:00:57. > :01:23.welcome to this wonderful world. Welcome to Coldplay.
:01:24. > :01:35.# Collared magic. # Call it truth.
:01:36. > :01:46.# Collet magic. # When I'm with you.
:01:47. > :01:56.# And I'd just got broken. # Broken into two.
:01:57. > :02:07.# Still high collet magic. # When I'm next to you.
:02:08. > :02:12.# And I don't and they don't ever know.
:02:13. > :02:18.# I don't, it's true. # I don't want anybody else but you.
:02:19. > :02:21.# And I don't, and I don't, no, I don't, it's true.
:02:22. > :02:35.# I don't, I don't want anybody else but you.
:02:36. > :02:48.# Call it magic. # Company into two.
:02:49. > :02:58.# And with all your magic. # I disappear from view.
:02:59. > :03:05.# And I can't get over. # Can to get over you.
:03:06. > :03:23.-- can get. # Still high collet magic.
:03:24. > :03:34.# Such a precious jewel. # And I don't want anybody else but
:03:35. > :03:45.you. # No, I don't want anybody else but you.
:03:46. > :04:00.# When I'd fall, I've also fire. -- high fall so far. # When
:04:01. > :04:11.nightfall, I fall so far. # And I collet magic, high collet
:04:12. > :04:34.truth. # I collet magic.
:04:35. > :04:41.# Ooh, ooh, ooh, ooh, ooh, ooh, # And if you were to ask me
:04:42. > :04:49.# After all that we've been through # "Still believe in magic? "
:04:50. > :04:56.# Well yes, I do # Oh, yes, I do
:04:57. > :05:29.# Oh yes, I do # Of course I do... #
:05:30. > :05:53.# Ooh, ooh, ooh, ooh, ooh # Ooh, ooh, ooh...
:05:54. > :06:00.Thank you, Coldplay. Magic. A roomful of legends. Who are our
:06:01. > :06:09.guests this evening two legends in the world music from Barcelona, we
:06:10. > :06:14.welcome Aziza Ibrahim. A brand-new artist from North London, Tom
:06:15. > :06:21.Hickox. A legend from London in the form of Damon Albarn!
:06:22. > :06:30.From Brooklyn New York, we welcome back Sharon Jones and the Dap-Kings!
:06:31. > :07:01.From Akron or high, we have The Black Keys! -- of Ohio.
:07:02. > :07:12.# Fever, where'd you run to? # Fever, where'd you run to? #
:07:13. > :07:19.Acting right is so routine. # Fever, let me live a dream.
:07:20. > :07:26.# Fever, I'm a slave to. # No one misbehaved too.
:07:27. > :07:32.# Fever, they're misunderstood. # Wouldn't leave you if I could.
:07:33. > :07:39.# Fever. # Fever cus I'm breaking.
:07:40. > :07:43.# Fever got me aching. # Fever, why don't you explain?
:07:44. > :07:54.# Break it down again. # Fever # Fever, why don't you explain?
:07:55. > :07:57.# Just go ahead and kill me. # Fever, why don't you explain?
:07:58. > :08:18.# Break it down again. # Fever, can you hear me?
:08:19. > :08:28.# You shook me like I've never been. # Now show me how to live again.
:08:29. > :08:33.# You used to be a blessing. # But fever's got me stressing.
:08:34. > :08:39.# Realise I have been played. # But fever let me play the game. #
:08:40. > :08:48.Fever. # Fever, cus I'm breaking.
:08:49. > :08:53.# Fever got me aching. # Fever, why don't you explain?
:08:54. > :09:03.# Break it down again. # Fever got me guilty.
:09:04. > :09:05.# Just go ahead and kill me. # Fever, why don't you explain?
:09:06. > :09:26.# Break it down again. # Now if the cold pale light in your
:09:27. > :09:35.eyes. # Reaches those horizon lines.
:09:36. > :09:51.# You know not to leave her. # Fever. # Now if the cold pale
:09:52. > :09:54.light in your eyes. # Reaches those horizon lines. # You
:09:55. > :10:25.know not to leave her. # Fever.
:10:26. > :10:43.Thank you, the Black Keys. Fever, from their new album. It is now a
:10:44. > :10:49.delight to welcome to the studio a man who has been here with other and
:10:50. > :10:50.the good, the bad and the Queen. Now his year as a solo artist. Delighted
:10:51. > :11:46.to welcome Damon Albarn. # Arrhythmia.
