:00:37. > :00:41.Welcome to a new display of marvellous musical displays. Let's
:00:42. > :00:51.begin with two! -- Alt-J! # Hey, shady baby, I'm hot
:00:52. > :00:54.Like the prodigal son # Pick a battle
:00:55. > :00:56.Eenie meenie miney moe # Hey, flower,
:00:57. > :00:57.you're the chosen one # I tackle weeds
:00:58. > :01:30.just so the moon buggers nibble # A right-hand grip on his
:01:31. > :01:39.Colt Single Action Army # Though your man's
:01:40. > :02:05.bigger than I am # Hey, shady baby, I'm hot
:02:06. > :02:55.Like the prodigal son # Pick a battle
:02:56. > :02:57.Eenie, meenie, miney, moe # Hey, flower,
:02:58. > :03:03.you're the chosen one We have a
:03:04. > :03:58.room full of amazing guests. From Shepherd's Bush, Jungle! I would be
:03:59. > :04:07.talking to Olivia Harrison. From Ohio we are delighted to have The
:04:08. > :04:15.O'Jays! From Melbourne, a beautiful songwriter, Vance Joy! From London,
:04:16. > :04:18.she is sensational, FKA twigs! Now, from Los Angeles, we are delighted
:04:19. > :04:34.to welcome back into this room, Ryan Adams.
:04:35. > :06:36.# Gimme something # Gimme something good
:06:37. > :08:10.Ryan Adams! More from him later. This band also have a self titled
:08:11. > :08:40.LP, their first LP. Everybody says it is very good. They are Jungle!
:08:41. > :09:01.# Ain't easy, you know. # Time and time again.
:09:02. > :09:06.# Say it again. # Just hold on tight, don't let it
:09:07. > :09:10.in, yeah. # I will run all right, don't let it
:09:11. > :09:14.in. # Just let it out.
:09:15. > :09:22.# Time and time and time and time again.
:09:23. > :09:32.# Time and time and time and time again.
:09:33. > :09:48.# Now I feel it. # I know, you know.
:09:49. > :09:59.# Time and time again. # Time and time again.
:10:00. > :10:05.# Say it again. # Just hold on tight, don't let it
:10:06. > :10:10.in, yeah. # Just let it out.
:10:11. > :10:19.# Time and time and time and time again.
:10:20. > :10:46.# Time and time and time and time again.
:10:47. > :10:52.# My head is in space. # You know, you know.
:10:53. > :10:58.# Time and time again. # Just hold on tight.
:10:59. > :11:01.# Don't let it in, yeah. # I will run all right, don't let it
:11:02. > :11:05.in. # Just let it out.
:11:06. > :11:12.# Time and time and time and time again.
:11:13. > :11:16.# Just hold on tight don't let it in, yeah.
:11:17. > :11:19.# I will run all right, don't let it in.
:11:20. > :11:21.# Just let it out. # Time and time and time and time
:11:22. > :11:55.again. APPLAUSE.
:11:56. > :11:59.Thank you, Jungle! Now we have some legendary figures
:12:00. > :12:04.at the piano, and those figures are no mother than water, Eric and
:12:05. > :12:09.Eddie. They are, of course, the amazing The O'Jays! We are very
:12:10. > :12:21.pleased to have you here this evening.
:12:22. > :12:33.How did you meet? You formed over 50 years ago. We were having exams in
:12:34. > :12:37.high school, and we met during the break as you say. We had recess, and
:12:38. > :12:42.we got in the hallway and we started messing around, singing. And it
:12:43. > :12:48.sounded so great in the hallway that we figured, look, if we could just
:12:49. > :12:54.take this with us everywhere we go, we could probably win some fans. You
:12:55. > :12:59.have millions of fans. Also, a good tip, when you mess around at school,
:13:00. > :13:06.sometimes it is all right. Things of course changed when you met the
:13:07. > :13:12.songwriter 's and your producers. What changed everything for them and
:13:13. > :13:23.for you? Will playing at the Apollo theatre with the Intruders. At that
:13:24. > :13:33.time, the Intruders had a song. And the producers came to see them, and
:13:34. > :13:38.they introduced us to them. And we became hot. Marvellous records, lots
:13:39. > :13:45.of people have loved them over the years. We have a clip here which we
:13:46. > :14:07.can look at you at the Hammersmith Odeon in 1988.
:14:08. > :14:13.# Some people really need it. # Well, you want two things, do good
:14:14. > :14:17.things with it. # Cash, money, money.
:14:18. > :14:41.# Talking about cash, money. Yeah, that is great. And I have to
:14:42. > :14:46.say, as well as having amazing voices, rather tasty dance moves.
:14:47. > :14:56.When did you figure out the dancing? Well, we used to watch TV.
:14:57. > :15:00.Hullabaloo, Shindig. Even the girls for Dean Martin, we would steal
:15:01. > :15:05.their moves. Then we met a professional named Charlie Atkinson,
:15:06. > :15:08.who started teaching us how to move. He did the Motown people as well.
