:00:06. > :00:31.This programme contains strong language
:00:31. > :00:37.This is the 300th episode of Later with Jools Holland. This is Kings Of
:00:37. > :01:07.Leon. # Down in the Delta, they're ringing
:01:07. > :02:40.bells # I just want to be there
:02:40. > :02:58.# To be there # I blew them all away
:02:58. > :03:00.# I don't mind, # Just walk away
:03:00. > :03:05.# Walk away # I don't mind, sentimental girls at
:03:05. > :03:12.times # Miss don't walk away
:03:12. > :03:34.# Oh # I don't mind sentimental girls at
:03:34. > :03:52.times # I just lay it on the line
:03:52. > :03:59.# On the line # I don't mind sentimental girls at
:03:59. > :04:11.times # Miss, don't walk away, walk away
:04:11. > :04:18.# I don't mind sentimental girls, at times
:04:18. > :04:27.# Miss, don't walk away # Oh, oh, oh #
:04:27. > :04:35.APPLAUSE Thank you Kings Of Leon.
:04:35. > :04:48.How do we celebrate 300 Laters? Yes, 300! We fill it up with incredibly
:04:48. > :04:54.talented they. -- people. They are, Kanye West!
:04:54. > :04:59.APPLAUSE A brand new group, Drenge!
:04:59. > :05:03.APPLAUSE The legendary voice of Mr Bill
:05:03. > :05:07.Medley! APPLAUSE
:05:07. > :05:11.From Auckland New Zealand, a brand new artist, who has been number one,
:05:11. > :05:15.yes it's Lorde! APPLAUSE
:05:15. > :05:22.And in this corner, I'm delighted to welcome a man with an amazing new
:05:22. > :05:36.album, from Tyneside, it's Sting! APPLAUSE
:05:36. > :06:17.# This town, this stain on the sunrise
:06:18. > :06:26.# It's a magnetic pull # Like a homing signal in your skull
:06:26. > :06:30.# Wondering how in the hell due end up here
:06:30. > :06:33.# It's like an underground river, or a hidden stream
:06:33. > :06:36.# That flows through your head and haunts your dreams
:06:36. > :06:39.# And you stuffed those dreams in this canvas sack
:06:39. > :06:49.# And there's nothing round here that the wide world lacks
:06:49. > :06:56.# And yet, and yet, you're back # Some nights I'd lie on the deck
:06:56. > :06:59.and I'd stare at the turning of the stars
:06:59. > :07:03.# Those consolations hanging up there, from the cables and the
:07:03. > :07:10.rigging # I'd wonder if she saw the same or
:07:10. > :07:16.managed to recall my name # Why would she ever think of me?
:07:16. > :07:21.# Some boy she loved who fled to sea.
:07:21. > :07:23.# And why waste time debating # Whether she'd be waiting for the
:07:23. > :07:38.likes of me? # So you drift into port with the
:07:38. > :07:41.scum of the seas # To the dance halls and the
:07:41. > :07:45.brothels where you took your ease # The ships left the dock but you're
:07:45. > :07:48.half past caring # You haven't got a clue whose bed
:07:48. > :07:51.you're sharing # Your head's like a hammer on a
:07:51. > :07:54.bulk head door # And it feels like somebody might
:07:54. > :07:59.have broken your jaw # And there's blood stains and glass
:07:59. > :08:03.all over the floor # And you swear to God you'll drink
:08:03. > :08:15.no more # And yet, and yet,
:08:15. > :08:19.# In truth it's too late to find her # Too late to remind her at some
:08:19. > :08:23.garden gate # Where a servient tells me I should
:08:23. > :08:27.wait # And perhaps a door's slammed in my
:08:27. > :08:34.face # My head must be in outer space
:08:34. > :08:41.# And yet, and yet # Before the sun has set before the
:08:41. > :08:52.sea # There may be something else that's
:08:52. > :09:04.waiting for the likes of me # This town, this stain on the sun
:09:04. > :09:29.rise # APPLAUSE
:09:29. > :09:35.Yes, the wonderful Sting from The Last Ship, his new album.
:09:35. > :09:39.As I said, it's our 300th show, I'm celebrating. Over in this corner,
:09:39. > :10:34.let's enjoy the wonderful, Kanye West.
:10:35. > :10:42.# All them other lame, and you know it now
:10:42. > :10:50.# What you doing in the club on a Thursday?
:10:50. > :10:53.# She say she only here for her girl birthday
:10:53. > :10:57.# They ordered champagne but still look thirsty
:10:57. > :11:02.Forever 21 but just turned 30 know I got a bad reputation
:11:02. > :11:41.# Walking 'round, always mad reputation
:11:41. > :11:50.I know you're tired of loving, of loving
:11:50. > :11:52.# With nobody to love, nobody, nobody, no
:11:52. > :11:55.# With nobody to love, nobody, # Close your eyes and let these
:11:55. > :12:04.words paint a thousand pictures # One good girl is worth a thousand
:12:05. > :12:11.bitches # Bound to fall in love
:12:11. > :12:18.# Uh-huh, honey # I want to hit it hard at the sink
:12:19. > :12:19.# After that give you something to drink
:12:19. > :12:26.# Step back, can't get spunk on the mink
:12:26. > :12:29.# I mean, damn, would you Jeremy Romey, Romey Rome, think?
