:00:39. > :00:49.with us. I'm delighted it is with us. I'm delighted it is
:00:49. > :00:52.
:00:52. > :01:02.with us. I'm delighted it is # I was looking downtown for a chick
:01:02. > :01:11.
:01:11. > :01:21.# I was looking downtown for a chick # She looked me in the eye
:01:21. > :01:30.
:01:30. > :01:40.# Said, "You let me down twice # I followed her around
:01:40. > :01:43.
:01:43. > :01:48.# But don't she look nice? She's the centre of her own attention
:01:48. > :01:58.# I wanna fall down today
:01:58. > :02:05.
:02:05. > :02:11.# When I get down there There's people painting and dancing
:02:11. > :02:21.# The city sleeps above I light candles in a wall of heads
:02:21. > :02:23.# We douse the fires
:02:23. > :02:33.# Wanna fall down again
:02:33. > :02:37.
:02:37. > :02:47.# Will you help me? #
:02:47. > :02:47.
:02:47. > :03:51.Apology for the loss of subtitles for 64 seconds
:03:51. > :04:01.CHEERING AND APPLAUSE
:04:01. > :04:01.
:04:01. > :04:02.Live here in the studio broadcasting to
:04:02. > :04:02.to you,
:04:02. > :04:02.to you, thank
:04:02. > :04:07.to you, thank you
:04:07. > :04:15.to you, thank you Stereophonics. More from them later. From Beirut we
:04:15. > :04:19.have Yasmine Hamdan. From Minnesota there's Low. There's Cerys Matthews.
:04:19. > :04:29.There's The Lee Thompson Ska There's The Lee Thompson Ska
:04:29. > :04:38.
:04:38. > :04:43.There's The Lee Thompson Ska # You are at the height
:04:44. > :04:47.# You got your grift all fine-tuned and sparkling
:04:47. > :04:51.# Yeah, you got your bored look all worked out
:04:51. > :04:55.# You are all enlightened Nothing makes you frightened
:04:55. > :04:59.# You ain't got no time to waste on entry level middle class
:04:59. > :05:03.# You are supercilious Pretty and ridiculous
:05:03. > :05:08.# You got really good taste You know how to cut and paste
:05:08. > :05:11.# What you got is a black belt in BS
:05:11. > :05:16.# But you can't hawk your pretty wares up in here any more
:05:16. > :05:19.# Hit your head on the playground at recess
:05:19. > :05:29.# Etch-a-sketch your way out of this one...reject
:05:29. > :05:39.
:05:39. > :05:43.# You know how to get what you want, don't you?
:05:43. > :05:47.# Would you not say that you agree, baby?
:05:47. > :05:51.# You really think that you can school me in semantics
:05:51. > :05:56.# I can't recommend that, baby I see through your antics
:05:56. > :05:59.# You think you're mysterious You cannot be serious
:05:59. > :06:03.# You got lots of time to think of new ways to deceive yourself
:06:03. > :06:07.# You are callipygian But look at the state you're in
:06:07. > :06:12.# You got really nice clothes Bet you didn't pay for those
:06:12. > :06:15.# What you got is a black belt in BS
:06:15. > :06:20.# But you can't hawk your pretty wares up in here any more
:06:20. > :06:23.# Hit your head on the playground at recess
:06:23. > :06:33.# Etch-a-sketch your way out of this one...reject
:06:33. > :06:33.
:06:33. > :07:16.Apology for the loss of subtitles for 64 seconds
:07:16. > :07:19.# What you got is a black belt in BS
:07:19. > :07:23.# But you can't hawk your pretty wares up in here any more
:07:24. > :07:27.# Hit your head on the playground at recess
:07:27. > :07:37.# Etch-a-sketch your way out of this one...reject
:07:37. > :07:48.
