:00:38. > :00:42.Good evening, we are alive and I am so pleased we have in the studio
:00:43. > :00:44.Jamie T. # Apart from the frighting,
:00:45. > :00:51.the moaning, the biting. # And I know what she thinks when
:00:52. > :00:56.she looks at me. # You're not the only one around
:00:57. > :01:09.here who needs a bit of fresh air. # Walking like a zombie, like a
:01:10. > :01:21.zombie. # Walking like a zombie, like a
:01:22. > :01:34.zombie. # Well, this old place here, man,
:01:35. > :01:36.it's falling apart. # She's on the road as she goes, but
:01:37. > :01:39.she won't get far. # I'm on a show to parole to the
:01:40. > :01:43.toad in the hole. # I gotta grow me some roots, I got
:01:44. > :01:46.a prop at the bar. # I got bloodshot eyes, and there's
:01:47. > :01:49.blood in my teeth. # I got a ripped up jacket and a
:01:50. > :01:52.friend who's a thief. # Well I'm a prophet and a mouth,
:01:53. > :01:55.tryna pull it out. # But the fire inside keeps burning,
:01:56. > :01:58.burning out. # Walking like a zombie, like a
:01:59. > :02:11.zombie. # Walking like a zombie, like a
:02:12. > :02:23.zombie. # Hold your own in the situation,
:02:24. > :02:49.don't be afraid to be a friend. # Cause I won't hurt you, girl, or
:02:50. > :02:55.leave you a loose end. # You make me alive enough to love
:02:56. > :03:01.again. # Walking like a zombie, like a
:03:02. > :03:13.zombie. # Walking like a zombie, like a
:03:14. > :03:26.zombie. # Walking like a zombie, like a
:03:27. > :03:38.zombie. # Walking like a zombie, like a
:03:39. > :05:04.zombie #. Jamie T. Tonight we have from
:05:05. > :05:18.London, Gorgon City. And from Baltimore we have Future Islands.
:05:19. > :05:20.Beverley Knight. Damien Rice. And now from Birmingham. I love his
:05:21. > :05:30.sound. It is Ali Campbell. # The silver saxophones say I should
:05:31. > :05:39.refuse you. # The cracked bells and washed out
:05:40. > :05:42.horns. # But it's not that way, I wasn't
:05:43. > :05:49.born to lose you. # I want you so bad
:05:50. > :06:01.Honey, I want you. # Upon the street where mothers
:06:02. > :06:09.weep. # And the saviours who are fast
:06:10. > :06:12.asleep. # And ask for me to open up the gate
:06:13. > :06:29.for you. # I want you.
:06:30. > :06:35.I want you so bad. # Honey, I want you.
:06:36. > :06:40.I want you. # Now all my fathers they've gone
:06:41. > :06:43.down. # But all their daughters put me
:06:44. > :06:48.down. # Well, I return to the queen of
:06:49. > :06:55.spades. # And talk there with my
:06:56. > :06:58.chambermaid. # She knows that I'm not afraid to
:06:59. > :07:04.look at her. # And there's nothing that she
:07:05. > :07:09.doesn't see. # I want you so bad.
:07:10. > :07:28.Honey, I want you. # Now, your dancing child with his
:07:29. > :07:33.chinese suit. # No, I wasn't very cute to him now,
:07:34. > :07:39.was I? # But I did it though because he
:07:40. > :07:53.lied. # I want you.
:07:54. > :08:03.I want you so bad. # I want you.
:08:04. > :08:08.I want you so bad. # I want you.
:08:09. > :08:47.I want you. APPLAUSE
:08:48. > :08:56.Ali Campbell UB40 with their new album, silhouette. Over to this
:08:57. > :09:14.corner, they try and Glastonbury. It is Gorgon City.
:09:15. > :09:18.# I'm ready for the start of something new.
:09:19. > :09:21.# I'm ready to depart from what make me blue.
:09:22. > :09:25.# I'm ready for my heart to let you through.
:09:26. > :09:33.# I'm ready for the rain to pour down on me.
:09:34. > :09:36.# I'm ready for a change to come and set me free.
:09:37. > :09:40.# I'm ready for my loss to become victory.
:09:41. > :09:47.# I'm ready for your love, I'm ready for your love,
:09:48. > :10:01.# I'm ready for your love, I'm ready for your love,
:10:02. > :10:05.# I'm ready for my hands to touch the sky.
:10:06. > :10:08.# I wanna understand how it feels to fly.
:10:09. > :10:12.# I'm ready for my eyes to see the light.
:10:13. > :10:20.# I'm ready to be strong, I pump my fist.
:10:21. > :10:24.# I'm ready to be wrong so I can be right there.
:10:25. > :10:28.# I'm ready to belong and shook my cares.
:10:29. > :10:36.# I'm ready for your love, I'm ready for your love,
:10:37. > :10:43.# I'm ready for your love, I'm ready for your love, I'm ready
:10:44. > :10:47.# for your love, I'm ready for your love.