:12:30. > :12:32.# I mean, damn, would you Jeremy # Hay, you remember where we first
:12:32. > :12:36.met? # OK, I don't remember where we
:12:36. > :12:42.first met # But hey, ain't nobody perfect
:12:42. > :12:49.# And I know with the hos I got the worst represent, but hey their
:12:49. > :12:52.breakstroke I'm trying perfect # And hey, we made it to thanks
:12:52. > :12:54.breakstroke I'm trying perfect giving, so hey, maybe we can make it
:12:54. > :12:57.to Christmas # She asked me what I wished for the
:12:57. > :13:00.wish list # Have you ever asked your bitch for
:13:00. > :13:04.other bitches? # Maybe we could still make it to
:13:04. > :13:09.the church steps machine but first, you going remember how to forget
:13:09. > :13:14.# After all these long verses, I'm tired, you tired, Jesus wept.
:13:14. > :13:19.# I know you're tired of loving, of loving
:13:19. > :13:24.# With nobody to love, nobody, nobody
:13:24. > :13:29.# So just grab somebody # No leaving this party
:13:29. > :13:30.# With nobody to leave, nobody, nobody
:13:30. > :13:48.# Uh-huh, # Uncle Charlie's in the house,
:13:48. > :13:52.watch your mouth # Uncle Charlie's in the house,
:13:52. > :13:57.watch your mouth # Bound, bound, bound to fall in
:13:57. > :14:02.love # Bound to fall in love
:14:02. > :14:26.# Uh-huh, honey # Kanye West! More from Kaye later.
:14:26. > :15:10.Now we move into this corner, two wonderful brothers, they are Drenge!
:15:10. > :15:18.# Got a pair of dice # And we only roll for snake eyes
:15:18. > :15:22.# Got a race horse and we go to war # Got a pull string, because I want
:15:22. > :15:25.to learn # How to sing
:15:25. > :15:37.to learn # Got a race horse and we go to all
:15:37. > :15:51.the blood sports # I don't know what to do with you,
:15:51. > :16:01.oh # I don't know what to do with her
:16:01. > :16:58.# I know I've got to defer # Ohhh
:16:59. > :17:21.Thank you so much Drenge! From their album drink. We'll hear more from
:17:21. > :17:25.them later. Now I go to this corner, to hear the man that opened for you
:17:25. > :17:30.with that marvellous band. We welcome Sting! Marvellous to have
:17:30. > :17:33.you here. Thrill Andrew honour. Now, it's
:17:33. > :17:37.quite a while since your last record. This one is sensational. You
:17:37. > :17:42.have a lot of great people. We'll talk about them in a moment. I
:17:42. > :17:48.think, would I be right in saying this record is inspired by your
:17:48. > :17:52.childhood home in the north-east? I come from Tyneside. We built the
:17:52. > :17:56.biggest ships ever built, ever constructed in the world, in the
:17:56. > :18:00.history of the world in our town. I've written a series of songs about
:18:00. > :18:06.my town and the ship building industry. Is that actually your
:18:06. > :18:10.street? That was. Is it there, the crane? No, it's been levelled, not
:18:10. > :18:15.because of me. Your earliest memory of this area? This is my earliest
:18:15. > :18:20.memory, a ship being launched, the blood out of the sky. They were huge
:18:20. > :18:27.these things, five times higher than the house. Did your family work with
:18:27. > :18:31.them? My dad was an engineer. Did you ever try working with ships?
:18:31. > :18:36.No, picked up a guitar and I wanted to be a rock star. Much better idea.
:18:36. > :18:41.The The Last Ship is going to be a musical, like a Broadway musical.
:18:41. > :18:45.I'd rather call it a play with songs. I don't like the term
:18:45. > :18:53.musical. Who will some of the people be played by? Well my star is Jimmy
:18:53. > :18:59.Nail. I saw him there! He is there. APPLAUSE
:18:59. > :19:04.Very modest live in the background. Gym a's a wonderful actor and
:19:04. > :19:08.fantastic singer. Perfect for the role. My only worry might be if it's
:19:09. > :19:13.on Broadway in America, I mean, don't get me wrong, American actors
:19:13. > :19:18.are fantastic, but sometimes they are challenged by some of the
:19:18. > :19:24.British voices. Jimmy, what do you think? No comment. Jimmy won't be.
:19:24. > :19:27.Crystal clear wherever he speaks. Tell us about some of the other
:19:27. > :19:32.people you've got. On the record you have also gathered, it is proper
:19:32. > :19:36.north-eastern music because you've gathered the great people. We have
:19:36. > :19:42.north-eastern music because you've Peter Tokel on the fiddle there.
