?
:27:49. > :27:51.# Over and over
:27:51. > :27:55.# Many setting suns I have run
:27:55. > :27:59.# I have waited for the rain to come
:27:59. > :28:00.# When through that mist
:28:00. > :28:03.# I see the shape of you
:28:03. > :28:05.# And I know, and I know
:28:05. > :28:15.# That I'm in love with you
:28:15. > :28:30.
:28:30. > :28:32.# Though I'm far away
:28:32. > :28:33.# I know I'll stay
:28:33. > :28:35.# I know I'll stay
:28:35. > :28:38.# Right there with you
:28:38. > :28:39.# And though
:28:39. > :28:42.# It might be too late
:28:42. > :28:43.# What would you say?
:28:43. > :28:45.# What would you say?
:28:45. > :28:54.# What would you do? #
:28:54. > :29:04.APPLAUSE AND CHEERING
:29:04. > :29:10.
:29:11. > :29:11.Thank
:29:11. > :29:11.Thank you
:29:11. > :29:17.Thank you Two
:29:17. > :29:26.Thank you Two Door Cinema Club. Let's have -- it's nice to have
:29:26. > :29:31.them back in this room. We have a lot of artists here. Our next
:29:31. > :29:41.artist is absolutely marvellous! Born to Sri Lankan parents, brought
:29:41. > :29:41.
:29:41. > :29:51.up in America, here he is, he's the # I took the first train I saw
:29:51. > :29:57.
:29:57. > :30:07.# I'm just a guttersnipe I got no place to wipe my nose
:30:07. > :30:11.
:30:11. > :30:21.# I jumped the first train I saw it'll surely take me home
:30:21. > :30:23.
:30:23. > :30:33.# A buzzard riding the railI steal my meals when all else fails
:30:33. > :30:36.
:30:36. > :30:46.# I'm right at home on the line I'm well on my way to feeling fine
:30:46. > :31:26.
:31:26. > :31:36.# I got some good friendssome folks to really help me through
:31:36. > :31:39.
:31:39. > :31:49.# I been all over, I spend my time just like I do
:31:49. > :31:52.
:31:52. > :32:02.# I stay out of trouble but it's got a way of finding you
:32:02. > :32:05.
:32:05. > :32:15.# A buzzard riding the rail, I steal my meals when all else fails
:32:15. > :32:20.
:32:20. > :32:30.# I'm right at home on the line but I'm well on my way to feeling fine
:32:30. > :32:56.
:32:56. > :33:06.# A buzzard riding the rail, I steal my meals when all else fails
:33:06. > :33:19.
:33:19. > :33:22.# I never heeded the sign I'm right at home on the line
:33:22. > :33:32.# But I'm well on my way to feeling fine. #
:33:32. > :33:32.
:33:32. > :34:25.Apology for the loss of subtitles for 73 seconds
:34:25. > :34:25.# I
:34:25. > :34:25.# I can
:34:25. > :34:35.# I can hold
:34:35. > :34:36.
:34:36. > :37:53.Apology for the loss of subtitles for 73 seconds
:37:53. > :37:58.Thank you Soundgarden. Before that we enjoyed Bhi Bhiman.
:37:58. > :38:03.And now, over at the piano, one of France's greatest artists, she has
:38:03. > :38:08.just played at the Albert Hall last week. She has done a marvellous
:38:08. > :38:12.record. I am delighted she is here, Patricia Kaas.
:38:12. > :38:16.Welcome to the show. Fantastic that Welcome to the show. Fantastic that
:38:16. > :38:21.you are here. , now we have this marvellous CD
:38:21. > :38:25.here. You are hugely successful all around the world, which is
:38:25. > :38:30.fantastic for a French-speaking artist. Was music a part of your
:38:30. > :38:36.upbringing? Were your parents very musical? Not really. My father
:38:36. > :38:40.liked to dance, but not a musician. What got you into the whole thing?
:38:40. > :38:50.Listen to records, sing in front of a mirror and then suddenly you wish
:38:50. > :38:53.
