:00:32. > :00:42.This programme contains some strong APPLAUSE
:00:42. > :00:48.
:00:48. > :00:57.I am delighted to be back. I am # There's a time to remember
:00:57. > :01:07.# Don't worry about things you # There's a place I wanna go
:01:07. > :01:09.
:01:09. > :01:12.# It's all right, it's OK you can do just what you want to
:01:12. > :01:21.# Take your time, walk away
:01:21. > :01:27.# You can come back if you're supposed to
:01:27. > :01:32.# I don't care about tomorrow when I feel like this today
:01:32. > :01:37.# Fake nostalgia for another's past has never been my way
:01:37. > :01:43.# Don't believe what they tell you let your will be your guide
:01:43. > :01:48.# There's no point in pretending when you know that it's died
:01:48. > :01:58.# It's all right, it's OK, you can't fix it once it's been broken
:01:58. > :01:58.
:01:58. > :02:02.# Take your time, walk away
:02:02. > :02:10.# You can't close it once it's been opened
:02:10. > :02:14.# Many times all alone in your room at night
:02:14. > :02:20.# And you cry, and you cry
:02:20. > :02:25.# Walking down lonely streets no-one to speak
:02:25. > :02:31.# And you cry, and you cry
:02:31. > :02:35.# Ooh la la la Ooh la la la
:02:35. > :02:39.# Ooh la la la Ooh la la la
:02:39. > :02:49.# Ooh la la la Ooh la la la
:02:49. > :03:07.
:03:07. > :03:12.Ooh la la la you've got everything you need
:03:12. > :03:17.# In this asphyxiation culture there's no place for the weak
:03:17. > :03:22.# People circle like vultures waiting for someone to freak
:03:22. > :03:32.It's all right, it's OK, you can do just what you want to
:03:32. > :03:33.
:03:33. > :03:38.# Take your time, walk away
:03:38. > :03:44.# You can come back if you're supposed to
:03:44. > :03:49.# Ooh la la la Ooh la la la
:03:49. > :03:54.# Ooh la la la Ooh la la la
:03:54. > :04:04.# Ooh la la la Ooh la la la
:04:04. > :04:05.
:04:05. > :04:15.if you truly believe Ooh la la la
:04:15. > :04:22.
:04:22. > :04:32.# It's all right, baby. # CHEERING AND APPLAUSE
:04:32. > :04:40.
:04:40. > :04:42.It's Alright, It's OK, Primal Scream. From Essex, Jamie Cullum.
:04:42. > :04:52.APPLAUSE All the way with an amazing voice,
:04:52. > :05:03.
:05:03. > :05:13.Ana Moura. From Nashville, we welcome, nice Night Beds and now we
:05:13. > :05:25.
:05:25. > :05:34.# Hey you, remember me? # My time, you took it all
:05:34. > :05:39.# It isn't fair, to have your way to try and get up and go
:05:39. > :05:42.# And na na na na now can't you see
:05:42. > :05:46.# It isn't fair to have your way
:05:46. > :05:47.# But I'm trying to get your attention
:05:47. > :05:49.# And I need you to know that
:05:49. > :05:51.# Hey you, hey you
:05:51. > :05:54.# Can't you make this sane?
:05:54. > :05:55.# I know, I know, I know you ain't the one to play the game
:05:56. > :06:00.# Now I know I'm never gonna go your way
:06:00. > :06:04.# If you go, now I know I know know know
:06:04. > :06:08.# Forever we tried to make it right together we saw the end in sight
:06:08. > :06:10.# I'm tired of fighting the good fight
:06:10. > :06:12.# If you say the word then I'll say goodbye
:06:12. > :06:14.# Forever I see you and me
:06:14. > :06:16.# Forever I'll try for you and I
:06:16. > :06:18.# No, I never believed in their insight
:06:18. > :06:21.# Just another good reason to get it right
:06:21. > :06:25.# I don't want to turn around
:06:25. > :06:27.# So come on, baby
:06:27. > :06:29.# Come on and try to let it out let it go
:06:29. > :06:32.# We're still the same
:06:32. > :06:34.# So come on, baby
:06:34. > :06:36.# Trigger the sound let's figure it out
:06:36. > :06:37.# Let's get back to where we started out
:06:37. > :06:41.# Hey you, hey you
:06:41. > :06:42.# Can't you make this sane?
:06:42. > :06:45.# I know, I know, I know you ain't the one to play the game
:06:45. > :06:49.# Now I know I'm never gonna go your way
:06:49. > :06:53.# If you go, now I know I know know know
:06:53. > :06:57.# Forever we tried to make it right together we saw the end in sight
:06:57. > :06:59.# I'm tired of fighting the good fight
:06:59. > :07:01.# If you say the word then I'll say goodbye
:07:01. > :07:03.# Forever I see you and me
:07:03. > :07:05.# Forever I'll try for you and I
:07:05. > :07:07.# No, I never believed in their insights
:07:07. > :07:17.# Just another good reason to get it right
:07:17. > :07:33.
