:00:31. > :01:00.Welcome to my world and welcome to Arctic Monkeys!
:01:01. > :01:08.# Have you got colour in your cheeks?
:01:09. > :01:11.# Do you ever get that fear that you can't shift the tide.
:01:12. > :01:16.# That sticks around like summat in your teeth?
:01:17. > :01:18.# Are there some aces up your sleeve?
:01:19. > :01:21.# Have you no idea that you're in deep?
:01:22. > :01:28.# I've dreamt about you nearly every night this week.
:01:29. > :01:32.# How many secrets can you keep? # Cos there's this tune I found that
:01:33. > :01:39.makes me think of you somehow. # And I play it on repeat.
:01:40. > :01:46.# Until I fall asleep. # Spilling drinks on my settee.
:01:47. > :01:51.# Do I wanna know. # If this feeling flows both ways?
:01:52. > :01:54.# Sad to see you go. # I've started hoping that you'd
:01:55. > :01:58.stay. # Didn't we both know.
:01:59. > :02:05.# That the nights were mainly made for saying things.
:02:06. > :02:09.# That you can't say tomorrow day? # Crawling back to you.
:02:10. > :02:16.# Ever thought of calling when you've had a few?
:02:17. > :02:24.# Cos I always do. # Maybe I'm too busy being yours to
:02:25. > :02:30.fall for somebody new. # Now I've thought it through
:02:31. > :02:36.crawling back to you. # So have you got the goods?
:02:37. > :02:40.# Been wondering if your heart's still open.
:02:41. > :02:45.# And if so I wanna know what time it shuts.
:02:46. > :02:49.# Simmer down and pucker up. # I'm sorry to interrupt.
:02:50. > :02:57.# It's just I'm constantly on the cusp of trying to kiss you.
:02:58. > :03:09.# I don't know if you feel the same as I do.
:03:10. > :03:15.# We could be together. # If you wanted to.
:03:16. > :03:19.# Do I wanna know. # If this feeling flows both ways?
:03:20. > :03:23.# Sad to see you go. # I've started hoping that you'd
:03:24. > :03:27.stay. # Didn't we both know.
:03:28. > :03:33.# That the nights were mainly made for saying things.
:03:34. > :03:38.# That you can't say tomorrow day? # Crawling back to you, crawling
:03:39. > :03:42.back to you. # Ever thought of calling when
:03:43. > :03:45.you've had a few?. # You've had a few.
:03:46. > :03:48.# Cos I always do. # Cos I always do.
:03:49. > :03:55.# Maybe I'm too busy being yours to fall for somebody new.
:03:56. > :03:59.# Now I've thought it through. # Crawling back to you.
:04:00. > :04:03.# Do I wanna know. # If this feeling flows both ways?
:04:04. > :04:07.# Sad to see you go. # I've started hoping that you'd
:04:08. > :04:10.stay. # Didn't we both know.
:04:11. > :04:19.# That the nights were mainly made for saying things.
:04:20. > :04:25.# That you can't say tomorrow day? # Do I wanna know?
:04:26. > :04:31.# Too busy being yours to fall. # Sad to see you go.
:04:32. > :04:35.# Ever thought of calling, darlin'? # Do I wanna know?
:04:36. > :04:55.# Do you want me crawling back to you? #.
:04:56. > :05:15.Number one band, Arctic Monkeys! A room filled to the rafters with
:05:16. > :05:28.amazing people from Texas, we're welcoming Gary Clark Jr. From way
:05:29. > :05:33.down south, we welcome Katy B. The amazing Benjamin Clementine. I will
:05:34. > :05:39.be chatting to the legendary Earth Wind Fire. But now, with a
:05:40. > :05:50.sensational new album, we welcome from Liverpool, Paul McCartney.
:05:51. > :05:55.# I can try to give you everything you ever wanted.
:05:56. > :05:58.# You're not hard to please. # And the only thing I'm asking in
:05:59. > :06:08.return is something. # You can give with ease.
:06:09. > :06:14.# Keep on sending your love. # In the heat of battle.
:06:15. > :06:15.# You've got something that'll save us.
:06:16. > :06:34.# Save us now. # I've got the feeling of a jungle
:06:35. > :06:39.rhythm beating in me. # When I'm close to you.
:06:40. > :06:45.# I don't really want to ask for many favours.
:06:46. > :06:53.# But there's something you can do. # Keep on sending your love.
:06:54. > :06:57.# In the heat of battle. # You've got something that'll save
:06:58. > :07:05.us. # Save us now.
:07:06. > :07:11.# Ohhhhhh. # You're my woman.
:07:12. > :07:19.# Ohhhhhh. # Keep it coming.
:07:20. > :07:40.# You got something that can save us, save us, save us.
:07:41. > :07:48.# Keep on sending your love. # In the heat of battle.
:07:49. > :07:58.# You've got something that'll save us.
:07:59. > :08:04.# Save us now. # Save us now.
