:00:41. > :00:59.In love, it's Tuesday, it Kasabian. Ganache it's ten o'clock.
:01:00. > :01:14.# Eez-Eh, I'll make you mad. # Please staying sleazy.
:01:15. > :01:17.# If you want to, I take you out. # 'Cause I got a feeling that I'm
:01:18. > :01:19.gonna keep you up all. # Gonna keep you up all.
:01:20. > :01:28.# Gonna keep you up all night! # Tired of taking orders.
:01:29. > :01:33.# Coping with disorders. # Running out of power.
:01:34. > :01:38.# Sun in my milk shower. # Tired of taking orders.
:01:39. > :01:56.# Coping with disorders. # Running out of power.
:01:57. > :02:01.# Turning my milk sour. #Turning my milk sour.
:02:02. > :02:04.# Eez-Eh, I'll make you mad. # Please staying sleazy.
:02:05. > :02:07.# If you're trying up the one so right.
:02:08. > :02:10.# If you want to, I take you out. # 'Cause I got a feeling that I'm
:02:11. > :02:16.gonna keep you up all. # Eez-Eh, but it ain't that bad.
:02:17. > :02:21.# Go round my muse, and I'll try to send the world a live.
:02:22. > :02:24.# You got problems, so have I. # And I got a feeling that I'm gonna
:02:25. > :02:26.keep you up all. # Gonna keep you up all.
:02:27. > :02:47.# Gonna keep you up all night! # Finally we lost it.
:02:48. > :02:56.# Everyday is brutal. # Now we're being watched by Google.
:02:57. > :03:07.# Got to keep it simple. # Everyone's on bugle.
:03:08. > :03:11.# Now we're being watched by Google. # And if you want to, I'll take you
:03:12. > :03:16.out. Cos I've got the feeling that I'm
:03:17. > :03:21.going to keep you up all night. # Life ain't easy but it ain't that
:03:22. > :03:25.bad. # No reason to try and set the world
:03:26. > :03:31.alight. # You've got problems but so have I.
:03:32. > :03:38.# I've got a feeling that I'm going to keep you up all night.
:03:39. > :03:42.# Going to keep you up all... # Going to keep you up all...
:03:43. > :04:22.# Going to keep you up all night. # Going to keep you up all...
:04:23. > :04:28.# Going to keep you up all night. APPLAUSE.
:04:29. > :04:33.Kasabian, Eez-Eh! Delighted to have them in the studio. Who else are our
:04:34. > :04:38.amazing guests tonight? From New York, we will be welcoming Natalie
:04:39. > :04:44.Merchant. From London, Brian Eno and Karl Hyde. From Bristol, George
:04:45. > :04:47.Ezra. From all over the world, Ibibio Sound Machine. And now, from
:04:48. > :05:13.Dallas, Texas, St Vincent. # Get back to your seats.
:05:14. > :05:19.# Get back, gnashing teeth. # I want all of your mind.
:05:20. > :05:25.# People turn the TV on it looks just like a window.
:05:26. > :05:32.# Yeah. # People turn the TV on it looks
:05:33. > :05:39.just like a window. # Yeah.
:05:40. > :05:50.# Digital witnesses. # What's the point of even sleeping?
:05:51. > :05:52.# If I can't show it, you can't see me.
:05:53. > :06:03.# What's the point of doing anything?
:06:04. > :06:17.# This is no time for confessing. # I want all of your mind.
:06:18. > :06:30.# Digital witnesses. # People turn the TV on and throw it
:06:31. > :06:37.out the window yeah. # People turn the TV on it looks
:06:38. > :06:43.just like a window. # Digital witnesses.
:06:44. > :06:49.# What's the point of even sleeping? # If I can't show it, you can't see
:06:50. > :06:52.me. # Watch me jump right off the London
:06:53. > :07:10.Bridge. # This is no time for confessing.
:07:11. > :07:19.# People turn the TV on and throw it out the window.
:07:20. > :07:28.# Yeah. # Get back to your stare.
:07:29. > :07:38.# I care but I don't care. # Oh, oh, I want all of your mind.
:07:39. > :07:44.# Gimme all of your mind. # I want all of your mind.
:07:45. > :08:02.# What's the point of even sleeping? # If I can't show it, you can't see
:08:03. > :08:04.me. # What's the point of doing
:08:05. > :08:11.anything? # What's the point of even sleeping?
:08:12. > :08:14.# So I stopped sleeping, # What's the point of even sleeping?
:08:15. > :08:36.# Won't somebody sell me back to me? Thank you, St Vincent. More of her
:08:37. > :08:39.on Friday. Now, an extraordinary collective from Nigeria, Brazil and
:08:40. > :08:40.beyond. But they all formed in London, they are Ibibio Sound
:08:41. > :12:08.Machine! APPLAUSE.