:07:33. > :07:40.# Go go go go get out get out of my memory
:07:40. > :07:49.# No no no, not tonight I don't have the energy
:07:49. > :07:56.# Go go go go get out get out of my memory
:07:56. > :08:04.# No no no, not tonight oh not tonight, oh not tonight
:08:04. > :08:08.# Forever we tried to make it right together we saw the end in sight
:08:08. > :08:10.# I'm tired of fighting the good fight
:08:10. > :08:12.# If you say the word then I'll say goodbye
:08:12. > :08:16.# Forever I see you and me forever I'll try for you and I
:08:16. > :08:18.# No I never believed in their insight
:08:18. > :08:20.# Just another good reason to get it right
:08:20. > :08:23.# Forever we tried to make it right together we saw the end in sight
:08:23. > :08:26.# I'm tired of fighting the good fight
:08:26. > :08:28.# If you say the word then I'll say goodbye
:08:28. > :08:29.# Forever I see you and me
:08:29. > :08:31.# Forever I'll try for you and I
:08:31. > :08:33.# No, I never believed in their insights
:08:33. > :08:36.# Just another good reason to get it right
:08:36. > :08:39.# Forever we tried forever we tried
:08:39. > :08:43.# forever we tried forever we tried
:08:43. > :08:47.# Forever we tried forever we tried
:08:47. > :08:52.# Forever we tried forever we tried. #
:08:52. > :09:02.CHEERING AND APPLAUSE
:09:02. > :09:21.
:09:21. > :09:21.I am delighted to have our next guest,
:09:21. > :09:22.guest, Jamie
:09:22. > :09:32.guest, Jamie Cullum.
:09:32. > :09:34.
:09:34. > :09:36.# So reach out for the things that you can use
:09:36. > :09:39.# Buried in the ground
:09:39. > :09:44.# I think I've been misunderstood
:09:44. > :09:53.# Not all my choices have been good
:09:53. > :09:56.# So we should put this one to bed before it bursts out of my head
:09:56. > :09:59.# Ready for the fight
:09:59. > :10:04.# When it gets too late and I find my place
:10:04. > :10:09.# Who will save your soul and love me
:10:09. > :10:12.# Here when it gets too far
:10:12. > :10:15.# Well, let down your guard
:10:15. > :10:19.# Who will save your soul and love me
:10:19. > :10:29.# Here
:10:29. > :10:29.
:10:29. > :10:39.# Inside of another tiny life full of big ideas
:10:39. > :10:40.
:10:40. > :10:45.# It strikes me with the baggage left behind
:10:45. > :10:50.# I could dry those tears
:10:50. > :10:53.# All of my secrets they are free
:10:53. > :11:01.# Now watch them tumble out of me into better days
:11:01. > :11:06.# So save those homiletic tones and conjure singing from the moans
:11:06. > :11:11.# And you'll hear me say
:11:11. > :11:16.# When it gets too late and I find my place
:11:16. > :11:21.# Who will save your soul and love me
:11:21. > :11:24.# Here when it gets too far
:11:24. > :11:27.# Well, let down your guard
:11:27. > :11:29.# Who will save your soul and love me
:11:29. > :11:39.# Here
:11:39. > :11:40.
:11:40. > :11:46.# Oh oh oh oh
:11:46. > :11:52.# Oh oh oh oh
:11:52. > :12:02.# Oh oh oh oh
:12:02. > :12:32.
:12:32. > :12:37.# Cleaner than where our pounding # When it gets too late and I find
:12:37. > :12:42.# Who will save your soul and love me
:12:42. > :12:45.# Here when it gets too far
:12:45. > :12:48.# Well, let down your guard
:12:48. > :12:51.# Who will save your soul and love me
:12:51. > :13:01.# Here
:13:01. > :13:04.
:13:04. > :13:11.CHEERING AND APPLAUSE
:13:11. > :13:11.Thank
:13:11. > :13:12.Thank you.
:13:12. > :13:16.Thank you. The
:13:16. > :13:24.Thank you. The wonderful and person that is Jamie Cullum. Save Your
:13:24. > :13:33.Soul from his new album, men tum. Now, -- momentum, now, another
:13:33. > :13:39.person with an amazing voice who told more of her life in her latest
:13:39. > :13:43.book. Welcome Tracey. Jamie said it was a good book, he read it.
:13:43. > :13:48.Talking about amazing voices, you have an amazing voice. When did you
:13:48. > :13:51.first realise that you had that sort of gift and music was going to
:13:51. > :13:57.be the thing for you? Well, I certainly didn't know at the
:13:57. > :14:02.beginning. I tell the story in the book, the first band I was in, I
:14:02. > :14:10.was the second guitarist, not the singer. We were rehearsing and one
:14:10. > :14:20.of the guys said, "Can you sing?" I said, "I am too shy. Can I get
:14:20. > :14:22.
:14:22. > :14:26.inside the wardrobe." I got inside and sang sang David Bowie's Rebel,
:14:26. > :14:30.Rebel. That was the first moment I thought well, maybe I can sing.
:14:30. > :14:40.The confidence wasn't there at that point? No, it wasn't.
:14:40. > :14:42.
