:00:58. > :01:15.We are live, and now we welcome the wonderful Paolo Nutini.
:01:16. > :01:21.# How was I to know you'd just come along?
:01:22. > :01:24.# (And funk my life up). # Lips like they've been singing
:01:25. > :01:28.sexed up strawberry songs. # (Just funk my life up).
:01:29. > :01:31.# Never heard it coming, thought it's just another woman.
:01:32. > :01:34.# With a shotgun in her hand. # (Funk my life up).
:01:35. > :01:37.# She's the bass, she's the beat, she's the rhythm, she's the band.
:01:38. > :01:47.# (Just funk my life up). # And the girl, so fine.
:01:48. > :01:52.# Makes you wanna scream Hallelujah. # Sly hands, spinning webs like
:01:53. > :01:58.silk. # Beats are dripping on me, like
:01:59. > :02:01.spider milk. # And I never heard the warning when
:02:02. > :02:06.I woke up this morning. # With my sunshine on a drip.
:02:07. > :02:10.# She's my rock, she's my bud, she's tequila, she's a trip.
:02:11. > :02:21.# And that girl, so fine. # Makes you wanna scream Hallelujah.
:02:22. > :02:24.# How can I refuse? I'm not fit to choose.
:02:25. > :02:28.# (Just funk my life up). # I said the only way I win is the
:02:29. > :02:32.way I lose. # (Just funk my life up).
:02:33. > :02:35.# And I never got the script, I unzipped.
:02:36. > :02:37.# Got a little bit wet up in my brain.
:02:38. > :02:46.# She's your church, she's your sin, she's atomic.
:02:47. > :02:52.# She's the, oh, she's the rain. # And the girl, so fine you wanna
:02:53. > :03:03.scream. # Yeah, yeah.
:03:04. > :03:09.# She gets me silly, she's like a trick on me.
:03:10. > :03:12.# Hell, I don't even know her name but yet she sticks to me.
:03:13. > :03:15.# And in the climax she would scream with me.
:03:16. > :03:19.# Yeah, she sticks to me. # She gets me funny, she doesn't
:03:20. > :03:21.want none of my money. # So I pour it over her like
:03:22. > :03:24.gasoline. # Light a match and then I'm back in
:03:25. > :03:26.my teens. # Me and super girl smoking my
:03:27. > :03:29.green. # Me and super girl smoking my
:03:30. > :03:33.green. # Unload, reload, eyes back
:03:34. > :03:38.swinging. # Sweet thing, knows things, Jeff
:03:39. > :03:45.Beck sings. # Roundhouse, going down. Let's go!
:03:46. > :03:54.# And the girl so fine makes you wanna scream Hallelujah.
:03:55. > :03:56.# Hallelujah. # Yeah, the girl, so fine, you wanna
:03:57. > :04:35.scream. Paolo Nutini, who is number one as
:04:36. > :04:43.we speak. From New Zealand, sensational Neil Finn returns. We
:04:44. > :04:49.have Lucius. But now from Brooklyn, New York, we welcome a wonderful
:04:50. > :05:07.vocalist, the lot. She is Joan As Police Woman.
:05:08. > :05:13.# I got to talking and your eyes well they blew me away, yeah.
:05:14. > :05:16.# Oh, this is how I start. # My love letter.
:05:17. > :05:19.# But I may have missed my mark. # My bestseller.
:05:20. > :05:26.# Here it goes, my friend. # I need to see you again and then.
:05:27. > :05:34.# I'll show you what you do to me. # You're like finding the Holy City.
:05:35. > :05:36.# Right there in front of my eyes. # Setting me free. Yeah, I'm ready.
:05:37. > :05:52.# To get up on your wailing wall. # After my confession, well I...
:05:53. > :05:54.# I'm feeling freer than the wind. # But then I start to shut it down,
:05:55. > :05:58.fearing. # I'm wondering what it would have
:05:59. > :06:02.been if I had only. # Only I have no command.
:06:03. > :06:07.# Over tomorrow. # So I may as well be grand.
:06:08. > :06:13.# And shoot my arrow. # Cos the ocean's wide.
:06:14. > :06:17.# But I can swim it. # The tide is high.
:06:18. > :06:19.# Want to get in it. # I feel the fire.
:06:20. > :06:23.# C'mon let's fan it. # You ask me why.
:06:24. > :06:29.# Cos every minute with you. # Is like finding the Holy City.
