:00:40. > :00:52.It is ten o'clock, we are alive and we are delighted to have Elbow.
:00:53. > :01:00.# The first to pour a simple truth in words.
:01:01. > :01:05.# Binds the world in a feeling all familiar.
:01:06. > :01:10.# Cos everybody owns the great ideas.
:01:11. > :01:17.# And it feels like there's a big one round the corner.
:01:18. > :01:22.# A tenner, up and out into New York.
:01:23. > :01:28.# Somewhere in all that talk is all the answers.
:01:29. > :01:34.# And oh, my giddy aunt, New York can talk.
:01:35. > :01:41.# It's the modern road where folk are nice to Yoko.
:01:42. > :01:46.# Every bone of rivet steel, each corner stone an anchor.
:01:47. > :01:52.# Jenga jutts and rusty water tower, pillar-posted sign.
:01:53. > :01:58.# Every painted lining battered, like a building in this town.
:01:59. > :02:07.# Sings a life of proud endeavour and the best that man can be.
:02:08. > :02:11.# Me, I see a city and I hear a million voices.
:02:12. > :02:17.# Planning, drilling, welding, carrying their fingers to the nub.
:02:18. > :02:23.# Reaching down into the ground, stretching up into the sky.
:02:24. > :02:25.# Why? # Because they can, they did and do,
:02:26. > :03:02.so you and I could live together. # Oh my God, New York can talk.
:03:03. > :03:12.# Somewhere in all that talk is all the answers.
:03:13. > :03:19.# Everybody owns the great ideas. # And it feels like there's a big
:03:20. > :03:28.one round the corner. # Oh, my God, New York can talk.
:03:29. > :03:38.# Somewhere in all that talk is all the answers.
:03:39. > :03:56.# Everybody owns the great's ideas. # And it feels like there's a big
:03:57. > :04:12.one round the corner. # Oh, my God, New York can talk.
:04:13. > :04:16.# The desire like a distant storm. # For love, be good for me.
:04:17. > :04:24.# It feels like there's a big one round the corner. .
:04:25. > :04:28.# The way the day begins. # Decides the shade of everything.
:04:29. > :04:31.# But the way it ends depends on if you're home.
:04:32. > :04:37.# For every soul, a pillow at a window, please.
:04:38. > :04:54.# In a modern room, where folk are nice to Yoko. #.
:04:55. > :05:10.Thank you, Elbow. We have amazing guests, number one artists, like
:05:11. > :05:20.Elbow, Engelbert Humperdinck. And Agnes Obel. Neneh Cherry from New
:05:21. > :05:22.York. From lead, Eagulls. And featuring Jess Glynne we have Clean
:05:23. > :05:42.Bandit. # We were a thousand miles from
:05:43. > :05:48.comfort, we have travelled land and sea.
:05:49. > :05:56.# But as long as you are with me, there's no place I'd rather be.
:05:57. > :06:04.# I would wait forever, exalted in the scene.
:06:05. > :06:13.# As long as I am with you, my heart continues to beat.
:06:14. > :06:18.# With every step we take, Kyoto to the Bay.
:06:19. > :06:21.# Strolling so casually. # We're different and the same, gave
:06:22. > :06:28.you another name. # Switch up the batteries.
:06:29. > :06:32.# If you gave me a chance, I would take it.
:06:33. > :06:36.# It's a shot in the dark but I'll make it.
:06:37. > :06:39.# Know with all of your heart, you can't shame me.
:06:40. > :06:44.# When I am with you, there's no place I'd rather be.
:06:45. > :06:48.# No, no, no, no, no place I rather be.
:06:49. > :06:52.# No, no, no, no, no place I rather be.
:06:53. > :07:00.# No, no, no, no, no place I rather be.
:07:01. > :07:07.# We staked out on a mission to find our inner peace.
:07:08. > :07:15.# Make it everlasting so nothing's incomplete.
:07:16. > :07:23.# It's easy being with you, sacred simplicity.
:07:24. > :07:32.# As long as we're together, there's no place I'd rather be.
:07:33. > :07:37.# With every step we take, Kyoto to The Bay.
:07:38. > :07:41.# Strolling so casually. # We're different and the same, gave
:07:42. > :07:47.you another name. # Switch up the batteries.
:07:48. > :07:52.# If you gave me a chance, I would take it.
:07:53. > :07:55.# It's a shot in the dark but I'll make it.
:07:56. > :07:59.# Know with all of your heart, you can't shame me.
