:00:53. > :00:55.CHEERING AND APPLAUSE Welcome to the show and welcome to
:00:56. > :01:12.Put your hands together, you all. # Aloe Blacc.
:01:13. > :01:16.Put your hands together, you all. # Well, you can tell everybody. #
:01:17. > :01:23.Yeah, you can tell everybody. # Go ahead and tell everybody. # I'm the
:01:24. > :01:29.man, I'm the man, I'm the man. # Yes I am, yes I am, yes I am. # I'm the
:01:30. > :01:33.man, I'm the man, I'm the man. # I believe every lie that I ever told.
:01:34. > :01:37.# Paid for every heart that I ever stole. # I played my cards and I
:01:38. > :01:44.didn't fold. # Well, it ain't that hard when you got soul. # Somewhere
:01:45. > :01:49.I heard that life is a test. # I been through the worst but I still
:01:50. > :01:55.give my best. # God made my mould different from the rest. # Then he
:01:56. > :02:01.broke that mould so I know different from the rest. # Then he
:02:02. > :02:03.blessed. # Stand up now and face the sun. # Won't hide my tail or turn
:02:04. > :02:11.and run. # be done.
:02:12. > :02:14.# Be be done.
:02:15. > :02:21.Well, you can tell be done.
:02:22. > :02:34.Yeah, you can tell everybody. # Go ahead and tell everybody. # I'm the
:02:35. > :02:37.man, I'm the man, I'm the man. # Well, you can tell everybody. #
:02:38. > :02:39.man, I'm the man, I'm the man. # Yeah, you can tell everybody. # Go
:02:40. > :02:52.ahead and tell everybody. # I'm the man, I'm the man, I'm the man. # Yes
:02:53. > :02:57.I am, yes I am, yes I am. # I'm the man, I'm the man, I'm the man. # I
:02:58. > :03:01.got all the answers to your questions # I'll be the teacher, you
:03:02. > :03:04.can be the lesson. # I'll be the preacher, you be the confession. #
:03:05. > :03:06.I'll be the quick relief to all your stressin'. # It's a thin line
:03:07. > :03:15.between love and stressin'. # It's a thin line
:03:16. > :03:19.really real or is you really fake? # I'm a soldier standing on my feet. #
:03:20. > :03:23.No surrender and I won't retreat. # Stand up now and face the sun. #
:03:24. > :03:28.Won't hide my tail or turn and run. # It's time to do what must be done.
:03:29. > :03:31.# Be a king when kingdom comes. # Well, you can tell everybody. #
:03:32. > :03:36.Yeah, you can tell everybody. # Go ahead and tell everybody. # I'm the
:03:37. > :03:39.man, I'm the man, I'm the man. # Well, you can tell everybody. #
:03:40. > :03:43.Yeah, you can tell everybody. # Go ahead and tell everybody. # I'm the
:03:44. > :03:49.man, I'm the man, I'm the man. # Yes I am, yes I am, yes I am. # I'm the
:03:50. > :03:52.man, I'm the man, I'm the man. # I'm the man. # Go ahead and tell
:03:53. > :03:57.everybody. # What I'm saying, y'all. # I'm the man. # Go ahead and tell
:03:58. > :04:01.everybody. # This is my world. # Well, you can tell everybody. #
:04:02. > :04:05.Yeah, you can tell everybody. # Go ahead and tell everybody. # I'm the
:04:06. > :04:08.man, I'm the man, I'm the man. # Well, you can tell everybody. #
:04:09. > :04:13.Yeah, you can tell everybody. # Go ahead and tell everybody. # I'm the
:04:14. > :04:18.man, I'm the man, I'm the man. # Yes I am, yes I am, yes I am. # I'm the
:04:19. > :04:20.man, I'm the man, I'm the man #. CHEERING AND APPLAUSE Thank you,
:04:21. > :04:23.Aloe Blacc. The Man. We will meet that man and hear more from him
:04:24. > :04:28.later. We have a superb line-up this evening. From London we are
:04:29. > :04:37.delighted to welcome backth Horrors. -- The Horrors. And Sturgill
:04:38. > :04:39.Simpson. From Berlin, Roger Cicero. From Gothenburg, Sweden, we are
:04:40. > :04:50.thrilled to have in the studio Little Dragon. I will be talking to
:04:51. > :05:17.the punk Queen alper teen. It's time for The Afghan Whigs.
