:00:34. > :00:44.Good evening Britain, good evening the world. Let's welcome first from
:00:44. > :00:47.Kansas City, the one and only Janelle Monae!
:00:47. > :01:09.APPLAUSE AND CHEERING # But I really, really want to thank
:01:09. > :01:11.you for dancing till the end # But I need to know, if the world
:01:11. > :01:21.says it's time to go # But I need to know, if the world
:01:21. > :01:29.says it's time to go # You gotta laugh at the zombie in
:01:29. > :01:43.the front yard # Take a bath, but nothing gets the
:01:43. > :01:45.funk off # You're on TV, rocking and a
:01:45. > :01:47.rolling # Cos the dead just love to
:01:47. > :01:50.rock and roll # Sick and tired of food
:01:50. > :01:52.tasting plastic # You wanna cry, but they grew up
:01:52. > :01:54.without a real kitchen # Asking why the pain is always
:01:54. > :01:56.equal # But the joy just never
:01:56. > :02:09.spreads around # But I need to know, if the world
:02:09. > :02:12.says it's time to go # But I need to know, if the world
:02:12. > :02:21.says it's time to go # You're going crazy, the hit man
:02:21. > :02:35.always finds you # Do that dance, smoking in
:02:36. > :02:38.the girls' room # Kissing friends, keep a rocking
:02:38. > :02:40.and a rolling # Cos the dead just love to
:02:40. > :02:41.rock and roll # So freaked out, worried about the
:02:41. > :02:43.bomb threats # Bought a house, but I'm allergic
:02:43. > :02:45.to the house pets # Credit card, you're working
:02:46. > :02:47.and a bobbing # Just to make enough to pay your
:02:47. > :02:49.rent # But I need to know, if the world
:02:49. > :03:04.says it's time to go # But I need to know, if the world
:03:04. > :04:22.says it's time to go We love Janelle Monae! Tonight we
:04:22. > :04:30.have on the show live, the Chvrches and Janelle we love you! We have
:04:30. > :04:32.Tony Joe White, we have Hugh Laurie. We have Chvrches over there. Now
:04:32. > :04:50.from Boston, Pixies! # Fatty had it made like a blade in
:04:50. > :04:53.the sun # Like a push in the bush when you
:04:53. > :04:54.got none # I'm a fatty in my caddy with my
:04:54. > :05:15.'ponic blunt # Cosy as a manger Chet Baker in the
:05:15. > :06:46.changer # Make some room
:06:46. > :07:00.# # What goes boom # # Grace in her lace and her
:07:00. > :07:14.stocking # She likes to get rocking
:07:14. > :07:38.# Grace, are we going to get rocking # Make some room
:07:38. > :07:49.# What goes boom #
:07:49. > :07:53.APPLAUSE AND CHEERING I am delighted to say in this room
:07:53. > :07:57.the Pickies! Now let's move over to this corner
:07:57. > :08:23.and welcome a new group from Glasgow, we welcome Chvrches.
:08:23. > :08:29.# Never took your side, never cursed your name
:08:29. > :08:34.# I keep my lips shut tight, until you go
:08:34. > :08:41.# We've come as far, as we're ever gonna get
:08:41. > :08:46.# Until you realize, that you should go
:08:46. > :08:51.# I'm in misery where you can seem as old as your omens
:08:51. > :08:58.# And the mother we share will never keep your proud head from falling
:08:58. > :09:02.# The way is long but you can make it easy on me
:09:02. > :09:08.# And the mother we share will never keep our cold hearts from calling
:09:08. > :10:16.# In the dead of night, I'm the only one here
:10:16. > :10:44.# We're the only ones left # It's
:10:44. > :11:04.# We're the only ones left keep your proud head from falling
:11:04. > :11:16.# We're the only ones left keep our cold from falling
:11:16. > :11:29.APPLAUSE AND CHEERING The Mother We Share, Chvrches.
:11:29. > :11:34.Beautiful to have you in the room. Now we welcome back a man who is a
:11:34. > :11:36.true sensation, we welcome Hugh Laurie.