:12:09. > :12:12.Thank you, Ibibio Sound Machine! Now, a brand-new artist, a man
:12:13. > :12:16.everyone has been writing about. You can see him at all the festivals.
:12:17. > :12:27.You will hear for yourself and stop from Bristol, George Ezra.
:12:28. > :12:32.# My house in Budapest. # My hidden treasure chest.
:12:33. > :12:37.# Golden grand piano. # My beautiful Castillo.
:12:38. > :12:42.# For you. # You.
:12:43. > :12:46.# I'd leave it all. # My acres of a land.
:12:47. > :12:50.# I have achieved. # It may be hard for you to.
:12:51. > :12:53.# Stop and believe. # But for you.
:12:54. > :13:07.# You. # I'd leave it all. # For you, you,
:13:08. > :13:18.I'd leave it all. # Give me one good reason.
:13:19. > :13:22.# Why I should never make a change. # And baby if you hold me.
:13:23. > :13:26.# Then all of this will go away. # My many artifacts.
:13:27. > :13:30.# The list goes on. # If you just say the words.
:13:31. > :13:33.# I'll up and run. # Oh, to you.
:13:34. > :13:46.# You. # I'd leave it all. # For you, you,
:13:47. > :13:54.I'd leave it all. # Give me one good reason.
:13:55. > :14:02.# Why I should never make a change. # And baby if you hold me.
:14:03. > :14:10.# Then all of this will go away. # Give me one good reason.
:14:11. > :14:19.# Why I should never make a change. # And baby if you hold me.
:14:20. > :14:23.# Then all of this will go away. # My friends and family.
:14:24. > :14:27.# They, don't understand. # They fear they'd lose so much.
:14:28. > :14:30.# If, you took my hand. # But, for you.
:14:31. > :14:44.# You. # I'd lose it all. # For you, you,
:14:45. > :14:51.I'd lose it all. # Give me one good reason.
:14:52. > :15:01.# Why I should never make a change. # And baby if you hold me.
:15:02. > :15:09.# Then all of this will go away. # Give me one good reason.
:15:10. > :15:16.# Why I should never make a change. # And baby if you hold me.
:15:17. > :15:20.# Then all of this will go away. # My house in Budapest.
:15:21. > :15:24.# My hidden treasure chest. # Golden grand piano.
:15:25. > :15:36.# My beautiful castillo. # You.
:15:37. > :15:54.# I'd leave it all. # For you, you, I'd leave it all. George Ezra! From
:15:55. > :16:00.his album Wanted on Voice. We love a collaboration on this show. If you
:16:01. > :16:03.get a legendry dance music pioneer and producer, you put them together
:16:04. > :16:46.and you have Brian Eno and Karl Hyde.
:16:47. > :17:15.# Daddy's car # Street lights shimmer shimmering
:17:16. > :17:27.# Lend you daddy's car # Laughter in the dark
:17:28. > :18:18.# Children in the dark glowing # Stress-free fathers
:18:19. > :18:40.# Lend you daddy's car # Street lights shimmering
:18:41. > :18:47.# If I was to lend you daddy's car # Laughter in the dark
:18:48. > :18:55.# The earth is turning # If I was to lend you daddy's car
:18:56. > :19:52.# Turning, turning # Up on his shoulders
:19:53. > :20:00.# Enjoying the thrill of it all # Up on his shoulders and loving the
:20:01. > :20:03.thrill of it #
:20:04. > :20:07.APPLAUSE AND CHEERING Live and direct in this room,
:20:08. > :20:15.brilliant Brian Eno and Karl Hyde. Now we go over to this corner, from
:20:16. > :20:18.the Hudson Valley, New York, a marvellous poet and singer, we
:20:19. > :20:28.welcome Natalie Merchant. # Gonna get what's mine and wild
:20:29. > :20:37.horses couldn't keep it from me. # Gonna get what's mine and wild
:20:38. > :20:41.# Papa says I'm a # Gonna get what's mine and wild
:20:42. > :20:46.the whole world's gonna fall at my feet.
:20:47. > :20:48.# It's all coming to me. # Going down picking when it's
:20:49. > :21:04.harvest time. # Gonna get my share, gonna get
:21:05. > :21:08.what's mine for me. # Ole sweet tooth aching in my head.
:21:09. > :21:11.# Gonna fill my belly to the brim, oh yes indeed!
:21:12. > :21:14.# Hive is a-buzzing in a hollow tree.
:21:15. > :21:23.# And I don't care if I gotta kill a little honeybee.