:38:53. > :38:58.to be on a stage. And never looked back. You made this album of Edith
:38:58. > :39:07.Piaf. When did you first hear her? Maybe I was ten, because you had to
:39:07. > :39:11.sing a song of Piaf. I was more interested in Piaf when
:39:11. > :39:16.they tried to compare me to her because I wanted to understand. I
:39:16. > :39:22.think it's, to understand her music, you need to have an experience of
:39:22. > :39:28.life and knowing sadness and difficulties and.... It is like the
:39:28. > :39:31.blues music. It is like poetry, but it is grown up music, somebody who
:39:32. > :39:36.has lived a life. Of course you can listen to it when you are younger,
:39:36. > :39:42.but I think you understand it better. Also I, when I sang it,
:39:42. > :39:46.when I was younger, it was much different. Now I don't need to
:39:46. > :39:52.think about the emotions and everything, I just think, because I
:39:52. > :39:56.have more experience. In a moment, we're are going to do a song she
:39:56. > :40:03.wrote, which is Hymne A L'Amour. What is that song about? It's the
:40:03. > :40:10.end of love. Nothing can happen. Even God can't separate us - we'll
:40:10. > :40:15.be always together. It doesn't matter what happens. Yeah. I will
:40:15. > :40:21.introduce somebody over there and then I will be back hear and then I
:40:21. > :40:27.look forward to have an Edith Piaf song with Patricia Kaas, ladies and
:40:27. > :40:37.gentlemen. And now, let's enjoy, once again that chart-topping
:40:37. > :40:54.
:40:54. > :41:02.sensation, who is top of the range # Splash, baby girl
:41:02. > :41:12.# Yeah, girl # Come a little closer
:41:12. > :41:14.
:41:14. > :41:24.# Wanting to go deeper # Ooh you got that look
:41:24. > :41:27.
:41:27. > :41:36.# What we 'bout to do # Swimming in your body
:41:36. > :41:46.# You know # Baby you, watch me stroke
:41:46. > :41:51.
:41:51. > :42:01.# There ain't no running # Put me to the test, girl
:42:01. > :42:09.
:42:09. > :42:14.# I'mma be the one # Won't drown
:42:14. > :42:17.# Now I just keep my head down Down, down
:42:17. > :42:22.# Swim for days I can doggy paddle all kind of ways
:42:22. > :42:30.# Girl, you got me
:42:30. > :42:33.# Wanting to go deeper than you'll ever know
:42:33. > :42:34.# Wanting to feel, the way you flow
:42:34. > :42:42.# Ooh you got that look up in your eyes
:42:42. > :42:43.# What we 'bout to do ain't no surprise
:42:43. > :42:45.# I'm about to dive in
:42:45. > :42:46.# Baby girl hold your breath
:42:46. > :42:47.# We about to get so wet
:42:47. > :42:52.# Swimming in your body Let me dive in
:42:52. > :42:54.# You know ain't no running 'round this pool
:42:55. > :42:57.# Going under just for you
:42:57. > :43:00.# Baby you, watch me stroke Left stroke, right stroke
:43:00. > :43:02.# Back stroke, girl
:43:02. > :43:04.# There ain't no running 'round this pool
:43:04. > :43:08.# Ooh I'm about to dive in
:43:08. > :43:10.# Baby girl hold your breath
:43:10. > :43:12.# We about to get so wet
:43:12. > :43:22.# Put me to the test, girl When I dive. #
:43:22. > :43:23.
:43:23. > :43:33.# Put me to the test, girl When I dive. #
:43:33. > :43:41.
:43:41. > :43:45.# Wanting to go deeper than you'll ever know
:43:45. > :43:53.# Swimming in your body Let me dive in
:43:53. > :43:56.# Swimming in your body Let me dive in
:43:56. > :43:58.# You know ain't no running 'round this pool
:43:58. > :44:01.# Going under just for you
:44:01. > :44:04.# Baby you, watch me stroke Left stroke, right stroke
:44:04. > :44:06.# Back stroke, girl
:44:07. > :44:09.# There ain't no running 'round this pool
:44:09. > :44:12.# Ooh I'm about to dive in
:44:12. > :44:14.# Baby girl hold your breath
:44:14. > :44:17.# We about to get so wet
:44:17. > :44:27.# Put me to the test, girl When I dive. #
:44:27. > :44:33.
:44:33. > :44:43.# Put me to the test, girl When I dive. #
:44:43. > :44:43.