:08:05. > :08:25.# Save us now. #. APPLAUSE AND CHEERING. A joy to have
:08:26. > :08:30.Paul McCartney in this room. From his exquisite new album. Now, our
:08:31. > :08:35.next artist, just hold it there a moment, her first record came out in
:08:36. > :08:39.2010, but it's not until now that we've had her on the show. She has a
:08:40. > :08:51.brand new record out in the new year. She is Katy B!
:08:52. > :08:57.# My feet won't stop, I can't keep still.
:08:58. > :09:00.# Be rocking this until the sunlight.
:09:01. > :09:04.# That beat so sick, that tune so ill.
:09:05. > :09:07.# Seems they know just how to move me right.
:09:08. > :09:13.# He looks my way, won't waste my time.
:09:14. > :09:17.# Looking in all the wrong places. # And let history repeat in parallel
:09:18. > :09:22.lines. # A sucker for those pretty faces.
:09:23. > :09:28.# Ooh, I need somebody to calm me down.
:09:29. > :09:34.# A little loving like Valium. # I need somebody to knock me out I
:09:35. > :09:39.need some loving like. # Ooh, I don't know what I'm running
:09:40. > :09:43.from. # But when the sun comes up it won't
:09:44. > :09:49.be wrong. # I need some loving like Valium.
:09:50. > :09:56.# I need some loving like. # It's 5am, all on my own.
:09:57. > :09:59.# I just need someone to talk with me.
:10:00. > :10:03.# I lost my friends, I check my phone.
:10:04. > :10:06.# Still searching for someone to walk with me.
:10:07. > :10:11.# My demons rise, they take their place.
:10:12. > :10:14.# All of a sudden this don't feel right.
:10:15. > :10:20.# I wish I had a pure embrace to keep me warm until the sunlight.
:10:21. > :10:28.# Ooh, I need somebody to calm me down.
:10:29. > :10:33.# A little loving like Valium. # I need somebody to knock me out.
:10:34. > :10:38.# I need some loving like. # Ooh, I don't know what I'm running
:10:39. > :10:42.from. # But when the sun comes up it won't
:10:43. > :10:49.be wrong. # I need some loving like Valium.
:10:50. > :11:05.# I need some loving like. # I need some loving like.
:11:06. > :11:09.# Close my eyes, numb the pain, feel my worries melt away.
:11:10. > :11:12.# Lay me down, treat me kind, take the stresses off my mind.
:11:13. > :11:16.# Kiss my neck, feel my touch, let nothing in the way of us.
:11:17. > :11:20.# Keep me here, keep me calm, in my dreams, in your arms.
:11:21. > :11:26.# Ooh, I need somebody to calm me down.
:11:27. > :11:33.# A little loving like Valium. # I need somebody to knock me out I
:11:34. > :11:38.need some loving like. # Ooh, I don't know what I'm running
:11:39. > :11:41.from. # But when the sun comes up it won't
:11:42. > :11:49.be wrong. # I need some loving like Valium.
:11:50. > :12:00.# I need some loving like. # I need some loving like. I need
:12:01. > :12:18.some loving like #. Thank you Katy B! The next person
:12:19. > :12:22.I'm going to chat with at the pinot, has this super record out called
:12:23. > :12:26.New. He's had marvellous records in the last few years. This is one of
:12:27. > :12:33.the very best. Welcome Paul McCartney.
:12:34. > :12:39.APPLAUSE Oh, interesting sitting on the
:12:40. > :12:46.pinot, straddle. What inspired you to get back into the studio? I was
:12:47. > :12:50.just fed up. Yes. No, it was time. I'd written a bunch of songs and I
:12:51. > :12:57.had done some other stuff in the meantime. I had done an album of old
:12:58. > :13:02.standards, of my dad's era and your era of music. Exactly! I just
:13:03. > :13:06.thought I had some new songs so it was time. The song you just played
:13:07. > :13:15.there, what inspired that song? Where did it come from? It was made
:13:16. > :13:20.up. I went into a session with Paul Epworth. We made up the rhythm track
:13:21. > :13:26.and I started blocking out some words and finally these words "save
:13:27. > :13:31.us" came. And I started to make sense of it. It was made up on the
:13:32. > :13:38.spot. Bearing in mind, you have been one of the most successful composure
:13:39. > :13:43.of -- composers of all time, you say just making it up. I'd like to look
:13:44. > :13:48.into it. Yes, we are all just making it up. But where do you start with
:13:49. > :13:53.composition? Does it start with the words or the headline or an
:13:54. > :13:57.instrument? It depends. You just get something that starts you. If you've
:13:58. > :14:04.got no idea at all, you can just look for something on the pinot. You
:14:05. > :14:12.know, I don't know. You could look for something like that. And start
:14:13. > :14:18.yourself off. Maybe get a little rhythm thing going. You go, no, I
:14:19. > :14:23.hate that. So you change it. We liked that. You just develop it. Out
:14:24. > :14:28.of interest, have you just made that one up? Yeah. First time... See
:14:29. > :14:33.that's, really that was thinking. If you thought about it, you couldn't
:14:34. > :14:39.do it. But just instinctively that's what you've made up. Cancel the
:14:40. > :14:45.show, we'll write it now. Amazing. I think, we've seen the process close
:14:46. > :14:48.up. Oh, shut up! Yes, it's true. So now, the other thing, what about all
:14:49. > :14:52.the songs you've written, because there are great songs on here which
:14:53. > :14:56.we're going to be hearing more of, but you have written a whole
:14:57. > :15:00.catalogue of amazing songs, Wings, the Beatles, all the great songs,
:15:01. > :15:06.when you look back, what are the ones that you are most fond of? It's
:15:07. > :15:10.difficult to answer that question. Because number one, you change your
:15:11. > :15:16.favourites. And number two, they're like your babies. You don't want a
:15:17. > :15:23.favourite. Here, There and Everywhere. Yeah, nice. I like that.