:11:36. > :11:42.How lovely to see you back in this room. You have this fantastic new
:11:42. > :11:47.record out. For this one, the last record was a huge success. It sold
:11:47. > :11:50.millions of copies all over the world and people loved it. Did you
:11:50. > :11:53.have what a lot of artists go through, which is second album
:11:53. > :11:58.syndrome where the first one was such a rush and excitement and to
:11:58. > :12:04.get to the second one it was very difficult? Uh, no. We don't have a
:12:04. > :12:09.lot of time, but no. I didn't write any of these songs. These are songs
:12:09. > :12:15.from 100 years ago and they're like grains of sand on a beach. There's
:12:15. > :12:20.so many beautiful songs that exist, that who needs more songs from me?
:12:20. > :12:23.No one needs a song from me. The last one was fantastic because you
:12:23. > :12:27.introduced a lot of people who might not have known about it to wonderful
:12:27. > :12:32.New Orleans music and on this you have stretched it from there and
:12:32. > :12:37.gone to... Cast our net wider. You have gone to the blues, to gospel
:12:37. > :12:44.music and Argentinaen music. In fact, the oldest I think Argentinaen
:12:44. > :12:51.tango on there. That element of New Orleans music, that Spanish, Cuban
:12:51. > :12:58.feel is such a beautiful part of that music. Yes As anything. But it
:12:58. > :13:03.is very sexy. Now, this record has - we have a bit of a clip. Shall we
:13:03. > :13:08.enjoy a clip? I don't know about enjoy. We can watch it. I am going
:13:08. > :13:16.to enjoy it. Are you? Yes! You are very kind, thank you.
:13:16. > :13:21.# Unchain my heart # Baby let me go
:13:21. > :13:32.# Unchain my heart # You don't love me no more
:13:32. > :13:35.# Every time I call you on the phone # Some fella tells me that you're
:13:35. > :13:49.not home # So unchain my heart and set me
:13:49. > :13:53.free APPLAUSE
:13:53. > :13:59.Yes. Did you have that piano made? That's not a tiny piano, I became
:13:59. > :14:04.enormous for that photograph. It's a success, I think. This record you
:14:04. > :14:07.have gone to the world of the blues. Going to the world of music, is it
:14:07. > :14:11.easier the world of music than being Going to the world of music, is it
:14:11. > :14:16.in the world of acting, or harder? Well, nothing is easy or hard - it
:14:16. > :14:21.all depends how much you care about the result. Brain surgery is easy if
:14:21. > :14:26.you don't care, if the fella dies. It's actually... Have you tried
:14:26. > :14:32.that? I haven't. On myself, but not on another person. Good. I find it
:14:32. > :14:36.incredibly difficult, thrillingly difficult, and wonderfully
:14:36. > :14:40.excitingly - it's the best. You do it very well. Well, you are very
:14:40. > :14:46.kind. We should play something. You talk about old music. Let's play
:14:46. > :15:38.music from 1916. You are driving. OK, we will start then.
:15:38. > :15:47.APPLAUSE AND CHEERING Wait a moment! Wait a minute! We
:15:47. > :15:59.have 30 seconds left and we are live, hang on, 15 seconds. F. G.
:15:59. > :16:09.C! live, hang on, 15 seconds. F. G.
:16:09. > :16:14.Five seconds. That's it. APPLAUSE AND CHEERING
:16:14. > :16:22.Hugh Laurie and a number of beautiful chords.
:16:22. > :16:29.Now we welcome from Boston, Barrence Whitfield.
:16:29. > :18:33.And the Savages. # I show you what you are doing
:18:33. > :18:42.wrong # Yes I can
:18:42. > :18:48.# I teach you how to go the distance # Long before
:18:48. > :18:55.# Before you are on the ropes again # I am the greatest
:18:55. > :19:06.APPLAUSE AND CHEERING Live tonight, Barrence Whitfield and
:19:06. > :19:09.The Savages. They've all done his songs, he has a new record out of
:19:09. > :19:38.his own, we welcome Tony Joe White. Some problem here boys. There is
:19:38. > :19:43.obviously a minor technical problem, this is one of the advantages ap
:19:43. > :19:48.disvan - and disadvantages of live television. I think the guitar is
:19:48. > :19:51.now fully operational. Are you OK? We will continue. Tony Joe White!
