Episode 2

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:00:42. > :00:51.Live and direct from the garden of England, we welcome Police and Crime

:00:52. > :00:55.

:00:55. > :01:05.# There's a time to remember # Don't worry about things you

:01:05. > :01:10.# There's a place I wanna go # She's leaving in a big black car

:01:10. > :01:20.# It's all right, it's OK you can do just what you want to

:01:20. > :01:25.# Take your time, walk away

:01:25. > :01:32.# You can come back if you're supposed to

:01:32. > :01:38.# I don't care about tomorrow when I feel like this today

:01:38. > :01:42.# Fake nostalgia for another's past has never been my way

:01:42. > :01:47.# Don't believe what they tell you let your will be your guide

:01:47. > :01:52.# There's no point in pretending when you know that it's died

:01:52. > :02:01.# It's all right, it's OK, you can't fix it once it's been broken

:02:01. > :02:07.# Take your time, walk away

:02:07. > :02:15.# You can't close it once it's been opened

:02:15. > :02:19.# Many times all alone in your room at night

:02:19. > :02:25.# And you cry, and you cry

:02:25. > :02:29.# Walking down lonely streets no-one to speak

:02:29. > :02:35.# And you cry, and you cry

:02:35. > :02:37.# Ooh la la la

:02:37. > :02:39.# Ooh la la la

:02:39. > :02:49.# Ooh la la la

:02:49. > :03:11.

:03:11. > :03:16.# If you really think about it # No-one can stop you if you truly

:03:16. > :03:21.# In this asphyxiation culture there's no place for the weak people

:03:21. > :03:26.# Circle like vultures waiting for someone to freak

:03:26. > :03:36.It's all right, it's OK, you can do just what you want to

:03:36. > :03:37.

:03:37. > :03:42.# Take your time, walk away

:03:42. > :03:48.# You can come back if you're supposed to

:03:48. > :03:50.# Ooh la la la

:03:50. > :03:52.# Ooh la la la

:03:52. > :04:02.# Ooh la la la

:04:02. > :04:03.

:04:03. > :05:04.Apology for the loss of subtitles for 61 seconds

:05:04. > :05:12.# Hey you, remember me? # My time, you took it all

:05:12. > :05:17.# It isn't fair, to have your way to try and get up and go

:05:17. > :05:20.# And na na na na now can't you see

:05:20. > :05:23.# It isn't fair to have your way

:05:23. > :05:26.# But I'm trying to get your attention

:05:26. > :05:27.# And I need you to know that

:05:27. > :05:29.# Hey you, hey you

:05:29. > :05:31.# Can't you make this sane?

:05:31. > :05:35.# I know, I know, I know you ain't the one to play the game

:05:35. > :05:39.# Now I know I'm never gonna go your way

:05:39. > :05:42.# If you go, now I know I know know know

:05:42. > :05:46.# Forever we tried to make it right together we saw the end in sight

:05:46. > :05:48.# I'm tired of fighting the good fight

:05:48. > :05:50.# If you say the word then I'll say goodbye

:05:50. > :05:52.# Forever I see you and me

:05:52. > :05:54.# Forever I'll try for you and I

:05:54. > :05:56.# No, I never believed in their insight

:05:56. > :05:59.# Just another good reason to get it right

:05:59. > :06:03.# I don't want to turn around

:06:03. > :06:05.# So come on, baby

:06:05. > :06:09.# Come on and try to let it out let go

:06:09. > :06:11.# We're still the same

:06:11. > :06:12.# So come on, baby

:06:12. > :06:14.# Trigger the sound let's figure it out

:06:14. > :06:16.# Let's get back to where we started out

:06:16. > :06:18.# Hey you, hey you

:06:18. > :06:20.# Can't you make this sane?

:06:20. > :06:24.# I know, I know, I know you ain't the one to play the game

:06:24. > :06:28.# Now I know I'm never gonna go your way

:06:28. > :06:32.# If you go, now I know I know know know

:06:32. > :06:35.# Forever we tried to make it right together we saw the end in sight

:06:35. > :06:38.# I'm tired of fighting the good fight

:06:38. > :06:39.# If you say the word then I'll say goodbye

:06:39. > :06:41.# Forever I see you and me

:06:41. > :06:43.# Forever I'll try for you and I

:06:43. > :06:45.# No, I never believed in the reason

:06:45. > :06:55.# Just another good reason to get a ride

:06:55. > :07:12.