:05:18. > :05:27.# Now that the blood has begun. # I'd like to see how it's done. #
:05:28. > :05:29.Behind my back, up to my face. # While you're debating, I'll be
:05:30. > :05:58.waiting. # For the sound of a bomb. # If my
:05:59. > :06:00.desire for your company. # Made this point his gun at me. # Every
:06:01. > :06:05.complication, every little crime that you hide. # I'll find if you
:06:06. > :06:09.ever do change your mind. # I'm over you. I'll tell you why. # Your kiss
:06:10. > :06:14.is poison, and your castoff ways defined. # I'll cut you down. I'll
:06:15. > :06:49.stitch you up. # You played with fire with me.
:06:50. > :07:04.# They say that fate is a card. # and that the sun is a star. # I'm
:07:05. > :07:11.shade. # We got it made. # I think I'll have a cigar. # I've got a
:07:12. > :07:16.number for it. # There ain't no way it can fit. # I'm so excited you
:07:17. > :08:13.decided to come over and beg. APPLAUSE
:08:14. > :08:22.The Afghan Whigs. From their new album. Do To the Beast. Our last
:08:23. > :08:27.August was last on in 2010. We are delighted to have them here now,
:08:28. > :08:52.hearing things from their new forthcoming LP. Little Dragon.
:08:53. > :09:02.# Corridor lies with the river. # All watery eyes.
:09:03. > :09:06.# I stand there waitin' for my turn. # I turn with a rise.
:09:07. > :09:13.# The spirits blow around. # Like a hurricane whip.
:09:14. > :09:17.# The girls don't mind. # My ice cream drip.
:09:18. > :09:23.# Somebody found us dancin'. # You can turn off and feel better.
:09:24. > :09:27.# When everything's clear like cold weather.
:09:28. > :09:33.# Go feel better, feel better. # Somebody from my heart said.
:09:34. > :09:38.# I could turn off and never wake up. # And everything's clear.
:09:39. > :09:42.# My breath feels like. # Steam fake.
:09:43. > :09:52.# Feel better. # They call my name. .
:09:53. > :09:58.# The ghost inside can wake us to life.
:09:59. > :10:01.# Makin' my chair do flips. # By givin' into this.
:10:02. > :10:07.# We'll be saved every time. # Fallin' through the floor.
:10:08. > :10:12.# On my broken butterfly wing. # Gimme me one more.
:10:13. > :10:14.# The girl from the corridor sing. # She sing.
:10:15. > :10:17.# The girl from the corridor sing. # I hear you want it, don't you?
:10:18. > :10:19.# I know you want it, don't you? # Don't
:10:20. > :10:22.# I know you want it, don't you? # I see you want it, don't you?
:10:23. > :10:26.# I know you want it, don't you? # Don't you?
:10:27. > :10:31.# Fallin' apart. # Apart, apart.
:10:32. > :10:37.# Fallin' apart. # Apart, apart.
:10:38. > :10:40.# Somebody found us dancin'. # You can turn off and feel
:10:41. > :10:41.# Somebody found us dancin'. # When everything's clear like cold
:10:42. > :10:44.weather. # Go feel better, feel better.
:10:45. > :10:47.# Somebody from my heart said. # I could turn off and never wake
:10:48. > :10:53.up. # And everything's clear.
:10:54. > :10:57.# My breath feels like. # Steam fake.
:10:58. > :11:03.# Feel better. # Do you want it?