:07:48. > :07:51.# What you got is a black belt in BS
:07:51. > :07:56.# But you can't hawk your pretty wares up in here any more
:07:56. > :07:59.# Hit your head on the playground at recess
:07:59. > :08:03.# Etch-a-sketch your way out of this one...reject
:08:04. > :08:07.# What you got is a black belt in BS
:08:07. > :08:12.# But you can't hawk your pretty wares up in here any more
:08:12. > :08:15.# Hit your head on the playground at recess
:08:15. > :08:19.# Etch-a-sketch your way out of this one...reject
:08:20. > :08:23.# What you got is a black belt in BS
:08:23. > :08:28.# But you can't hawk your pretty wares up in here any more
:08:28. > :08:31.# Hit your head on the playground at recess
:08:31. > :08:37.# Etch-a-sketch your way out of this one...reject. #
:08:37. > :08:47.CHEERING AND APPLAUSE
:08:47. > :08:55.
:08:55. > :08:56.the 1950s sister Mary started the Alpha
:08:56. > :08:57.Alpha school.
:08:57. > :08:58.Alpha school. Now
:08:58. > :09:02.Alpha school. Now Mark
:09:02. > :09:04.Alpha school. Now Mark Bedford and Lee Thompson from Madness have the
:09:04. > :09:14.Lee Thompson from Madness have the Lee Thompson from Madness have the
:09:14. > :09:16.
:09:16. > :09:26.Lee Thompson from Madness have the # Lee Thompson Orchestra with
:09:26. > :09:26.
:09:26. > :11:15.Apology for the loss of subtitles for 64 seconds
:11:15. > :11:25.# As I will say, wha! # It's not what you earn
:11:25. > :11:55.
:11:55. > :12:05.# But what you keep of it # Bam-ba-ba-do, ba-da-da-da-do
:12:05. > :12:45.
:12:45. > :12:49.# Bam-ba-ba-do, ba-da-da-da-do The Lee Thompson Ska Orchestra from
:12:49. > :12:54.their album. Now I'm delighted to say I'm thrilled because this is one
:12:54. > :12:58.of the best books I've seen for years, it's hook line and singer and
:12:58. > :13:03.the singer is Cerys Matthews. Welcome to the show.
:13:03. > :13:09.APPLAUSE This book has got a thousand songs
:13:09. > :13:13.that we nearly all know but don't quite, both from the nursery rime --
:13:13. > :13:17.rhyme to the sing alongs. Some of the best cooking is the stuff you
:13:17. > :13:20.cook at home. It's the same with music. You don't have to sound like
:13:20. > :13:25.the radio or the TV. You can make your own music. This is a recipe
:13:25. > :13:29.book for singing. You go into the pub, we don't want the disco, we
:13:29. > :13:34.don't want the karaoke, just sing how you sing it. You can leave the
:13:34. > :13:39.football on, but with the volume back. Bed, bath, car, no matter
:13:39. > :13:44.where you are. Give us an example. Tell us about this song. This is a
:13:44. > :13:49.great song. It was sold for $100. It's good if you want to learn the
:13:49. > :13:57.ukelele. Tails bluegrass kind of thing. This book is good if you are
:13:57. > :14:03.a one-note piano player, not you. So it's a bit like this. Do you want to
:14:03. > :14:08.play with me? It's all about us singing. Join in.Join in at home,
:14:08. > :14:13.definitely. # come from Alabama with a banjo on
:14:13. > :14:18.my knee # going to lose losa -- Louisiana my
:14:18. > :14:24.true love to see # rained all night the day I lefted
:14:24. > :14:28.# weather it was dry # sun so hot I froze to death,
:14:28. > :14:34.Susanna don't you cry # Susanna don't you cry for me
:14:34. > :14:41.# come from Alabama with a banko on my knee
:14:41. > :14:45.# Susanna, don't you cry for me # I come from Alabama with a banjo
:14:45. > :14:50.on my knee. #. APPLAUSE
:14:50. > :14:54.What a fantastic sound. What a fantastic book. Can you have the
:14:54. > :14:59.book at home, wherever you like, it's one of the most useful things
:14:59. > :15:04.I've ever seen. I'm giving that to my mum. Thank you very much, Cerys
:15:04. > :15:07.my mum. Thank you very much, Cerys Matthews! Now, on this show, I'm
:15:07. > :15:13.delighted to say we can have music from every part of the globe.
:15:13. > :15:16.Somebody that is a great success all over the world. We welcome now from
:15:16. > :15:26.over the world. We welcome now from over the world. We welcome now from
:15:26. > :15:26.