:21:24. > :21:29.# When I get my little eye on it. # When I get my little mind on it,
:21:30. > :21:46.you best believe. # Oh my, it's all coming to me.
:21:47. > :21:57.# Gonna get what's mine and wild horses couldn't keep it from me.
:21:58. > :22:09.# Papa says I'm a golden child and the whole world is gonna fall at my
:22:10. > :22:19.feet. # It's all coming to me.
:22:20. > :22:22.# Pumpin' and a-suckin' till the well is dry.
:22:23. > :22:34.# Nobody's booming in these busted times like me.
:22:35. > :22:37.# Down in Texas where the cattle don't roam.
:22:38. > :22:43.# Oil is a-dripping and the savings and loans, they bleed.
:22:44. > :22:51.# When I get my little eye on it. # When I get my little mind on it,
:22:52. > :23:04.you best believe. # Oh my, it's all coming to me.
:23:05. > :23:12.# Papa came along and he shook the tree.
:23:13. > :23:18.# Down came a bushel and a peck for me.
:23:19. > :23:29.# Papa shooed away all the honeybees.
:23:30. > :23:36.# Papa dug a well and it flowed for me.
:23:37. > :23:43.# Papa caught the mother-lode fish for me.
:23:44. > :23:50.# Papa set a fire and it burned for me.
:23:51. > :23:53.# Papa put a skillet in the flame to fry.
:23:54. > :24:00.# Papa filled this little silver spoon of mine.
:24:01. > :24:05.# Papa said the Lord took a shine to me.
:24:06. > :24:36.# Papa said I gotta set the whole world free. # Whole world free.
:24:37. > :24:39.# Papa said how it's gonna be. APPLAUSE AND CHEERING
:24:40. > :24:44.Thank you, Natalie Merchant. It's time now to thank all our guests.
:24:45. > :24:51.How long have we got? How much? We have one minute. Before we thank
:24:52. > :24:55.everybody quickly I have Brian Eno, we will pick a card and this is
:24:56. > :24:59.live, this is a nice live experiment. These are your cards at
:25:00. > :25:03.random, one of your strategies, whatever we say, let's try a few
:25:04. > :25:08.seconds of it live. Are you ready for this risk? Yes. There are some
:25:09. > :25:13.dangerous cards in here. OK. What does it say? Simply a matter of
:25:14. > :25:19.work. Simply a matter of work. Just means carry on. Well, that's a very
:25:20. > :25:23.good advice. That's the most undangerous strategy you could have
:25:24. > :25:28.picked! Try another one? It's a risk. How long have we got? 30
:25:29. > :25:31.seconds. It's a matter of work, I am following that through. State the
:25:32. > :25:36.problem in words as clearly as possible. And then it's made easier.
:25:37. > :25:41.My problem is I only have 15 seconds and I have to finish the show. Thank
:25:42. > :25:49.you very much Brian Eno! Thank you St Vincent, thank you Ibibio Sound
:25:50. > :25:51.Machine and Natalie Merchant and George Ezra, more from our guests on
:25:52. > :26:20.Friday, and now it's Kasabian! # Getting a message, a message from
:26:21. > :26:26.me # I am caught up in love
:26:27. > :26:32.# I am in ecstasy # What can I do now
:26:33. > :26:38.# When nothing's the same # I want to do it again
:26:39. > :26:43.# Tell me now # It's so simple
:26:44. > :26:47.# When you are with me # When we're together
:26:48. > :27:15.# I'm in ecstasy # I'm in ecstasy
:27:16. > :27:31.# Yeah, yeah, yeah # You got to be
:27:32. > :27:43.# As a matter of fact # Welcome you now to the second act
:27:44. > :27:46.# I thought of robots and men in suits
:27:47. > :27:48.# Wearing out the soles of your monkey boots
:27:49. > :27:56.# I can't get enough of the sunshine # Can't get enough of the moonlight
:27:57. > :27:59.# Coming on strong # Trying to hold on
:28:00. > :28:07.# Can't get enough of the ocean # Can't get enough of the mantra
:28:08. > :28:22.# All we will ever be is ecstasy # We're in ecstasy
:28:23. > :28:45.# Yeah, yeah, yeah # Yeah, yeah, yeah
:28:46. > :29:01.# You got to be # # Can't get enough of the sunshine
:29:02. > :29:05.# Can't get enough of the moonlight # I feel it's coming on strong
:29:06. > :29:12.# Can't get enough of the oceans # Can't get enough of the mantra
:29:13. > :29:49.# All we will ever feel is ecstasy # We're in ecstasy
:29:50. > :29:52.# Yeah, yeah, yeah # Yeah, yeah, yeah