:19:42. > :19:45.Then Julianson Sutton on the squeeze box there -- Julian. That looks like
:19:45. > :19:50.a rugby team in the back. They're box there -- Julian. That looks like
:19:50. > :19:54.from tealside. They're the Wilson family. These are some of the
:19:54. > :19:59.greatest names in north-eastern music. The three there from the
:19:59. > :20:12.North East of America. Blending in weather well. Token Geordies.
:20:12. > :20:18.Wi-eye. That's a terrible accent. It's not bad! I spent a long time up
:20:18. > :20:23.there. I love this music. You should have a better accent then. And the
:20:23. > :20:28.unthank sisters are there. They're on the record and Brian Johnson from
:20:28. > :20:33.ACDC. My only question is, why so long? It's such a long time since
:20:33. > :20:36.your last record. When you have nothing to say, you should say
:20:36. > :20:41.nothing. For ten years I had nothing to say. Very wise. That's probably
:20:41. > :20:46.the wisest thing, it's our 300th show and we've had wisdom and lovely
:20:46. > :20:50.music. The lot. What more can you ask for. Thank you for joining us,
:20:50. > :20:56.Sting! She is from United Kingdom land. She is really a sensation.
:20:56. > :21:00.She's -- she is from Auckland. She is really a sensation. 20 million
:21:00. > :21:28.people have watched her on YouTube. She is Lorde.
:21:28. > :21:37.# I've never seen a diamond in the flesh
:21:37. > :21:43.# I cut my teeth on wedding rings in the movies
:21:43. > :21:49.# And I'm not proud of my address # In the torn-up town, no postcode
:21:49. > :21:54.envy # But every song's like gold teeth,
:21:54. > :21:58.Grey Goose, trippin in the bathroom # Blood stains, ball gowns, trashing
:21:58. > :22:03.the hotel room # We don't care
:22:03. > :22:08.# We're driving Cadillacs in our dreams
:22:08. > :22:11.# Crystal Maybach, diamonds on your time piece
:22:11. > :22:22.# Jet planes, islands, # We don't care,
:22:22. > :22:26.# We'll never be royal # We crave a different kind of buzz
:22:26. > :22:35.# Let me be your ruler # You can call me queen bee
:22:35. > :22:41.# And baby, I'll rule, aisle awe rule -- eel' rule
:22:41. > :22:44.# Let me live that fantasy # My friends and I we've cracked the
:22:44. > :22:47.code # We count our dollars on the train
:22:47. > :23:01.to the party # And everyone who knows us knows
:23:01. > :23:06.that we're fine with this # We didn't come from money
:23:06. > :23:10.# But every song's like gold teeth, Grey Goose, trippin in the bathroom,
:23:10. > :23:12.# Blood stains, ball gowns, trashing the hotel room
:23:12. > :23:15.# We don't care # We're driving Cadillacs in our
:23:15. > :23:20.dreams # But everybody's like, diamonds on
:23:20. > :23:23.your time piece # Jet planes, islands, tigers on a
:23:23. > :23:27.gold leash # We don't care
:23:27. > :23:31.# We aren't caught up in your love affair
:23:32. > :23:36.# And we'll never be royals # It don't run in our blood
:23:36. > :23:38.# That kind of Luxe just ain't for us
:23:38. > :23:42.# We crave a different kind of buzz # Let me be your ruler
:23:42. > :23:53.# You can call me queen bee # And baby, I'll rule, I'll rule
:23:53. > :23:58.# Let me live that fantasy # Ooh, ooh, oh
:23:58. > :24:01.# We're bigger than we ever dreamed # And I'm in love with being queen
:24:02. > :24:06.# We're bigger than we ever dreamed # Ooh, ooh, oh
:24:06. > :24:14.# Life is a game without a care # We aren't caught up in your love
:24:15. > :24:22.affair # We will never be royals
:24:22. > :24:26.# That kind of life ain't for us # We crave a different kind of buzz
:24:26. > :24:33.# Let me be your ruler # You can call me queen bee and
:24:33. > :24:37.baby, I'll rule, I'll rule # Let me live that fantasy
:24:37. > :25:00.baby, I'll rule, I'll rule CHEERING AND APPLAUSE
:25:00. > :25:07.# It's all there in the gospels # The mag de-Lynn girl comes to pay
:25:07. > :25:11.respects # The she finds the tomb empty
:25:11. > :25:15.# The stone had been rolled # Not a sign of the corporation in
:25:15. > :25:18.the dark and the cold # When she reaches the door, sees an
:25:19. > :25:24.unholy sight # There's a terrible figure in a
:25:24. > :25:28.halo of light # They carry on floating past
:25:28. > :25:34.cavalry hill # In an almighty hurry, aye, but she
:25:34. > :25:39.might catch him still # Tell me where are you going, Lord
:25:39. > :25:41.and why in such haste? Now don't behinder me woman, I've no time to
:25:41. > :25:44.waste # For they're launching a boat on
:25:44. > :25:52.the more row at noon # I have to be there before za break
:25:52. > :25:55.# Oh, I canna be missing, the lads will expect me
:25:55. > :26:00.# Why else would the good Lord himself resurrect me for?
