:00:36. > :00:45.We are broadcasting to you live in the studio we have legends, we have
:00:46. > :01:04.newies, we have Coldplay to start off with.
:01:05. > :01:18.# Call it magic. # Call it true.
:01:19. > :01:29.# Call it magic. # When I'm with you.
:01:30. > :01:39.# And I just got broken. # Broken into two.
:01:40. > :01:48.# Still I call it magic. # When I'm next to you.
:01:49. > :01:52.# And I don't and I don't and I don't and I don't.
:01:53. > :01:55.# No, I don't. # It's true.
:01:56. > :02:00.# I don't, no. # I don't, no.
:02:01. > :02:02.# I don't want anybody else, but you.
:02:03. > :02:06.# I don't, no. # I don't, no.
:02:07. > :02:12.# I don't. # No, I don't.
:02:13. > :02:20.# It's true. # I don't, no.
:02:21. > :02:21.# I don't want anybody else, but you.
:02:22. > :02:26.# Ooooh ooh ooh. # Call it magic.
:02:27. > :02:36.# Cut me into two. # And with all your magic.
:02:37. > :02:46.# I disappear from view. # And I can't get over.
:02:47. > :02:57.# Can't get over you. # Still I call it magic.
:02:58. > :03:01.# It's such a precious jewel. # And I don't and I don't and I
:03:02. > :03:04.don't and I don't. # No, I don't.
:03:05. > :03:09.# It's true. # I don't, no.
:03:10. > :03:11.# I don't want anybody else, but you.
:03:12. > :03:15.# I don't, no. # I don't, no.
:03:16. > :03:18.# I don't. # No, I don't.
:03:19. > :03:24.# It's true. # I don't, no.
:03:25. > :03:25.# I don't want anybody else, but you.
:03:26. > :03:32.# Wanna fall. # I fall so far.
:03:33. > :03:42.# I wanna fall. # I fall so hard.
:03:43. > :03:57.# And I call it magic. # And I call it true.
:03:58. > :04:23.# I call it magic. # Ooooh ooh ooh.
:04:24. > :04:34.# And if you were to ask me. # After all that we've been through.
:04:35. > :04:49.# Still believe in magic. # Oh yes, I do.
:04:50. > :04:55.# Yes, I do. # Oh yes, I do.
:04:56. > :05:40.# Of course, I do. # CHEERING AND APPLAUSE
:05:41. > :05:52.Thank you, Coldplay, some Magic. Guests this evening, we have Aziza
:05:53. > :05:56.Brahim, and Damon Albarn and Sharon Jones and The Dap-Kings. From Ohio,
:05:57. > :06:36.we now welcome The Black Keys. # Fever, where'd you run to? #
:06:37. > :06:45.Fever, where'd you run to? # Acting right is so routine.
:06:46. > :06:51.# Fever, let me live a dream. # Fever, I'm a slave to.
:06:52. > :06:58.# No one misbehaved too. # Fever, they're misunderstood.
:06:59. > :07:04.# Wouldn't leave you if I could. # Fever.
:07:05. > :07:12.# Fever cos I'm breaking. # Fever got me aching.
:07:13. > :07:19.# Fever, why don't you explain? # Break it down again.
:07:20. > :07:26.# Fever got me guilty. # Just go ahead and kill me.
:07:27. > :07:36.# Fever, why don't you explain? # Break it down again.
:07:37. > :07:47.# Fever, can you hear me? # Fever, can you hear me?
:07:48. > :07:54.# You shook me like I've never been. # Now show me how to live again.
:07:55. > :08:02.# You used to be a blessing. # But fever's got me stressing.
:08:03. > :08:07.# Realise I have been played. # But fever let me play the game.
:08:08. > :08:14.# Fever. # Fever, cos I'm breaking.
:08:15. > :08:22.# Fever got me aching. # Fever, why don't you explain.
:08:23. > :08:33.# Break it down again. # Fever got me guilty.
:08:34. > :08:35.# Just go ahead and kill me. # Fever, why don't you explain?
:08:36. > :09:02.# Break it down again. # Now if the cold pale light in your
:09:03. > :09:17.eyes. # Reaches those horizon lines. # You know not to leave her.
:09:18. > :09:23.# Now if the cold pale light in your eyes.
:09:24. > :09:28.# Reaches those horizon lines. # You know not to leave her.
:09:29. > :10:03.# Fever. CHEERING AND APPLAUSE
:10:04. > :10:11.The Black Keys and Fever. Now, a collective from Brooklyn, it
:10:12. > :10:31.is Sharon Jones and The Dap-Kings. APPLAUSE
:10:32. > :10:39.# When I was a child I believed what they told me.