:11:47. > :11:55.# Accepting that you live with uncertainty.
:11:56. > :12:01.# If you're lonely, press play. # Die lady die.
:12:02. > :12:09.# The aspects that you pass on while travelling.
:12:10. > :12:14.# When you're lonely, press play. # Because you're not resolved in
:12:15. > :12:20.your heart. # You're waiting for me.
:12:21. > :12:35.# To improve. # Right here.
:12:36. > :12:48.# When I'm lonely I press play. # Swimming in blue.
:12:49. > :13:00.# After New Year into the mirror she flew.
:13:01. > :13:07.# When I'm lonely, I press play. # Can I get any closer?.
:13:08. > :13:12.# What antidote can I bring to you? # When I'm lonely I press play.
:13:13. > :13:21.# Because you're not resolved in your heart.
:13:22. > :13:30.# You're waiting for me. # To improve.
:13:31. > :13:41.# Right here. # When I'm lonely I press play.
:13:42. > :13:49.# Arrhythmia. # Accepting that you live with
:13:50. > :13:53.uncertainty. # When you're lonely, press play.
:13:54. > :14:04.# Can I get any closer? # What antidote can I bring to you?
:14:05. > :14:09.# When I'm lonely I press play. # Cos you're not resolved in your
:14:10. > :14:24.heart. # You're waiting for me.
:14:25. > :14:29.# To improve. # To get closer with you.
:14:30. > :14:42.# Right here, when I'm lonely, I'd press play.
:14:43. > :14:50.# Ooh-ooh. # Right here, when I'm lonely, I'd
:14:51. > :15:01.press play. # Can I get closer to you?
:15:02. > :15:07.# When I'm lonely, I press play. # Cos you were not resolved in your
:15:08. > :15:17.heart. # You're waiting for me.
:15:18. > :15:31.To improve. APPLAUSE. Thank you. Lonely Press
:15:32. > :15:36.Play from his every day Robots low pressure. LP. Sharon Jones and the
:15:37. > :16:02.Dap-Kings are here! # So many times there was a man he
:16:03. > :16:06.met a girl took her hand # Told her never will I leave you my
:16:07. > :16:10.love # But just as soon as he was gone
:16:11. > :16:13.again, she was flapping in the wind # Wondering what she must have been
:16:14. > :16:14.thinking of # She's
:16:15. > :16:18.thinking of # I've been in and out of so many
:16:19. > :16:21.doors # And I've always tried to keep my
:16:22. > :16:26.head # With all the men I've known before
:16:27. > :16:32.# I've seen plenty places # That I'll never see again
:16:33. > :16:40.# I've seen a hundred thousand faces # And only called a few my friend
:16:41. > :16:44.# But it's a mystery # Just how you came right in
:16:45. > :17:00.# And stole my heart away # And left me there again
:17:01. > :17:04.# Feeling like a stranger tomy happiness
:17:05. > :17:09.# Feel like a strange tore my happiness
:17:10. > :17:13.# Oh, yeah... # Now if you think that's a thing
:17:14. > :17:18.that only evil men can bring # Let me skin this cat another way
:17:19. > :17:22.# There was a man who had a plan to settle down with Mary-Ann
:17:23. > :17:25.# He said, darling, darling # I've been in and out of so many
:17:26. > :17:28.doors # And I've always tried to keep my
:17:29. > :17:33.head # With all the girls I've known
:17:34. > :17:37.head # And I've always tried to keep my
:17:38. > :17:40.head # With all the girls I've known
:17:41. > :17:44.before # He said
:17:45. > :17:48.# I've seen plenty places # That I'll never see
:17:49. > :17:50.# I've seen plenty places # I've seen a hundred thousand faces
:17:51. > :17:56.# I've seen plenty places # And only called a few my friend
:17:57. > :18:00.# But it's a mystery # Just how you came right in
:18:01. > :18:04.# And stole my heart away # And left me there again
:18:05. > :18:08.# I'm feeling # Feeling like a stranger to my
:18:09. > :18:12.happiness # Feeling like a strange tore my
:18:13. > :18:19.happiness # Feeling like a stranger
:18:20. > :18:31.I'm feelin' # I'm feelin'
:18:32. > :18:37.# Feeling like a stranger # I feel like
:18:38. > :18:45.# A strange tore my happiness # To my happiness
:18:46. > :18:50.# I've seen so many pretty faces # I've been to a lot of places
:18:51. > :19:01.# I'm feelin' # I'm feelin'
:19:02. > :19:12.# Ouch! APPLAUSE
:19:13. > :19:15.A sensation, Sharon Jones and the Dap-Kings, strange tore my
:19:16. > :19:20.happiness. Give the people what they want with her LP. Now, look at all
:19:21. > :19:24.this goes on, there's cameras, people, a lot going on, everything
:19:25. > :19:28.about this show is tension and then release. A bit like a beautiful
:19:29. > :19:38.piece of music, a beautiful ballet all here and I'm now with the Black
:19:39. > :19:43.Keys. Great to have you here. You were last on the show in 2010 and
:19:44. > :19:48.now you have really been conquering the world, you haven't stopped,
:19:49. > :19:51.going from success to success, lots of awards, playing the arenas and
:19:52. > :19:55.the records selling better than ever. Is it more difficult with
:19:56. > :19:59.success to come up with new material to get you and the people going?