:26:00. > :26:05.# Nothing will stop me, I have to prevail lash through the teeth of
:26:05. > :26:08.this tomorrow pest in the mouth of a gale
:26:08. > :26:12.# May the angels protect me, if all else should fail
:26:12. > :26:17.# When the last ship sails. # Oh, the roar of the chains and the
:26:17. > :26:21.cracking of timbers # The noise at the end of the world
:26:21. > :26:25.in your ears # As a mountain of steel makes its
:26:25. > :26:43.way to the sea # And the last ship sails
:26:43. > :26:47.# it's a strange kind of beauty # It's cold and austere
:26:47. > :26:54.# And whatever it was that you've done to be here
:26:54. > :26:58.# It's the sum of your hopes, your despairs and your fears
:26:58. > :27:02.# When the last ship sails # Well, the first to arrive saw
:27:02. > :27:07.these signs in the east # Like that strange moving finger at
:27:07. > :27:10.Balthazar's feast # Where they asked the advice of
:27:10. > :27:15.some wandering priest # And the sad ghosts of men whom
:27:15. > :27:19.they'd thought long deceased # And whatever got said, they'll be
:27:19. > :27:26.counted at least # When the last ship sails
:27:26. > :27:30.# oh, the roar of the chains and the cracking of Tim per
:27:30. > :27:35.# The noise at the end of the world in your ears
:27:35. > :27:39.# As a mountain of steel makes its way to the sea
:27:39. > :27:45.# And the last ship sails # And whatever you'd promised,
:27:45. > :27:50.whatever you've done # And whatever the station in life
:27:50. > :27:57.you've become # In the name of the feather, in the
:27:57. > :28:01.name of the Son and whatever the weave of this life that you've spun
:28:01. > :28:08.# On the earth or in heaven or under the sun
:28:08. > :28:13.# When the last ship sails # Oh, the roar of the chains and the
:28:13. > :28:16.# When the last ship sails cracking of Tim pers
:28:16. > :28:20.# The noise at the end of the world in your ears
:28:20. > :28:21.# As a mountain of steel makes its way to the sea
:28:21. > :28:32.# And the last ship sails # CHEERING AND APPLAUSE
:28:32. > :28:46.The Last Ship, featuring the Wilson CHEERING AND APPLAUSE
:28:46. > :28:50.brothers and Jimmy Nail. Sting! Before that we enjoyed Lorde. Now
:28:50. > :28:52.let's go over to the other end of the room and welcome back Kanye
:28:52. > :29:08.West. # My father was a black panther
:29:08. > :29:17.# My father, who ain't in heaven # My momma was raisin
:29:17. > :29:23.# Clean water was only serving to the cleaner skin
:29:23. > :29:28.# Its broke ligga racism, that's the don't touch anything in the store
:29:29. > :29:31.# And there's rich ligga racism that's the come here, please buy
:29:31. > :29:35.more # What you want a Bentley, fur coat
:29:35. > :29:41.and diamond chain? All you plaques want all the same things, used only
:29:41. > :29:47.to be liggas, now everybody play me spending everything on
:29:47. > :29:55.# You see there's leave leaders and followers, but I'd rather be a prick
:29:55. > :30:00.than a swallower followers, but I'd rather be a prick
:30:00. > :30:12.# I throw these keys I wear my heart on the sleeve.
:30:12. > :30:21.# I know that we the new slaves. # I see the blood on the leaves
:30:21. > :30:28.# I know that we the new slaves # I see the blood at the leaves
:30:28. > :30:31.# Lock you and your corporation hr I can't control me
:30:31. > :30:36.# I know that we the new slave # I'm about to wild the lock out
:30:36. > :30:50.# I know that pussy ain't free # I know that pussy ain't free
:30:50. > :30:58.# No slaves # And your brand new car
:30:58. > :31:06.# New slaves # No, no, no
:31:06. > :31:18.# With your brand new job # Your still a new slave
:31:18. > :31:23.# No matter who you are # You see it's leaders and
:31:23. > :31:26.followers, but I'd rather be a Dick rather than a swallower. Shall
:31:26. > :31:29.# There's leaders and followers, but I'd rather be a Dick rather than a
:31:29. > :31:35.swallower # New slaves
:31:35. > :32:37.# Ooohhh # The dance floor's a temptress
:32:37. > :32:50.# Can't make out what you're saying # But you rub me the right way
:32:50. > :33:07.# With your child-like persuasion # I've got my hands in my pockets
:33:07. > :33:17.# And I'm crossing my fingers # Shoot fire am I simple
:33:17. > :33:23.# Stone washed up and so, so # I'd take one in the temple
:33:23. > :33:29.# I'd take one for you # I take one in the temple
:33:29. > :33:42.# I take one for you # I take one in the temple
:33:42. > :33:46.# I take one for you # I feel all a mess now
:33:46. > :33:50.# I'm tossed in the scatter # And your eyes keep on shifting
:33:50. > :34:01.# I'm tossed in the scatter # To the boys that don't matter
:34:01. > :34:17.# I've got my hands in my pockets # I'm still crossing my fingers
:34:17. > :34:21.# I take one in the temple # I'd take one for you
:34:21. > :34:28.# Take one in the temple # I'd take one for you
:34:28. > :34:54.# I'd take one in the temple # I'd take one for you
:34:54. > :35:12.# I've got my hands in my pockets # And I'm crossing my fing fingers
:35:12. > :35:14.# I just want to be noticed # I just want to be
:35:14. > :35:34.# I'd take one in the temple # I'd take one for you
:35:34. > :35:38.# I'd take one in the temple # I'd take for you
:35:38. > :35:44.# I'd take one in the temple # I'd take one in the temple
:35:44. > :35:46.# I'd take one for you # I'd take one in the temple
:35:46. > :36:23.# I'd take one for you Mechanical Bull, from Kings Of Leon.