:10:48. > :10:50.# I'm ready for your love, I'm ready for your love,
:10:51. > :10:58.# I'm ready for your love, I'm ready for your love,
:10:59. > :11:09.# Everything is changed between you and I.
:11:10. > :11:12.# I was so apprehensive but I don't know why.
:11:13. > :11:19.# Baby, I'm ready for you to be by my side, by my side.
:11:20. > :11:25.# Everything is changed between you and I.
:11:26. > :11:28.# I was so apprehensive but I don't know why.
:11:29. > :11:36.# Baby, I'm ready for you to be by my side, by my side.
:11:37. > :11:39.# I'm ready for your love, I'm ready for your love,
:11:40. > :11:49.# I'm ready for your love, I'm ready for your love,
:11:50. > :11:58.# I'm ready for your love, I'm ready for your love,
:11:59. > :12:04.# I'm ready for your love, I'm ready for your love,
:12:05. > :12:32.Gorgon City. Our next guest, this is his first album for eight years. I
:12:33. > :12:52.am pleased to have him back in the studio. Damien Rice.
:12:53. > :13:09.# Wherever you are, you know that I adore you.
:13:10. > :13:26.# No matter how far, well I can go before you.
:13:27. > :13:44.# If you just want to be alone, I can wait without waiting.
:13:45. > :13:52.# If you want me to let this go, I am more than willing.
:13:53. > :14:06.# I just came across an angel, out among the danger somewhere in
:14:07. > :14:29.# I just came across an angel, out among the danger somewhere in
:14:30. > :14:46.# I-I've never been with anyone in the way I've been with you.
:14:47. > :14:50.# But if love is not for fun, then it's doomed.
:14:51. > :15:13.# The waterfalls, water races, water races down.
:15:14. > :15:36.# I just came across some angel where there is no danger.
:15:37. > :16:11.# Where love has eyes, it is not blind #.
:16:12. > :16:27.Thank you, Damien Rice, I Don't Want To Change You. Very nice
:16:28. > :16:33.arrangement. I'm going to go over here and we are delighted to have a
:16:34. > :16:38.multiplatinum artist who is about to start her second great role in a
:16:39. > :16:44.musical, Beverley Knight. APPLAUSE
:16:45. > :16:49.It's your second, Memphis is your new musical you are going to be in
:16:50. > :16:55.set in Memphis. In short what is the story of it? Memphis in the 1950s.
:16:56. > :17:04.It's about the difficult birth of rock and roll set against the Jim
:17:05. > :17:07.Crow segregation of the South. I play a blues singer called Felicia
:17:08. > :17:12.Farrell who is desperate to break out and be a big star but she has to
:17:13. > :17:17.punch through race lines but falls in love with a white DJ who might be
:17:18. > :17:21.the key to it all. It's more of a metaphor than based on reality about
:17:22. > :17:27.how white music and blues music and the hillbillies and the blues all
:17:28. > :17:34.gave birth to rock 'n' roll. We have a film here. It's been on in
:17:35. > :17:43.America. Not with you, this is a bit of Memphis here.
:17:44. > :18:07.# Where going down, down # Where going down. #
:18:08. > :18:13.That looks like it will be great. Who has written this? The text was
:18:14. > :18:20.written by a very well-known scriptwriter. The songs words
:18:21. > :18:24.written by David Brian, who you might be familiar with if you are
:18:25. > :18:32.familiar with their band called Bon Jovi. He wrote all of those songs. I
:18:33. > :18:37.love your Wolverhampton drawl. But did you go to Memphis and learn the
:18:38. > :18:43.Memphis drawl? Yes, it's very different from Wolverhampton. I went
:18:44. > :18:47.there not only to experience the place and immerse myself in the
:18:48. > :18:51.character, but also so I could listen really carefully to how
:18:52. > :18:57.people spoke. And basically just mimic the drawl, specifically the
:18:58. > :19:02.African American way of speaking. It's different in that part of the
:19:03. > :19:08.world. And what happened when you reverted to your Wolverhampton
:19:09. > :19:12.drawl? They all said I can't understand a word you are saying.
:19:13. > :19:16.They said that to me when I went! It is fantastic you could come and see
:19:17. > :19:21.us this evening. We are looking forward to Memphis and on Friday
:19:22. > :19:27.night's show come and do they song with us at the piano. Tune in on
:19:28. > :19:33.Friday to see Beverley and meet on the piano. You can see her in
:19:34. > :19:36.Memphis soon. Now, let's enjoy these sensational dance manoeuvres from
:19:37. > :20:03.the next artists, from Baltimore it is Future Islands.
