Episode 6

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:00:34. > :00:44.Never mind about that, whatever it is. Here are arc tishg monkeys!

:00:45. > :01:25.Arctic monkeys! # I can't help myself

:01:26. > :01:28.# All I wanna hear her say is, are you mine?

:01:29. > :01:39.# Are you mine? # Are you mine?

:01:40. > :01:44.# I guess what I am trying to say # I need the deep end

:01:45. > :01:49.# Keep imagining meeting # Wished away entire lifetimes

:01:50. > :01:52.# Unfair we're not somewhere misbehaving for days

:01:53. > :01:55.# Great escape, lost track of time and space

:01:56. > :02:00.# She's a silver lining climbing on my desire

:02:01. > :02:03.# And I go crazy cause here isn't where I wanna be

:02:04. > :02:06.# And satisfaction feels like a distant memory

:02:07. > :02:16.# And I can't help myself # All I wanna hear her say is, are

:02:17. > :02:37.you mine? # Are you mine?

:02:38. > :02:40.# Oh, I # And the thrill of the chase moves

:02:41. > :02:49.in mysterious ways # So in case I'm mistaken

:02:50. > :02:49.# I just wanna hear you say you got me baby

:02:50. > :03:08.# Are you mine? # She's a silver lining, a lone

:03:09. > :03:11.ranger riding through an open space # In my mind when she's not right

:03:12. > :03:17.there beside me # I go crazy cause here isn't where

:03:18. > :03:20.I wanna be # And satisfaction feels like a

:03:21. > :03:25.distant memory # And I can't help myself

:03:26. > :03:33.# All I wanna hear her say is are you mine?

:03:34. > :03:46.# Well, are you mine? # Are you mine?

:03:47. > :03:55.# Oh, I #

:03:56. > :04:02.APPLAUSE AND CHEERING Celebrating their fifth number one

:04:03. > :04:09.album, it's Arctic monkeys. Also tonight Gary Clark from Austin,

:04:10. > :04:16.Texas, from Peckham, we are delighted to have Katy B, and

:04:17. > :04:22.Benjamin Clementine. I will be having fireside chats with Earth,

:04:23. > :04:26.Wind and Fire. Now from Liverpool, Sir Paul McKart me.

:04:27. > :04:37.-- Paul McCartney. # It's way too soon to see what's

:04:38. > :04:43.gonna be # You came along and made my life a

:04:44. > :04:50.song # Don't look at me I can't deny the

:04:51. > :05:24.truth # It's plain to see

:05:25. > :05:28.don't look at me # All my life I never knew what I

:05:29. > :05:32.could be # All my life I never knew what I

:05:33. > :06:58.could be The amazing Paul McCartney live and

:06:59. > :07:02.direct in this room with a song New from his album New. Now to this

:07:03. > :07:07.corner for somebody's first ever appearance on the show, we are

:07:08. > :07:09.pleased to have him in the room with -- to have in the room with us, Katy

:07:10. > :07:22.B. # My feet won't stop, I can't keep

:07:23. > :08:14.still # When the sun comes up it won't be

:08:15. > :08:28.warm # I need some loving like Valium

:08:29. > :08:30.# I lost my friends, I check my phone

:08:31. > :08:33.# Still searching for someone to walk with me

:08:34. > :08:38.# My deep wounds rise, they take their place

:08:39. > :08:44.# All of a sudden this don't feel right

:08:45. > :08:54.# I wish I had a pure embrace # To keep me warm until the sunrise

:08:55. > :08:56.# Oh, I need somebody to calm me down

:08:57. > :09:01.# A little loving like Valium # I need somebody to knock me out

:09:02. > :09:04.# I need some loving like # Oh, I don't know what I'm running

:09:05. > :09:10.from # But when the sun comes up it won't

:09:11. > :09:19.be long # I need some loving like Valium

:09:20. > :09:34.# I need some loving like # I need some loving like

:09:35. > :09:38.# Close my eyes, numb the pain # Feel my worries melt away

:09:39. > :09:43.# Lay me down, treat me kind # Take the stresses off my mind

:09:44. > :09:47.# Kiss my neck, feel my touch # Let nothing in the way of us

:09:48. > :09:57.# Keep me here, keep me calm # In my dreams, in your arms

:09:58. > :10:04.# I need somebody to calm me down # A little loving like Valium

:10:05. > :10:08.# I need somebody to knock me out # I don't know what I'm running from

