:00:55. > :01:01.We're live with superb displays of music. Let's start with Alt-J.
:01:02. > :01:10.# Pick a battle, eenie, meenie, miney, moe.
:01:11. > :01:17.# Hey, flower, you're the chosen one.
:01:18. > :01:29.# Watch his right hand slip towards his gun.
:01:30. > :01:51.# I tackle weeds just so the moon buggers nibble.
:01:52. > :01:59.# A right-hand grip on his Colt Single Action Army.
:02:00. > :02:12.# Watch his right hand slip towards his gun.
:02:13. > :02:25.# Though your man's bigger than I am.
:02:26. > :03:17.# Pick a battle, eenie, meenie, miney, moe.
:03:18. > :03:24.# Hey, flower, you're the chosen one.
:03:25. > :04:03.APPLAUSE Alt-J, Left Hand Free. We have a
:04:04. > :04:14.room full of amazing guests fr. Los Angeles, Ryan Adams! From London an
:04:15. > :04:22.amazingly talented woman, FKA Twigs. It's the marvellous Vance Joy. From
:04:23. > :04:31.Ohio, they're doing a show in town, we have the mighty O'Jays. And from
:04:32. > :05:04.shush, we have -- from shepherds bush we have Jungle. (
:05:05. > :05:18.# Never have things for a normal life.
:05:19. > :05:40.# You think that all your time is used to busy earnin'.
:05:41. > :06:19.# You think that all your time is used to busy earnin'.
:06:20. > :06:57.# You think that all your time is used to busy earnin'.
:06:58. > :07:07.# You think that all your time is used to busy earnin'.
:07:08. > :07:47.# You can't get enough. Now, this Thursday and Friday at the O 2, you
:07:48. > :07:49.have a once in a lifetime opportunity to see Walter, Eric and
:07:50. > :07:59.Eddie, the mighty O'Jays! APPLAUSE A fantastic opportunity,
:08:00. > :08:03.once in a lifetime. This is your first Troy London for 20 years --
:08:04. > :08:11.first trip to London for 20 years. Has it changed much? A little bit.
:08:12. > :08:16.People are groovier. Great! We will seeing them at your concert, I hope.
:08:17. > :08:21.The O'Jays have a unique sound. What's the essence of that sound?
:08:22. > :08:26.The two of them, with their Gospel backgrounds and the Gospel roots,
:08:27. > :08:29.they brought that to R music. Eddie, you've been together for like
:08:30. > :08:34.50 years, which is amazing for a group. What's the key, what's kept
:08:35. > :08:40.you together all that time? Liking what we do. I mean, the magic of it
:08:41. > :08:46.and being able to do it and do it well. You're the best at it. You are
:08:47. > :08:52.the best. Tell us, at the end of the show, we're going to do the Love
:08:53. > :08:57.Train, which is a long we need now more than ever. But where does your
:08:58. > :09:06.music start off? It started off in the church. Walter's father was the
:09:07. > :09:11.choir director. He made sure that we made all the rehearsals. He made
:09:12. > :09:15.sure that our vocals were right on point. He sought us how to breathe,
:09:16. > :09:20.how to deliver a song. I think we should give your dad a round of
:09:21. > :09:47.applause then. He did a good job. APPLAUSE
:09:48. > :10:00.# People get ready # There's a train a' coming
:10:01. > :10:09.# You don't need no ticket, you just thank the Lord
:10:10. > :10:16.# Saw you needed faith # Don't need no ticket
:10:17. > :10:20.# You just get on board #
:10:21. > :10:34.APPLAUSE The amazing O'Jays! Walter, Eric and
:10:35. > :10:37.Eddie! See them at the O 2 and on this show, we will hear the Love
:10:38. > :10:42.Train. Now I'm delighted to have back in this room with the biggest
:10:43. > :10:59.amplifier and biggest sound anybody could have, Ryan Adams.
:11:00. > :11:48.# Holding everything I have like it was broken.
:11:49. > :12:53.# Holding everything I have like it was broken.
:12:54. > :14:50.# The next stop that we make will be soon.
:14:51. > :14:58.# Tell all the folks in Russia, and China, too.
:14:59. > :15:04.# Don't you know that it's time to get on board?
:15:05. > :15:10.# And let this train keep on riding, riding on through.
:15:11. > :15:36.# All of you brothers over in Africa.
:15:37. > :15:44.# Tell all the folks in Egypt, and Israel, too.
:15:45. > :15:50.# Please don't miss this train at the station.
:15:51. > :15:57.# Cos if you miss it, I feel sorry, sorry for you.
:15:58. > :17:44.CHEERING AND APPLAUSE The mighty O'Jays! You can
:17:45. > :17:49.see them in the next couple of days. It might be your only opportunity to
:17:50. > :17:51.do so. Let's hear it once again for the mighty O'Jays!
:17:52. > :17:56.APPLAUSE Before that, let's hear it for Mr
:17:57. > :18:00.Ryan Adams. An amazing new artist, who everybody in the room has said -
:18:01. > :18:17.we think she's really great. I hope you do too. It is FKA Twigs.
:18:18. > :18:46.# Cos you're the only one who resonates that chest.
