:00:33. > :00:41.It is, of course, the 5th November and that means that I have a
:00:42. > :00:51.football, and it is time for The Killers.
:00:52. > :01:03.MUSIC: "Shot At The Night" - The Killers
:01:04. > :02:26.# Cos honey I've got nothing to lose
:02:27. > :03:19.# Look at my reflection in the mirror
:03:20. > :05:16.MUSIC: "Count On Me" - Chase Status featuring Moko
:05:17. > :05:50.# Throw my hands up high and surrender
:05:51. > :05:53.# You can count on me # You can count on me
:05:54. > :06:38.# And I miss the way you look right through me
:06:39. > :06:45.# Tell me what you need # Tell me what you need
:06:46. > :06:48.# Throw my hands up high and surrender
:06:49. > :06:52.# You can count on me # You can count on me
:06:53. > :07:42.# Tell me what you need # Tell me what you need
:07:43. > :07:45.# Throw my hands up high and surrender
:07:46. > :07:56.# You can count on me # You can count on me
:07:57. > :08:28.# I know # We got each other, baby
:08:29. > :08:57.Yes, it is the 5th November. Strange coincidence, but true, it is Bryan
:08:58. > :09:02.Adams and Bryan Adams' -- Ryan Adams' birthday. Could you make that
:09:03. > :09:12.up? No, it is true. We have the wonderful Boy George.
:09:13. > :09:18.MUSIC: "King of Everything" - Boy George
:09:19. > :09:56.# The kid was crying # And the dogs were howling
:09:57. > :10:40.# I mocked your tears and I scarred your heart
:10:41. > :11:03.# The kid was crying # And the dogs were howling
:11:04. > :12:35.Boy George King of Everything from his new album. Now, the legendary
:12:36. > :12:38.songwriter, Jimmy Webb worked with a lot of different people on his
:12:39. > :12:39.record and one of them is Justin Currie. Now, let's welcome them
:12:40. > :12:47.both. MUSIC: "You Can't Treat
:12:48. > :12:51.The Wrong Man Right" # He likes to play with you,
:12:52. > :13:01.that's all # He's waiting on
:13:02. > :13:05.someone else's call # Beating your heart
:13:06. > :13:28.against the wall? # You can't treat
:13:29. > :13:55.the wrong man right # Or turn a devil
:13:56. > :14:00.to an angel overnight # He'll wreck all your best-laid
:14:01. > :14:04.plans for spite # You can't treat
:14:05. > :14:09.the wrong man right # You can't treat
:14:10. > :14:15.the right man wrong # When you're out on the town
:14:16. > :14:24.# Acting mean and headstrong # He'll be waiting for you
:14:25. > :14:27.all night long # You can't treat
:14:28. > :14:36.the right man wrong # And though I was trying
:14:37. > :14:49.not to hear # You can't treat
:14:50. > :15:34.the wrong man right # Or change a devil
:15:35. > :15:41.to an angel overnight # She'll steal all your love
:15:42. > :15:45.and fly by night # You can't treat
:15:46. > :15:53.the wrong girl right # You can't treat
:15:54. > :15:56.the right man wrong # You can run all the way
:15:57. > :16:01.from here to Hong Kong # And he'll be waiting
:16:02. > :16:06.when you come back in sight # You can't treat
:16:07. > :16:13.the right man wrong # You can't treat
:16:14. > :16:46.the wrong girl right. # Jimmy Webb and Justin Currie. So now
:16:47. > :16:49.we go over and meet at the table here, Boy George.
:16:50. > :16:54.CHEERING AND APPLAUSE Welcome. You are looking great.
:16:55. > :16:59.What's your secret? A mixture of things. Clean living. Lots of water.
:17:00. > :17:01.Exercise and just, you know, generally looking after myself
:17:02. > :17:04.really. You look great. The record
:17:05. > :17:07.really. great. We just hear the song. What
:17:08. > :17:13.inspired that? A lot of people think it is about me, but if it was about
:17:14. > :17:17.me, it would be called Queen Of Everything. It is about messing up
:17:18. > :17:24.and getting yourself back on the feet. It is about me as much as it
:17:25. > :17:30.is about anyone else. It is the first solo material for 18
:17:31. > :17:35.years. Why have we had to wait so long? Well, I have been DJing.