:11:04. > :11:07.Do you want it? # Do you?
:11:08. > :11:21.Do you? Do you?
:11:22. > :11:41.# Do you want it? . Do you want it? # Do you want it?
:11:42. > :11:46.Do you want it? # Do you? # Fallin' apart. # Apart, apart.
:11:47. > :11:59.# Apart, apart. # Fallin' apart. # Apart, apart.
:12:00. > :12:03.# Apart, apart #. APPLAUSE
:12:04. > :12:06.Little Dragon. Klapp Klapp. So tonight we have lots of amazing
:12:07. > :12:10.things, Aloe Blacc, more things to come from him. More stuff at the
:12:11. > :12:16.piano. A room packed with really extraordinary people.
:12:17. > :12:19.because of the increased weather temperature throughout. It means we
:12:20. > :12:29.have heavyweight talent here tonight. Let us hear some things
:12:30. > :13:02.from their new Luminous LP from The Horrors.
:13:03. > :13:18.# We are the ones that the light shines down upon
:13:19. > :13:34.# If we start, it's just a wish we made
:13:35. > :16:46.a guest here from one of my favourite punk groups, the Slits. It
:16:47. > :16:51.is Viv Albertine! You describe this in your book. The punk thing, when
:16:52. > :16:58.it came out, it was 38 years ago or something. Surely not! Near enough.
:16:59. > :17:04.How would you describe it to somebody who had never been there?
:17:05. > :17:10.It sprang out of very dark times which are hard to imagine now, how
:17:11. > :17:15.grim London was. Everything was grey, there was rubbish everywhere.
:17:16. > :17:23.There was nothing to do, nothing on TV, no youth culture. We weren't
:17:24. > :17:28.rated in anyway or given a voice. So punk sprang out of having nothing
:17:29. > :17:35.else to do, it was that or die. And what made you want to be in a band?
:17:36. > :17:42.It was a slow process. I loved music from very young, but I saw Patti
:17:43. > :17:51.Smith's album cover, and she looked like a real girl, a bit boy. And
:17:52. > :17:55.then I saw Johnny rotten perform, he was from north London and went to a
:17:56. > :18:04.comprehensive School, he was like me except a boy, and I realise that was
:18:05. > :18:11.what I was going to do full top and was he an easy person to be in a
:18:12. > :18:15.band with? Who started off playing the saxophone, and that is how he
:18:16. > :18:22.invented the pogo dance, because he had the saxophone to hold, so all he
:18:23. > :18:29.could do was John Bob and down. You heard that here first! It was the
:18:30. > :18:40.live excitement of it all. You went on tour in 1977. We are treated
:18:41. > :18:47.differently as a girl group? Yes. The Slits were told to get off the
:18:48. > :18:50.tour bus, go straight to your rooms, and not be seen until the morning,
:18:51. > :18:57.because how you dress is too offensive. The boys, the Clash and
:18:58. > :19:05.so on, they were allowed to hang out in the bar, that the Slits mustn't
:19:06. > :19:16.be seen. We had to to bribe the driver to take on the bus. People
:19:17. > :19:23.spat at us. We have a little clip here on Omnibus.
:19:24. > :19:27.The infamous Slits, an all girl band who have never made a record. They
:19:28. > :19:41.have refused offers from several record labels.
:19:42. > :19:51.# I'm so glad that you belong to me # We want to be free...
:19:52. > :19:58.#. APPLAUSE
:19:59. > :20:03.And the book is great. You are very frank about things in
:20:04. > :20:08.the book, very clear. Was it an enjoyable process going back over
:20:09. > :20:13.those times? It was like going through your attic and seeing the
:20:14. > :20:16.letters you had written. But I could only talk about the moments that
:20:17. > :20:20.happened when I was in the room so that I could experience them. So I
:20:21. > :20:27.didn't do a lot of research. It isn't a timetable. It is just
:20:28. > :20:32.emotional memories. And one of the things was the lead singer, who
:20:33. > :20:44.sadly is no longer with us. What was so special about her? I think Ari
:20:45. > :20:51.was one of the most underrated people. She was across between Tina
:20:52. > :20:57.Turner and others. She invented new dances, had a new look. She was
:20:58. > :21:06.thrown onto the stage, and she had no inhibitions.
