Episode 5

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:00:39. > :01:17.We're live and now we're going to enjoy John Newman.

:01:18. > :01:38.# I'm rising up to you # With all the strength I've found

:01:39. > :01:55.# Stuff that I can do # I need to know now

:01:56. > :02:22.# Know now can you love me again # Hash I need to know now

:02:23. > :02:32.# Know now can you love me again # They stole everything

:02:33. > :02:39.# They breakdown everything # I'm rising up to you

:02:40. > :02:46.# With all the strength I found # There's nothing I can do

:02:47. > :02:50.# I need to know now # Know now

:02:51. > :03:05.# Can you love me again # I need to know now, know now

:03:06. > :03:35.# Can you love me again # Can you love me again

:03:36. > :03:40.# I told you once I came through this

:03:41. > :04:01.# I told you once I came through this again

:04:02. > :04:07.# I can't do this again # I need to know now, know now

:04:08. > :04:16.# Can you love me again # I need to know now, know now

:04:17. > :04:20.# Can you love me again # I need to know now

:04:21. > :04:28.# Know now # Can you love me again

:04:29. > :04:42.# I need to know now, know now # Can you love me again... #

:04:43. > :04:51.APPLAUSE John Newman. Tonight we have an

:04:52. > :04:59.amazing line-up. From New York, we have Buika. We have Passenger and we

:05:00. > :05:04.have from blooBG Lynn New York, we have MGMG and we have Lloyd Cole and

:05:05. > :05:15.now we have Anna Calvi. # Tomorrow, tomorrow's too late so

:05:16. > :06:19.hold me up # Hold me up I know that I could be

:06:20. > :06:27.you, Eliza # So dress-less and godless I wait

:06:28. > :06:46.to leave # This should behind entangled the

:06:47. > :06:51.jangle of bells # They ring my fear through the

:06:52. > :07:11.night # Taking unpaid leave from my

:07:12. > :09:09.women's studies, uh huh # Out here in the meadow With A

:09:10. > :09:15.People's History Of America # I smoke a pipe to Johnny 99

:09:16. > :09:23.Bipartisan Consensus # I'm keeping it dry, nothing

:09:24. > :09:26.flighty # We were young and we were stupid

:09:27. > :09:36.and it was fine while it lasted # To complete my education I hake up

:09:37. > :09:44.in your bathtub # Oh, those Monday morning quarters

:09:45. > :10:00.I grew so accustomed to # I've seen enough, I've made

:10:01. > :10:02.my recommendations # Your powers of reduction remain

:10:03. > :10:13.strangely undiminished # Yes you, in your hushed tones

:10:14. > :10:19.and your campus etiquette # Then nothing should keep her mouth

:10:20. > :10:26.shut # We were young and we were stupid

:10:27. > :11:28.and it was fine while it lasted # Yes you, in your hushed tones

:11:29. > :11:28.and your campus etiquette # Then nothing should keep her mouth

:11:29. > :11:51.shut # Trying to relocate my arms around

:11:52. > :12:04.a memory # I'm drinking tea and taking unpaid

:12:05. > :12:11.leave from my women's study # And he was there

:12:12. > :12:17.# Maybe hiding I can be funny or maybe not funny at all

:12:18. > :12:25.# We were young and we were stupid # It was fine while it lasted

:12:26. > :12:44.# To come clean with my education # I have awakened in your bathtub

:12:45. > :12:54.# With the shadows of the women that I have... #

:12:55. > :12:59.Hash APPLAUSE

:13:00. > :13:06.Thank you Lloyd Cole. And now, at the piano, who betters to meet than

:13:07. > :13:10.one of the greatest of all time, it's Suggs. This book, I refuse to

:13:11. > :13:15.put it down. I cannot. Wherever I go people are reading it. It's an

:13:16. > :13:20.absolutely top read and the title. Where does it come from? It's a long

:13:21. > :13:24.I wrote about my life and that close to the enormous success and indeed

:13:25. > :13:31.close to burning, crashing and disaster. All at the same time? You

:13:32. > :13:38.never know. And as well as it being funny, but it's also - when you go

:13:39. > :13:43.to the sadder points. That's the wrong point, but you have been very

:13:44. > :13:49.forthright, because here is your school report. Can we look at that?

:13:50. > :13:54.You may, yes. OK. E for effort. That's all you've got. February

:13:55. > :13:58.1975. "Macpherson seems to be incapable of understanding the

:13:59. > :14:02.simplest of procedures, questions or instructions." Would you say that

:14:03. > :14:10.was right? Probably. "Together with the apparent lazy attitude that he

:14:11. > :14:18.exudes... ." That confused me. Can you skewed a lazy attitude? Exactly.

:14:19. > :14:23.How can you do that? And, "Therefore it's inevitable he obtained the low

:14:24. > :14:27.marks. He seems incapable of copying a sentence." Was that true?

:14:28. > :14:34.Extremely slow, you can't say that. He's all right, but he's a bit slow.