:36:23. > :36:25.All right, our next guest has a voice that I think you may all be
:36:26. > :36:29.All right, our next guest has a familiar with. Let's remember what
:36:29. > :36:41.that voice is. # You've lost that loving feeling
:36:41. > :36:51.# Oh, that loving feeling # # Oh, my love, #
:36:52. > :36:57.# Now I had the time of my life # No, I never felt this like this
:36:57. > :37:01.before... # Everybody December fright sing along
:37:01. > :37:07.because it is the -- desperate to sing along. Because it is Mr Bill
:37:07. > :37:12.Medley! Thank you for coming on the show.
:37:12. > :37:20.I tell you what, everybody in the room has a different special memory
:37:20. > :37:23.of each of those different songs. The Righteous Brothers, Los
:37:23. > :37:27.Cristianos, that has been played -- you lost that loving feeling, it's
:37:27. > :37:31.been played more than any other song on radio. Yeah, it's the most played
:37:31. > :37:37.record on radio in America. Quite a baying chee. . -- quite a big
:37:37. > :37:44.achievement. When did you first hear that song? The writers, great
:37:44. > :37:48.writers, Phil Spectrum was going to produce us. He asked them to write a
:37:48. > :37:55.song for us. Writing this song was very odd. We had been doing rhythm
:37:55. > :38:00.and blues. So Phil Spectre and Barry Man sang the song to us. They sang
:38:00. > :38:05.real high. They played it? Yeah real high, about a fifth up. They got
:38:05. > :38:10.done and I said what a great song for the Everley Brothers. It was a
:38:10. > :38:16.beautiful song. They lowered it and lowered it and lowered it. Then that
:38:16. > :38:22.became that record. Was Phil like to work with? What's the next question.
:38:22. > :38:28.Yeah. No, no. You know what, he was great. He wanted people to think
:38:28. > :38:35.that he was very eccentric, but when we worked with him, any way, he was
:38:35. > :38:41.great. He worked us hard. What were the artists that were inspiring to
:38:41. > :38:47.you sing? Well, when I was 15, it was Little Richard. You know Fats
:38:47. > :38:56.Domino. Then when I was 19, I fell in love with Ray Charles and BB
:38:56. > :39:00.King, all the Blues guys, just all the great black artists from the
:39:00. > :39:04.50s. You said that you'd been in a bar and you'd been working and you
:39:04. > :39:13.heard a record on the jukebox, a B side. Yeah, Etta James, I don't know
:39:13. > :39:18.what the A side was, it might have been At Last, but I would play that
:39:18. > :39:23.record and it killed me. She became a good friend. She was a wonderful
:39:24. > :39:38.lady. Would you give us a bit now. Sure.
:39:38. > :39:54.# I don't want you to be no slave # I don't want you to work all day
:39:54. > :40:05.# But I want you to be true # I just want to make love to you
:40:05. > :40:12.# I want to make love to you, baby # Love, I want to make love to you
:40:12. > :40:16.darling # Yeah, I don't want to see you sing
:40:16. > :40:24.darling the Blues, I want to make love to
:40:24. > :40:30.you. # I don't want you to wash my
:40:30. > :40:41.clothes # I don't want to keep you indoors
:40:41. > :40:52.# There is nothing for you to do # But keep me making love to you
:40:52. > :40:57.# Sometimes in the morning # Ooo, sometimes in the evening,
:40:57. > :41:06.darling # Well, I don't want to see you sing
:41:06. > :41:18.the Blues, I just want to make little sweet love to you #
:41:18. > :41:31.CHEERING AND APPLAUSE Thank you.