:21:07. > :21:15.Looking back at the 22-year-old ewe, there are some great pictures. What
:21:16. > :21:20.advice would you give that person now? -- the 22-year-old you. Don't
:21:21. > :21:27.think that you now? -- the 22-year-old you. Don't
:21:28. > :21:31.ahead and do it. Don't give up. APPLAUSE
:21:32. > :21:39.Thank you very much for joining us! And she is right. And now, from
:21:40. > :21:43.Kentucky, but now living in Nashville, with a lovely sound, we
:21:44. > :21:52.welcome Sturgill Simpson. # I've seen Jesus play with flames.
:21:53. > :21:58.# In a lake of fire. # That I was standing in.
:21:59. > :22:07.# Met the devil in Seattle and spent nine months inside the lions den.
:22:08. > :22:17.# Met Buddha yet another time and he showed me a glowing light within.
:22:18. > :22:21.# But I every time I glare in the eyes of my
:22:22. > :22:29.# Says my son it's all been done and best
:22:30. > :22:37.# So someday you're gonna wake up old
:22:38. > :22:43.# So # You meet and greet and cheat along
:22:44. > :22:53.the way. # There's a gateway in our mind that
:22:54. > :23:03.# Where reptile aliens made of light this plane.
:23:04. > :23:04.# Where reptile aliens made of light cut you open and pull out all your
:23:05. > :23:13.# Tell me how you make illegal pain.
:23:14. > :23:14.# Tell me how you make illegal something that we all make in our
:23:15. > :23:24.brain. # Some say you might go crazy but
:23:25. > :23:31.then again it might make you go sane.
:23:32. > :23:38.# Every time I take a look inside inside that old and fabled book.
:23:39. > :23:40.# I'm blinded and reminded of the pain caused by some old man in the
:23:41. > :23:48.sky. # Marijuana, LSD, psilocybin, and
:23:49. > :23:54.DMT they all changed the way I see. # Marijuana, LSD, psilocybin, and
:23:55. > :24:03.# But love's the only thing that # So don't waste your mind on
:24:04. > :24:08.nursery rhymes. # Or fairy tales of blood and wine.
:24:09. > :24:12.# It's turtles all the way down the line.
:24:13. > :24:16.# So to each their own til' we go home.
:24:17. > :24:19.# To other realms our souls must roam.
:24:20. > :24:27.# To and through the myth that we all call space and time.
:24:28. > :24:58.# Over and over. # I get to know myself.
:24:59. > :25:06.# Over and over. # There ain't nobody else.
:25:07. > :25:23.# It kills to watch you love another.
:25:24. > :25:26.# I should have known better when I caught you wild. # You were
:25:27. > :25:33.incredible. # Never knew you like I know you
:25:34. > :25:39.now. # You are illegible.
:25:40. > :25:47.# Imperceptible the lines # That form the screw.
:25:48. > :25:56.# It kills to watch you love another.
:25:57. > :26:06.# Over and over # I get to know myself.
:26:07. > :26:13.# Over and over. # There ain't nobody else.
:26:14. > :26:26.# A receptacle of lies. # Construed to waste your time.
:26:27. > :26:35.# It kills to watch you love another.
:26:36. > :26:45.# You know. # Over and over.
:26:46. > :27:08.# I get to know myself. # Over and over.
