Episode 7

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:01:26. > :01:35.CHEERING AND APPLAUSE It's Wednesday and not Tuesday,

:01:36. > :01:55.

:01:55. > :02:05.# Shake my tree # No point laughing

:02:05. > :02:07.

:02:07. > :02:11.# The word is up if you're tough enough

:02:11. > :02:17.# The word is up if you're tough enough

:02:17. > :02:21.# Girl in the queue got her eye on you

:02:21. > :02:24.# You think you're in and she's looking for sin

:02:24. > :02:28.# Yes, you're not wrong, she wants to know what's in your pocket

:02:28. > :02:37.# Sing her that song, dig it all night long

:02:37. > :02:40.# The word is up if you're tough enough

:02:40. > :02:44.# The word is up if you're tough enough

:02:44. > :02:49.# The word is up if you're tough enough

:02:49. > :02:59.# The word is if you're tough enough

:02:59. > :03:01.

:03:01. > :03:04.# Come on, show what you love now

:03:04. > :03:08.# Come on, show what you love now

:03:09. > :03:18.# Come on, show what you love now

:03:19. > :03:44.

:03:44. > :03:54.# Shake my tree, where's the apple # No point laughing if you don't

:03:54. > :03:56.

:03:56. > :03:59.# The word is up if you're tough enough

:03:59. > :04:03.# The word is up if you're tough enough

:04:04. > :04:08.# The word is up if you're tough enough

:04:08. > :04:12.# The word is if you're tough enough

:04:12. > :04:16.# The word is up if you're tough enough

:04:16. > :04:20.# The word is up if you're tough enough

:04:21. > :04:24.# The word is up if you're tough enough

:04:24. > :04:30.# The word is if you're tough enough

:04:30. > :04:33.# Come on, show what you love now

:04:33. > :04:37.# Come on, show what you love now

:04:37. > :04:47.# Come on, show what you love now

:04:47. > :04:47.

:04:47. > :06:25.Apology for the loss of subtitles for 97 seconds

:06:25. > :06:35.# Burned the house # This terrifying wall of pain is

:06:35. > :06:35.

:06:35. > :07:42.Apology for the loss of subtitles for 97 seconds

:07:42. > :07:49.# Praying that your heart # Trapped inside a head

:07:49. > :07:59.# Tearing all the flesh away from bone

:07:59. > :08:11.

:08:11. > :08:14.# I can't live I can't live with you

:08:14. > :08:17.# And I can't live I can't live without you

:08:17. > :08:21.# I can't live I can't live with you

:08:21. > :08:24.# And I can't live without you now

:08:24. > :08:28.# I can't live I can't live with you

:08:28. > :08:31.# And I can't live I can't live without you

:08:31. > :08:35.# I can't live I can't live with you

:08:35. > :08:45.# And I can't live without you now. #

:08:45. > :08:54.

:08:54. > :09:04.CHEERING AND APPLAUSE

:09:04. > :09:09.

:09:09. > :09:09.says is one of the most important 100

:09:09. > :09:09.100 people.

:09:09. > :09:10.100 people. He's

:09:10. > :09:15.100 people. He's at

:09:15. > :09:25.100 people. He's at the top of the charts in America, and he's here,

:09:25. > :09:25.

:09:25. > :11:16.Apology for the loss of subtitles for 97 seconds

:11:16. > :11:26.# Ah, let it dress you down # Don't you let nobody tell you

:11:26. > :11:26.

:11:26. > :12:18.Apology for the loss of subtitles for 97 seconds

:12:18. > :12:28.# The same way that the stars adorn # Oh, love ain't never looked so

:12:28. > :12:49.

:12:49. > :12:53.Thank you Miguel! That's Adorn from Kaleidoscope Dream. Now I'm

:12:53. > :12:59.delighted to welcome Liam Gallagher and Andy of Beady Eye. Welcome to

:12:59. > :13:05.the show. First of all, the brand-new album is about to come

:13:05. > :13:15.out, the title, Be, where does it come from? Nothing to do with me,

:13:15. > :13:16.

:13:16. > :13:26.man. It stands for Beady Eye. abbreviation? Not just Be?

:13:26. > :13:28.

:13:28. > :13:35.whatever you want it to be. Just be a Be! I knew somebody that collect

:13:35. > :13:40.collected bee skins for the pelts, not the honey. Right.You never

:13:40. > :13:49.thought of beekeeping? No, not for they. It is a great person on the

:13:49. > :13:55.cover, who is it? A great nipple.I was thinking of the design...

:13:55. > :14:03.still a great nipple. It was taken by Harry and that's his wife.

:14:03. > :14:06.nice. It is a whole new sound, a new bass player I believe and two

:14:06. > :14:10.drummers, which sounds fantastic, and a lovely four-piece horn

:14:10. > :14:14.section. Would you say you are trying to achieve something

:14:14. > :14:19.different than you were with the last record? Yeah, we are trying to

:14:19. > :14:24.sell records. LAUGHTER Twice the drummers, twice

:14:24. > :14:27.the record sales? Yes. No, we are trying something new, man. We are

:14:27. > :14:34.always trying something new but we are trying this new, and it stuck,

:14:34. > :14:39.you know what I mean? Is it harder trying new things? It is hard, yes,

:14:39. > :14:45.especially for us, because we are kind of stuck in a rut in the '6

:14:45. > :14:51.#0s, but we've got the brass down. Lovely with the two drummers. You

:14:51. > :14:55.were doing a lot of live shows all over the place. Three.Yes, three,

:14:55. > :15:00.so it is a busy touring schedule this year. It is going to be flat

:15:00. > :15:06.out, man. And a lot of rests in between. When you are towering,

:15:06. > :15:11.would you say you are like you were when you used to tour? I know you

:15:11. > :15:15.like a light ale? I'm still mad, yeah. So they can look forward...