:41:31. > :41:35.The wonderful and legendary, Mr Bill Medley! Now let's welcome the brand
:41:35. > :41:38.new, but maybe one day soon will be Medley! Now let's welcome the brand
:41:38. > :42:04.legendary, Drenge. # Sun's so high
:42:04. > :42:04.# I want to give up, I don't know why
:42:04. > :42:23.# Sun's so # I never seen blood or milk mixed
:42:23. > :42:46.so divine # I never seen such beauty so malign
:42:46. > :42:51.# # Brother said bourbon never done me
:42:51. > :42:55.good # Neither did a faceful of camp fire
:42:55. > :42:57.soot # Them burning airport coals sting
:42:57. > :43:00.like a bitch # I catch a lift on the last bus
:43:00. > :43:05.home # To the end of the line for the
:43:05. > :43:14.coppers I own # I get thrown off, hit on, beat up
:43:14. > :43:15.# Before I drown in the murky back waters
:43:15. > :43:36.# Before I drown in the murky back # I lay my body down
:43:36. > :43:48.#50 stars above my head and 13 scars run through my chest
:43:49. > :43:51.# Blue and red blood lock up my veins
:43:51. > :43:55.# Blackened eyes and a purple nose # I've got missing teeth, got a lot
:43:55. > :44:04.of those # Oh, Marigold, you never done me no
:44:04. > :44:10.harm # Oh, Marigold, in debt to you
:44:11. > :44:16.# Don't ever want to say the things I've thought of you
:44:16. > :44:42.# Oh, Marigold, I wrote you a love song
:44:42. > :44:52.CHEERING AND APPLAUSE Brilliant bit of drumming, brilliant
:44:52. > :44:56.guitar! Thank you Drenge. From their Drenge LP. Let's go back
:44:56. > :44:59.over to the youngest person in the room at 16, from Auckland, has been
:44:59. > :45:01.number one, just a sensation, we room at 16, from Auckland, has been
:45:01. > :45:17.welcome Lorde. # Don't you think that it's boring
:45:17. > :45:27.how people talk? # Making smart with their words
:45:27. > :45:29.again, well I'm bored # Because I'm doing this for the
:45:29. > :45:32.thrill of it # Killing it
:45:32. > :45:37.# Never not chasing a million things I want
:45:37. > :45:41.# And I am only as young as the I want
:45:41. > :45:45.minute is, full of it # Getting pumped up on a little
:45:45. > :45:52.bright things I bought # But I know they'll never own me
:45:52. > :45:57.# Baby, be the class clown # I'll be the beauty queen in tears
:45:57. > :46:02.# It's a new art form, showing people who little we care
:46:02. > :46:04.# Yeah, we're so happy # Even when we're smiling out of
:46:04. > :46:10.fear # Let's go down to the tennis court
:46:10. > :46:21.and talk it up like yeah # Pretty soon I'll be getting on my
:46:21. > :46:30.first plane # I'll see the vains of my city like
:46:30. > :46:33.they do in space # But my head's filling up fast with
:46:33. > :46:41.the wicked games, up in flames # How can I lock with the fun again
:46:41. > :46:45.without know knowing # And my boys trip me up with their
:46:45. > :46:50.heads again, loving them # Everything's cool when we're all
:46:50. > :46:57.in line for the throne # But I know it's not forever
:46:57. > :47:04.# Baby, be the class clown # I'll be the beauty Queen
:47:04. > :47:07.# It's a new art show, showing people how little we care
:47:07. > :47:10.# We're so happy # Even when we're smiling out of
:47:10. > :47:17.fear # Let's go down to the tennis court
:47:18. > :47:27.and talk it up like, yeah # It looked all right in the
:47:27. > :47:36.pictures # I fall apart with all my heart
:47:36. > :47:42.# And you could watch from your window
:47:42. > :47:47.# You can watch from your window # Baby be the class clown
:47:47. > :47:52.# Aisle ebe the beauty queen # In tears, it's a new art form,
:47:52. > :47:54.showing people how little we care # We're so happy
:47:54. > :48:00.# Even when we're smiling out of fear
:48:00. > :48:04.# Let's go down to the tennis court and talk it up like, yeah
:48:04. > :48:10.# Talk it up like, yeah # And talk it up like yeah
:48:10. > :48:12.# Let's go to the tennis court and talk it up like, yeah
:48:12. > :48:15.# And talk it up like, yeah talk it up like, yeah
:48:15. > :48:21.# And talk it up like, yeah talk it up like, yeah
:48:21. > :48:25.# Let's go down to the tennis court and talk it up like, yeah #
:48:26. > :48:50.CHEERING AND APPLAUSE # Strange fruit hang hanging from
:48:50. > :48:53.the trees # Blood On The Leaves
:48:53. > :48:55.# I just need to clear my mind now # It's been racing since the
:48:55. > :48:58.summertime # Now I'm holding down the summer
:48:58. > :49:03.now # And I want is what I can buy now
:49:03. > :49:06.# Because I ain't got the money on me right now
:49:06. > :49:09.# I told you to wait # Yeah, I told you to wait