:27:09. > :27:28.# There ain't nobody else. Imperceptible, the lies. # Construed
:27:29. > :27:30.to waste your time. # It kills to watch you love
:27:31. > :27:33.another. # It kills to watch you love
:27:34. > :27:41.another. # It kills to watch you love another
:27:42. > :28:12.#. Thank you the The Afghan Whigs. We
:28:13. > :28:16.enjoyed Sturgill Simpson before that. Now, a man that is rocking
:28:17. > :28:21.number ones all over the world with endless records and endless
:28:22. > :28:23.successes, he will be in a film and we lovely him madly. He is Aloe
:28:24. > :28:45.Blacc. # Solider in the city.
:28:46. > :28:50.# No job to occupy my time. # What else you expect me to do
:28:51. > :28:52.except crime. # It ain't stealing if it's
:28:53. > :28:55.somebody's fair. # Refuse to lose with this trouble
:28:56. > :29:08.on my mind. # Join it all.
:29:09. > :29:11.# Come knocking at my door? # Where the police don't see me
:29:12. > :29:13.anymore. # Hopped in that backseat so many
:29:14. > :29:16.times before. # Solider in the city.
:29:17. > :29:27.# I'm a solider in the city. # Solider in the city.
:29:28. > :29:31.# Trying to make some cheese out of all these things.
:29:32. > :29:35.# Want to find a queen but all I'm seeing is tramps.
:29:36. > :29:38.# Everyday feels like I'm away at boot camp.
:29:39. > :29:54.# Bad ass little kids busting out the street lamp.
:29:55. > :29:58.# Neighbourhood hustler come knocking at my door.
:29:59. > :30:01.# Got to pay my debts, need to settle the score.
:30:02. > :30:03.# Cause I don't want no more trouble from these fellas no more.
:30:04. > :30:07.# Solider in the city. # I'm a solider in the city.
:30:08. > :30:11.# Solider in the city. # Solider in the city.
:30:12. > :30:16.# I'm a solider in the city. # Solider in the city.
:30:17. > :30:19.# Can you hear me marching. # Left, left, left, right, left.
:30:20. > :30:21.# Fight to survive, try to stay alive.
:30:22. > :30:30.# Left, left, left, right, left. # Fight to survive, try to stay
:30:31. > :30:32.alive. # Can you hear me marching.
:30:33. > :30:35.# Left, right, left. # Don't you know?
:30:36. > :31:06.# I'm a solider in the city. # I'm a solider in the city.
:31:07. > :31:09.# Left, left, left, right, left. # Fight to survive, try to stay
:31:10. > :31:12.alive. # Left, left, left, right, left.
:31:13. > :31:19.# Fight to survive, try to stay alive.
:31:20. > :31:35.# I'm a solider in the city. # I'm a solider in the city. #
:31:36. > :32:14.APPLAUSE # We're going to forget.
:32:15. > :32:17.# All the things you could've said. # Whatever's going on.
:32:18. > :32:21.# Now you're standing alone. # Bet I'll forget the loss.
:32:22. > :32:29.# We know where you are right now. # We know why you wanted somewhere
:32:30. > :32:38.to go. # So now you know.
:32:39. > :32:40.# Turn away. # So now you know.
:32:41. > :32:41.# Turn away. # And now you know.
:32:42. > :32:53.# You can mean what you say. # So now you know.
:32:54. > :33:03.# Turn away. # So now you know.
:33:04. > :33:05.# Turn away. # And now you know.
:33:06. > :33:25.# You can mean what you say. # Ready to forget the loss.
:33:26. > :33:32.# Never let the good things go. # Now just be going when you're out
:33:33. > :33:43.in the cold. # Beyond the fear of letting go.
:33:44. > :33:51.# Out there on the shore tonight. # That's the life you put aside for
:33:52. > :33:58.# So now you know. # Turn away.
:33:59. > :34:01.# So now you know. # Turn away.
:34:02. > :34:11.# And now you know. # Turn away.
:34:12. > :34:16.# You can mean what you say. # So now you know.
:34:17. > :34:21.# Turn away. # So now you know.
:34:22. > :34:24.# Turn away. # And when we go.