:06:30. > :06:34.# Right there in front of my eyes. # Waiting for me. Yeah, I'm ready.
:06:35. > :06:41.# Oh, oh, oh, get up. # You're like finding the Holy City.
:06:42. > :06:43.# Right there in from of my eyes. # Waiting for me. Yeah, I'm ready.
:06:44. > :07:04.# To get up on your wailing wall. # I can't feel it.
:07:05. > :07:31.# I can't feel it anymore. # I can't feel it anymore.
:07:32. > :07:40.# You're like finding the Holy City. # Right there in front of my eyes.
:07:41. > :07:45.# Setting me free. Yeah, I'm ready. # Oh, oh, oh.
:07:46. > :07:51.# You're like finding the Holy City. # Right there in from of my eyes.
:07:52. > :07:55.# Waiting for me. Yeah, I'm ready. # To get up on your wailing, up on
:07:56. > :08:13.your wailing, up on your wailing wall. #
:08:14. > :08:22.thank you, Joan As Police Woman, from her album, The Classic.
:08:23. > :08:27.Our next artist returns to the show with his new LP and he is doing the
:08:28. > :08:34.title track from it. We welcome Neil Finn.
:08:35. > :08:38.# Fairy lights like the stars. # You could be lost but here you
:08:39. > :08:47.are. # It's Halloween on the street.
:08:48. > :08:52.# You came looking for me. # I'm sealed in tight, through the
:08:53. > :09:03.double glass. # Come inside, take off your mask.
:09:04. > :09:10.# All the zombies in town. # They're all dead to us now.
:09:11. > :09:15.# And we can't hear the song they're playing.
:09:16. > :09:20.# Smoke drifting up. # To the dizzy heights.
:09:21. > :09:25.# Where the elevator won't come down.
:09:26. > :09:30.# And the ceiling cracks like a treasure map.
:09:31. > :09:34.# The mosquito's buzzing round, round, round.
:09:35. > :09:48.# Help me make up a new sound. # It's all right in my room.
:09:49. > :09:57.# The world's moving at a different pace.
:09:58. > :10:01.# Ah, the buzz it never stops. # If you don't like the groove, well
:10:02. > :10:15.call the cops. # On Halloween, it's Halloween.
:10:16. > :10:20.# And they don't make a sound. # Cos I don't like the song they're
:10:21. > :10:25.playing. # Smoke drifting up to the dizzy
:10:26. > :10:30.heights. # Where the elevator won't come
:10:31. > :10:36.down. # And the ceiling cracks like a
:10:37. > :10:41.treasure map. # Every destination pulls you in,
:10:42. > :10:43.turns you back. # The mosquito's buzzing round,
:10:44. > :11:11.round, round. # I'm gonna take you up to the dizzy
:11:12. > :11:15.heights. # There's a lot more going on.
:11:16. > :11:34.# I will take you up to the dizzy heights.
:11:35. > :11:40.# I will take you up to the dizzy heights.
:11:41. > :11:54.# I will take you up to the dizzy heights.
:11:55. > :12:01.# I'm better off that way. # I will take you up to the dizzy
:12:02. > :12:05.heights. # next we welcome one of the great new voices of British jazz
:12:06. > :12:05.coming from the ancient kingdom of Essex.
:12:06. > :12:30.We welcome Zara McFarlane. # There you are, though I cannot see
:12:31. > :12:37.your face. # I feel you, your presence just
:12:38. > :12:41.entered this place. # But I'll wait right here.
:12:42. > :12:47.# See, there's no need for me to see.
:12:48. > :12:52.# Were I to look back, I might just find myself falling slowly.
:12:53. > :13:01.# Right into trouble, trouble, trouble, trouble.
:13:02. > :13:16.# Trouble, trouble, trouble, trouble # I see you.
:13:17. > :13:31.# Don't lift your lips up to mine though.
:13:32. > :13:41.# You're talking, but I'm not quite listening in yet.
:13:42. > :13:43.# You'll get me in trouble. # Look what you're doing.
:13:44. > :13:47.# Can't you see? # Were I a blossom, I would be
:13:48. > :13:49.falling down from the tree. # Right into trouble, trouble,
:13:50. > :13:54.trouble, trouble. # Trouble, trouble, trouble,
:13:55. > :14:18.trouble. # Now wait a minute.