:07:12. > :07:19.# Go go go go get out, get out of my memory

:07:19. > :07:27.# No no no, not tonight, I don't have the energy

:07:27. > :07:35.# Go go go go get out, get out of my memory

:07:35. > :07:43.# No no no, not tonight oh not tonight, oh not tonight

:07:43. > :07:46.# Forever we tried to make it right together we saw the end in sight

:07:46. > :07:48.# I'm tired of fighting the good fight

:07:48. > :07:50.# If you say the word then I'll say goodbye

:07:50. > :07:54.# Forever I see you and me forever I'll try for you and I

:07:54. > :07:56.# No I never believed in their insight

:07:56. > :07:59.# Just another good reason to get it right

:07:59. > :08:02.# Forever we tried to make it right together we saw the end in sight

:08:02. > :08:04.# I'm tired of fighting the good fight

:08:04. > :08:06.# If you say the word then I'll say goodbye

:08:06. > :08:08.# Forever I see you and me

:08:08. > :08:10.# Forever I'll try for you and I

:08:10. > :08:12.# No, I never believed in their insight

:08:12. > :08:15.# Just another good reason to get it right

:08:15. > :08:23.# Forever we tried, forever we tried forever we tried, forever we tried

:08:23. > :08:26.# Forever we tried, forever we tried

:08:26. > :08:30.# Forever we tried forever we tried. #

:08:30. > :08:40.CHEERING AND APPLAUSE

:08:40. > :08:45.

:08:45. > :08:45.Thank you Haim. Forever. And now joining

:08:45. > :08:45.joining me

:08:45. > :08:45.joining me at

:08:46. > :08:50.joining me at the

:08:50. > :08:54.joining me at the piano I am delighted to welcome the talented

:08:54. > :08:58.Jamie Cullum. It is great to have you here. Now, I will cut to the

:08:58. > :09:03.chase. Your new album is a great record and it is different from the

:09:03. > :09:08.last one, because really, you have written a lot of it. It is more of a

:09:08. > :09:11.song writer's one. I wanted my songs to have more of a life of their own,

:09:11. > :09:18.and sometimes when you have so many covers on a record, it is hard for

:09:18. > :09:22.them to stand on their own two feet. And, I don't know why you have done

:09:22. > :09:27.it before, because they sound great. I didn't have the confidence. It has

:09:27. > :09:31.taken time to get to that point where I felt bold enough. Sometimes

:09:31. > :09:35.you can hind behind the whole music thing. It is nice to do something

:09:36. > :09:40.based round my songs. When we were talking earlier, one thing I wanted

:09:40. > :09:46.to veal to the public, I never knew this, before becoming sort of a

:09:46. > :09:51.brilliant musician, singer, artist, whatever word we might use, you

:09:51. > :09:56.wanted to be something else. It was a style of music I wouldn't have

:09:57. > :10:02.believed true? One of my first gigs was watching Iron Maiden. I wanted

:10:02. > :10:07.to be in a heavy metal band. That is where it was going to start?

:10:07. > :10:15.other person you like is ray Charles we stuck with the piano, let us give

:10:15. > :10:21.it a go. What shall we do. This is all live. How long have we

:10:21. > :10:29.got? Three minutes? A bit of Ray Charles.

:10:29. > :10:34.# I got a woman # Way over town

:10:34. > :10:39.# That's good to me # Whoa, yeah

:10:39. > :10:45.# I got a woman # Way over town

:10:45. > :10:53.# That's good to me # Whoa yeah

:10:53. > :10:57.# She gives me money # When I'm in need

:10:57. > :11:07.# She's a friend indeed # I got a woman

:11:07. > :11:07.

:11:07. > :12:41.Apology for the loss of subtitles for 61 seconds

:12:41. > :12:51.# Way over town CHEERING AND APPLAUSE

:12:51. > :13:18.

:13:18. > :13:28.We have another minute. We have CHEERING AND APPLAUSE

:13:28. > :13:29.