:34:25. > :34:57.# You can mean what you say. # So now you know.
:34:58. > :35:07.# Turn away. # So now you know.
:35:08. > :35:18.# Turn away. # And now you know.
:35:19. > :35:25.# You can mean what you say #. CHEERING AND APPLAUSE Thank you The
:35:26. > :35:33.Horrors. So now our next guest, I met in the gash of the Avlon Hotel
:35:34. > :35:37.in Berlin. When I heard his voice, I thought "wow" I wasn't on my own, in
:35:38. > :35:42.Germany, Switzerland and Austria he is one of their most popular jazz
:35:43. > :35:48.singers that they have. I hope you will enjoy with me the wonderful Mr
:35:49. > :36:19.Roger Cicero. # Oh, yeah. Oh, baby. Um, umm...
:36:20. > :36:21.# Yeah # #
:36:22. > :36:30.I keep your picture beside my bed, mm. #
:36:31. > :36:35.Yes, I do # I still remember every little thing
:36:36. > :36:39.U said. # I always thought our love, so
:36:40. > :37:06.right, I guess I was wrong, mm, no no. ?? NEWLINE # I always thought
:37:07. > :37:25.you'd be by my side baby, now you're gone,you're gone. .
:37:26. > :37:35.# Still like a fire on a rainy night, yeah.
:37:36. > :37:44.# I still like it better when you're holding, holding me tight.
:37:45. > :37:57.# Everybody said that you and me should never part, hah.
:37:58. > :38:00.# Maybe U thought we'd look kinda cute 2gether, I dunno.
:38:01. > :38:02.# Tell me, tell me baby why, why U wanna go break your little Prince's
:38:03. > :38:06.heart? # All I wanna know, baby.
:38:07. > :38:09.# If the love we had was good, sing it.
:38:10. > :38:13.# How come U don't call me anymore, yeah?
:38:14. > :38:17.# Anymore yeah. # Sometimes it feels like I'm gonna
:38:18. > :38:20.die. # If U don't call me baby, girl U
:38:21. > :38:22.gotta try. # I'm down on my knees, beggin' U
:38:23. > :38:42.please. # Please! Please! Please! Owww!
:38:43. > :38:47.# Why can't you pick up the phone # You know I don't like to be alone
:38:48. > :38:50.# Why can't you pick up the phone # You know I don't like to be alone
:38:51. > :39:26.myself # How come you don't call me, baby
:39:27. > :39:55.any more? # CHEERING AND APPLAUSE
:39:56. > :40:00.# It's that time to transform. # To come around, I'm changing.
:40:01. > :40:06.# Uh, there's an angel knocking at my window.
:40:07. > :40:12.# Tryna tell me where to go, yes. # It's a small town without you.
:40:13. > :40:14.# This cold is creeping. # I'm moving on, I look ahead
:40:15. > :40:18.instead. # Spirit divide, drift alone.
:40:19. > :40:24.# I wave goodbye, I carry it all. # Dream fast, black dress.
:40:25. > :40:28.# On and on, a big mess. # I'm changing my next flight to
:40:29. > :40:34.Paris. # Dark lights that tick tock too
:40:35. > :40:38.fast for a destiny. # I've got a full drawer of letters. # Remember
:40:39. > :40:40.it was Paris you said we were gonna meet.
:40:41. > :40:43.# Why your answer machine's still on?
:40:44. > :40:47.# It's the oddest feeling that says you're gone.
:40:48. > :40:56.# A part of me drift away with you. # I would never return.
:40:57. > :41:08.# Spirit divide, drift alone. # I wave goodbye, I carry it all.
:41:09. > :41:13.# Dream fast, black dress. # On and on, a big mess.
:41:14. > :41:42.# I'm changing my next flight to Paris.
:41:43. > :42:03.# Spirit divide. # I wave goodbye.
:42:04. > :42:15.# Dream fast, black dress. # On and on, a big mess.