:20:00. > :20:03.It's harder to find time to get into the studio, I guess. We had to force
:20:04. > :20:08.ourselves off the road basically. It's still fun for us. Running
:20:09. > :20:12.around the studio is easy. Would you say you prefer that? Are you studio
:20:13. > :20:16.animals? That's why we started because we had a cassette
:20:17. > :20:19.four-tracker and we didn't even think about playing on the stage
:20:20. > :20:24.until we got a record deal. That was a new idea to us. It's worked very
:20:25. > :20:33.well because you have got between you various things. Six Grammies, I
:20:34. > :20:40.believe, is that right? Anyway, a load. Where do you keep yours? On a
:20:41. > :20:47.book shelf. The biggest award we ever won, in my mind is still, we
:20:48. > :20:52.won an MTV Video Music award. When they sent it to us, it was made out
:20:53. > :20:57.to the Black Eyed Peas, to me that is... That is good. That is the
:20:58. > :21:01.highlight of awardism! This record you have got is really
:21:02. > :21:06.great. It's basically this sleeve and it's fantastic. Is the idea that
:21:07. > :21:14.you place this on your deck and cut it out? It's based on this thing
:21:15. > :21:22.that was written, which is a hypno disc that you put on a gram that
:21:23. > :21:26.phone and it will -- gramaphone and it will spin.
:21:27. > :21:31.It's supposed to hypnotize you, the pattern. If anybody's particularly
:21:32. > :21:37.sensitive to hypnotizing at home, look closely at this and just
:21:38. > :21:40.completely relax. If you want to give up smoking, everybody will love
:21:41. > :21:45.you, have lots of sex, whatever the thing is, whatever you want, lovely.
:21:46. > :21:55.I think that's worked. Yes. It's beautifully done. It's a bit like
:21:56. > :21:59.the Time Tunnel. Right. So you are playing Glastonbury this year and
:22:00. > :22:03.lots of other festivals and other huge places. Are you keen tourists?
:22:04. > :22:11.Do you visit the ancient sites of Europe? No, just the muddy fields
:22:12. > :22:16.and all the Little Chefs. That really is very sad, soy sorry. We
:22:17. > :22:22.have toured England maybe 25 times and we went to Hadrian's Wall
:22:23. > :22:29.because it was close to a Little Chef. Are you big fans? Our tour
:22:30. > :22:34.manager is vegan. All he could ever eat was Linda McCartney sausages so
:22:35. > :22:40.he made us go constantly. Very nice. There are the Little Chefs really
:22:41. > :22:47.there, you Dow know that don't you? Where? At the Little Chefs. You
:22:48. > :22:50.don't expect to see them. There is a little village near Newcastle and
:22:51. > :22:54.they are all little. Thank you for joining me very much indeed. We
:22:55. > :23:02.shall look forward to hearing more from the Black Keys later. Thank
:23:03. > :23:02.you, Dan and Patrick! APPLAUSE
:23:03. > :23:12.Thank you. Over here, a really splendid new
:23:13. > :23:23.artist from London. Please welcome, Tom Hickox.