:14:19. > :14:21.# Just let me catch my breath. # You're talking, but I'm not quite
:14:22. > :14:35.listening in yet. # You'll get me in trouble. # If
:14:36. > :14:39.only I allow myself to fall, you'll get me in trouble.
:14:40. > :14:40.# If only I open my senses up to it all.
:14:41. > :14:48.# Ooh, ooh. # Ooh, ooh.
:14:49. > :15:18.# Ooh, ooh. # You'll get me in trouble.
:15:19. > :15:28.# Trouble. # APPLAUSE
:15:29. > :15:35.The lovely voice of Zara McFarlane. On Friday's show you can see a lot
:15:36. > :15:37.more. But now a duet, a duo that sounds sensational from Brighton, we
:15:38. > :16:02.welcome Royal Blood. # Hey, little monster, I got my eye
:16:03. > :16:11.on you. # Where are you going, where you
:16:12. > :16:21.running to? # Hey, little monster, you know it's
:16:22. > :16:31.all OK. # I'm gonna love ya, no matter what
:16:32. > :16:36.you say. # I've got love on my fingers.
:16:37. > :16:41.# Lust on my tongue. # You say you got nothing.
:16:42. > :16:46.# So come out and get some. # Heartache to heartache.
:16:47. > :16:53.# I'm your wolf, I'm your man. # I say run, little monster.
:16:54. > :17:01.# Before you know who I am. # Hey, little creature, tell me
:17:02. > :17:10.what's on your mind. # Where have you been hiding? And
:17:11. > :17:20.can I come this time? # So pleased to please ya, and rip
:17:21. > :17:28.that heart off your sleeve. # What we discover.
:17:29. > :17:33.# I've got love on my fingers. # Lust on my tongue.
:17:34. > :17:38.# You say you got nothing. # So come out and get some.
:17:39. > :17:43.# Heartache to heartache. # I'm your wolf, I'm your man.
:17:44. > :18:26.# I say run, little monster. # Before you know who I am.
:18:27. > :18:33.# I've got love on my fingers. # Lust on my tongue.
:18:34. > :18:38.# You say you got nothing. # So come out and get some.
:18:39. > :18:43.# Heartache to heartache. # I'm your wolf, I'm your man.
:18:44. > :19:16.# I say run, little monster. # Before you know who I am #.
:19:17. > :19:21.APPLAUSE AND CHEERING The superb sound of Royal Blood with
:19:22. > :19:25.Little Monster. One of the questions people often say to me, is live
:19:26. > :19:28.television stressful? Not particularly, there is a few
:19:29. > :19:33.technical things and we will be with this group in a moment. Did you know
:19:34. > :19:37.it's Paul Carrick's birthday? Let's have a round of applause. I have a
:19:38. > :19:42.minute to kill before the next act is ready. I quickly lunge in to Neil
:19:43. > :19:45.Finn here. It's lovely to have you on the show. We are live. I will
:19:46. > :19:51.come to you because once you were on the show and it was live and we kept
:19:52. > :19:53.- you stopped too soon, didn't you? Apparently it was one of the most
:19:54. > :19:59.transmissions on the show but I saved it. You did. Maybe we can have
:20:00. > :20:05.one now, you are sort of saving it now, I am improvising. Last time I
:20:06. > :20:08.misread a signal from you. I thought we were winding up. Was it this sort
:20:09. > :20:14.of thing? One of those sort of things. I stopped thinking we were
:20:15. > :20:18.being superprofessional and we were a minute-and-a-half shy. Are we
:20:19. > :20:22.ready to go there or not? One minute. A minute to go? What would
:20:23. > :20:27.you like to discuss? I would give you my thoughts on the history of
:20:28. > :20:33.art or we could discuss any other issue you wanted to. Stevie Wonder,
:20:34. > :20:37.I wrote on your book, I remember years ago in 1980, we were in a
:20:38. > :20:43.hotel room together and you were saying Stevie Wonder was amazing,
:20:44. > :20:48.the best guy on the planet and I had the gall to say too many major 7ths.
:20:49. > :20:53.I acknowledge you were right and I was wrong. I am not bad about major
:20:54. > :20:59.7th. We haven't much time and they're saying that's quite boring!