:42:16. > :42:25.# I'm changing my next flight to Paris #.
:42:26. > :42:55.Thank you, Little Dragon. Now I'm joined by Aloe Blacc! Great to
:42:56. > :42:56.Thank you, Little Dragon. Now I'm been playing it very loudly. What
:42:57. > :43:01.are some of the things been playing it very loudly. What
:43:02. > :43:08.it? I wanted to make an album that still had a soulful feel, but
:43:09. > :43:08.it? I wanted to make an album that introduced some of the other areas I
:43:09. > :43:15.am hip-hop and rock, some things that
:43:16. > :43:20.my fans don't generally hip-hop and rock, some things that
:43:21. > :43:27.me but I have done in the past. You like to mix things together.
:43:28. > :43:36.me but I have done in the past. You You're very huge number one hit,
:43:37. > :43:39.Week Me Up. What is it like to fill a dance floor?
:43:40. > :43:47.Week Me Up. What is it like to fill do as a forte. If my songs can be
:43:48. > :43:54.mixed into any different genre, that is cool. You have also been acting
:43:55. > :43:55.in a film about James Brown. Have you done acting
:43:56. > :44:00.in a film about James Brown. Have first feature film.
:44:01. > :44:04.in a film about James Brown. Have enough to get a role in its
:44:05. > :44:08.alongside some brilliant actors, playing one of James Brown's early
:44:09. > :44:19.musicians. Is it an enjoyable thing? It is a different craft. It
:44:20. > :44:22.is -- I'm used to music where I have control over everything, but with
:44:23. > :44:33.acting, you have to surrender yourself to the director. Your
:44:34. > :44:40.single, The Man, is that autobiographical? Not so much. I'm
:44:41. > :44:43.trying to capture that triumph over adversity, to give people something
:44:44. > :44:51.to sing when they want to make it to the next level. There is this
:44:52. > :44:58.interpretation of Elton John's Your Song, not to be confused with a song
:44:59. > :45:22.for you. Do you ever seen that? Could you do us a bit of that?
:45:23. > :45:34.# I've been so many places in my life and time.
:45:35. > :45:43.# I've sung a lot of songs, I've made some bad rhymes.
:45:44. > :45:49.# Acted out my life in stages, 10,000 people watching.
:45:50. > :46:00.# That we're alone now, and I'm singing this song to you.
:46:01. > :46:07.# I know your image of me is what I hope to be.
:46:08. > :46:13.# I treated you unkindly, Harling can't you see?
:46:14. > :46:20.# That there is no one more important to me, baby, can't you see
:46:21. > :46:23.through me? # Because we're alone now, and I'm
:46:24. > :46:50.singing this song to you. The wonderful Aloe Blacc, we will
:46:51. > :46:54.hear from him or later. Top voices at the piano. And now we welcome
:46:55. > :47:04.back in this corner, the Afghan Whigs.
:47:05. > :47:15.# Flame. # The time when things would change.
:47:16. > :47:26.# Still I was a slave. # Waiting to be saved.
:47:27. > :47:32.# The body sleeps, but I. # Am not too proud to roll.
:47:33. > :47:57.# On the bad streets. # You'll know this when it's time to
:47:58. > :47:59.go. # Strange.
:48:00. > :48:25.# The soul you leave behind. # Dream. # The body leaves the bone.
:48:26. > :48:31.# To sit upon the throne. # The battle waits for life.
:48:32. > :48:45.# Dream. # Dream your sins away. # Sin your
:48:46. > :49:14.dreams away. # You're holding back stuff. # Holding back a chain.
:49:15. > :50:15.# Heavenly demons. # Outside my window.
:50:16. > :50:23.# Sent here to see. # Outside this world.
:50:24. > :50:31.# I call the shadow. # You call.
:50:32. > :51:27.# Through the summer. # You can breathe the air.
:51:28. > :51:35.# Rest forever. # Because there's nothing else.