:23:24. > :23:30.# Barman, I know you well # You are a kind of crew
:23:31. > :23:33.# You've hauled in halves of ordinary
:23:34. > :23:37.# And legion chasers too # So listen to me barman
:23:38. > :23:41.# Listen to this drunk # I was on that ship and it really
:23:42. > :23:49.did get sunk # You see I was a seaman
:23:50. > :23:56.# A seaman on a warship # And I know you don't believe me
:23:57. > :24:05.# Because you never saw it # But I'm fifty years your senior
:24:06. > :24:11.# I've fought waist deep in mud # And I've swum with severed heads
:24:12. > :24:23.in a crimson tide of blood # I told you it was true
:24:24. > :24:28.# The Lisbon Maru # I was a prisoner of war
:24:29. > :24:32.# Caught on the China sea # But never marked as such
:24:33. > :24:38.# Bombed my own country # I was left to swim
:24:39. > :24:43.# Amongst the corpses and the sharks # But somehow I am here with your
:24:44. > :25:01.beer and cheap remarks # I told you it was true
:25:02. > :25:10.# The Lisbon Maru # I told you it was true
:25:11. > :25:16.# The Lisbon Maru It's in the news today
:25:17. > :25:18.# So I would like to hear your views today
:25:19. > :25:24.# Barman, I know you well # You are a kind of crew
:25:25. > :25:25.# You've hauled in halves of ordinary
:25:26. > :25:49.# And legion chasers too # Listen to me barman
:25:50. > :25:56.# Listen to this drunk # I was on that ship and it really
:25:57. > :25:58.did get sunk # I dwroiled it was true
:25:59. > :26:09.# I told # I dwroiled it was true
:26:10. > :26:18.# The Lisbon Maru # I told you it was true
:26:19. > :26:51.# The Lisbon Ma dumb Maru... # Thank you, Tom Hickox.
:26:52. > :26:58.From his new album. That was the Lisbon Maru. We are really thrilled
:26:59. > :27:05.to have these on the show. It was almost to the day that they are back
:27:06. > :27:08.here all that time later. We are going to hear again from Coldplay, a
:27:09. > :27:48.song from their album Ghost Stories. # The call never came
:27:49. > :28:01.# Ready to fall up # Ready to claim
:28:02. > :28:13.# And I'm ready for it all love # Ready for the pain
:28:14. > :28:16.# Meet under sun and # Meet me again
:28:17. > :29:00.# In the rain # In the
:29:01. > :29:19.# Behind the walls, love. # I'm trying to change.
:29:20. > :29:30.# And I'm ready for it all, love. # I'm?ready?for the change.
:29:31. > :29:52.# Meet me in blue sky. # Meet me again.
:29:53. > :30:08.# In the rain. # In the rain. # In the rain.
:30:09. > :30:14.# The rain. # You've got to find yourself alone
:30:15. > :30:46.in this world. # You've got to find yourself alone.
:30:47. > :31:22.# Injilli Injilli can I sing with you?
:31:23. > :31:27.# About Mr Tembo. # And what he's got to do.
:31:28. > :31:32.# But first I'm going back to the Colworth Road.
:31:33. > :31:39.# To find the mission and help him with his load.
:31:40. > :31:45.# Mr Tembo's on his way up the hill. # With only this song to tell you
:31:46. > :31:49.how he feels. # But to get there he will need a
:31:50. > :31:55.helping hand. # It's where he is now but it wasn't
:31:56. > :32:00.what he planned. # Injilli Injilli we will sing with
:32:01. > :32:04.you. # Just like the TV.
:32:05. > :32:09.# In Mr Tembo's room. # Of the emphatic night he checked
:32:10. > :32:15.in on his own. # At Mkomazi inn and made it his
:32:16. > :32:22.home. # Mr Tembo's on his way up the hill.
:32:23. > :32:27.# With only this song to tell you how he feels.
:32:28. > :32:32.# But to get there he will need a helping hand.
:32:33. > :32:37.# It's where he is now but it wasn't what he planned.
:32:38. > :32:51.# It's where he is now but it wasn't what he planned.
:32:52. > :32:56.# Injilli Injilli we will sing to you.
:32:57. > :32:59.# Bout Mr Tembo and what he's going through.
:33:00. > :33:07.# Gets up early while you are still in bed.