:15:26. > :19:54.Apology for the loss of subtitles for 64 seconds
:19:54. > :19:58.over the world. We welcome now from # I say we just seen
:19:58. > :20:08.# I say we just seen # Together we will run
:20:08. > :20:09.
:20:09. > :20:17.# Arise filthy words # I say we just seen
:20:17. > :20:20.# I say we are enough I say we are enough
:20:20. > :20:27.# I say we are enough I say we are enough
:20:27. > :20:34.# Oh yeah, oh yeah, oh yeah
:20:34. > :20:44.# Oh yeah, oh yeah, oh yeah
:20:44. > :21:03.
:21:03. > :21:06.# La-la-la la-la-laaaa
:21:06. > :21:11.# La-la-la la-la-laaaa
:21:11. > :21:21.# La-la-la la-la-laaaa
:21:21. > :21:22.
:21:22. > :22:02.Apology for the loss of subtitles for 64 seconds
:22:02. > :22:12.# Cobbedy-air, cobbedy-air # Cobbedy-air, cobbedy-air
:22:12. > :22:19.
:22:19. > :22:29.Cobbedy-ow # Cobbedy-air, cobbedy-air
:22:29. > :22:37.
:22:37. > :22:47.# Oh yeah, oh yeah, oh yeah # Ahhhh. #
:22:47. > :22:54.
:22:54. > :22:59.CHEERING AND APPLAUSE Over
:22:59. > :23:09.Over in this corner, celebrating 20 years together, we welcome for the
:23:09. > :23:09.
:23:09. > :23:58.Apology for the loss of subtitles for 64 seconds
:23:58. > :24:08.years together, we welcome for the # # Suicide
:24:08. > :24:08.
:24:08. > :26:00.Apology for the loss of subtitles for 64 seconds
:26:00. > :26:10.# Even the stone finds a place Thank you Low. Thank you to all of
:26:10. > :26:11.
:26:11. > :26:16.my guests this evening. We should have a final last round of applause
:26:16. > :26:21.for the marvellous key board player of the Doors who pass add way. You
:26:21. > :26:24.can see more from my guests on Friday at 11. 1.05. Now we finish
:26:24. > :26:34.where we started with the where we started with the
:26:34. > :27:08.
:27:08. > :27:16.where we started with the # Ohh, sets out
:27:16. > :27:20.# Wet streets are quiet as a church hall
:27:20. > :27:23.# Last house Where children kick the football
:27:23. > :27:26.# Crossroads His heart is beating faster
:27:26. > :27:29.# Getting close to ask another question
:27:29. > :27:33.# "Marry me" He wants to paint the words on
:27:33. > :27:36.# The night train He's hiding with his spray cans
:27:36. > :27:42.# Tonight he's gonna ride When the paint is done and dried
:27:42. > :27:49.# Oh, come on, ohh-ohh-ohh
:27:49. > :27:55.# The graffiti on the train
:27:55. > :28:01.# Oh, the graffiti on the train
:28:01. > :28:08.# Oh, the graffiti on the train
:28:08. > :28:15.# Oh, she'll never be the same Oh, no
:28:15. > :28:22.# Rolled into her life
:28:22. > :28:29.# Oh, the graffiti on the train
:28:29. > :28:34.# Oh, day breaks His lover yawns and wakes up
:28:34. > :28:37.# Sips her cup and dusts her face in make-up
:28:37. > :28:40.# Platform She hears the people whisper
:28:40. > :28:44.# Someone died, they surfed the train and slipped up
:28:44. > :28:47.# Train comes The coach she's always used to
:28:47. > :28:50.# The doors read "Marry me, I love you"
:28:50. > :28:54.# Heart stops Ecstatic and suspicious
:28:54. > :28:57.# She makes the call But he don't pick the phone up
:28:57. > :29:00.# The train sped down the line
:29:00. > :29:07.# It was the last train he would ride, oh no
:29:07. > :29:16.# Oh, the graffiti on the train
:29:16. > :29:22.# Oh, the graffiti on the train
:29:22. > :29:29.# Oh, the graffiti on the train
:29:29. > :29:36.# Oh, she will never be the same Oh, no
:29:36. > :29:43.# Rolled into her life
:29:43. > :29:49.# Oh, the graffiti on the train