:08:00. > :08:03.# When I am with you, there's no place I'd rather be.
:08:04. > :08:07.# No, no, no, no, no place I rather be.
:08:08. > :08:11.# No, no, no, no, no place I rather be.
:08:12. > :08:15.# No, no, no, no, no place I rather be.
:08:16. > :08:35.# When I am with you, there's no place I'd rather be.
:08:36. > :08:39.# If you gave me a chance, I would take it.
:08:40. > :08:42.# It's a shot in the dark but I'll make it.
:08:43. > :08:47.# Know with all of your heart, you can't shame me.
:08:48. > :08:51.# When I am with you, there's no place I'd rather be.
:08:52. > :08:55.# No, no, no, no, no place I rather be.
:08:56. > :08:59.# No, no, no, no, no place I rather be.
:09:00. > :09:03.# No, no, no, no, no place I rather be.
:09:04. > :09:04.# When I am with you there's no place I'd rather be no,no,no,no, no
:09:05. > :09:29.place I'd rather be. We welcome a person who has had
:09:30. > :09:46.success all over Europe. From Denmark we welcome Agnes Obel.
:09:47. > :10:01.# Will you go ahead to the Aventine? # In the holly red in the night.
:10:02. > :10:08.# Dirt under my shoe from the old at heart.
:10:09. > :10:40.# Right under you, grinning in the dark.
:10:41. > :10:51.# You carried my heart in the night. # To bury the wave in the tide.
:10:52. > :11:27.# You carried me onto the fields. # There is a grove, there is a plot.
:11:28. > :11:40.# Deep in the snow, breaking your heart.
:11:41. > :12:02.# One step ahead, a thousand miles. # A trail ablaze to the Aventine.
:12:03. > :12:28.# You carried my heart in the night. # To marry the wave with the tide.
:12:29. > :12:48.# You carried me onto the fields. # Play it down, down, down.
:12:49. > :13:15.# play it down, down, down. # play it down, down, down.
:13:16. > :13:28.APPLAUSE Thank you, Agnes Obel. Now we
:13:29. > :13:33.welcome a guest whose last solo record was 18 years ago, too long,
:13:34. > :13:45.but we are delighted she is here now. It is Neneh Cherry.
:13:46. > :13:50.# I have a man, I love him so much. # Sometimes I hate it, just can't
:13:51. > :13:52.let go. # Together we stand, divided we
:13:53. > :13:58.fall. # Driving me crazy, I need it all.
:13:59. > :14:02.# On my 28th day he is my victim. # He is my saviour, he breaks my
:14:03. > :14:05.phone. # The things that we say, all
:14:06. > :14:15.stacked in one pile. # Stay fresh and good while upright
:14:16. > :14:20.I call. # Too many times you come crawl,
:14:21. > :14:26.then say sorry too late. # Paper cup regrets will not stick,
:14:27. > :14:32.better change. # Too many times you come crawl,
:14:33. > :14:43.then say sorry too late. # Paper cup regrets will not stick,
:14:44. > :14:46.better change. # Need to be right, right to be
:14:47. > :15:28.wrong. .
:15:29. > :15:49.# Paper cup regrets will not stick, better change.
:15:50. > :16:10.# I love you, yeah. I love you. I need you.
:16:11. > :16:28.Love, love. # Know where to run, know where to
:16:29. > :16:41.hide. I love you, I love you, I hate you, I hate you, I love it all. # I
:16:42. > :16:52.love you. # two many times you go call. .
:16:53. > :17:09.# Paper cup regrets will not stick, better change.
:17:10. > :17:21.# I love you. I love you, I love you, I need you.
:17:22. > :17:28.# I love you. Love you. # I need you, I need you, I love
:17:29. > :17:43.you. I need you, I love you.
:17:44. > :17:56.Thank you, Neneh Cherry! We have the legendary Englebert Humperdinck! He
:17:57. > :17:59.has a record of duets with the selection of incredible people, from
:18:00. > :18:06.Elton John, Cliff Richard, Beverley Knight, they are all on here. In a
:18:07. > :18:15.moment, we will be doing release me. When did you first hear that some?
:18:16. > :18:21.1967. It's an amazing song. We're going to be doing that in a moment.
:18:22. > :18:25.I know you are going back to Los Angeles tomorrow, he spent rocket on
:18:26. > :18:33.there and half the time in Leicester. Are there different lives
:18:34. > :18:39.you spend in different places? It's the same, I do love coming home,
:18:40. > :18:47.though. I heard you have your own pub in your house. What's it called?