:33:08. > :33:16.# Mr Tembo, grey blanket by his head.
:33:17. > :33:19.# Mr Tembo's on his way up the hill. # With only this song to tell you
:33:20. > :33:23.how he feels. # But to get there he will need a
:33:24. > :33:27.helping hand. # It's where he is now but it wasn't
:33:28. > :33:41.what he planned. # It's where he is now but it wasn't
:33:42. > :33:47.what he planned. Man you take those lions off the
:33:48. > :33:50.front? I'm trying to run this expedition in a decent manner.
:33:51. > :33:51.# Logistics, haulage, golf, bungalow.
:33:52. > :33:54.# Spires, canals, cows, hay bales. # Telegraph wires, pylon power,
:33:55. > :33:57.farmhouse oak, chimneys still used. # Stones, satellite, football
:33:58. > :33:59.pitches, faded flags and lots of dogs.
:34:00. > :34:02.# Neon cross on top of a block of flats.
:34:03. > :34:08.# And a church not as usual. # Mr Tembo's on his way up the hill.
:34:09. > :34:12.# With only this song to tell you how he feels.
:34:13. > :34:16.# But to get there he will need a helping hand.
:34:17. > :34:21.# It's where he is now but it wasn't what he planned.
:34:22. > :34:59.# It's where he is now but it wasn't what he planned.
:35:00. > :35:35.# In the dead of the night I start to lose control.
:35:36. > :35:47.# But I still carry the weight like I've always done before.
:35:48. > :35:57.# It gets so heavy at times but what more can I do.
:35:58. > :36:09.# I got to stay on track just like Pops told me to.
:36:10. > :36:20.# I really don't think you know. # There could be hell below, below.
:36:21. > :36:51.# I really do hope you know. # There could be hell below, below.
:36:52. > :36:59.# When the music is done and all the lights are low.
:37:00. > :37:00.# I will remember the times when love would really glow.
:37:01. > :37:11.# I world turn blue.
:37:12. > :37:31.# And the light inside would only shine for you.
:37:32. > :37:46.# I really don't think you know. # There could be hell below, below.
:37:47. > :38:03.# I really do hope you know. # There could be hell below, below.
:38:04. > :38:48.# I really don't think you know. # There could be hell below, below.
:38:49. > :38:57.APPLAUSE. Thank you, The Black Keys. Before
:38:58. > :39:01.that, Damon Albarn and before that, Coldplay, who, it
:39:02. > :39:05.that, Damon Albarn and before that, almost exactly to the day, last
:39:06. > :39:07.Tuesday, when he first came on the show. Lovely to have you back. Very
:39:08. > :39:13.nice. 14 years, it seems impossible! show. Lovely to have you back. Very
:39:14. > :39:18.I'm so pleased because here, now, we're joined by Sharon Jones and the
:39:19. > :39:27.Dap-Kings and we have Sharon and Gabriele joining us.
:39:28. > :39:30.First of all, Sharon, welcome back to the show. It is great to have you
:39:31. > :39:35.here and you are looking very well, singing better than ever. But I
:39:36. > :39:42.think it would be fair to say that success has come to you Later in
:39:43. > :39:47.life. Would you always performing? Yes. I was always performing, in the
:39:48. > :39:55.church with the choir, to having a neighbourhood band. The whole
:39:56. > :40:03.spectrum, and then I was in a wedding band. I have always been
:40:04. > :40:08.singing. I feel that God has blessed me. Which singers inspired you to
:40:09. > :40:23.sing? Aretha Franklin, she was a big influence. Gospel. James Brown, Otis
:40:24. > :40:27.riding a stacks and Motown. -- Stax. Gabriele, you have written many of
:40:28. > :40:32.the songs and do the arrangements. How do you approach writing for
:40:33. > :40:36.Sharon? The thing with Sharon, she will not sing a song that does not
:40:37. > :40:41.make sense to her. She will say right away, that don't make sense!
:40:42. > :40:45.So we try to writes songs that might not be something that happened to
:40:46. > :40:49.her or me but it might be. The experiences are real. The
:40:50. > :40:56.experiences of life. How did you hook up? It was about 16, 17 years
:40:57. > :41:01.ago. I was doing a record with Lee Fields and they needed some
:41:02. > :41:04.background vocals. They tried to call three women to come down and
:41:05. > :41:09.sing and Sharon came down by herself. I said, where are the other
:41:10. > :41:14.two? She said, you don't need three girls, you can pay me three times.