:14:42. > :14:49.Your book has two titles. Yes, Disco Queen and How I Grew Up and
:14:49. > :14:55.Tried To Be A Pop star. There is people who think of me making indy
:14:55. > :14:58.records from a bedsit in Hull and there is other eem other people who
:14:58. > :15:01.think of me as making dance records. It is interesting when you are
:15:01. > :15:06.around for a long time, you start to realise that you mean different
:15:06. > :15:12.things to different people. And the other thing is you started
:15:12. > :15:17.in smaller groups and then you had huge global success and hit records
:15:17. > :15:21.in America and all that. Did that change your life dramatically?
:15:21. > :15:27.it did. We had periods where we were successful and periods when it
:15:27. > :15:31.died down again and the biggest period for us was after the success
:15:31. > :15:36.of Missing and the album that came after that. We had two or three
:15:36. > :15:41.years of being very successful and properly living the pop star
:15:41. > :15:44.lifestyle. What kind of lifestyle? Non-stop
:15:44. > :15:52.touring and recording and doing things like this.
:15:52. > :15:54.We have got a little bit of footage because you collaborated with lots
:15:54. > :16:03.of different people. Anyway, in this particular collaboration, I
:16:03. > :16:13.think, we have got you on this very show... Probably.
:16:13. > :16:29.
:16:29. > :16:36.With Massive Attack. # Freedom
:16:36. > :16:46.# I can't say that better things will surely come my way
:16:46. > :16:57.
:16:57. > :17:01.# I can't better things will surely APPLAUSE
:17:01. > :17:06.Beautiful singing. Beautiful singing. The last time you were on
:17:06. > :17:10.the show, you sang even more beautifully if I may say so at this
:17:10. > :17:14.piano probably. Can you remember anything of that evening? Well, I
:17:15. > :17:19.think that's the evening that I tell the story I have in my book.
:17:19. > :17:23.Courtney Love was on the show. At the beginning of the show when when
:17:23. > :17:30.everyone is around and before the show started, she put her guitar
:17:30. > :17:37.down and strode across that central central space... She is quite an
:17:37. > :17:43.opposing figure. She said, "I have to tell you, Kurt and I were huge
:17:44. > :17:50.fans. We do a cover of one of your Marine Girls songs.
:17:50. > :17:59.That was the first band I was in and very obscure and I thought, "Is
:17:59. > :18:06.that even true?" I thought maybe that's through and Curt's journals
:18:06. > :18:10.were released and there is his favourite albums and he goes public
:18:10. > :18:16.enemy, The Marine Girls. You can never tell what people are
:18:16. > :18:20.listening to, that's right and how it interconnects. Now, historically,
:18:20. > :18:27.I was trying to think of this earlier, but there are a number of
:18:27. > :18:34.people in music that work with their partners. I mean, Johnny Cash,
:18:34. > :18:39.June Carter and Ashford and Simpson, Ike and Tina Turner...
:18:39. > :18:43.It doesn't always work. Do you want to refer to that one? In music, it
:18:43. > :18:47.is a thing. What are the good and the bad parts about that, because
:18:48. > :18:52.you are, of course, musically and also a partner... Ben and I work
:18:52. > :18:57.together and we were a couple for years and sometimes I look back and
:18:57. > :19:02.think, "How did we make it work?" I do wonder. We got on well and
:19:02. > :19:06.partly you share a lot in common because you are engaged in the same
:19:06. > :19:10.process that you are inbled bli committed to. In a way that's good
:19:10. > :19:14.for a partnership. I am not sure where we can do that forever. We
:19:14. > :19:17.work more separately. We have a little bit more detachment from
:19:17. > :19:27.each other and that's probably essential.
:19:27. > :19:29.
:19:29. > :19:31.It has been lovely talking to. I I look forward to having you on
:19:31. > :19:36.the show again and singing. Thank you.
:19:37. > :19:46.Good, I think you will agree, well you probably already do, it is
:19:47. > :20:01.
:20:01. > :20:04.# Yeah, so, um, wait a second # Sold your liver but you're still
:20:04. > :20:08.# Sold my feelings now I'm hanging by a thread
:20:08. > :20:11.# Bad and it's creeping its way through my windows
:20:11. > :20:13.# And it's slithering under my door
:20:13. > :20:16.# And it's in my peripheral vision And it's pourin' up under my floor
:20:16. > :20:18.# And it's whispering into my eardrums
:20:18. > :20:23.# And it's telling me that I want more
:20:23. > :20:26.# But I'm coming alive I'm happening now
:20:26. > :20:30.# I'm coming alive I'm happening now
:20:30. > :20:33.# I'm coming alive I'm happening now
:20:33. > :20:38.# I'm coming alive I'm happening now
:20:39. > :20:46.# And that eureka moment hits you like a cop car
:20:46. > :20:55.# And you wake up just head and shoulders in a glass jar
:20:55. > :21:03.# You clear your throat you raise your eyebrow but you don't say
:21:03. > :21:09.# There's something wrong but it's OK if we're still getting paid
:21:09. > :21:13.# Yeah, you're ravenous you're champing at the bit
:21:13. > :21:18.# Just a cog next to a cog next to a pit
:21:18. > :21:21.# I would burn to break away and rest my ears
:21:21. > :21:24.# No more lightning no more solace in arrears
:21:24. > :21:27.# Bad and it's creeping its way through my windows
:21:27. > :21:31.# And it's slithering under my door And it's in my peripheral vision
:21:31. > :21:35.# And it's pourin' up under my floor And it's whispering into my eardrums
:21:35. > :21:39.# And it's telling me that I want more
:21:39. > :21:43.# But I'm coming alive I'm happening now
:21:43. > :21:46.# I'm coming alive I'm happening now
:21:46. > :21:49.# I'm coming alive I'm happening now
:21:49. > :21:54.# I'm coming alive I'm happening now
:21:54. > :21:59.# And that eureka moment hits you like a cop car
:21:59. > :22:03.# And you wake up just head and shoulders in a glass jar
:22:04. > :22:11.# You clear your throat
:22:12. > :22:17.# You raise your eyebrow but you don't say
:22:17. > :22:24.# There's something wrong but it's OK if we're still getting paid
:22:24. > :22:27.# But I'm coming alive I'm happening now
:22:27. > :22:31.# I'm coming alive I'm happening now
:22:31. > :22:35.# I'm coming alive I'm happening now
:22:35. > :22:41.# I'm coming alive I'm happening now
:22:41. > :22:48.# And that eureka moment hits you like a cop car
:22:48. > :22:56.# And you wake up just head and shoulders in a glass jar
:22:56. > :23:03.# You clear your throat you raise your eyebrow but you don't say
:23:03. > :23:09.# There's something wrong but it's OK if we're still getting paid
:23:09. > :23:16.# But I'm coming alive Cough cough. #
:23:16. > :23:26.CHEERING AND APPLAUSE
:23:26. > :23:31.