:10:40. > :10:43.# When I was a child I believed what # To each one shall come what each
:10:44. > :10:49.one shall earn. # And if I worked hard nobody could
:10:50. > :10:55.hold me. # And cheaters will fail, that's
:10:56. > :11:01.what they all learned. # There is a man who is born with a
:11:02. > :11:09.fortune. # A hard day's work he's never done.
:11:10. > :11:14.# He lives from the sweat of other men's labour.
:11:15. > :11:22.# As he sips his champagne and lays in the sun.
:11:23. > :11:31.# Money don't follow sweat. # Money don't follow brains.
:11:32. > :11:34.# Money don't follow deeds of peace. # People don't get what they
:11:35. > :11:37.deserve. # People don't get what they
:11:38. > :11:43.deserve. # There is a man who lives like a
:11:44. > :11:49.saint. # He works from daybreak to late in
:11:50. > :11:55.the night. # He's never stolen, he's never been
:11:56. > :12:05.lazy. # To feed his children is always a
:12:06. > :12:13.fight. # He try to do right by all of god's
:12:14. > :12:19.children. # He works very hard for all I could
:12:20. > :12:26.afford. # But he don't pretend for one
:12:27. > :12:28.single moment. # That what he gets is my just
:12:29. > :12:32.reward. # Money don't follow sweat.
:12:33. > :12:38.# Money don't follow brains. # Money don't follow deeds of peace.
:12:39. > :12:41.# People don't get what they deserve.
:12:42. > :12:55.# People don't get what they deserve.
:12:56. > :12:59.# People don't get what they deserve.
:13:00. > :13:02.# People don't get what they deserve.
:13:03. > :13:04.# People don't get what they deserve.
:13:05. > :13:08.# People don't get what they deserve.
:13:09. > :13:10.# People don't get what they deserve.
:13:11. > :13:13.# People don't get what they deserve.
:13:14. > :13:16.# People don't get what they deserve.
:13:17. > :13:25.# People don't get what they deserve.
:13:26. > :13:29.# APPLAUSE
:13:30. > :13:42.Raze raze Sharon Jones and The Dap-Kings a now
:13:43. > :13:47.we welcome a man and featuring the City Mission Choir from the church
:13:48. > :14:07.at the end of his road, we're delighted to have Damon Albarn.
:14:08. > :14:19.# Injilli Injilli. # Can I sing with you about Mr Tembo
:14:20. > :14:24.and what he's got to do? # But first I'm going back to the
:14:25. > :14:31.Colworth Road. # To find the mission and help him
:14:32. > :14:35.with his load. # Mr Tembo's on his way up the hill
:14:36. > :14:40.with only this song to tell you how he feels.
:14:41. > :14:45.# But to get there he will need a helping hand. .
:14:46. > :14:48.# It's where he is now but it wasn't what he planned.
:14:49. > :14:55.# Njilli injilli. # We will sing with you.
:14:56. > :14:59.# Just like the TV in Mr Tembo's room.
:15:00. > :15:05.# Of the emphatic night he checked in on his own at Mkomazi Inn and
:15:06. > :15:10.made it his home. # Mr Tembo's on his way up the hill
:15:11. > :15:17.with only this song to tell you how he feels.
:15:18. > :15:22.# But to get there he will need a helping hand.
:15:23. > :15:28.# It's where he is now but it wasn't what he planned.
:15:29. > :15:39.# It's where he is now but it wasn't what he planned.
:15:40. > :15:48.# Injilli injilli. # We will sing to you about Mr Tembo and what he's
:15:49. > :15:55.going through. # Gets up early while you are still
:15:56. > :16:00.in bed. # Mr Tembo grey blanket by his head.
:16:01. > :16:08.# Mr Tembo's on his way up the hill with only this song to tell you how
:16:09. > :16:14.he feels. # But to get there he will need a
:16:15. > :16:17.helping hand. # It's where he is now, but it
:16:18. > :16:26.wasn't what he planned. # It's where he is now but it wasn't
:16:27. > :16:30.what he planned. Man you take those lions off the
:16:31. > :16:36.front of the boat. Good god man have some... I'm trying to run this
:16:37. > :16:38.expedition in a decent manner. # Logistics, haulage, golf,
:16:39. > :16:42.bungalow, spires, canals, cows, hay bales, telegraph wires, pylon power,
:16:43. > :16:45.farmhouse oak, chimneys still used. # Stones, satellite, football
:16:46. > :16:50.pitches, faded flags and lots of dogs. # Neon cross on top of a block
:16:51. > :16:56.of flats. # And a church not as usual.