:15:24. > :15:27.Yesterday I like because I dreamed it, so I have no idea where that one
:15:28. > :15:39.came fr. I woke up one morning and I had that tune. That was special.
:15:40. > :15:43.Elnor Ri -- Eleanor Rigby. Lots of people have covered them. They have
:15:44. > :15:48.all done, in fact, one of your favourites was by maybe Earth Wind
:15:49. > :15:53.Fire. That was one of my best favourites. I thought so... Because
:15:54. > :15:56.they're here tonight! I didn't know (! ) Fantastic.
:15:57. > :16:01.APPLAUSE I am really very lucky because some
:16:02. > :16:05.incredible people have covered my songs and I just feel very lucky
:16:06. > :16:09.that they would do that. How about the song writers, the composers that
:16:10. > :16:15.you like, like a lot of the musicians in this room, including
:16:16. > :16:19.me, owe you. Who is a great song writer and it's you, but who is the
:16:20. > :16:27.person that you have? I look to different eras. If you are look
:16:28. > :16:38.being back to -- to my dad's era, Cole Porter and HogieCarmichael. And
:16:39. > :16:45.then Stevie Wonder is a monster. It goes on. There's a load of great
:16:46. > :16:52.people out there and out now. Hearing more from this great record
:16:53. > :16:57.in a moment. Thank you. The wonderful Sir Paul McCartney. More
:16:58. > :17:03.from you in a moment. Now, one of the great new blues
:17:04. > :17:15.artists of today, it is Gary Clark Jr.
:17:16. > :17:31.# Well, I'm numb. # Yeah, woman, I can't feel a thing.
:17:32. > :17:43.# Well, I'm numb. # Yeah, woman, I can't feel a thing.
:17:44. > :17:47.# She give me a hard time in the day.
:17:48. > :17:53.# A hard time at night. # She can be so sweet till she wanna
:17:54. > :18:10.fuss and fight. # Well, I'm numb.
:18:11. > :18:20.# Yeah, woman, I can't feel a thing. # Well, I'm numb.
:18:21. > :18:25.# Yeah, woman, I can't feel a thing. # Ain't passing from the right.
:18:26. > :18:30.# I'm passing to the left. # Burn this whole thing down by
:18:31. > :18:43.myself. # Well, I'm numb.
:18:44. > :18:47.# Yeah, woman, I can't feel a thing. # Well, I'm numb.
:18:48. > :19:35.# Yeah, woman, I can't feel a thing. # Well, I'm numb.
:19:36. > :19:38.# Yeah, woman, I can't feel a thing. # Well, I'm numb
:19:39. > :20:36.# Yeah, woman, I can't feel a thing. Gary Clark Jr! Nice. Our next
:20:37. > :20:41.artist, living in London, he moved to Paris and whilst busking on the
:20:42. > :20:44.Metro was discovered by music bigwigs. Here he is, it's the
:20:45. > :21:31.wonderful, Benjamin Clementine. # If I held my breath on you
:21:32. > :21:35.# I'll die a thousand times # If I was to show you how much I
:21:36. > :21:39.care # I'd probably be wearing dentures
:21:40. > :21:47.by now # Promises broken
:21:48. > :21:51.# Gnome Is your token # -- nemesis your token.
:21:52. > :21:55.# You turn around and march into your new home
:21:56. > :22:07.# Whenever you've gone darling # Please don't you ever forget to
:22:08. > :22:19.treat others the way you want to be treated
:22:20. > :22:25.# Yeah, remember your days, yeah. # I said if I held my breath on you,
:22:26. > :22:31.I'll die a thousand times # If she was to show you how much
:22:32. > :22:34.were to care, I'd be wearing dentures by now
:22:35. > :22:46.# I'm trying to say darling, I no ewhere you're going
:22:47. > :22:55.# But aren't you forget # These days dries my face
:22:56. > :22:58.# Such innocence smiles back at me # Herecy might be your new faith
:22:59. > :23:10.# But whatever you believe in, darling, don't you everer forget
:23:11. > :23:23.# To treat others the way you want to be treated, yeah
:23:24. > :23:30.# Remember your days fooling, yeah # Treat others the way you want to
:23:31. > :23:44.be treated # Remember your days full in number
:23:45. > :23:49.# I can't say nothing for you no more
:23:50. > :23:52.# Nemises # Treat others way the you want to
:23:53. > :23:58.be treated # Other-wise you'll get your
:23:59. > :24:12.punishment # Nemises, is bitter
:24:13. > :24:30.# Life is and it's come on, come on # Come on, yeah.