:23:31. > :23:31.Everything
:23:31. > :23:32.Everything Everything.
:23:32. > :23:35.Everything Everything. Now,
:23:35. > :23:45.Everything Everything. Now, we are privileged and honoured to welcome
:23:45. > :24:14.
:24:14. > :24:24.one of the greatest singers from # You said "I am as constant
:24:24. > :24:25.
:24:25. > :24:35.# And I said, # "If you want me
:24:35. > :24:45.
:24:45. > :24:55.# I drew a map of Canada Oh, Canada
:24:55. > :25:02.# With your face sketched on it twice
:25:02. > :25:07.# Oh, you're in my blood like holy wine
:25:07. > :25:12.# You taste so bitter and so sweet
:25:12. > :25:21.# Oh, I could drink a case of you, darling
:25:21. > :25:31.# And I would still be on my feet I would still be on my feet
:25:31. > :25:49.
:25:50. > :25:59.# Oh, I am a lonely painter I live in a box of paints
:26:00. > :26:02.
:26:02. > :26:06.# I'm frightened by the devil
:26:06. > :26:16.# And I'm drawn to those ones that ain't afraid
:26:16. > :26:20.# I remember that time you told me
:26:20. > :26:25.# "Love is touching souls"
:26:25. > :26:33.# Surely you touched mine cos part of you pours out of me
:26:33. > :26:40.# In these lines from time to time
:26:40. > :26:45.# Oh, you're in my blood like holy wine
:26:45. > :26:50.# You taste so bitter and so sweet
:26:50. > :26:59.# Oh, I could drink a case of you, darling
:26:59. > :27:09.# And I would still be on my feet I would still be on my feet
:27:09. > :27:29.
:27:29. > :27:31.# I met a woman She had a mouth like yours
:27:31. > :27:34.# Oh, but you are in my blood You're my holy wine
:27:34. > :27:38.# You taste so bitter and so sweet
:27:38. > :27:47.# Oh, I could drink a case of you, darling
:27:47. > :27:57.# And I would still be on my feet I would still be on my feet. #
:27:57. > :28:01.
:28:02. > :28:11.CHEERING AND APPLAUSE
:28:12. > :28:26.
:28:26. > :28:32.# 21st Century slaves A peasant underclass
:28:32. > :28:39.# Television propaganda-fed How long will this shit last?
:28:39. > :28:43.# Punk rock came and went and nothing changed
:28:43. > :28:46.# Was it just a pose?
:28:46. > :28:56.# Every generation buys the lies Just like the one before
:28:56. > :28:57.# It's the final solution To teenage revolution
:28:58. > :29:00.# The total subjugation of the rock and roll nation
:29:00. > :29:04.# Inducted, corrupted, seduced and reduced
:29:04. > :29:07.# Deluded, excluded Shackled and hooded
:29:07. > :29:17.# 2013, 2013, 2013, 2013
:29:17. > :29:36.
:29:36. > :29:40.# What happened to the voices of dissent?
:29:40. > :29:44.# Getting rich I guess
:29:44. > :29:51.# Become part of the establishment Power corrupts the best
:29:51. > :29:54.# They killed the counter-culture underground
:29:54. > :29:58.# It offers no critique
:29:58. > :30:05.# No revolutionary spirit left They've sanitised the freaks
:30:05. > :30:15.# 2013, 2013, 2013, 2013
:30:15. > :30:35.
:30:35. > :30:38.# It's the final solution To teenage revolution
:30:38. > :30:41.# The total subjugation Of the rock and roll nation
:30:41. > :30:44.# Inducted, corrupted, seduced and reduced
:30:44. > :30:48.# Deluded, excluded Shackled and hooded
:30:48. > :30:58.# 2013, 2013, 2013, 2013
:30:58. > :31:07.