:15:15. > :15:22.I'm just thinking of the hotel owners around Britain, just letting

:15:22. > :15:28.them know. They can look forward to me stumbling around the gaff.

:15:28. > :15:33.three gigs only. Marvellous to see you, and the record is superb. Thank

:15:33. > :15:43.you Andy Bell and Liam Gallagher of Beady Eye. They'll be back with us

:15:43. > :15:43.

:15:43. > :19:16.Apology for the loss of subtitles for 97 seconds

:19:16. > :19:26.# Do you know what you've done KT Tunstall! And now a sensational

:19:26. > :19:26.

:19:26. > :20:11.Apology for the loss of subtitles for 97 seconds

:20:11. > :20:21.duo full of excitement, from Los # Baby, do you love me like you say

:20:21. > :20:27.# And if you wanna serve me show me you deserve me

:20:27. > :20:33.# Cos if you really love me you'll be a bigger man than you

:20:33. > :20:36.# Oh-oh-oh

:20:36. > :20:39.# Oh-oh-oh

:20:39. > :20:46.# Oh-oh-oh

:20:46. > :20:51.# Now are you gonna please me like you swore you would

:20:51. > :20:58.# Was it just to tease me better treat this woman good

:20:58. > :21:04.# No, you don't get this if you don't treat me well

:21:04. > :21:14.# Cos what you call love, baby I call hell

:21:14. > :21:29.

:21:29. > :21:31.# Oh-oh-oh

:21:31. > :21:34.# Oh-oh-oh

:21:34. > :21:44.# Oh-oh-oh

:21:44. > :21:44.

:21:44. > :23:18.Apology for the loss of subtitles for 97 seconds

:23:18. > :23:28.# You should have stayed at home # These games you play, they're

:23:28. > :23:46.

:23:46. > :23:51.# It's 8.15, and that's the time that it's always been

:23:51. > :23:55.# We got your message on the radio

:23:55. > :24:05.# Conditions normal and you're coming home

:24:05. > :24:27.

:24:27. > :24:32.# Enola Gay, is mother proud of little boy today

:24:32. > :24:42.# Aha, this kiss you give it's never ever gonna fade away

:24:42. > :25:07.

:25:07. > :25:11.# Enola Gay, it shouldn't ever have to end this way

:25:11. > :25:20.# Aha, Enola Gay, it shouldn't fade in our dreams away

:25:20. > :25:25.# It's 8.15, and that's the time that it's always been

:25:25. > :25:28.# We got your message on the radio

:25:28. > :25:34.# Conditions normal and you're coming home

:25:34. > :25:44.# Enola Gay, is mother proud of little boy today

:25:44. > :25:44.

:25:44. > :25:46.# Aha, this kiss you give

:25:46. > :25:54.# It's never ever gonna fade away. #

:25:54. > :26:04.CHEERING AND APPLAUSE

:26:04. > :26:13.

:26:13. > :26:13.a of our guests - Deap Vally, Miguel and

:26:13. > :26:13.and KT

:26:13. > :26:13.and KT Tunstallment

:26:13. > :26:18.and KT Tunstallment there'll

:26:18. > :26:23.and KT Tunstallment there'll be more from all of my guests on Friday at

:26:23. > :26:30.11 o'clock on BBC Two, plus a bit of this man who you are going to get a

:26:30. > :26:36.short bit of now, George the Poet. Whether it is making money or

:26:36. > :26:42.spitting fire in a booth my number one goal is inspiring the youth.

:26:42. > :26:48.Please don't let this life make you cold, you are far too young, I was

:26:48. > :26:56.given this world but I didn't make it, but I bet it can make it better.

:26:56. > :27:01.Make sure your love is the greatest ever. It is the gardener's job to

:27:01. > :27:09.terminate the weeds though, everything is going to be fine,

:27:09. > :27:19.breathe slow. Much more from him, but now Beady

:27:19. > :27:19.

:27:19. > :27:59.Apology for the loss of subtitles for 97 seconds

:27:59. > :28:08.# Woke up this morning I was laid # With the moon and the room on the

:28:08. > :28:13.# I took a needle, sewed myself right back at the seams

:28:13. > :28:23.# I saw my universal gleam

:28:23. > :28:24.

:28:24. > :28:30.# I see the wonder of life and love for the one

:28:30. > :28:37.# Just taking a walk in the sun in time

:28:37. > :28:43.# In just a second, like the ghost of a bad idea

:28:43. > :28:53.# I feel myself getting the fear

:28:53. > :29:05.

:29:06. > :29:13.# Come on, have we decided if we like being part of the plan?

:29:13. > :29:18.# The sands are shifting and there's nowhere to land

:29:18. > :29:21.# It's on

:29:21. > :29:26.# It doesn't matter if all the best tickets are sold

:29:26. > :29:32.# And all the old stories are told

:29:32. > :29:35.# I know

:29:35. > :29:40.# You're gonna tell me that you hear every word I say