:49:10. > :49:12.# So I'm going to need a little more # Yeah, I told you to wait
:49:12. > :49:15.# Because I ain't got the money on # Yeah, I told you to wait
:49:15. > :49:21.me right now # And I thought you could wait
:49:21. > :49:29.# Yeah, I thought you could wait # These bitches surrounding me
:49:29. > :49:34.# I want something out me # Then they talk about me
:49:34. > :49:39.# Would be lost without me # We could have been somebody
:49:39. > :49:42.# Thought you'd be different about it
:49:42. > :49:47.# Now I know you naughty # So let's get on with it
:49:47. > :49:52.# You could have been somebody # Instead you had to tell somebody
:49:52. > :49:55.# Let's take it back to the first party
:49:55. > :50:04.# When you tried your first molly # It came out of your body
:50:04. > :50:07.# Running naked down the lobby # And you was screamin that you
:50:07. > :50:14.loved me # Before the limelight tore you
:50:14. > :50:21.# Before the limelight stole you # Remember we were so young
:50:21. > :50:27.# When I would hold you # Before the gory -- before the
:50:27. > :50:41.Blood On The Leaves # I know there ain't wrong with me
:50:41. > :50:48.# Something strange happening to me # You could have been somebody
:50:48. > :50:53.# We could have been somebody # Or was it all our first party,
:50:53. > :50:56.when we first tried our molly # And came out of our body
:50:56. > :51:03.# Came out of our body # And came out of our body
:51:03. > :51:08.# Hey, hey, before they call lawyers # Before they tried to destroy us
:51:09. > :51:15.# How you going to lie to the lawyer # It's like I don't even know you
:51:15. > :51:22.# I Gotye bring it back to the nolia, lock them other liggas cos
:51:22. > :51:26.I'm down with my Liggas because I'm down with my liggas, I'd die for
:51:26. > :51:50.them. # To all my second string ladies
:51:50. > :51:52.trying to get a baby # Trying to get a baby, now you're
:51:52. > :51:58.talking crazy # I don't give a damn if you used to
:51:58. > :52:02.talk to Jay Z, he ain't with you, he's with Beyonce
:52:02. > :52:08.# She Instagram herself like bad bitch alert
:52:08. > :52:09.# He Instagram his watch like mad rich alert
:52:09. > :52:12.# He Instagram his watch like mad # He only want to see that ass in
:52:12. > :52:15.reverse, $2,000 bag with no cash in your purse. Now you're sitting
:52:15. > :52:20.courtside, wivy on the other side # Now she said she's pregnant,
:52:20. > :52:26.that's the night your heart died # Then you Gotye go report to your
:52:26. > :52:31.girl # And that new BBens you can't
:52:31. > :52:34.afford that all that # All that cocaine on the table you
:52:34. > :52:38.can't snort that # That going to the owing money that
:52:38. > :52:44.the court got # Oh, that alimony, she got you
:52:44. > :52:55.homey till death do you part # Unholy matrimony
:52:55. > :53:08.# Swinging in the summer breeze, breeze
:53:08. > :53:29.# On and on and on, the northern breeze
:53:29. > :53:33.# Don't wait for nothing # And breeze
:53:33. > :53:50.# Blood On The Leaves # And breathe, and breathe
:53:50. > :53:57.# And breathe # And breathe
:53:57. > :54:02.# Strange fruit hang hanging from the poplar trees, from the poplar
:54:02. > :54:14.trees # Breathe!
:54:14. > :54:26.# And breathe # Blood on the leaves
:54:26. > :54:36.# And breathe # Blood On The Leaves #
:54:36. > :54:50.CHEERING AND APPLAUSE The amazing Kanye West. Blood On The
:54:50. > :54:56.Leaves from his album. Before that we enjoyed Lorde! And if you have
:54:56. > :55:04.just joined us, we are celebrating our 300th programme. Yes! 300 years
:55:04. > :55:11.of this show. Earlier on I spoke to the next artist, and we talked about
:55:11. > :55:19.his amazing new record. We welcome Sting!
:55:19. > :55:27.# He works amongst the noise and the clamour that he all but disregards
:55:27. > :55:30.# So he'll sing to himself and no-one pays him any mind
:55:31. > :55:34.# He's just another crazy welder in the shipyards
:55:34. > :55:38.# But inside this welder's helmet, if you'll let me demonstrate
:55:38. > :55:42.# When the maveng is in position and the fumes accumulate
:55:42. > :55:48.# There's the finest echo chamber with a sound that can't be beat
:55:48. > :55:54.# Where I'm a king of rock'n'roll an the world is at me feet
:55:54. > :55:58.# And it may not sound like much to all them jokers in the squad
:55:58. > :56:09.# But inside of here I'm singing with the voice of fuckin God.
:56:09. > :56:14.# I'm Jock, the singer welder heavy metal, rock'n'roll, jazz, ploughs,
:56:14. > :56:21.roots, reggae, country, Roka Billy, and soul.