:31:07. > :31:17.# 2013, 2013, 2013, 2013
:31:17. > :31:47.
:31:47. > :31:57.CHEERING AND APPLAUSE
:31:57. > :32:00.
:32:00. > :32:01.Primal
:32:01. > :32:01.Primal Scream
:32:01. > :32:08.Primal Scream 2013.
:32:08. > :32:14.Primal Scream 2013. Yes, thank you so much.
:32:14. > :32:20.Before that, a lot of beautiful voices in here tonight, we enjoyed
:32:20. > :32:30.Ana Moura. We welcome now for a little chat about his new record,
:32:30. > :32:30.
:32:30. > :32:33.Jamie Cullum. APPLAUSE
:32:33. > :32:36.Now, Momentum, it is a great record and it seems to me, listening to it,
:32:36. > :32:40.it is a different direction. Would I be right in thinking that? Yeah,
:32:40. > :32:43.you would. I decide to give my own songs more of a chance. Normally it
:32:43. > :32:48.has been half other people's songs and half my own songs and your own
:32:48. > :32:53.songs never get a chance when they are up against others and I decided
:32:53. > :32:57.I would give it a go and see if my songs could stand up on their own.
:32:58. > :33:07.They sound great. The two covers that you have done, what made you
:33:08. > :33:08.
:33:08. > :33:18.choose those? I did another Cold Porter song song called Love For
:33:18. > :33:28.Sale. It is not like any other version of it I I have ever heard
:33:28. > :33:32.and why do it the same? The Cold Porter estate were really
:33:32. > :33:36.supportive. It seemed like an obvious thing and it sounds great.
:33:36. > :33:41.What inspires you when you write? am a bit of a believer in showing
:33:41. > :33:45.up to work, just showing up in front of the piano and seeing what
:33:45. > :33:50.comes out. I had two kids in the last couple of years so a lot of
:33:50. > :33:53.that fatherhood thing and just kind of manning up and finding out who
:33:53. > :34:02.you really are is more of the stuff that happens in this record really.
:34:02. > :34:07.You have been a great am bass dor for jazz, -- ambassador for jazz,
:34:07. > :34:10.do you see yourself as a jazz artist or a broader artist?
:34:10. > :34:14.jazz came later and my interest in jazz started out, I was trying to,
:34:14. > :34:22.I just wanted to be good at the instrument and every time I went to
:34:22. > :34:28.listen to jazz music I saw these gifted musicians who could do
:34:28. > :34:33.anything. I will always play jazz and doing that enables you you to
:34:33. > :34:39.try out this other stuff. What sort of music were you listening to
:34:39. > :34:49.before that? Iron Maiden and heavy metal. It was the guitar solicitor
:34:49. > :34:50.
:34:50. > :34:54.owes. I was always -- solos. It was the guitar players. I did what my
:34:54. > :35:00.brother did! You can't go wrong to copy that thing. Like me, you have
:35:01. > :35:04.a show on Radio 2. And I particularly, I love doing the show
:35:04. > :35:08.because it means that I have to go through my record collection. It
:35:08. > :35:12.also means I can have dialogues with the dead and find all sorts of
:35:13. > :35:17.things that you couldn't play and it makes me go to second-hand
:35:17. > :35:21.record shops and find all the things and that's why I love it.
:35:21. > :35:28.What do you love about doing your radio show? I get to play this
:35:28. > :35:38.music to 7pm on a Tuesday night on Radio 2 and it is such an odd place
:35:38. > :35:42.
:35:42. > :35:46.and you get 13-year-olds saying I had no idea that Robbie Coltrane
:35:46. > :35:49.who play the saxophone. It is a great opportunity. It is an
:35:49. > :35:53.extension, I am always making mixes for people. It is a dream to do
:35:53. > :36:01.that. It has been fantastic having you
:36:02. > :36:11.here as our guest. Let's finish with, I think we are in the key of
:36:12. > :36:32.
:36:32. > :36:42.APPLAUSE Thank you so much, Jamie Cullum.
:36:42. > :36:44.
:36:45. > :36:54.We will be hearing more from him from his Momentum LP. Now, they are
:36:55. > :37:03.
:37:03. > :37:13.both from Nashville, we welcome # Come on, Ramona
:37:13. > :37:17.# Come on Ramona They give me nothing
:37:17. > :37:27.# Bringing me something I know you feel so alone, alone
:37:27. > :37:28.
:37:28. > :37:35.# With a heart that always fails
:37:35. > :37:43.# My love's gone off the rails
:37:43. > :37:50.# Like a ship without a sail
:37:50. > :38:00.# Sinking underneath the wave Yeah!
:38:00. > :38:04.
:38:04. > :38:08.# Come on, Ramona Church bells are ringing
:38:08. > :38:18.# Everyone singing Why do we feel so alone?
:38:18. > :38:18.
:38:18. > :38:22.# Come on, come on, Ramona Make it your mantra
:38:22. > :38:32.# Lock what they taught ya Take back a laugh that they stole
:38:32. > :38:32.