:13:29. > :13:39.phew! Mr Jamie Cullum. 20 fingers one piano, you saw it here first. In

:13:39. > :13:51.

:13:51. > :13:53.# Four walls and a cauldron of # And our home is a trigger that I'm

:13:53. > :13:56.# At the border, at the, at the border

:13:56. > :13:58.# I'm at the border, at the, at the border

:13:58. > :14:01.# The short spears and the weak eternal monologuing

:14:01. > :14:03.# And our war is the crucible of all your longing

:14:03. > :14:07.# At the border, at the, at the border I'm at the border

:14:07. > :14:09.# At the, at the border

:14:09. > :14:12.# I was there when the clamour got real

:14:12. > :14:15.# I was there when your brow smashed the wall

:14:15. > :14:17.# It's like a riot with only two perps

:14:17. > :14:20.# The more I'm here I'm making it worse

:14:20. > :14:22.# But does it feel like you're already dead?

:14:22. > :14:23.# Yes

:14:23. > :14:26.# And do you feel like your brain stopped delivering?

:14:26. > :14:28.# Yeah, break my finger shoot out my black eyes

:14:28. > :14:32.# What does it matter if everyone dies?

:14:32. > :14:37.# Hey, Kemosabe, I'm alone

:14:37. > :14:39.# Ayah, I am a

:14:39. > :14:41.# I am alone

:14:41. > :14:46.# Hey, Kemosabe, I'm alone

:14:46. > :14:48.# I am a

:14:48. > :14:58.# I am alone

:14:58. > :15:01.

:15:01. > :15:02.# So fast hence take an arrow from your quiver

:15:02. > :15:04.# Or were, past-tense

:15:04. > :15:05.# What's a trilobite to anyone?

:15:05. > :15:07.# I'm outta my depth, outta, outta my depth

:15:07. > :15:17.# I'm outta my depth, outta, outta my depth

:15:17. > :15:36.

:15:36. > :15:38.# Nobody checking on all of my deeds

:15:38. > :15:40.# I need a checker for all of my deeds

:15:40. > :15:45.# Hey, Kemosabe, I'm alone

:15:45. > :15:47.# Aya

:15:47. > :15:48.# I am a

:15:48. > :15:50.# I am alone

:15:50. > :15:55.# Hey, Kemosabe, I'm alone

:15:56. > :15:56.# I am a

:15:56. > :15:59.# I am alone

:15:59. > :16:07.# And we be trapped in the amber last joy

:16:07. > :16:13.# And I'm looking at a holy ghost

:16:13. > :16:16.# But there's no silver bullet for a memory

:16:16. > :16:21.# I field dress every moment but you're telling me that Tonto say

:16:21. > :16:31.# I've lost my way

:16:31. > :16:35.

:16:35. > :16:40.# Hey, Kemosabe, I'm alone

:16:40. > :16:49.# I am alone

:16:49. > :16:52.# And I'm drained enough genuflecting in a penitent way

:16:52. > :16:54.# Hey, Kemosabe, I'm alone

:16:54. > :16:57.# Ayah

:16:57. > :16:59.# I am alone

:16:59. > :17:01.# So yippee-kayay

:17:01. > :17:03.# Hey, Kemosabe, I'm alone

:17:03. > :17:05.# Ayah

:17:05. > :17:06.# I am a

:17:06. > :17:16.# I am alone

:17:16. > :17:26.CHEERING AND APPLAUSE

:17:26. > :17:30.

:17:30. > :17:31.thank you Everything Everything. Kemosabe,

:17:31. > :17:31.Kemosabe, a

:17:31. > :17:32.Kemosabe, a song

:17:32. > :17:36.Kemosabe, a song from

:17:36. > :17:42.Kemosabe, a song from their album. We are honoured to have one of the

:17:42. > :17:52.finest singers from Portugal, doing the title track from her album,

:17:52. > :17:52.

:17:52. > :20:33.Apology for the loss of subtitles for 61 seconds

:20:33. > :20:43.the title track from her album, # So reach out for the things that

:20:43. > :20:58.

:20:58. > :21:08.# So we should put this one to bed # When it gets too late and I find

:21:08. > :21:12.