:16:57. > :17:01.# Mr Tembo's on his way up the hill With only this song to tell you how
:17:02. > :17:07.he feels. # But to get there he will need a
:17:08. > :17:10.helping hand. # It's where he is now, but it
:17:11. > :17:13.wasn't what he planned. # It's where he is now, but it
:17:14. > :17:58.wasn't what he planned. # CHEERING AND APPLAUSE
:17:59. > :18:05.Thank you Damon Albarn. Mr Tembo. The marvellous Pentecostal mission
:18:06. > :18:07.choir. Now, a legend of world music, from Western Sahara, now living in
:18:08. > :22:35.Barcelona, we welcome Aziza Brahim. # Down in the waves. # She screams
:22:36. > :22:42.again. # Roar at the door. # My mind can't take much more. # I could
:22:43. > :23:05.never drown. get my... # Gold on the ceiling. # I
:23:06. > :23:28.ain't blind. # Just a matter of time. # Before you steal it. # It's
:23:29. > :23:37.alright. # Ain't no blood in my eye. # Clouds covered love's barbed-wire
:23:38. > :23:43.fence. # Strung up, strung out. # I just can't go without. # I could
:23:44. > :24:05.never drown. # They wanna get my...
:24:06. > :24:10.# Gold on the ceiling. # I ain't blind.
:24:11. > :24:14.# Just a matter of time. # Before you steal it.
:24:15. > :24:36.# It's alright. # Ain't no blood in my eye.
:24:37. > :24:45.# They wanna get my... # They wanna get my # Gold on the
:24:46. > :24:53.ceiling. Gold on the ceiling
:24:54. > :24:55.# I ain't blind # Just a matter of time
:24:56. > :24:59.# Before you steal it # It's all right
:25:00. > :25:03.# Ain't no blood in my eye # Gold on the ceiling
:25:04. > :25:08.# I ain't blind # It's just a matter of time
:25:09. > :25:10.# Before you steal it # It's all right
:25:11. > :25:32.# Ain't no blood in my eye. # CHEERING AND APPLAUSE
:25:33. > :25:40.Thank you so much The Black Keys. Thank you to all my guests. More of
:25:41. > :25:46.my guests on Friday. How long have we got? How long? 50 seconds. Let me
:25:47. > :25:50.ask you then, we loved what you were playing earlier, anybody you've
:25:51. > :25:56.enjoyed particularly live this evening? It was a great vibe. Aziza
:25:57. > :26:00.Brahim. Beautiful. You said, very difficult to play the drums and sing
:26:01. > :26:04.at the same time. Really difficult. You should dry it. Exactly. She did
:26:05. > :26:08.very well. Thank you for joining us. Lovely to see Damon back on the
:26:09. > :26:11.show. 20 seconds due say? 20 seconds of stuff to fill. I could tell you
:26:12. > :26:14.about myself, I could tell you about the room, I could tell you about
:26:15. > :26:16.yourselves, instead, I'd like to observe the fact that Coldplay seem
:26:17. > :26:22.to have an invisible pianist. It's observe the fact that Coldplay seem
:26:23. > :26:25.new dimension that I'm a bit worried about. We welcome, the one and only,
:26:26. > :26:47.Coldplay! # Cause you're a sky.
:26:48. > :26:56.# A sky full of stars. # I'm going to give you my heart.
:26:57. > :27:11.# Cause you're cause a sky. # A sky full of stars.
:27:12. > :27:18.# And cause you light up the path. # I don't care.
:27:19. > :27:28.# Go on and tear me apart. # I don't care if you do.
:27:29. > :27:30.# Cause in a sky, a sky full of stars.
:27:31. > :28:11.# I think I saw you. # Cause you're a sky.
:28:12. > :28:21.# A sky full of stars. # I want to die in your arms.
:28:22. > :28:34.# Cause you get lighter. # The more it gets dark.
:28:35. > :28:42.# I'm going to give you my heart. # And I don't care.
:28:43. > :28:52.# Go on and tear me apart. # I don't care if you do.
:28:53. > :29:02.# Cause in a sky, a sky full of stars.
:29:03. > :29:59.#I think I see you. # I think I see you.
:30:00. > :30:11.# Because you're a sky. # You're a sky full of stars.
:30:12. > :30:29.# Such a heavenly view. # Such a heavenly view. #