:20:04. > :20:16.# And I tried hard # Just to soften you
:20:17. > :20:28.# But I've grown tired # Of tryin' to change for you
:20:29. > :20:59.# Because I've been waiting on you # I've been waiting on you
:21:00. > :21:17.# But the winter washed what's left # Of the taste
:21:18. > :21:54.# They gain a piece # but they lose one too
:21:55. > :22:38.# But the winter washed # What's left of the taste
:22:39. > :23:35.Thank you, Future Islands. I love a bit of dance. Seasons, single from
:23:36. > :23:40.their LP. Future Islands. A woman who began to get everybody excited
:23:41. > :23:51.wherever she performs. She's from Minnesota she's Chastity Brown.
:23:52. > :23:54.# I was driving through # The mountains of Colorado
:23:55. > :24:01.# Got a gig to get to # I'll be there tomorrow
:24:02. > :24:13.# That's the way it is when # you're living this kind of life
:24:14. > :24:16.# Like a broken string # on a steel guitar
:24:17. > :24:24.# And I'm banging that thing # at a small-time bar
:24:25. > :24:36.# And the light that you see now # Isn't wrapped up and turned out
:24:37. > :25:07.# It's the one that I will follow # Made it all the way down to
:25:08. > :25:10.# Tennessee # He was running out of steam,
:25:11. > :25:14.# You know # I fell face first
:25:15. > :25:19.# Right there in the dirt # I was crying like a child
:25:20. > :25:23.# But I wasn't really hurt, oh no # I was three feet away from
:25:24. > :25:28.# The love of my life # I was holding my breath
:25:29. > :25:31.# And holding on tight to know # And the light that you see now
:25:32. > :25:35.# Isn't wrapped up and turned out # And the light that you see now
:25:36. > :25:46.# Isn't wrapped up and turned out # And the light that you see now
:25:47. > :25:56.# Isn't wrapped up and turned out # And the light that you see now
:25:57. > :26:06.# Isn't wrapped up and turned out # I was driving through
:26:07. > :26:25.# The mountains of Colorado # Got a gig to get to
:26:26. > :26:44.# I'll be there tomorrow # Thank you, Chastity Brown with
:26:45. > :26:49.Colorado. Thanks to all of our guests this evening, Gorgon City,
:26:50. > :26:54.Future Islands, Beverley Knight, Damien Rice, Ali Campbell. You can
:26:55. > :27:00.see much more in detail and in depth from all of my guests, less features
:27:01. > :27:02.on the studio floor on Friday evening. But now we say thank you
:27:03. > :27:13.and good night with Jamie T. # Sold to a bid
:27:14. > :27:20.# Then hit by the buyer # Looked at me
:27:21. > :27:22.# Then the kids took the piss # When she knows
:27:23. > :27:27.# That she can't well up # Like an SAA to my baby
:27:28. > :27:30.# Saved me then played me # Like an S she tried to correct me
:27:31. > :27:36.# She meant to protect me # You stooped low
:27:37. > :27:46.# I got high, tonight # Causing Alice in the palace
:27:47. > :27:53.# To crumble. # She trips to tumble
:27:54. > :27:58.# Going down a rabbit hole # She trips to tumble
:27:59. > :28:09.# Going down a rabbit hole # You still know you can call me
:28:10. > :28:11.# Whenever # I'll be round for ever
:28:12. > :28:16.# I'll take the blame # And I'll take the weather
:28:17. > :28:19.# And I'll travel overseas # A magnanimous last gesture
:28:20. > :28:25.# Only for the sake of prosperity # It's unanimous
:28:26. > :28:29.# I'll arrest her # Now, you're too proud to call
:28:30. > :28:35.# Guess I never knew you at all # You stooped low
:28:36. > :28:41.# I got high tonight # Causing Alice in the palace
:28:42. > :28:47.# To crumble # She trips to tumble
:28:48. > :28:50.# Going down a rabbit hole # Causing Alice in the palace
:28:51. > :28:57.# To crumble # She trips to tumble
:28:58. > :29:05.# Going down a rabbit hole # You notice the problems in
:29:06. > :29:09.# Jennifer Bennett's head # She's not the same person
:29:10. > :29:11.# I grew up with # Who noticed the problems in
:29:12. > :29:19.# Jennifer Bennett's head # She's not the same person
:29:20. > :29:23.# I grew up with # Who noticed the problems
:29:24. > :29:30.# In Jennifer Bennett's head # She's not the same person
:29:31. > :29:32.# I grew up with # Causing Alice in the palace
:29:33. > :29:42.# To crumble # She trips to tumble
:29:43. > :29:46.# going down a rabbit hole # Causing Alice in the palace
:29:47. > :29:52.# to crumble # She trips to tumble
:29:53. > :29:58.# Going down a rabbit hole # Causing Alice in the palace
:29:59. > :30:07.# To crumble # She trips to tumble
:30:08. > :30:10.# Going down a rabbit hole # Causing Alice in the palace
:30:11. > :30:16.# To crumble # She trips to tumble
:30:17. > :30:21.# Going down a rabbit hole #.