:38:32. > :38:40.# With a heart that always fails
:38:40. > :38:47.# My love's gone off all the rails
:38:47. > :38:54.# Like a ship without a sail
:38:54. > :39:02.# Drowning underneath the wave
:39:02. > :39:08.# With a heart that always fails
:39:08. > :39:16.# My love's gone off all the rails
:39:16. > :39:22.# All the planets have a way
:39:22. > :39:30.# To meet us back to fate to never
:39:30. > :39:40.# Never, never, never never, sever. #
:39:40. > :39:45.
:39:45. > :39:55.# Never, never, never never, sever. #
:39:55. > :40:03.
:40:03. > :40:10.# When you're gone all the dreams in my darkness
:40:10. > :40:15.# Are your choice when they just finally start
:40:16. > :40:22.# When you're gone all the dreams in my darkness
:40:22. > :40:28.# Are your choice when they just finally start
:40:29. > :40:36.# When you're gone all the dreams in my darkness
:40:36. > :40:45.# Are your choice when they just finally start it's yours. #
:40:45. > :40:55.CHEERING AND APPLAUSE
:40:55. > :40:56.
:40:56. > :40:57.From
:40:57. > :40:57.From Nashville,
:40:57. > :41:07.From Nashville, thank
:41:07. > :41:08.
:41:08. > :41:09.From Nashville, thank you, Night Beds.
:41:09. > :41:19.APPLAUSE Now, let's go back into this corner
:41:19. > :41:25.
:41:25. > :41:35.and welcome back from Los Angeles, # Take me back, ta-ta-take me back
:41:35. > :41:38.
:41:38. > :41:41.# You say you will say you will save me
:41:41. > :41:45.# You say you will say you will save me
:41:45. > :41:48.# You say you will say you will save me
:41:48. > :41:52.# You say you will say you will! Ah oh!
:41:52. > :41:55.# Take me back Give it up, give it up to me
:41:55. > :41:58.# Cos I can't go on if your love isn't strong
:41:58. > :42:01.# See I want it all
:42:01. > :42:03.Give me, give me all your love But if you can't hold on
:42:03. > :42:10.# Then baby, baby don't save me now, no
:42:10. > :42:18.# If your love isn't strong, baby Don't save me now, no, no
:42:18. > :42:22.# All my life I wasn't trying to get on a highway
:42:23. > :42:25.# I was wondering which way to go
:42:25. > :42:28.# Spending all of my damn time
:42:28. > :42:32.# Leaving all the weight behind yeah
:42:32. > :42:36.# Take me back ta-ta-take me back
:42:36. > :42:39.# To the song, how'd it used to go? Oh?
:42:39. > :42:45.# Screaming for what was to come Now I'm dreaming 'bout the way I was
:42:45. > :42:48.# You say you will say you will save me
:42:49. > :42:52.# You say you will say you will save me
:42:52. > :42:55.# You say you will say you will save me
:42:55. > :42:59.# You say you will say you will! Ah, oh!
:42:59. > :43:02.# Take me back Give it, up give it up to me
:43:02. > :43:06.# Cos I can't go on if your love isn't strong
:43:06. > :43:09.# See I want it all Give me, give me all your love
:43:09. > :43:11.# But if you can't hold on
:43:11. > :43:19.# Then baby, baby don't save me now If your love isn't strong
:43:19. > :43:26.# No, baby don't save me now no, no
:43:26. > :43:31.# And if I had to beg for your love
:43:31. > :43:38.# Tell me, tell me Would it ever be enough?
:43:38. > :43:44.# Te-te-tell me And if I had to beg for your love
:43:44. > :43:52.# Tell me, tell me Would it ever be enough?
:43:52. > :43:59.# So baby, don't save me No, baby, don't save me
:43:59. > :44:08.# Baby, don't save me now, no, no If your love isn't strong
:44:08. > :44:13.# Baby, don't save me now, no, no If your love isn't strong
:44:13. > :44:23.# Baby, don't save me now, no, no If your love isn't strong
:44:23. > :44:34.
:44:34. > :44:44.It's Alright, It's If your love isn't strong
:44:44. > :45:15.
:45:15. > :45:23.Don't save me. # CHEERING AND APPLAUSE
:45:23. > :45:28.# I've got some ways of believing now
:45:28. > :45:31.# What you're leaving out what you're leaving out
:45:31. > :45:35.# So take a reach down inside your soul
:45:35. > :45:38.# What you gonna find? what you gonna find?
:45:38. > :45:42.# And it's so deep down inside your soul
:45:42. > :45:48.# What you leave behind what you leave behind
:45:48. > :45:54.# I can hear it calling Can't you tell?
:45:54. > :45:58.# I'm on the edge of something
:45:58. > :46:08.# So I just keep running every time I lose my head
:46:08. > :46:08.
:46:08. > :46:13.# I'm on the edge of something
:46:13. > :46:23.# So I just keep falling every time I lose my head
:46:23. > :46:33.
:46:33. > :46:38.# Are there some secrets embedded down
:46:38. > :46:41.# In the frozen ground? in the frozen ground
:46:41. > :46:44.# Under a cold moon and a fractured sky
:46:44. > :46:48.# There's a universe there behind those eyes
:46:48. > :46:53.# You're gonna make promises That you know you could
:46:53. > :46:56.# That you know you could
:46:56. > :47:00.# Cos no one here worships suddenness
:47:00. > :47:05.# Though you wish they would though you wish they would
:47:05. > :47:10.# I can hear it calling Can't you tell?