:18:47. > :19:02.# Higher than a mother, dreamin' of it, it's my lovin'.
:19:03. > :19:11.# Flying like a screamin' falcon, on our ways to do each other.
:19:12. > :19:21.# Pull out the incisor, give me two weeks, you won't recognize her.
:19:22. > :19:55.# Unless you're the only one who instigates.
:19:56. > :20:12.# Higher than a mother, dreamin' of it, it's my lovin'.
:20:13. > :20:21.# Flying like a screamin' falcon, on our ways to do each other.
:20:22. > :20:31.# Pull out the incisor, give me two weeks, you won't recognize her.
:20:32. > :20:47.# Feel your body closin', I can rip it open.
:20:48. > :20:52.# Suck me up, I'm healin' for the stuff you're dealin'.
:20:53. > :20:55.# Smoke on your skin to get those pretty eyes rollin'.
:20:56. > :21:00.# My thighs are apart for when you're ready to breathe in.
:21:01. > :21:04.# Suck me up, I'm healin' for the stuff you're dealin'.
:21:05. > :21:10.# Hi, mother, get your mouth open, you know you're mine.
:21:11. > :21:13.# Just close your eyes and dream about it.
:21:14. > :21:20.# Higher than a mother, dreamin' of it, it's my lovin'.
:21:21. > :21:24.# Just chase around and stop your doubtin'.
:21:25. > :21:41.# Pull out the incisor, give me two weeks, you won't recognize her.
:21:42. > :22:04.Thank you FKA Twigs. Two weeks from her record. And now, from Melbourne,
:22:05. > :22:09.a man whose song I think you'll know, because it's been a hit around
:22:10. > :22:20.the world. We're delighted to have him here, Vance Joy.
:22:21. > :22:24.# I was scared of dentists and the dark.
:22:25. > :22:29.# I was scared of pretty girls and starting conversations.
:22:30. > :22:34.# Oh, all my friends are turning green.
:22:35. > :22:38.# You're the magician's assistant in their dream.
:22:39. > :23:00.# I love you when you're singing that song.
:23:01. > :23:07.# Cos you're going to sing the words wrong.
:23:08. > :23:10.# There's this movie that I think you'll like.
:23:11. > :23:15.# This guy decides to quit his job and heads to New York City.
:23:16. > :23:20.# This cowboy's running from himself.
:23:21. > :23:24.# And she's been living on the highest shelf.
:23:25. > :23:46.# I love you when you're singing that song.
:23:47. > :23:58.# Cos you're going to sing the words wrong.
:23:59. > :24:01.# I just want to, I just want to know.
:24:02. > :24:05.# If you're going to, if you're going to stay.
:24:06. > :24:14.# I can't have it, I can't have it any other way.
:24:15. > :24:20.# I swear she's destined for the screen.
:24:21. > :24:24.# Closest thing to Michelle Pfeiffer that you've ever seen, oh.
:24:25. > :24:36.# I love you when you're singing that song.
:24:37. > :24:42.# Cos you're going to sing the words wrong.
:24:43. > :24:45.# Oh, lady, running down to the riptide.
:24:46. > :24:54.# I love you when you're singing that song.
:24:55. > :25:01.# Cos you're going to sing the words wrong.
:25:02. > :25:10.# Cos you're going to sing the words wrong.
:25:11. > :25:26.CHEERING AND APPLAUSE Thank you very much indeed,
:25:27. > :25:29.Vance Joy with Riptide. We thank our artists now. Unfortunately, Banks
:25:30. > :25:34.couldn't be with us because she wasn't well. How long have we got
:25:35. > :25:39.for this? A minute? In live television, ladies and gentleman, a
:25:40. > :25:43.minute is like an age. I mean, there's so much time I could tell
:25:44. > :25:49.you about myself, discuss things at length with Ryan here. Have we still
:25:50. > :25:55.got a minute left? Ah, 30 seconds. Just that took, seems forever. Let's
:25:56. > :26:06.thank all our guests, Ryan Adams! FKO twigs! -- FKA Twigs, O'Jays!
:26:07. > :26:12.More from all of the amazing guests, who have been in this room on Friday
:26:13. > :26:15.at 11. 20 and you can go to our website and enjoy superb things
:26:16. > :26:18.there. In the meantime, we give you our best and we leave you with
:26:19. > :26:22.Alt-J. ? # I want to do all the things
:26:23. > :26:45.your lungs do so well. # I'm going to bed into you
:26:46. > :26:53.like a cat beds into a beanbag. # Turn you inside out
:26:54. > :27:00.and lick you like a crisp packet. # You're the first and last
:27:01. > :27:16.of your kind. # Hold me like an animal on top
:27:17. > :27:19.of her. # Like a cat paws
:27:20. > :28:11.at my woollen jumper. # Do do do, do do do, do do do do,
:28:12. > :28:22.# Let me be the wallpaper that papers up your room.
:28:23. > :28:26.# I want to be every button you press.
:28:27. > :28:36.# Like a cat rolls around the chrysanthemums.
:28:37. > :28:42.# I'm going to kiss you like the sun browns you.
:28:43. > :30:22.# If you really think that you can stomach me.
:30:23. > :30:26.MENACING VOICE: You will rob the Bank of Karabraxos.