:51:36. > :51:42.# See the way the valley. # Starts to grow.
:51:43. > :51:52.# Every movement. # Seems to be for you.
:51:53. > :51:59.# I can see your future in it. # I can see it there.
:52:00. > :52:03.# I can see your future in it. # I can see it there.
:52:04. > :52:24.# And all the things you might do. # And all the things you might do.
:52:25. > :52:48.# And all the things you might do. # Through the summer.
:52:49. > :52:50.# You will soon forget. # Days get longer.
:52:51. > :53:03.# But the sun still sets. # You're so fair while.
:53:04. > :53:06.# Love is yours to choose. # Life is fragile.
:53:07. > :53:12.# Don't you let it go. # I can see your future in it.
:53:13. > :53:30.# I can see it there. # I can see your future in it.
:53:31. > :53:38.# I see you. # I see you.
:53:39. > :53:54.# And all the things you might do. # And all the things you might do.
:53:55. > :54:51.# I see you. # I see you.
:54:52. > :55:08.Thank you to the Horrors, ICU. Before that we enjoyed Afghan Whigs.
:55:09. > :55:12.APPLAUSE And clock black.
:55:13. > :55:20.Let's hear some more of his great music.
:55:21. > :55:34.# Feeling my way through the darkness.
:55:35. > :55:37.# Guided by a beating heart. # I can't tell where the journey
:55:38. > :55:43.will end. # But I know where to start.
:55:44. > :55:50.# They tell me I'm too young to understand.
:55:51. > :55:54.# They say I'm caught up in a dream. # Well life will pass me by if I
:55:55. > :55:56.don't open up my eyes. # Well that's fine by me.
:55:57. > :56:07.# So wake me up when it's all over. # When I'm wiser and I'm older.
:56:08. > :56:08.# All this time I was finding myself.
:56:09. > :56:21.# And I didn't know I was lost. # So wake me up when it's all over.
:56:22. > :56:25.# When I'm wiser and I'm older. # All this time I was finding
:56:26. > :56:50.myself. # And I didn't know I was lost.
:56:51. > :57:00.# Wake me up # Wake me up
:57:01. > :57:07.# Wake # I tried carrying the weight of the
:57:08. > :57:13.world. # But I only have two hands.
:57:14. > :57:19.# Hope I get the chance to travel the world.
:57:20. > :57:23.# But I don't have any plans. # Wish that I could stay forever
:57:24. > :57:31.this young. # Not afraid to close my eyes.
:57:32. > :57:39.# Life's a game made for everyone. # And love is the prize.
:57:40. > :57:45.# So wake me up when it's all over. # When I'm wiser and I'm older.
:57:46. > :57:51.# All this time I was finding myself.
:57:52. > :57:59.# And I didn't know I was lost. # So wake me up when it's all over.
:58:00. > :58:03.# When I'm wiser and I'm older. # All this time I was finding
:58:04. > :58:08.myself. # And I didn't know I was lost.
:58:09. > :58:32.# Didn't know I was lost. # So wake me up when it's all over.
:58:33. > :58:36.# When I'm wiser and I'm older. # All this time I was finding
:58:37. > :58:47.myself. # And I didn't know I was lost #.
:58:48. > :59:08.Thank you, Aloe Blacc, with Week Me Up. That is always got time for now,
:59:09. > :59:14.and we will be back on Tuesday with Kasabian and much much more. But I
:59:15. > :59:24.think now we should finish off with a bit of a groove. Have you got a
:59:25. > :59:28.couple of cords? Make a wish! Make a wish and it comes true. So, thank
:59:29. > :59:36.you to all of our guests who were here this evening. We had a
:59:37. > :59:50.beautiful knees up with Aloe Blacc, with the Horrors, with Roger
:59:51. > :00:06.Cicero. The brilliant Little Dragon. And the Afghan Whigs. Thank
:00:07. > :00:08.you, Viv Albertine, we love you madly, see you later.