:24:31. > :25:02.# One for the road. # One for the road.
:25:03. > :25:13.# From the bottom of your heart. # The relegation zone.
:25:14. > :25:20.# I saw this coming from the start. # The shake, rattle and roll.
:25:21. > :25:27.# The cracks in blackout blinds cast patterns on the ceiling.
:25:28. > :25:40.# But you're feeling fine. # I thought it was dark outside.
:25:41. > :25:45.# One for the road. # So we all go back to yours and you
:25:46. > :25:47.sit and talk to me on the floor. # There's no need to show me round,
:25:48. > :25:51.baby. # I feel like I've been here before.
:25:52. > :26:00.# I've been wondering whether later when you tell everybody to go.
:26:01. > :26:10.# Will you pour me one for the road? # I knew this would be on the cards.
:26:11. > :26:19.# I knew you wouldn't fold. # I saw this coming from start.
:26:20. > :26:23.# The shake, rattle and roll. # One for the road.
:26:24. > :26:26.# So we all go back to yours. # And you sit and talk to me on the
:26:27. > :26:28.floor. # There's no need to show me round,
:26:29. > :26:33.baby. # I feel like I've been here before.
:26:34. > :26:42.# I've been wondering whether later when you tell everybody to go.
:26:43. > :26:48.# Will you pour me one for the road? # The mixture hits you hard.
:26:49. > :26:57.# Don't get that sinking feeling, don't fall apart.
:26:58. > :27:08.# Some out of tune guitar. # Soundtrack to disaster.
:27:09. > :27:21.# One for the road. # One for the road.
:27:22. > :27:49.# One for the road. # So we all go back to yours.
:27:50. > :27:54.# And you sit and talk to me on the floor.
:27:55. > :28:00.# One for the road. # There's no need to show me round,
:28:01. > :28:04.baby. # I feel like I've been here before.
:28:05. > :28:22.# One for the road. APPLAUSE AND CHEERING. Thank you
:28:23. > :28:29.Arctic Monkeys. Before that we enjoyed Benjamin Clementine. Now,
:28:30. > :28:34.Paul McCartney at the pinot and talking about a band that had
:28:35. > :28:43.covered one of their songs. We have fill p, raffle and Verdine, because
:28:44. > :28:52.we have Earth Wind Fire here. -- Philip, Ralph and Verdine. You
:28:53. > :28:55.have this new record out and on it, you've captured that amazing and
:28:56. > :29:00.unique sound of Earth Wind Fire, which is a unique sound. Where does
:29:01. > :29:07.it come from? My brother, the leader and the founder, devised a concept
:29:08. > :29:12.with the sound which came from Chicago, all of these years we've
:29:13. > :29:18.all put in the sound and made it really a great ridge make and horn
:29:19. > :29:24.sound. That huge sound, with the funk, it always gets me going. When
:29:25. > :29:29.the group first started what music inspired you? A little bit of
:29:30. > :29:34.everything actually. Kind of wanted to make the music very commercial,
:29:35. > :29:41.but at the same time, different genres of music together. Give it a
:29:42. > :29:45.little more of a jazz edge, Latin, Cuban, a little bit of everything.
:29:46. > :29:51.It is very distinctive Kind of a gumbo soup. Delicious. Lots of
:29:52. > :29:56.lovely ingredients. And your live shows were a spectacle. You have
:29:57. > :30:02.just done some shows in London, is that right? Yes, the Royal Albert
:30:03. > :30:07.Hall. It was great music, vishuals. Did you deliberately decide you
:30:08. > :30:11.would have a spectacle when you had live shows? When we started it was
:30:12. > :30:17.just about wanting to be a great band period. As the band progressed,
:30:18. > :30:21.as Maurice kept taking a look Atumpan it, he wanted to expand the
:30:22. > :30:24.concept in terms of what we were doing live. Bring more theatre to
:30:25. > :30:30.it. Every zone of it was expanding in an amazing way. We have a bit of
:30:31. > :30:31.fantasy from 1978 here. We can go down the time tunnel together and
:30:32. > :30:50.hold hands. Here we are. S
:30:51. > :31:17.MUSIC: Kan fantasy APPLAUSE
:31:18. > :31:24.fantastic. # A David Cameron 70s moment and
:31:25. > :31:30.icon -- a fantastic 70s moment. It was a time of mullet hear, dimmer
:31:31. > :31:35.switches, quite an extreme, you know people were, baths of champagne, you
:31:36. > :31:39.know, excessive, let's say that. Let's not go into details. Platform
:31:40. > :31:43.shoes. Yes and people getting off their nut basically. I heard, and I
:31:44. > :31:48.don't know if it's true, that you didn't do this. You avoided,
:31:49. > :31:53.amazingly, avoided that. We all lives in capsules. I thought so!
:31:54. > :31:58.That's why you look so well now. Take your vitamins, say your prayers
:31:59. > :32:06.and drink the green tea. You look very well on it. You also did a
:32:07. > :32:14.great cover of Can't Get You Into My Life. Yes. We do it every night in
:32:15. > :32:21.our show. Did you hear that? Every tight. Yes, got -- Every night. Yes.