:47:10. > :47:14.# I'm on the edge of something
:47:14. > :47:24.# So I just keep running every time I lose my head
:47:24. > :47:25.
:47:25. > :47:30.# I'm on the edge of something
:47:30. > :47:40.# So I just keep falling every time I lose my head
:47:40. > :47:42.
:47:42. > :47:44.# I don't need a vision
:47:44. > :47:49.I'm just waiting on collisions of the brain and the heart
:47:49. > :47:53.# Impatient for decisions and some stormy revelations
:47:53. > :47:57.# I can claim from the start
:47:57. > :48:04.# I'm kicking up a storm In the valley I was born
:48:04. > :48:14.# I can hear the tower ring Out here on the edge of something
:48:14. > :48:19.
:48:19. > :48:23.I'm on the edge of something
:48:23. > :48:33.# So I just keep running every time I lose my head
:48:33. > :48:34.
:48:34. > :48:39.# I'm on the edge of something
:48:39. > :48:49.# So I just keep falling every time I lose my head yeah. #
:48:49. > :49:00.
:49:00. > :49:10.CHEERING AND APPLAUSE
:49:10. > :49:11.
:49:11. > :49:12.The
:49:12. > :49:12.The brilliantly
:49:12. > :49:17.The brilliantly talented,
:49:17. > :49:27.The brilliantly talented, Jamie Cullum. From his Momentum LP.
:49:27. > :49:28.
:49:28. > :49:38.Earlier on, we met some amazing singers and with a title track, we
:49:38. > :49:48.
:49:48. > :49:52.# Canta-lo bem sem sequer # Senti-lo como ninguem
:49:52. > :49:55.# Ai que tristeza esta minha alegria
:49:55. > :49:59.# Ai que alegria esta tao grande tristeza
:49:59. > :50:03.# Esperar que um dia eu nao espere mais um dia por aquele
:50:03. > :50:07.# Que nunca vem e que aqui esteve presente
:50:07. > :50:11.# Ai que saudade que eu tenho de ter saudade
:50:11. > :50:15.# Saudades de ter alguem que aqui esta e nao existe
:50:15. > :50:18.# Sentir-me triste so por me sentir tao bem
:50:18. > :50:28.# E alegre sentir-me bem so por eu andar tao triste
:50:28. > :50:30.
:50:30. > :50:34.# Ai se eu pudesse nao cantar "ai se eu pudesse"
:50:34. > :50:38.# E lamentasse nao ter mais nenhum lamento
:50:38. > :50:42.# Talvez ouvisse no silncio que fizesse
:50:42. > :50:46.# Uma voz que fosse minha a cantar alguem ca dentro
:50:46. > :50:50.# Ai que desgraa esta sorte que me assiste
:50:50. > :50:53.# Ai mas que sorte eu viver tao desgraada
:50:53. > :50:57.# Na incerteza que nada ais certo existe
:50:57. > :51:01.# Alem da grande certeza de nao estar certa de nada
:51:01. > :51:05.# Ai que saudade que eu tenho de ter saudade
:51:05. > :51:09.# Saud ades de ter alguem que aqui esta e nao existe
:51:09. > :51:13.# Sentir-me triste so por me sentir tao bem
:51:13. > :51:17.# E alegre sentir-me bem so por eu andar tao triste
:51:17. > :51:20.# Ai que saudade que eu tenho de ter saudade
:51:20. > :51:24.# Saud ades de ter alguem que aqui esta e nao existe
:51:24. > :51:28.# Sentir-me triste so por me sentir tao bem
:51:28. > :51:38.# E alegre sentir-me bem so por eu andar tao triste. #
:51:38. > :51:42.
:51:42. > :51:52.CHEERING AND APPLAUSE
:51:52. > :52:14.
:52:14. > :52:16.# Four walls and a cauldron of Kalashnikoving
:52:16. > :52:19.# And our home is a trigger that I'm always pulling
:52:19. > :52:21.# At the border, at the, at the border
:52:21. > :52:24.# I'm at the border, at the, at the border
:52:24. > :52:27.# The short spears and the weak eternal monologuing
:52:27. > :52:30.# And our war is the crucible of all your longing
:52:30. > :52:32.# At the border, at the, at the border I'm at the border
:52:32. > :52:36.# At the, at the border
:52:36. > :52:38.# I was there when the clamour got real
:52:38. > :52:41.# I was there when your brow smashed the wall
:52:41. > :52:44.# It's like a riot with only two perps
:52:44. > :52:47.# The more I'm here I'm making it worse
:52:47. > :52:49.# But does it feel like you're already dead?
:52:49. > :52:51.# Yes
:52:51. > :52:52.# And do you feel like your brain stopped delivering?
:52:52. > :52:55.# Yeah, break my finger shoot out my black eyes
:52:55. > :52:58.# What does it matter if everyone dies?
:52:58. > :53:03.# Hey, Kemosabe, I'm alone
:53:03. > :53:10.# I, I am alone Hi-ho Silver away
:53:10. > :53:14.# Hey, Kemosabe, I'm alone
:53:14. > :53:22.# I, I am alone
:53:23. > :53:25.# So fast hence take an arrow from your quiver
:53:25. > :53:26.# Or we're, past-tense
:53:26. > :53:28.# What's a trilobite to anyone?