:10:09. > :10:13.# But when the sun comes up it won't be long

:10:14. > :10:34.# I need some loving like Valium # I need some loving like

:10:35. > :10:44.# APPLAUSE AND CHEERING

:10:45. > :10:55.Katy B and 5am. That's her dad over there by the way. Over here I have

:10:56. > :10:59.Earth, Wind and Fire. Thank you for joining us for a lovely fireside

:11:00. > :11:06.chat. How are you doing? We have this great new record which of

:11:07. > :11:10.course reflects the original sound, that great original sound of Earth,

:11:11. > :11:14.Wind and Fire that people love. What is it that - people have loved it

:11:15. > :11:19.for years, what is it that - why do people love it so much? It's up

:11:20. > :11:22.music, happy music and you feel better when you leave than when you

:11:23. > :11:28.came. What could be better than this?! I hope people feel like that

:11:29. > :11:31.after they watch this show. It's the energy of this room. This room has

:11:32. > :11:35.great energy. You couldn't come and play for us tonight, but would you

:11:36. > :11:40.at some point? It would be great to hear you. We would love to. We will

:11:41. > :11:46.come back and play. One of your biggest hits was Boogie Wonderland.

:11:47. > :11:54.Is that right that it was a surprise hit? It was not - we weren't chasing

:11:55. > :11:59.after the disco craze at that time. Boogie Wonderland was being produced

:12:00. > :12:02.by somebody that was a part of a Maurice production company and

:12:03. > :12:07.Maurice heard it and decided he wanted to do it on us. We had no

:12:08. > :12:11.intention of jumping into the disco pool. And suddenly it was one of the

:12:12. > :12:15.biggest ones on planet earth. Exactly. I am delighted to say we

:12:16. > :12:27.have photographic evidence with moving pictures over here.

:12:28. > :12:30.# I find romance when I start to dance

:12:31. > :12:45.# In boogie wonderland #

:12:46. > :12:52.APPLAUSE A testament to the dance-ability

:12:53. > :12:57.that this gentleman over there was dancing away to it. Yes! There he

:12:58. > :13:01.was, you were having a dance. You couldn't stop. The whole band

:13:02. > :13:09.dancing, that's how great it is. You have covered his songs. Yes, Got To

:13:10. > :13:13.Get You Into My Life, it's a special song. Everybody shakes hands and

:13:14. > :13:17.gets together. Did you know they all make friends like that with your

:13:18. > :13:25.music? I didn't know that, but thank you, I love it. What a nice circular

:13:26. > :13:28.room this is. I think that - you have been sampled a lot. You have

:13:29. > :13:33.had samples taken from you if I may say so, from all sorts of people,

:13:34. > :13:37.Jay Z, Public Enemy the lot. Do you like being sampled, is it good or

:13:38. > :13:44.bad? If you think about it it's a different way of marketing your

:13:45. > :13:48.songs. Especially if - we are like a legacy kind of act so for someone to

:13:49. > :13:51.pick one of our songs and bring it to the present day situation, we

:13:52. > :13:56.love it. That's right. You have been quoted by new people. We can't

:13:57. > :14:00.complain at all. You don't seem like complainers to me. We are longing

:14:01. > :14:05.for you to be back here with us in the studio joining us live. Let me

:14:06. > :14:10.ask this, was it always Earth Wind and fire, was there always going to

:14:11. > :14:15.be a element of water? Let's have rain, sea? There is talk of a fourth

:14:16. > :14:20.member. He is the fourth member, Paul. There is talk of a fourth

:14:21. > :14:31.member. Earth, Wind and Fire and Paul? What element would you be,

:14:32. > :14:39.Paul? Water. It's settled in here. Thank you very much. Water over

:14:40. > :14:41.there egging them on. Now, an amazing player and voice, I am

:14:42. > :14:56.delighted to give you Gary Clark Jr. # She can be so sweet till she wanna