:32:22. > :32:27.Have you met him? We met him at the rock-and-roll Hall of Fame when we
:32:28. > :32:31.were inducted in 2,000. He said it was one of his favourite covers. Not
:32:32. > :32:35.just because he was here. We're going to start a new band and he's
:32:36. > :32:40.the fourth member. Earth Wind Fire and Paul. Great. Lovely. He's
:32:41. > :32:45.nodding away. Can you hear a word we're saying? No.
:32:46. > :32:52.Great, OK. He said he'd love to. Thank you very much for joining us,
:32:53. > :32:55.Earth Wind Fire! APPLAUSE
:32:56. > :33:03.Now, the man we spoke of a moment ago, it is Paul McCartney.
:33:04. > :33:09.# Don't look at me. # It's way too soon to see what's
:33:10. > :33:13.gonna be. # Don't look at me.
:33:14. > :33:17.# All my life I never knew what I could be.
:33:18. > :33:25.# What I could do. # Then we were new.
:33:26. > :33:29.# Ooh-ooh-ooh. # You came along and made my life a
:33:30. > :33:35.song. # One lucky day you came along.
:33:36. > :33:39.# Just in time. # While I was searching for a rhyme.
:33:40. > :33:44.# You came along. # Then we were new.
:33:45. > :33:51.# Ooh-ooh-ooh. # We can do what we want.
:33:52. > :33:59.# We can live as we choose. # You see there's no guarantee.
:34:00. > :34:03.# We've got nothing to lose. # Don't look at me, I can't deny the
:34:04. > :34:07.truth. # It's plain to see don't look at
:34:08. > :34:11.me. # All my life I never knew what I
:34:12. > :34:14.could be. # What I could do.
:34:15. > :34:20.# Then we were new. # Ooh-ooh-ooh.
:34:21. > :34:27.# We can do what we want. # We can live as we choose.
:34:28. > :34:39.# You see there's no guarantee. # We've got nothing to lose.
:34:40. > :34:46.# Don't look at me. # It's way too soon to see.
:34:47. > :34:50.# What's gonna be, don't look at me. # All my life I never knew what I
:34:51. > :34:55.could be. # What I could do.
:34:56. > :35:03.# Then we were new. # Ooh-ooh-ooh.
:35:04. > :35:11.# Then we were new. # Ooh-ooh-ooh.
:35:12. > :35:18.# Now we are new. # Ooh-ooh-ooh.
:35:19. > :35:46.# Ooh-ooh. #. # I pushed all my problems to the
:35:47. > :35:50.back of my mind. # Then they surfaced in my dreams,
:35:51. > :35:54.vague on the light. # I sweep all my issues to somewhere
:35:55. > :35:58.I can find. # In hope that I'll forget but
:35:59. > :36:02.there's just so many times. # Why can't I be strong and just
:36:03. > :36:06.confront all my fears? # When my fear is hurting you I'm
:36:07. > :36:11.being sincere. # But how many more days can I run?
:36:12. > :36:15.How many years. # Emotions flooding and I was so
:36:16. > :36:19.soon and so clear. # Crying for no reason, feel the
:36:20. > :36:24.tears roll down. # I felt strong but am I breaking
:36:25. > :36:28.now? # Crying for no reason cos I buried
:36:29. > :36:34.it deep. # I made promises I could not keep.
:36:35. > :36:38.# Cos I never faced all the pain I caused.
:36:39. > :36:46.# Now the pain is hitting me full force.
:36:47. > :36:51.# I pushed all my problems to the back of my brain.
:36:52. > :36:56.# A darkness deep inside where I just can't find my way.
:36:57. > :36:59.# How can I walk with a smile? Get on with my day.
:37:00. > :37:04.# When I deceived myself pretending it's all OK.
:37:05. > :37:08.# I tried my best to hold it all together, I know.
:37:09. > :37:13.# The strings have worn away and now I'm all exposed.
:37:14. > :37:18.# I try and hide it all away on top of the shelf.
:37:19. > :37:21.# I can lie to everyone but not to myself.
:37:22. > :37:26.# Crying for no reason, feel the tears roll down.
:37:27. > :37:30.# I felt strong but am I breaking now?
:37:31. > :37:36.# Crying for no reason cos I buried it deep.
:37:37. > :37:41.# I made promises I could not keep. # Cos I never faced all the pain I
:37:42. > :37:43.caused. # Now the pain is hitting me full
:37:44. > :38:00.force. # Forgive me now cos I said that.
:38:01. > :38:02.# I'll be there for you, care for you.
:38:03. > :38:06.# I let you down, I walked away. # Cos there were things I couldn't.
:38:07. > :38:09.# Say to you, say to you. # I'm breakin' now.
:38:10. > :38:12.# I burned some bridges down. # There must be some way out.
:38:13. > :38:16.# The voices speak so loud. # Will you forgive me now?
:38:17. > :38:20.# I burned some bridges down. # There must be some way out.
:38:21. > :38:25.# The voices speak so loud. # Will you forgive me now?