:17:36. > :17:40.That's an amazing secretary career for me -- second career for me. I
:17:41. > :17:45.turned 50 a couple of years ago and I can make a record now with no
:17:46. > :17:50.pressure. There is no one to please. There is no big label saying, "Make
:17:51. > :17:53.this record." You are on tour now. I wonder, this is there any luxury
:17:54. > :18:00.items you want to take on tour wonder, this is there any luxury
:18:01. > :18:04.you? My make-up girl, Christine. Is she anywhere? She is hiding. She is
:18:05. > :18:10.very glamorous. Hello, Christine. It is an
:18:11. > :18:15.extravagant luxury. Do you take her everywhere you go? Well, I went to
:18:16. > :18:21.Thailand and I did my own face after a long flight and I looked like
:18:22. > :18:26.someone kickboxed me and I thought I can't do it anymore. I am too old.
:18:27. > :18:29.We are looking forward to hearing more from you and we will see you on
:18:30. > :18:34.Friday as well. Boy George. CHEERING AND APPLAUSE
:18:35. > :18:38.He is looking so well. Now, a brand-new band from Chicago. Let's
:18:39. > :18:45.enjoy The Orwells. MUSIC: "Who Needs You"
:18:46. > :18:58.- The Orwells # I said no thank you
:18:59. > :22:04.dear old Uncle Sam The Orwells Who Needs Them. Let's
:22:05. > :22:09.enjoy some more brand-new talent. Over here from Stratford, somebody
:22:10. > :22:11.who Plan B helped produce. We are going to enjoy, Denai Moore.
:22:12. > :22:20.CHEERING AND APPLAUSE # Your autumn leaves
:22:21. > :22:26.scattered like sores # You're the one I think of
:22:27. > :22:36.when I wake # Until the morning starts
:22:37. > :22:42.and the evening breaks # You're summer nights
:22:43. > :23:10.that never die # Sparks of amber gold
:23:11. > :23:15.from bonfire nights # You took the flame
:23:16. > :23:26.Extinguished oxygen # I never know who to look for
:23:27. > :23:57.to try and fill your place # Cos I never thought
:23:58. > :24:06.that I would have to # But how can I
:24:07. > :24:14.when you're all I know # And I found you
:24:15. > :25:24.beneath you my tears Denai Moore with Gone. Thank you to
:25:25. > :25:33.all of o guest. Thank you to Jimmy Webb and Justin Currie. Thank you to
:25:34. > :25:37.Boy George. Thank you to names The Orwells. Thank you to Chase and
:25:38. > :25:43.Status. Thank you to all our beautiful guests for joining us on
:25:44. > :25:46.this lovely firework evening. And we will be back on Friday
:25:47. > :25:49.this lovely firework evening. And we more. I'm just chatting because we
:25:50. > :25:53.have got more time to go. That's the excitement of live television you
:25:54. > :25:58.can make it longer like this! Or you can make it shorter! We have got
:25:59. > :26:05.five seconds now so I would like to take a short safety tack for you all
:26:06. > :26:08.-- take a short safety talk for you. Sorry, there isn't any time. Please
:26:09. > :26:14.welcome the The Killers. MUSIC: "When You Were Young"
:26:15. > :26:21.- The Killers # You play forgiveness
:26:22. > :26:38.# Watch it now. Here he comes # He doesn't look a thing like Jesus
:26:39. > :26:44.# But he talks like a gentleman # Like you imagined
:26:45. > :26:53.# When you were young # Can we climb this mountain?
:26:54. > :26:57.# I don't know # I know we can make it
:26:58. > :27:04.# if we take it slow # Let's take it easy
:27:05. > :27:07.# Easy now. Watch it go # We're burning down
:27:08. > :27:11.the highway skyline # On the back of a hurricane
:27:12. > :27:15.# That started turning # And see the place
:27:16. > :27:36.# where you used to live # You play forgiveness
:27:37. > :28:58.# Watch it now. Here he comes # He doesn't look a thing like Jesus
:28:59. > :29:04.# But he talks like a gentleman # Like you imagined
:29:05. > :29:08.# When you were young # Like you imagined
:29:09. > :29:18.# When you were young # I said
:29:19. > :29:23.# he doesn't look a thing like Jesus