:18:48. > :18:52.It's called the Duchess of Hamilton. Because that's the person who lived
:18:53. > :18:58.there when I first bought the house. She owned the house many years ago.
:18:59. > :19:05.He gets a big crowd in there on Friday night? Family and friends.
:19:06. > :19:10.Thank you very much, Engelbert Humperdinck. Before we hear that,
:19:11. > :19:31.let's enjoy Eagulls! # My eyes feel funny and I can't
:19:32. > :19:35.seem to think. # The voice inside my head tells me
:19:36. > :19:38.to flinch when I sing. # I've flipped my wig back, wound my
:19:39. > :19:43.neck in. # Done all things that don't help.
:19:44. > :19:45.# Don't think I have a problem. # I just think I like to feel I'm
:19:46. > :19:48.possessed. # I'm possessed.
:19:49. > :19:59.# I'm possessed. # I don't want to know what you
:20:00. > :20:04.think. # I know something else.
:20:05. > :20:09.# I don't want to know what you think.
:20:10. > :20:18.# I know something else. # I'm possessed.
:20:19. > :21:14.# I'm possessed. # I don't want to know what you
:21:15. > :21:17.think. # I don't want to know what you
:21:18. > :21:20.think. # I don't want to know what you
:21:21. > :21:27.think. # I know something else.
:21:28. > :21:34.# I'm possessed. # I'm possessed.
:21:35. > :21:42.# I'm possessed. # My eyes feel funny and I can't
:21:43. > :21:45.seem to think. # The voice inside my head tells me
:21:46. > :21:48.to flinch when I sing. # I've flipped my wig back, wound my
:21:49. > :21:52.neck in. # Done all things that don't help.
:21:53. > :21:54.# Don't think I have a problem. # I just think I like to feel I'm
:21:55. > :22:10.possessed. # Please release me.
:22:11. > :22:20.# Let me go. # For I.
:22:21. > :22:31.# Don't love you anymore. # Her lips are warm while yours are
:22:32. > :23:28.cold. # Release me, my darling.
:23:29. > :23:56.# Let me go. # So release me and let me love
:23:57. > :24:24.again. # Please release me.
:24:25. > :24:34.# Can't you see. # Release me.
:24:35. > :25:40.# And let me love again. The legendary Englebert Humperdinck!
:25:41. > :25:47.Thank you to all of our fantastic guests this evening. Thank you Neneh
:25:48. > :25:52.Cherry, Eagulls, Agnes Obel, Clean Bandit. You can see more of all our
:25:53. > :25:55.guests on Friday and you will see Guy Garvey doing something he has
:25:56. > :25:56.never done before, now let's enjoy him with his marvellous group,
:25:57. > :26:26.Elbow! # I'm running out of miracles.
:26:27. > :26:30.# Oh my soul. # And the streets are lined with
:26:31. > :26:38.one-man shows. # Oh my soul.
:26:39. > :26:51.# Corner boys were moved along. # Oh my soul.
:26:52. > :26:57.# We're plummeting like crippled crows.
:26:58. > :27:17.# Oh, long before. # You and I were born.
:27:18. > :27:26.# Others beat these benches with their empty cups.
:27:27. > :27:30.# To the night and the stars. # To be here, and now, and who we
:27:31. > :27:36.are. # Another sunrise with my sad
:27:37. > :27:44.captains. # With who I choose to lose my mind.
:27:45. > :27:47.# And if it's all we only pass this way but once.
:27:48. > :28:05.# What a perfect waste of time. # The BMX apothecary.
:28:06. > :28:16.# Oh my soul. # The architect of infamy.
:28:17. > :28:34.# Oh my soul. # For each and every train we
:28:35. > :28:40.missed. # Oh my soul.
:28:41. > :28:51.# A bitter little Eucharist. # Oh, long before.
:28:52. > :29:13.# You and I were born. # Others beat these benches with
:29:14. > :29:19.their empty cups. # To the night and the stars.
:29:20. > :29:22.# To be here, and now, and who we are.
:29:23. > :29:32.# Another sunrise with my sad captains.
:29:33. > :29:37.# With who I choose to lose my mind. # And if it's all we only come this
:29:38. > :29:45.way but once. # What a perfect waste of time.
:29:46. > :29:56.# Another sunrise with my sad captains.
:29:57. > :30:02.# With who I choose to lose my mind. # And if it's all we only pass this
:30:03. > :30:10.way but once. # What a perfect waste of time.