:38:26. > :38:30.# Crying for no reason, feel the tears roll down.
:38:31. > :38:34.# I felt strong but am I breaking now?
:38:35. > :38:41.# Crying for no reason cos I buried it deep.
:38:42. > :38:45.# I made promises I could not keep. # Cos I never faced all the pain I
:38:46. > :38:47.caused. # Now the pain is hitting me full
:38:48. > :39:25.force. APPLAUSE AND CHEERING. Thank you
:39:26. > :39:29.Katy B. If you have a stereo fobbic television you can pan from one
:39:30. > :39:34.side, this side for you, over to this side for you now. I'll wait a
:39:35. > :39:38.moment so you can get your control and be comfortable. Pan from this
:39:39. > :39:42.side to this side, sitting comfortably, indeed you should,
:39:43. > :40:07.because now it is Gary Clark Jr. # Woke up in.
:40:08. > :40:17.# Woke up in New York City. # Lying on the floor.
:40:18. > :40:29.# Just outside of Marcy's - West 54, wow.
:40:30. > :40:39.# You gonna know my name by the end of the night, yeah.
:40:40. > :40:49.# You gonna know my name by the end of the night, wow.
:40:50. > :40:55.# Bright lights, big city going to my head.
:40:56. > :41:01.# Bright lights, big city going to my head.
:41:02. > :41:08.# Bright lights, big city going to my head.
:41:09. > :41:22.# I don't care, no. # Cos you don't care, no.
:41:23. > :41:30.# Start off with the bottle. # End it up with the bottle.
:41:31. > :41:39.# Taking shots, waiting on tomorrow. # Trying to fill up, was hollow.
:41:40. > :41:46.# You gonna know my name. # You gonna know my name.
:41:47. > :41:54.# Bright lights, big city going to my head.
:41:55. > :41:58.# Bright lights, big city going to my head.
:41:59. > :42:02.# Bright lights, big city going to my head.
:42:03. > :43:18.# I don't care, no. # Cos you don't care, no.
:43:19. > :43:27.# You're gonna know my name # Hey, you're gonna know my name by
:43:28. > :43:47.the end of the night. # APPLAUSE AND CHEERING. The wonderful
:43:48. > :43:51.Gary Clark Jr. And now, I'm delighted to be joined
:43:52. > :43:55.by a man who's been having tremendous success lately, Alex
:43:56. > :44:00.Turner, from the Arctic Monkeys. Marvellous to have you back at the
:44:01. > :44:04.show. How are you doing, all right? I'm pleased you've got a drink.
:44:05. > :44:10.Yeah, I'm just over here having a casual red wine by myself. I've
:44:11. > :44:17.joined you now. They should get you one. No, nothing for me. You should
:44:18. > :44:20.be celebrating because AM, your fifth album, the fifth to go
:44:21. > :44:27.straight to number one. Congratulations. Thank you.
:44:28. > :44:35.APPLAUSE How do you celebrate this then? Do
:44:36. > :44:42.you faux what -- do you faux what, we -- do you know what, we haven't
:44:43. > :44:47.had time for a celebration. This room seems like a wonderful reward.
:44:48. > :44:52.What a great reward. We've come up trumps tonight with the guests. An
:44:53. > :44:56.amazing lot of guests. Right? Right guys. A load of great guests and one
:44:57. > :45:00.glass of wine. There we go. Is it right you've moved now. You're
:45:01. > :45:04.living in LA? We've been spending a lot of time there. We did the record
:45:05. > :45:07.there. We've been there a lot in the last year. Does that make the record
:45:08. > :45:11.sound different do you think? Perhaps some days I feel like it
:45:12. > :45:15.does. Perhaps I haven't got the hindsight on it yet to make a
:45:16. > :45:20.judgment on that. Still a bit close. Yeah. But maybe it makes it more
:45:21. > :45:24.laid back or something. This might sound like a daft question, what's
:45:25. > :45:28.the main differences between Sheffield and Los Angeles?
:45:29. > :45:34.LAUGHTER I don't think that requires - that
:45:35. > :45:37.laughter just was the best answer to that question perhaps. I don't know.
:45:38. > :45:41.You can ride your motorbike all year round. That's the only difference.
:45:42. > :45:48.Other than that, it's pretty much the same. Similar, yeah. I love
:45:49. > :45:51.Sheff. As do I. We were there this weekend. We caught up with old
:45:52. > :45:57.friends on Saturday night, it was great. Of course, Josh Hom came on
:45:58. > :46:02.the show and he told us you go motorcycling with him. Is that a big
:46:03. > :46:08.lie? No, that's true. That's not him making the myths. So you ride all
:46:09. > :46:13.the year round, not just fair weather? I make out like I ride
:46:14. > :46:22.hard, but I'm just a terrible poser, really. What sort of motorbike do
:46:23. > :46:26.you have? I got a YamahaXS 650. Are you into that? I used to know about
:46:27. > :46:32.the old bikes. I haven't kept up with the modern ones. That's a 70s
:46:33. > :46:39.bike. How much I know then. I'm still with the Brough, superiors.