:14:57. > :15:28.fuss and fight # Burn this whole thing down by

:15:29. > :16:06.myself # Yeah, woman, I can't feel

:16:07. > :16:59.a thing. # # # Yeah, woman, I can't feel a

:17:00. > :18:07.thing. # Gary ClarkJr. In this corner a man

:18:08. > :18:13.from London who went to Paris and was discovered busking on the

:18:14. > :18:31.Parisian Metro, Benjamin Clementine! # As the wind blows to the east from

:18:32. > :18:55.the west # Unto this bed my tears have their

:18:56. > :19:03.solemn rest # They claimed to be close but

:19:04. > :19:25.they're all wrong # I am lonely, alone in a box of my

:19:26. > :19:31.own # And this place I will say I've

:19:32. > :19:33.only belonged # It wasn't easy getting used to

:19:34. > :19:50.this # It's not true that only when a

:19:51. > :19:54.door is locked # Cos mine has been opened till your

:19:55. > :20:04.own demise # Well, who am I, what have I done

:20:05. > :20:15.wrong # I am lonely, alone in a box of my

:20:16. > :20:26.own # For I have been lonely, alone in a

:20:27. > :20:33.this box of stone # And this place I will say I've

:20:34. > :20:35.only belonged # Friends I have met, lovers have

:20:36. > :20:59.slept and wept # Promises to stay have never been

:21:00. > :21:05.kept # This bare truth of which others

:21:06. > :21:12.won't share # For I have been lonely, alone in a

:21:13. > :21:36.this box of stone # I am lonely, alone in a box of my

:21:37. > :21:41.own # And this place I will say I've

:21:42. > :21:43.only belonged # What's been happening in your

:21:44. > :22:39.world # I wanna grab both your shoulders

:22:40. > :22:58.and shake, baby # I get the feeling I've left it too

:22:59. > :23:05.late but, baby # If that watch don't continue to

:23:06. > :23:12.swing # Or the fat lady fancies having

:23:13. > :23:15.a sing # Waiting ever so patiently for you

:23:16. > :23:32.to snap out of it # But it don't sound much like you

:23:33. > :24:02.do # I wanna grab both your shoulders

:24:03. > :24:05.and shake, baby # I get the feeling I've left it too

:24:06. > :24:12.late but, baby # If that watch don't continue to

:24:13. > :24:19.swing # Or the fat lady fancies having

:24:20. > :24:22.a sing # Waiting ever so patiently for you

:24:23. > :25:21.to snap out of it I get the feeling I left it too late

:25:22. > :25:29.# But baby, snap out of it # If that watch don't continue to

:25:30. > :25:31.swing or the fat lady fancies having a sing

:25:32. > :25:35.# I'll be waiting ever so patiently for you to

:25:36. > :25:44.# Snap out of it #

:25:45. > :25:51.APPLAUSE AND CHEERING Thank you Arctic Monkeys. Thank you

:25:52. > :25:56.to all our guests, Gary Clark, Katy B, thank you Benjamin Clementine.

:25:57. > :26:00.More from all our guests later on. You can look on our website and of

:26:01. > :26:07.course we will be back on Friday with a lot more. And thank you

:26:08. > :26:10.Earth, Wind and Fire. What an amazing lot of elements and of

:26:11. > :26:24.course thank you to our amazing guest this evening, Paul McCartney!

:26:25. > :26:27.# Well, Jojo was a man who thought he was a loner

:26:28. > :26:33.# Jojo left his home in Tucson, Arizona

:26:34. > :26:41.# Get back to where you once belonged

:26:42. > :26:48.# Get back to where you once belonged

:26:49. > :27:12.# Get back to where you once belonged

:27:13. > :27:22.# Get back to where you once belonged

:27:23. > :27:41.# Well, sweet Loretta Martin thought she was a woman

:27:42. > :27:49.# All the girls around her say she's got it coming

:27:50. > :28:31.# Get back to where you once belonged

:28:32. > :28:44.# Get back to where you once belonged

:28:45. > :29:13.# In her high-heel shoes and her low-neck sweater

:29:14. > :29:26.# Get back to where you once belonged

:29:27. > :29:42.# Get back to where you once belonged. #