:21:00. > :21:02.I agree. Too many in a row. Exactly. Could anybody play a major 7th so
:21:03. > :21:09.people know what we are talking about? Thank you! There we are. I
:21:10. > :21:13.can't thank you enough for helping me fill in that time. Thank you, it
:21:14. > :21:18.was wonderful. Could you be here every week? I am always here. Thank
:21:19. > :21:21.you. That's live television, by the way, that's his record what we are
:21:22. > :21:31.supposed to be talking about. Now an amazing group with beautiful harp
:21:32. > :21:38.Mondayics -- harmonics and the lot. From Brooklyn, we welcome Lucius.
:21:39. > :21:41.# She felt comatose waiting for this thing to grow.
:21:42. > :21:48.# She's impatient cos she wants it now and so it shows.
:21:49. > :21:56.# She can't be bothered by the ties that bind her.
:21:57. > :22:03.# She's united when it strangles everything it holds.
:22:04. > :22:05.# She's looking through the wrong end.
:22:06. > :22:10.# She's looking through the wrong end.
:22:11. > :22:31.# She's looking through the wrong end of the telescope.
:22:32. > :22:39.# Turn it around, turn it around. # She closed the door with the
:22:40. > :22:47.intention of not looking back. # But missed her step because she
:22:48. > :22:54.didn't have a steady track. # She can't be bothered by the
:22:55. > :23:01.mistakes she has made. # But she's forgetting that's what
:23:02. > :23:03.guides you to the rightful path. # She's looking through the wrong
:23:04. > :23:08.end. # She's looking through the wrong
:23:09. > :23:14.end. # She's looking through the wrong
:23:15. > :23:20.end of the telescope. # Turn it around, turn it around.
:23:21. > :23:27.# As suspected back at home it grew out of control.
:23:28. > :23:35.# Well, that can happen when you leave things to a little girl.
:23:36. > :23:43.# So now she's left without an option at hand.
:23:44. > :23:48.# She better tend to it or she won't have another chance.
:23:49. > :23:51.# She's looking through the wrong end.
:23:52. > :23:56.# She's looking through the wrong end.
:23:57. > :24:09.# She's looking through the wrong end of the telescope. # She's
:24:10. > :24:13.looking through the wrong end. # She's looking through the wrong
:24:14. > :24:18.end. # She's looking through the wrong
:24:19. > :24:55.end of the telescope. # Turn it around.
:24:56. > :25:05.APPLAUSE AND CHEERING Thank you Lucius. Thank you to all
:25:06. > :25:19.our guests. Thank you to Royal Blood, thank you to Joan As
:25:20. > :25:22.Policewoman. Thank you to Zara McFarlane. There's more on the
:25:23. > :25:26.website. There's cameras there, please get out of the way, we
:25:27. > :25:43.haven't much time. And we welcome now and finish with Paolo Nutini.
:25:44. > :26:07.# From the corner of my eye. # To the back of my mind.
:26:08. > :26:12.# I recognise what you mean to me. # And all the corners of our
:26:13. > :26:21.pictures. # Are a long time afraid.
:26:22. > :26:36.# They still symbolise what you mean to me.
:26:37. > :26:44.# You ask me to remember. # A kiss is but a kiss.
:26:45. > :26:53.# Well I'd be a fool to want more from you.
:26:54. > :27:10.# And I'm gone in a while. # I'll be gone in a while.
:27:11. > :27:14.# It's all that I do. # I'll cry and you cry and we'll
:27:15. > :27:24.cry. # Till the rain turns black.
:27:25. > :27:32.# And the devil moves and clings to us.
:27:33. > :27:41.# And for a moment there is beauty. # It's not a simple yearning war.
:27:42. > :27:47.# Sometimes it feels like it's all I've gotten.
:27:48. > :27:53.# It's all a dream. # And I ask you to remember.
:27:54. > :28:00.# A kiss is but a kiss. # That you'd be a fool to want more
:28:01. > :28:13.from me. # And I'm gone in a while.
:28:14. > :28:20.# I'll be gone in a while. # I'll be gone in a while.
:28:21. > :28:47.# It's all that I do. # Of the corner of my eye.
:28:48. > :29:01.# To the back of my mind. # I recognise what you mean to me.
:29:02. > :29:10.# And the promises captured in one kiss.
:29:11. > :29:12.# We hide and we seek what we squander.
:29:13. > :29:20.# But there's more. # Something more than me.
:29:21. > :29:39.# And I'm gone in a while. # I'll be gone in a while.
:29:40. > :30:04.# It's all that I do. # It's all that I do.
:30:05. > :30:13.# It's all that I do #. APPLAUSE AND CHEERING