:53:28. > :53:30.# I'm outta my depth, outta, outta my depth
:53:30. > :53:33.# I'm outta my depth, outta, outta my depth
:53:33. > :53:36.# But I'm heaving
:53:36. > :53:46.# The short spears and the weak eternal monologuing
:53:46. > :53:48.
:53:48. > :53:50.# I was there when your brow smashed the wall
:53:50. > :53:52.# No, your body was and the white of your rollin' eye
:53:52. > :53:54.# I saw some terrible things on that night
:53:54. > :53:56.# I done a lot of bad things with my life
:53:56. > :54:01.# I put my fingers in there and I breeze past security
:54:01. > :54:04.# Nobody checking on all of my deeds
:54:04. > :54:07.# I need a checker for all of my deeds
:54:07. > :54:11.# Hey, Kemosabe, I'm alone
:54:12. > :54:20.# I, I am alone Hi-ho Silver away!
:54:20. > :54:23.# Hey, Kemosabe, I'm alone
:54:23. > :54:26.# I, I am alone
:54:27. > :54:35.# And we be trapped in the amber last joy
:54:35. > :54:42.# And I'm looking at a holy ghost
:54:42. > :54:45.# But there's no silver bullet for a memory
:54:45. > :54:49.# I field dress every moment but you're telling me that Tonto say
:54:49. > :54:54.# I've lost my way
:54:54. > :55:02.# Hey
:55:02. > :55:06.# Hey...
:55:06. > :55:11.# I, I am alone
:55:11. > :55:14.# Mmm, and I'm lost
:55:14. > :55:17.# And I'm drained enough genuflecting in a penitent way
:55:17. > :55:21.# Hey, Kemosabe, I'm alone
:55:21. > :55:25.# I, I am alone
:55:25. > :55:27.# So yippee-kayay
:55:27. > :55:31.# Hey, Kemosabe, I'm alone
:55:31. > :55:35.# I, I am alone
:55:35. > :55:41.# Hi-ho Silver away. #
:55:41. > :55:51.CHEERING AND APPLAUSE
:55:51. > :55:54.
:55:54. > :55:54.Everything
:55:54. > :55:55.Everything Everything.
:55:55. > :55:58.Everything Everything. Before
:55:58. > :56:03.Everything Everything. Before that we enjoyed, Ana Moura who is
:56:03. > :56:13.sitting just over there. Now, I think, our last live band this
:56:13. > :56:20.
:56:20. > :56:30.evening, we welcome back Primal # Flashing lights, police cars
:56:30. > :56:33.
:56:33. > :56:40.# The corner boys look like # Kebab shops, pubs and mosques
:56:40. > :56:47.# Police stations, crack house zombies, readers' wives
:56:47. > :56:49.# Suburban orgies
:56:49. > :56:59.# Invisible city, invisible city invisible city, invisible city
:56:59. > :57:13.
:57:13. > :57:16.# Pissed-up girls, Kia-Ora tans
:57:16. > :57:19.# Mini skirts One-night stands
:57:19. > :57:23.# Up the duff sun bed thighs
:57:23. > :57:27.# Missing father all their lives
:57:27. > :57:33.# Rain wet streets, hallucination
:57:33. > :57:35.# Stretched faces like a Bacon painting
:57:35. > :57:38.# Midnight drive in the neon sunshine
:57:38. > :57:40.# I love this city such a beautiful city
:57:40. > :57:45.# Invisible city, invisible city invisible city, invisible city
:57:45. > :57:55.# Politician Death TV, psychic sewers spewing out garbage
:57:55. > :57:56.
:57:56. > :58:02.# Politician Death TV, psychic sewers spewing out garbage
:58:02. > :58:12.# Tune out of that frequency tune out of that frequency
:58:12. > :58:36.
:58:36. > :58:38.# Rain wet street, hallucination
:58:38. > :58:42.# Stretched faces like a Bacon painting
:58:42. > :58:44.# Midnight drive in the neon sunshine
:58:44. > :58:48.# I love this city such a beautiful city
:58:48. > :58:52.# Invisible city, invisible city invisible city
:58:52. > :59:02.# I love this city such a beautiful city. #
:59:02. > :59:04.
:59:04. > :59:12.# Invisible city, invisible city invisible city
:59:12. > :59:22.# I love this city such a beautiful city. #
:59:22. > :59:26.
:59:27. > :59:35.CHEERING AND APPLAUSE
:59:35. > :59:35.Invisible
:59:35. > :59:36.Invisible City,
:59:36. > :59:39.Invisible City, Primal
:59:39. > :59:46.Invisible City, Primal Scream. I love them so much that I put them
:59:46. > :59:53.on our website. There will be more of them. That's more or less all we
:59:53. > :59:58.have time for tonight. We will be back next Tuesday at 10pm with
:59:58. > :00:08.Phoenix and Eric Church and I might be chatting with the Eagles. Jamie,
:00:08. > :00:14.
:00:14. > :00:24.it has been great having you this Yes!
:00:24. > :00:30.