:19:51. > :20:31.APPLAUSE AND CHEERING # Coffee skim, little bit of cream
:20:31. > :20:37.# Goldeneyes with a touch of green # High-cheeked bones
:20:37. > :20:43.# Kind of tall # You won't think twice if you think
:20:43. > :20:53.at all # She like a panther on the prowl
:20:53. > :21:15.# Who you gonna # Hoodoo now
:21:16. > :21:27.# Had a residence # I knew she had a sweet tooth, I
:21:27. > :21:31.bought her some # Like to stay out raten
:21:31. > :21:36.-- out late # Dance all night long
:21:36. > :21:48.# She would only make love at the break of dawn
:21:49. > :21:49.# Took me up so high I can't look down
:21:49. > :22:50.# Who you gonna hoodoo now # I checked it out
:22:50. > :22:58.# With a fine toothcomb # Heard about a place
:22:58. > :23:09.# St Francis # Rehabilitation to cure your ills
:23:09. > :23:21.# But I don't think it could help me any how
:23:21. > :23:23.# Who you gonna hoodoo now # Who you gonna hoodoo
:23:23. > :24:26.# I can't believe all of the things they say about me
:24:26. > :24:29.# Walk in the room they throwing shade left to right
:24:29. > :24:32.# They be like, "Ooh, she's serving face"
:24:32. > :24:36.# And I just tell 'em cut me up and get down
:24:36. > :24:40.# They call us dirty cos we break all your rules down
:24:41. > :24:44.# And we just came to act a fool, is that all right?
:24:44. > :24:50.# They be like, "Ooh, let them eat cake"
:24:50. > :24:54.# But we eat wings and throw them bones on the ground
:24:54. > :25:16.# Is it peculiar that she twerk in the mirror?
:25:16. > :25:20.# And am I weird to dance alone late at night?
:25:20. > :25:38.# Hey, sister, am I good enough for your heaven?
:25:39. > :25:42.# Say will your God accept me in my black and white?
:25:42. > :26:02.# Or should I reprogramme deprogramme and get down?
:26:02. > :26:28.# I wonder will this be my final act tonight
:26:28. > :26:30.# Don't mean to sing so tough I can't take it no more
:26:30. > :26:34.# Baby, me and tuxedo crew, pharaohs it ain't my tomb
:26:34. > :26:38.# Crazy in the black and white, we got the drums so tight
:26:38. > :26:42.# Baby, here comes the freedom song too strong we moving on
:26:42. > :26:47.# Baby, this melody will show you another way
:26:47. > :26:52.# Been 'droids for far too long - come home and sing your song
:26:52. > :27:21.# No, no, the booty don't lie, oh no the booty don't lie. #
:27:21. > :27:22.She who writes the movie owns the script and the sequel
:27:22. > :27:24.So why ain't the stealing of my rights made illegal?
:27:24. > :27:25.They keep us underground working hard for the greedy
:27:25. > :27:27.But when it's time pay they turn around and call us needy
:27:27. > :27:30.My crown too heavy like the Queen Nefertiti
:27:30. > :27:32.Gimme back my pyramid, I'm trying to free Kansas City
:27:32. > :27:34.Mixing masterminds like your name Bernie Grundman
:27:34. > :27:36.Well, I'mma keep leading like a young Harriet Tubman
:27:36. > :27:39.You can take my wings but I'm still goin' fly
:27:39. > :27:40.And even when you edit me the booty don't lie
:27:40. > :27:41.Yeah, keep singing, I'mma keep writing songs
:27:41. > :27:43.I' m tired of Marvin asking me "What's Going On?"
:27:43. > :27:48.March to the streets cos I'm willing and I'm able
:27:48. > :27:52.And while you're selling dope we're gonna keep selling hope
:27:52. > :27:54.We rising up now, you gotta deal you gotta cope
:27:54. > :28:03.Electric ladies, will you sleep or will you preach?
:28:03. > :28:24.Thank you Janelle Monae. Thank you to our guests, Barrence Whitfield,
:28:24. > :28:28.thank you for joining us, Hugh Laurie, thank you Chvrches. Who was
:28:28. > :28:32.your favourite group tonight? I thought you were particularly good.
:28:32. > :28:37.Thank you. Thanks to Tony Joe White. Would you look after Tony for a
:28:37. > :30:00.moment. Thank you. Now let's finish with Pixies!
:30:00. > :30:10.# I walk the sand # Could find my way
:30:10. > :30:26.# The wave of mutilation # Wave of mutilation
:30:26. > :30:34.# # Wave of mutilation # Wave of mutilation
:30:34. > :30:40.# Wave