:14:35. > :14:40.Then you've gone on to conquer the whole world. The last bit says, "It

:14:41. > :14:44.goes without saying that any form of work seems totally beyond him. I

:14:45. > :14:49.wonder if I can even hope for any improvement." Look, how long they

:14:50. > :14:52.were. Indeed. I wouldn't take any pleasure in seeing that teacher

:14:53. > :14:57.again and I'm sure he pretty much got that wrong. He's probably out

:14:58. > :15:02.there somewhere. You are doing a one half man show, and you draw on the

:15:03. > :15:06.book? I started doing that a few years ago. It's my life story. The

:15:07. > :15:11.inspiration for the book. It's everything in my life so far. Of

:15:12. > :15:19.which is there is aplenty. It's amazing, because from this to

:15:20. > :15:23.closing the Jubilee and the Olympics. It seemed to be our new

:15:24. > :15:30.line of work. We closed TV centre and the Post Office was a bit of a

:15:31. > :15:36.blow. It must be because we replaced I wp kill wp always Love You at

:15:37. > :15:41.funerals. This is marvellous and the one-man show is something I refuse

:15:42. > :15:48.to miss. The Garrick Theatre in December. It's an hanor to have this

:15:49. > :15:54.man here. Thank you. I hope I haven't put you off.

:15:55. > :16:09.I say feed the cold with great music and this is Passenger.

:16:10. > :16:12.# Well, you only need the light when it's burning low

:16:13. > :16:15.# Only miss the sun when it starts to snow

:16:16. > :16:22.# Only know you love her when you let her go

:16:23. > :16:28.# Only know you've been high when you're feeling low

:16:29. > :16:30.# Only hate the road when you're missin' home

:16:31. > :16:36.# Only know you love her when you let her go

:16:37. > :16:53.# Staring at the bottom of your glass

:16:54. > :16:55.# Hoping one day you'll make a dream last

:16:56. > :17:04.# But dreams come slow and they go so fast

:17:05. > :18:06.# You see her when you close your eyes

:18:07. > :18:16.# You see her when you close # Love comes slowly, closes so fast

:18:17. > :18:23.# You loved her too much # You cared

:18:24. > :18:44.# You loved her too much # Only miss the sun when

:18:45. > :18:56.let her go # You let her go oh, oh, oh,

:18:57. > :19:14.# You let her go, oh, oh, oh, # You let her go oh, oh, oh, oh

:19:15. > :19:17.# But you only need the light when it's burning low

:19:18. > :19:25.# Only miss the sun when it starts to snow

:19:26. > :19:29.# Only know you love her and let her go

:19:30. > :19:33.# You know you've been hurt when you're feeling low

:19:34. > :19:41.# Only hate the road when you're missing home

:19:42. > :19:56.# Only know you love her when you let her go

:19:57. > :20:01.# When you let her go... # Hash They're already getting warmed

:20:02. > :20:03.up. They went away for one year to refresh themselves and now they've

:20:04. > :20:14.returned. It's MGMG. # He knows it's all right

:20:15. > :21:35.to live a life # Not knowing that your life

:21:36. > :22:32.is a lie Thank you MGMT. Our next star is

:22:33. > :22:35.wonderful and she is a star of the international Latin world. We

:22:36. > :26:06.welcome Buika. A thank you, bruBGia. Thanks to all

:26:07. > :26:12.our guests. Thanks to Passenger. Thank you to the Suggs and to Anna

:26:13. > :26:18.Calvi and Lloyd Cole. I think we only have a few seconds and thank

:26:19. > :26:25.you to MGMT. We'll be back on Friday, but you can't catch me at

:26:26. > :26:56.home. We'll finish with the wonderful John Newman.

:26:57. > :27:04.# I saw you Sunday, Monday, right hanging with your man again

:27:05. > :27:13.# Came back on a Tuesday night with that cold hard look of shame

:27:14. > :27:20.# Oh, I could love you better better than you once knew

:27:21. > :27:27.# Yeah, cos cheating's just a thing you do

:27:28. > :27:39.# I saw you Friday, Saturday right tearing up another heart

:27:40. > :27:57.# You know I love you better, better than you once knew

:27:58. > :28:06.# But I would never cheat on you yeah

:28:07. > :28:12.# I could love you better, better than you once knew

:28:13. > :28:19.# Yeah, cos cheating's just a thing you do

:28:20. > :28:47.But if your heart is beating bring it home, bring it to me

:28:48. > :28:53.# But if your heart is beating bring it home, bring it to me

:28:54. > :29:02.# But if your heart is beating bring it home bring, it to me

:29:03. > :29:08.# But if your heart is beating bring it home bring, it to me

:29:09. > :29:13.# I could love you better, better than you once knew

:29:14. > :29:17.# And if you're cheating, cheat on yeah

:29:18. > :29:28.# I could love you better, better than you once knew

:29:29. > :29:37.# Yeah, cos cheating's just a thing you do