:46:40. > :46:45.You strike me as four wheels. No I like the Vincent. The black shadows.
:46:46. > :46:51.Or the lightning, if you could get one. Very hard to find. A bit out of
:46:52. > :46:55.my range at the moment. They break a legal. -- leg. Move a few more
:46:56. > :47:03.units, you never know. This record is going the right way. You were
:47:04. > :47:10.given a Q award for the best track I Want To Know. More things to
:47:11. > :47:14.celebrate. Cheers! Yes! APPLAUSE
:47:15. > :47:19.You must have a lot of awards now. Where do you keep those awards? I
:47:20. > :47:25.don't know where any of them are. I remember one BRIT Award that we had
:47:26. > :47:28.was in Jamie's fridge for a long time, just by the mustard and
:47:29. > :47:32.ketchup in the door. Is that what you keep in the fridge? That's where
:47:33. > :47:36.he was keeping one. I do keep the ketchup in the fridge.
:47:37. > :47:41.I don't think there's anything unusual about a Brit in the fridge,
:47:42. > :47:45.but why ketchup? I don't know. What about Marmite, in the fridge or in
:47:46. > :47:52.the cupboard? Cupboard, definitely. I want room temperature. I agree
:47:53. > :47:57.there. A chilled award yes. Room temperature condiments? Hmmm. Does
:47:58. > :48:00.Marmite get classed as a condiment, though or is that ahead in this
:48:01. > :48:05.game. Spread - now that's a question. Or is it a smear? Or maybe
:48:06. > :48:07.just a way of life. It's a statement. Exactly. Well
:48:08. > :48:11.congratulations on it all. Marvellous to have you back here.
:48:12. > :48:17.Thanks for having us. Pleased we could give you a glass of Red wine.
:48:18. > :48:21.Sorry we couldn't give me one. Thanks for being here, Alex Turner
:48:22. > :48:24.Islam now the -- Alex Turner. Now the man we met earlier. He's
:48:25. > :49:00.wonderful, Benjamin Clementine. # I'm alone in a box of stone.
:49:01. > :49:07.# When all is said and done. # As the wind blows to the east from
:49:08. > :49:14.the west. # Unto this bed my tears have their
:49:15. > :49:21.solemn rest. # I am lonely, alone in a box of my
:49:22. > :49:26.own. # They claimed to love me but they
:49:27. > :49:32.were all lying. # I am lonely, alone in a box of my
:49:33. > :49:38.own. # And this is the place I now
:49:39. > :49:54.belong. # It's my home, home, home, home.
:49:55. > :49:59.# It wasn't easy getting used to this.
:50:00. > :50:03.# I used to scream. # It's not true that it's only when
:50:04. > :50:09.the door is locked. # That nobody enters.
:50:10. > :50:17.# Cos mine has been opened till your demise.
:50:18. > :50:22.# But none has come, well, who am I?.
:50:23. > :50:29.# What have I done wrong?. # I've been lonely, alone in a box
:50:30. > :50:34.of my own. # They claim to be near me but
:50:35. > :50:39.they're all lying. # I've been lonely, alone in a box
:50:40. > :50:45.of my own. # This is the place I know I now
:50:46. > :51:03.belong. # My home, home, home, home, home.
:51:04. > :51:14.# Friends I have met. # Lovers have slept and wept.
:51:15. > :51:22.# Promises to stay never been kept. # This bare truth of which most
:51:23. > :51:28.won't share. # So I hope you share, I hope you
:51:29. > :51:34.share. # For I have been lonely.
:51:35. > :51:37.# Alone in a box of stone. # they claim to love me and be near
:51:38. > :51:41.me. # But they are all lying.
:51:42. > :51:47.# I have been lonely, alone in a box of my own.
:51:48. > :51:51.# And this is the place I now know I belong.
:51:52. > :51:54.# It's my home, home, home, home, home.
:51:55. > :52:24.# It's my home, home, home, home, home.
:52:25. > :52:46.# There were rules you never told me.
:52:47. > :52:50.# Never came up with a plan. # All the stories that you sold me.
:52:51. > :52:55.# Didn't help me understand. # But I had to get it worked out.
:52:56. > :53:01.# Had nobody who could help. # So then in the end it turned out.
:53:02. > :53:06.# That I had to do it. # By myself.
:53:07. > :53:20.# That's the game of rags to riches. # Dogs and bitches hunt for fame.
:53:21. > :53:22.# Until you think you know which way to turn.
:53:23. > :53:26.# Make the day all the switches. # Wicked witches fan the flame.
:53:27. > :53:28.# Careful what you touch in case you burn.
:53:29. > :53:32.# Queenie eye, queenie eye, who's got the ball?
:53:33. > :53:34.# I haven't got it, it isn't in my pocket.
:53:35. > :53:39.# O-U-T spells out that's out. # Without a shadow of a doubt.
:53:40. > :53:48.# She could put it in about. # Hear the people shout.
:53:49. > :53:52.# Play the game, taking chances. # Every dance is much the same.
:53:53. > :53:59.# Doesn't matter which event you choose.