:44:43. > :45:29.Apology for the loss of subtitles for 73 seconds
:45:29. > :45:36.# Et la terre peut bien s'ecrouler
:45:36. > :45:43.# Peu m'importe si tu m'aimes
:45:43. > :45:50.# Je me fous du monde entier
:45:50. > :45:57.# Tant qu'l'amour inond'ra mes matins
:45:57. > :46:02.# Tant que mon corps fremira sous tes mains
:46:02. > :46:09.# Peu m'importent les problemes
:46:09. > :46:19.# Mon amour puisque tu m'aimes
:46:19. > :46:29.
:46:29. > :46:32.# J'irais jusqu'au bout du monde
:46:32. > :46:35.# Je me ferais teindre en blonde
:46:35. > :46:40.# Si tu me le demandais
:46:40. > :46:43.# J'irais decrocher la lune
:46:43. > :46:46.# J'irais voler la fortune
:46:46. > :46:51.# Si tu me le demandais
:46:51. > :46:54.# Je renierais ma patrie
:46:54. > :46:56.# Je renierais mes amis
:46:56. > :47:02.# Si tu me le demandais
:47:02. > :47:04.# On peut bien rire de moi
:47:04. > :47:06.# Je ferais n'importe quoi
:47:06. > :47:15.# Si tu me le demandais
:47:15. > :47:24.# Si un jour la vie t'arrache a moi
:47:24. > :47:29.# Si tu meurs que tu sois loin de moi
:47:29. > :47:37.# Peu m'importe si tu m'aimes
:47:37. > :47:45.# Car moi je mourrai aussi
:47:45. > :47:50.# Nous aurons pour nous l'eternite
:47:50. > :47:56.# Dans le bleu de toute l'immensite
:47:56. > :48:02.# Dans le ciel plus de problemes
:48:02. > :48:12.# Mon amour crois-tu qu'on s'aime
:48:12. > :48:27.
:48:27. > :48:37.# Dieu reunit ceux qui s'aiment
:48:37. > :48:42.
:48:42. > :48:52.APPLAUSE AND CHEERING
:48:52. > :48:57.
:48:57. > :48:57.The
:48:57. > :48:58.The amazing
:48:58. > :49:04.The amazing and
:49:04. > :49:13.The amazing and wonderful Patricia Kaas and Hymne A L'Amour.
:49:13. > :49:23.From her album of Edith Piaf songs. Now we welcome back Two Door Cinema
:49:23. > :49:45.
:49:45. > :49:55.# When I'm only fast asleep it takes # So I'll hold, hold, hold, hold it
:49:55. > :50:03.
:50:03. > :50:06.# He sleeps alone, he needs no army # Cos he knows
:50:06. > :50:12.# And they can't hurt him if he can see them
:50:12. > :50:18.# And I may go to places I have never been to just to find
:50:18. > :50:24.# The deepest desires in my mind
:50:24. > :50:34.# We, we only know, what we see cos we're always fast asleep
:50:34. > :50:38.
:50:38. > :50:48.# Cos it's so hard not to believe that we'll never know
:50:48. > :50:49.
:50:49. > :50:57.# Oh hold, hold, hold, hold me close I've never been this far from home
:50:57. > :51:04.# Hold, hold, hold me close
:51:04. > :51:08.# He sleeps alone, he needs no army where he's headed
:51:08. > :51:12.# Cos he knows that they're just ghosts
:51:12. > :51:17.# And they can't hurt him if he can see them
:51:17. > :51:23.# And I may go to places I have never been to just to find
:51:23. > :51:30.# The deepest desires in my mind
:51:30. > :51:36.# It's in my head and I have said that I must be like him
:51:36. > :51:43.# He sleeps alone, he sleeps alone and one last chance
:51:43. > :51:48.# To make sense of what has long escaped us
:51:48. > :51:55.# He sleeps alone, I sleep alone
:51:55. > :52:00.# He sleeps alone, he needs no army where he's headed
:52:00. > :52:04.# Cos he knows that they're just ghosts
:52:04. > :52:07.# And they can't hurt him if he can see them
:52:07. > :52:14.# And I don't know if in the morning, I will be here
:52:14. > :52:17.# And if so let it be known
:52:17. > :52:22.# That I was worthy I was worthy, I was worthy
:52:22. > :52:32.# I was. #
:52:32. > :52:53.