:41:15. > :41:20.She came to sing backing and ended up singing lead on that record. And
:41:21. > :41:23.we have worked together ever since. And you have almost stepped in to
:41:24. > :41:28.film with the wolf of Wall Street. How was the world of film compared
:41:29. > :41:33.to the world of music? More glamorous and easy? Don't believe
:41:34. > :41:41.the hype. It is a lot of sitting and waiting. We did all the songs,
:41:42. > :41:46.watching the movie. And zip. But it is a good experience. I've got to
:41:47. > :41:52.meet Leonardo. He did not talk to us but we met him. Leonardo DiCaprio?
:41:53. > :42:00.He was in character. When using character, you don't talk. You don't
:42:01. > :42:04.want to confuse them, but if you are a character as well, you can pretend
:42:05. > :42:07.to be Napoleon or something and have a chat with him. You are about to go
:42:08. > :42:16.on tour with lots of great artists. What can people expect? Of the
:42:17. > :42:20.shows? Dynamite. Total excitement. Sharon always brings fire to the
:42:21. > :42:27.stage. It is hard to describe. It is not to be missed. Not to be missed.
:42:28. > :42:30.I'd agree it is not to be missed. And the record is great and we look
:42:31. > :42:43.forward to hearing more Later on. Thank you so much. And now, a legend
:42:44. > :42:47.in world music. From the Western Sahara but living in Barcelona, we
:42:48. > :46:59.welcome Aziza Ibrahim. # When I was a child, I believed
:47:00. > :47:03.what they told me # To each one shall come what each
:47:04. > :47:07.one shall earn # And if I worked hard, nobody could
:47:08. > :47:13.hold me # And cheaters will fail, what's
:47:14. > :47:18.what we all learned # Now there is a man who born with a
:47:19. > :47:28.fortune # A hard day's work he's never done
:47:29. > :47:31.# He lives from the sweat of another men's labour
:47:32. > :47:38.# As he sips his champagne and lays in the sun
:47:39. > :47:48.# Money don't follow sweat # Money don't follow brains
:47:49. > :47:58.# Money don't follow deeds or reason # People Don't Get What They Deserve
:47:59. > :48:03.# People doent don't get what they deserve
:48:04. > :48:06.# There was a man who lives like a
:48:07. > :48:10.saint # He works from day break till late
:48:11. > :48:14.in the night # He's never stolen, he's never been
:48:15. > :48:25.lazy # To feed his children is always a
:48:26. > :48:29.# # He tried to do right by all of
:48:30. > :48:33.God's children # I worked mighty hard for what I
:48:34. > :48:37.could afford # But I don't pretend for one single
:48:38. > :48:47.moment # That's what I get is my just
:48:48. > :48:53.moment America money don't follow sweat
:48:54. > :48:57.# Money don't follow brains # It don't follow deeds or reason
:48:58. > :49:03.# People Deserve
:49:04. > :49:09.# People doent People Don't Get What They Deserve
:49:10. > :49:18.# People People Don't Get What They Deserve
:49:19. > :49:30.# People don't get what they deserve # Peopledon't get
:49:31. > :49:37.# People don't get what they deserve # People don't get what they deserve
:49:38. > :49:44.# No matter what you say # People doent get
:49:45. > :49:56.# No matter what you say deserve... #
:49:57. > :50:06.APPLAUSE Sharon Jones and the Dap-Kings!
:50:07. > :50:13.People Don't Get What They Deserve. Before that, is a round of applause
:50:14. > :50:19.for the wonderful Aziza Brahim. Very hard to play the drums and sing.
:50:20. > :50:38.The next artist is wonderful. Damon Albarn!
:50:39. > :51:03.# Chill on the Hollow Ponds # Set sail by a kid
:51:04. > :51:28.# I felt the percussion # The green man had gone
:51:29. > :51:40.-- 1991 # I was by the Black Sea
:51:41. > :51:58.# Two hours in time # The urges and the new school bell,
:51:59. > :52:12.# # Shiny new shoes and a new school
:52:13. > :52:25.bell, 1979 # Turned into Lakeside
:52:26. > :52:34.# In January # (Honourable lady low pond ponds)
:52:35. > :52:41.# Modern life was sprayed on to a wall in 1993
:52:42. > :52:42.# Where the horses and passing trains
:52:43. > :53:19.# Have been tangled # The horses and passing trains
:53:20. > :53:33.# Have been tangled # In the green woods where you
:53:34. > :53:43.walked with me # A ship on hollow ponds was filled
:53:44. > :54:02.# Up with the dreams we shared on our CDs
:54:03. > :54:13.# Every moment now and every day # Every moment now and every day...