:21:12. > :21:22.# Who will save your soul # Who will save your soul

:21:22. > :21:38.

:21:38. > :21:48.# Inside of another tiny life full # It strikes me with the baggage

:21:48. > :22:00.

:22:00. > :22:10.# Now watch them tumble out of me # So save those homiletic tones and

:22:10. > :22:14.

:22:14. > :22:24.# When it gets too late and I find # Who will save your soul

:22:24. > :22:24.

:22:24. > :23:22.Apology for the loss of subtitles for 61 seconds

:23:22. > :23:32.# Who will save your soul # Cleaner than where our pounding

:23:32. > :23:35.

:23:35. > :23:40.# Who will save your soul and love me

:23:40. > :23:42.# Here when it gets too far

:23:42. > :23:45.# Well, let down your guard

:23:45. > :23:50.# Who will save your soul and love me

:23:50. > :24:00.# Here

:24:00. > :24:05.

:24:05. > :24:15.CHEERING AND APPLAUSE

:24:15. > :24:18.

:24:18. > :24:19.Thanks to Primal Scream. Thank

:24:19. > :24:19.Thank you

:24:19. > :24:22.Thank you Haim.

:24:22. > :24:22.Thank you Haim. Thank

:24:22. > :24:22.Thank you

:24:23. > :24:23.Thank you Everything

:24:23. > :24:26.Thank you Everything Everything.

:24:26. > :24:26.Thank you Everything Everything. Thank

:24:26. > :24:26.Thank you

:24:26. > :24:27.Thank you Ana

:24:27. > :24:31.Thank you Ana Moura.

:24:31. > :24:35.Thank you Ana Moura. You can see more from all these guests on

:24:35. > :24:38.Friday's show, where if you join us on Friday, in the meantime here is a

:24:38. > :24:44.taste of a man you can meet on the Friday show. I think you will agree

:24:44. > :24:54.he has a lovely voice. If you fuen in then you can see all these people

:24:54. > :25:06.

:25:06. > :25:15.much more an this next fellow. So # And you don't know why

:25:15. > :25:25.# Come into my arms # I'll hold you through the night

:25:25. > :25:35.# And in the morn morning I # Will be sure to find

:25:35. > :25:36.

:25:36. > :25:46.# A kind of love so strong # You will make us cry faithful

:25:46. > :25:53.

:25:53. > :26:03.# I know you sometimes... # I know you get lost

:26:03. > :26:17.

:26:17. > :26:27.# Whenever you get lost # Hold my hands. #

:26:27. > :26:43.

:26:43. > :26:53.# Flashing lights, police cars # The corner boys look like

:26:53. > :26:53.

:26:53. > :26:58.# Police stations, crack house zombies readers wives

:26:58. > :27:02.# Suburban orgies

:27:02. > :27:07.# Invisible city, invisible city invisible city, invisible city

:27:07. > :27:17.# Pissed-up girls, Kia-Ora tans mini skirts

:27:17. > :27:27.

:27:27. > :27:30.# Pissed-up girls, Kia-Ora tans mini skirts

:27:30. > :27:36.# One-night stands, up the duff sun bed thighs

:27:36. > :27:40.# Missing father all their lives

:27:40. > :27:43.# Rain wet streets, hallucination

:27:43. > :27:46.# Stretched faces like a Bacon painting

:27:46. > :27:49.# Midnight drive in the neon sunshine

:27:49. > :27:57.# I love this city such a beautiful city

:27:57. > :28:07.# Invisible city, invisible city invisible city

:28:07. > :28:11.

:28:11. > :28:16.# Politician Death TV, psychic sewers spewing out garbage

:28:16. > :28:26.# Tune out of that frequency, tune out of that frequency

:28:26. > :28:52.

:28:52. > :28:53.# Rain wet street, hallucination

:28:53. > :28:54.# Stretched faces like a bacon painting

:28:54. > :28:56.# Midnight drive in the neon sunshine

:28:56. > :29:01.# I love this city, such a beautiful city

:29:01. > :29:10.# Invisible city, invisible city invisible city

:29:10. > :29:17.# I love this city such a beautiful city. #

:29:17. > :29:23.# Invisible city, invisible city invisible city