:54:00. > :54:04.# Never blame the circumstances. # With romances seldom came.
:54:05. > :54:08.# Never pick a fight you're gonna lose.
:54:09. > :54:11.# Queenie eye, queenie eye, who's got the ball?
:54:12. > :54:13.# I haven't got it, it isn't in my pocket.
:54:14. > :54:18.# O-U-T spells out. # That's out.
:54:19. > :54:22.# Without a shadow of a doubt. # She could put it in about.
:54:23. > :54:31.# Hear the people shout. # Hear the people shout.
:54:32. > :54:39.# It's a long way to the finish. # When you've never been before.
:54:40. > :55:02.# I was nervous, but I did it. # Now I'm going back for more.
:55:03. > :55:21.# Queenie eye, queenie eye, who's got the ball?
:55:22. > :55:22.# I haven't got it, it isn't in my pocket.
:55:23. > :55:28.# O-U-T spells out. # That's out.
:55:29. > :55:32.# Without a shadow of a doubt. # She could put it in about.
:55:33. > :55:46.# Hear the people shout. # Hear the people shout.
:55:47. > :55:52.# That's out # Without a shadow of a doubt
:55:53. > :55:55.# Because you've been putting it about
:55:56. > :56:05.# Hear the people shout # Hear the people shout #
:56:06. > :56:10.#. APPLAUSE AND CHEERING. Paul
:56:11. > :56:18.McCartney from his brand new album New! Fantastic. What a mafb Russ
:56:19. > :56:23.room full of people -- marvellous room we've had. Before that we
:56:24. > :56:36.enjoyed Benjamin Clementine. Now let's enjoy Arctic Monkeys.
:56:37. > :56:37.# I'm a puppet on a string, Tracy Island.
:56:38. > :56:39.# Time-traveling diamond-cutter-shaped heartaches.
:56:40. > :56:42.# That's come to find you. # Four in some velvet morning years
:56:43. > :56:44.too late. # She's a silver lining, Lone Ranger
:56:45. > :56:48.riding. # Through an open space in my mind.
:56:49. > :56:51.# When she's not right there beside me.
:56:52. > :56:54.# I go crazy cos here isn't where I want to be.
:56:55. > :57:00.# And satisfaction feels like a distant memory.
:57:01. > :57:07.# And I can't help myself. # All I want to hear her say.
:57:08. > :57:16.# Is "Are you mine?". # Well, are you mine?
:57:17. > :57:26.# Are you mine? # Are you mine?
:57:27. > :57:32.# I guess what I'm trying to say is I need the deep end.
:57:33. > :57:36.# I keep imagining meeting. # Wished away entire lifetimes.
:57:37. > :57:41.# Unfair we're not somewhere misbehaving for days.
:57:42. > :57:45.# Great escape. # Lost track of time and space.
:57:46. > :57:49.# She's a silver lining climbing on my desire.
:57:50. > :57:53.# And I go crazy cos here isn't where I want to be.
:57:54. > :57:58.# And satisfaction feels like a distant memory.
:57:59. > :58:07.# And I can't help myself. # All I want to hear her say.
:58:08. > :58:11.# Is "Are you mine?". # Well, are you mine?
:58:12. > :58:15.# Are you mine tomorrow? # Are you mine?
:58:16. > :58:31.# Or just mine tonight? # Are you mine?
:58:32. > :58:34.# And the thrill of the chase moves in mysterious ways.
:58:35. > :58:38.# So in case I'm mistaken I just want to hear you say.
:58:39. > :58:55.# You've got me, baby, are you mine? # She's a silver lining, Lone Ranger
:58:56. > :59:01.riding. # Through an open space in my mind.
:59:02. > :59:03.# When she's not right there beside me.
:59:04. > :59:06.# And I go crazy cos here isn't where I want to be.
:59:07. > :59:11.# And satisfaction feels like a distant memory.
:59:12. > :59:14.# And I can't help myself. # All I want to hear her say is "Are
:59:15. > :59:23.you mine?". # Well, are you mine?
:59:24. > :59:28.# Are you mine tomorrow? # Are you mine?
:59:29. > :59:34.# Or just mine tonight? # Are you mine?
:59:35. > :59:41.# Are you mine tomorrow? # Or just mine tonight? #.
:59:42. > :59:55.APPLAUSE AND CHEERING. Arctic Monkeys! Thank you for joining us
:59:56. > :00:02.this evening. I'm back on Tuesday at 10pm. Now thank you to all our
:00:03. > :00:08.guests, Paul McCartney, could I invite your drummer to give us a bit
:00:09. > :00:13.of a groove? Yeah. I think that might be in the key of
:00:14. > :00:18.A. Thank you to all our guests tonight - Paul McCartney and his
:00:19. > :00:25.wonderful band. Thank you Earth Wind wonderful band. Thank you Earth Wind
:00:26. > :00:42.Fire. Thank you Benjamin Clementine. Thank you Katy B. Thank
:00:43. > :00:54.you Gary Clark Jr. And celebrating their fifth number one, keeping
:00:55. > :01:00.their awards in the fridge, thank you Arctic Monkeys! Be seeing you.