:52:53. > :53:03.CHEERING AND APPLAUSE
:53:03. > :53:08.
:53:08. > :53:12.# Oh yeah, oh yeah
:53:12. > :53:19.# Oh yeah, oh yeah
:53:19. > :53:27.# Oh yeah, oh yeah
:53:27. > :53:28.# Oh yeah-oh yeah
:53:28. > :53:35.# Oh yeah, oh yeah
:53:35. > :53:40.# I am whole Hot is the night
:53:40. > :53:48.# The grass is so tall And slow
:53:48. > :53:54.# The air is wet And I feel alive
:53:54. > :54:02.# Let the perfume drip Let it rise!
:54:02. > :54:07.# I am whole And I walk the night
:54:07. > :54:16.# Luscious and lost So alone
:54:16. > :54:21.# Touch the rocks And lick the light
:54:21. > :54:27.# Let the hot winds howl So slow
:54:28. > :54:37.# Here am I Looking for a lover to climb inside
:54:38. > :54:40.
:54:40. > :54:50.# Waiting like a flower to open wide I'm in bloom!
:54:50. > :55:10.
:55:10. > :55:17.# I lie low I'm ready to try
:55:17. > :55:23.# The tapestries turn And grow
:55:23. > :55:29.# Creepers crawl And kiss my thighs
:55:29. > :55:39.# And the headiness howls Rise and rise!
:55:39. > :55:41.
:55:41. > :55:46.# Here am I Looking for a lover to climb inside
:55:46. > :55:48.# Lying like a flower with no more time
:55:48. > :55:58.# Waiting for another to come inside I'm in bloom!
:55:58. > :56:06.
:56:07. > :56:09.# Here I lie
:56:09. > :56:15.# Here am I Looking for a lover to climb inside
:56:15. > :56:25.# Waiting like a flower to open wide I'm in bloom!
:56:25. > :56:36.
:56:36. > :56:46.APPLAUSE AND CHEERING
:56:46. > :56:47.
:56:47. > :56:47.What
:56:48. > :56:48.What a
:56:48. > :56:52.What a treat
:56:52. > :57:00.What a treat to have - Bat For Lashes, back in this studio. Oh,
:57:00. > :57:09.yes. Thank you to all of our guests. Thank you to Trey Songz. Thank you
:57:09. > :57:17.to The Staves. Thank you to Bhi Bhiman.
:57:17. > :57:21.Thank you Bat For Lashes. Thank you Patricia Kaas.
:57:21. > :57:31.Thank you Two Door Cinema Club. We will be back, live on Tuesday at
:57:31. > :57:41.10pm. Now, we finish where we started
:57:41. > :57:54.
:57:54. > :58:04.# And hit me with a hand # You tied my lead and pulled
:58:04. > :58:11.
:58:11. > :58:21.# But I'm gonna break # I'm gonna break
:58:21. > :58:36.
:58:36. > :58:46.# I'm gonna break # I'm burning diesel
:58:46. > :58:52.# And ride a pack of dogs I'm gonna break
:58:52. > :58:54.# I'm gonna break my
:58:55. > :59:04.# I'm gonna break my rusty cage and run
:59:04. > :59:06.# I'm gonna break my
:59:06. > :59:16.# I'm gonna break my rusty cage and run
:59:16. > :59:23.
:59:23. > :59:31.# Hits like a Phillips head into my brain
:59:31. > :59:41.# It's gonna be too dark to sleep again
:59:41. > :59:41.
:59:41. > :59:48.# Cutting my teeth on bars and rusty chains
:59:48. > :59:58.# I'm gonna break my rusty cage and run
:59:58. > :00:24.
:00:24. > :00:26.# When the forest burns along the road
:00:26. > :00:36.# Like God's eyes in my headlights
:00:36. > :00:36.
:00:36. > :00:43.# When the dogs are looking for their bones
:00:43. > :00:53.# And it's raining icepicks
:00:53. > :00:56.
:00:56. > :01:05.# On your steel shore, I'm gonna break, I'm gonna break my
:01:05. > :01:15.# I'm gonna break my rusty cage and run. #
:01:15. > :01:21.
:01:21. > :01:22.# I'm gonna break, I'm gonna break my