:56:21. > :56:26.# I'm Gene Vincent, Eddie Cochranne, the missing Everly brother
:56:26. > :56:30.# I'm Jock the singing welder. # I'm more than just a welder and
:56:30. > :56:35.I'm telling you my name # One day you'll see it blazing in
:56:35. > :56:39.the Hall of Fame # I've got these songs in hi head,
:56:39. > :56:45.dancing in my bones # I'm Tom locking Jones
:56:45. > :56:49.# I'm just the singing welder, I'm heading for the heights
:56:50. > :57:36.# I'm Jock, the singing weld welder and the cetylene lights
:57:36. > :57:42.# Prometheus he stoat fire and he brought it down to earth
:57:42. > :57:49.# It was a prehistoric welder who figured out what it was worth
:57:49. > :57:53.# They called it holy metulurgy and I want to be clear
:57:53. > :57:58.# I'm Jock the singing welder in the belly of the ship
:57:58. > :58:00.# I've got my shaking leg my quivering lip
:58:00. > :58:04.# I'm Jock the singing welder, I haven't got a choice
:58:04. > :58:11.# I'm singing all day at the top of my voice
:58:11. > :58:14.# I'm Jock the singing welder in the cetylene lights
:58:14. > :58:19.# There'll be no mistaking where I set my sight
:58:19. > :58:23.# There's an empty throne waiting every Saturday night
:58:23. > :58:32.# I'm Jock the singing welder in the lights
:58:32. > :58:39.# Jock the singing welder and the cetylene light
:58:39. > :58:45.# Jock the singing welder and the oxy-cetylene light #
:58:45. > :58:53.CHEERING AND APPLAUSE Thank you Sting. Jock the singing
:58:53. > :59:00.welder! From the brilliant new LP. Thank you Sting. Jock the singing
:59:00. > :59:32.Now let's welcome back, Kings Of Leon.
:59:32. > :59:38.# I tell you now that I don't understand
:59:38. > :59:49.# Why everybody gives a big hot damn # Where I'm going to
:59:49. > :59:53.# Don't mean a thing to you # I see you sitting in your
:59:53. > :59:57.masquerade # I'd love to pour you some of my
:59:57. > :00:07.lemonade # And get it off all right
:00:07. > :00:12.# We'll call it an early night # I know you hate it so, but I ain't
:00:12. > :00:19.gonna go # I'm staying here all right
:00:19. > :00:25.# I am your family tree # I know your A to Z
:00:25. > :00:28.# This is a secret proposition, lay your hands on me
:00:28. > :00:38.# Nothing to talk about, darling # It's all make-believe
:00:38. > :00:49.# I see your hands are shaking, but my heart is breaking me down
:00:49. > :00:52.# It's a pretty day and I'm gonna get all right
:00:52. > :00:55.# I've lost my head and you ain't nowhere in sight
:00:55. > :01:06.# I see you got it all wrong # I got no calls on my phone
:01:06. > :01:13.# I'll just be holding out until I find a doubt
:01:13. > :01:18.# That you ain't coming home # I am your family tree
:01:18. > :01:22.# I know your A to Z # This is a secret proposition, lay
:01:22. > :01:32.your hands on me # Nothing to talk about, darling
:01:32. > :01:37.# It's all make-believe # I see your hands are shaking
:01:37. > :01:58.# But my heart is breaking me down # I am your family tree
:01:58. > :02:01.# I know your A to Z # This is a secret proposition, lay
:02:01. > :02:09.your hands on me # Nothing to talk about, darling
:02:09. > :02:13.# It's all -- I am your family tree # I know your A to Z
:02:13. > :02:15.# I've got a secret proposition, lay your hands on me
:02:15. > :02:20.# I am your family tree # I know your A to Z
:02:20. > :02:26.# This is a secret proposition, lay your hands on me
:02:26. > :02:35.# Nothing to talk about, darling # It's all make-believe
:02:35. > :02:41.# I see your hands are shake shaking # But my heart is breaking me down
:02:41. > :02:48.# I see your hands are shaking, but my heart is breaking me down #
:02:48. > :02:59.CHEERING AND APPLAUSE thank you so much, Kings Of Leon.
:02:59. > :03:08.Family tree. I'm delighted to say it's been a fantastic 300th show. We
:03:08. > :03:11.have will be back on Tuesday with the Pitchies, and many more. As it
:03:11. > :03:16.is our 300th show, there's only one way to finish. I think the people at
:03:16. > :03:24.home will agree, with a little jig. Sting, you and your band couldn't
:03:24. > :03:30.give us a bit? Oh, yes! Join me, won't you, please? In your sitting
:03:30. > :03:43.rooms, wherever you are. Thank you Sting! Thank you Kings Of Leon!ing
:03:43. > :03:46.Thank you Kanye West! And Charlie, thank you.
:03:47. > :03:52.Thank you Drenge. Thank you Bill Medley! Thank you Lorde! And good
:03:52. > :03:56.night.