:54:14. > :55:52.# # Down in the waves
:55:53. > :55:57.# She screams again # Roar at the door
:55:58. > :56:11.# My mind can't take much more # I could never drown in
:56:12. > :56:28.# They wanna get my... # They wanna get my...
:56:29. > :56:32.# Gold on the ceiling # I ain't blind
:56:33. > :56:37.# Just a matter of time # Before you steal it
:56:38. > :56:54.# But it's all right # Ain't no guard in my house
:56:55. > :57:02.# Clouds covered love's # Barb-wired snare
:57:03. > :57:05.# Strung up, strung out # I just can't go without
:57:06. > :57:11.# I could never drown # I just can't go without
:57:12. > :57:17.# They Juan that get my... # They wanna get my...
:57:18. > :57:38.# I ain't blind # Just a matter of time
:57:39. > :57:44.# Gold on the ceiling # Gold on the ceiling
:57:45. > :57:48.# Just a matter of time # Before you steal it
:57:49. > :58:04.# It's all right # Ain't no guard in my house
:58:05. > :58:13.# They wanna get my... # They wanna get my...
:58:14. > :58:18.# They wanna get my # Gold on the ceiling
:58:19. > :58:23.# I ain't blind # Just a matter of time
:58:24. > :58:29.# Before you steal it # It's all right
:58:30. > :58:33.# Ain't no guard in my house # Gold On The Ceiling
:58:34. > :58:37.# I ain't blind # It's just a matter of time
:58:38. > :58:39.# Before you steal it # It's all right
:58:40. > :59:05.# Ain't no guard in my house... # APPLAUSE. There is so little time
:59:06. > :59:07.for anything else, so let's thank our guests. Thank
:59:08. > :59:10.for anything else, so let's thank Keys. Thank you, Azizi Ibrahim,
:59:11. > :59:15.Sharon Jones and the Keys. Thank you, Azizi Ibrahim,
:59:16. > :59:25.Damon Albarn, Tom Hickox! We will be back next week live with Little
:59:26. > :59:30.Dragon and much more. I'm so pleased to initio, Coldplay. -- have in the
:59:31. > :59:51.studio. # Cause you're a sky cause you're a
:59:52. > :59:58.sky full of stars. # I'm gonna give you my heart.
:59:59. > :00:00.sky full of stars. # Cause you're a sky, cause you're a
:00:01. > :00:19.sky full of stars?. # Cause you light up the path?.
:00:20. > :00:29.# I don't care, go on and tear me apart.
:00:30. > :00:32.# I don't care if you do. # Cause in a sky, cause in
:00:33. > :01:05.full of stars. # I think I saw you.
:01:06. > :01:20.# Cause in your eyes cause in your eyes there's a spark.
:01:21. > :01:27.# I want to die in your arms. # Cause you get brighter the more it
:01:28. > :01:38.gets dark. # I'm gonna give you my heart.
:01:39. > :01:52.# And I don't care go on and tear me apart.
:01:53. > :01:56.# And I don't care if you do. # Cause in a sky, cause in a sky
:01:57. > :02:09.full of stars. # I think I see you.
:02:10. > :03:04.# I think I saw you.? # Cause in a sky cause in
:03:05. > :03:13.# Cause in a sky, cause in a sky full of stars.
:03:14. > :03:32.# Such a heavenly view. # You're such a heavenly view. #
:03:33. > :03:49.Yeah, yeah, yeah. # Ooh. # Ooh.
:03:50. > :04:11.Thank you, everybody. Sorry, what?
:04:12. > :04:12.I gotta get off the show. ..galling things you have done in the
:04:13. > :04:24.short time that we have known you...! It's like you have
:04:25. > :04:29.no self-awareness. I'll get help. You're not going to get help,
:04:30. > :04:32.are you? Nah.