:15:09. > :15:16.Yes, he taught the Jacksons, the Supremes. He was a tough guy to deal
:15:17. > :15:22.with. He was a tough teacher? Yes. Was there one rule that he said you
:15:23. > :15:27.had to do, one particular thing? Well, he told us, a hit record is
:15:28. > :15:32.great, but to have a hit act would be a lot better. Wise words.
:15:33. > :15:38.Fantastic to have you here this evening. We will be hearing more
:15:39. > :15:44.from The O'Jays later in the show. The O'Jays, ladies and gentlemen!
:15:45. > :15:47.Now, let's go into this corner from a great legendary artist to a new
:15:48. > :16:09.artist. We welcome FKA twigs! # Cos you're the only one
:16:10. > :16:32.who resonates that chest # Higher than a mother,
:16:33. > :16:48.dreamin' of it, it's my lovin' # Flying like a screamin' falcon,
:16:49. > :16:57.on our ways to do each other # Pull out the incisor, give me two
:16:58. > :17:07.weeks, you won't recognize her # Unless you're
:17:08. > :17:42.the only one who instigates # Higher than a mother,
:17:43. > :17:58.dreamin' of it, it's my lovin' # Flying like a screamin' falcon,
:17:59. > :18:07.on our ways to do each other # Pull out the incisor, give me two
:18:08. > :18:11.weeks, you won't recognize her # Feel your body closin'
:18:12. > :18:33.I can rip it open # Suck me up, I'm healin'
:18:34. > :18:38.for the stuff you're dealin' # Smoke on your skin to get
:18:39. > :18:44.those pretty eyes rollin' # My thighs are apart for
:18:45. > :18:47.when you're ready to breathe in # Suck me up, I'm healin'
:18:48. > :18:52.for the stuff you're dealin' # Hi, mother, get your mouth open,
:18:53. > :18:55.You know you're mine # Just close your eyes
:18:56. > :19:06.and dream about it # Just chase around
:19:07. > :19:09.and stop your doubtin' # Pull out the incisor, give me two
:19:10. > :20:37.weeks, you won't recognize her # It on your face all the time
:20:38. > :20:40.# All the time, they want to take your place
:20:41. > :20:47.# The backstabbers # All you fellas
:20:48. > :21:17.# And you this
:21:18. > :21:20.# They smile in your face all the time
:21:21. > :21:26.# Want to take your place all the time
:21:27. > :21:33.# The backstabbers # What they doing to me?
:21:34. > :21:42.# They come to my house again and again
:21:43. > :21:53.# To all the men who take my woman # I don't even be home
:21:54. > :21:58.# What can I do # What they doing?
:21:59. > :22:01.# They smiling in your face all the time
:22:02. > :22:14.# They want to take your place, the backstabbers
:22:15. > :22:21.# Lowdown, dirty, everybody say # What they do
:22:22. > :22:31.# They smile in your face, smiling faces, sometimes
:22:32. > :22:39.# They smile in your face # I don't need no lowdown
:22:40. > :22:46.backstabbers # They smile in your face
:22:47. > :23:16.# Backstabbers the wonderful, the amazing, the
:23:17. > :23:37.O'Jays. Before that, we enjoyed Ryan -- FKA
:23:38. > :23:51.twigs. And welcome the amazing Alt-J.
:23:52. > :24:04.# I want to do all the things your lungs do so well
:24:05. > :24:07.# I'm going to bed into you like a cat beds into a beanbag
:24:08. > :24:11.# Turn you inside out and lick you like a crisp packet
:24:12. > :24:27.# You're the first and last of your kind
:24:28. > :24:31.# Hold me like an animal on top of her
:24:32. > :24:43.# Like a cat paws at my woollen jumper
:24:44. > :25:16.# Do do do, do do do, do do do do, do do
:25:17. > :25:34.# Let me be the wallpaper that papers up your room
:25:35. > :25:38.# I want to be every button you press
:25:39. > :25:47.# Like a cat rolls around the chrysanthemums
:25:48. > :25:53.# I'm going to kiss you like the sun browns you
:25:54. > :26:20.# If you really think that you can stomach me
:26:21. > :27:46.#: When you call my name # Is sensibly running into the flame
:27:47. > :27:49.# -- it sent me running into the flame
:27:50. > :27:51.# I love you baby, just treat me right
:27:52. > :27:56.# Hold me close in the middle of the night
:27:57. > :28:01.# I love you girl and it's all right # Stay
:28:02. > :28:17.# Are you waiting # Are you standing guard?
:28:18. > :28:25.# We passed the restaurant on Sunset Boulevard
:28:26. > :28:28.# I love you baby, just treat me right
:28:29. > :28:34.# Hold me close in the middle of the night
:28:35. > :28:55.# I love you girl and it's all right # Stay with me
:28:56. > :28:59.# At the speed of sound or the speed of light
:29:00. > :29:02.# When you say my name, it feels so right
:29:03. > :29:05.# In the middle of the night, would you call my name?
:29:06. > :29:32.# Don't worry, # I love you baby, so treat me right
:29:33. > :29:38.# Hold me close in the middle of the night
:29:39. > :29:50.# I love you girl and it's all right # Stay with me
:29:51. > :30:55.# Stay with me thank you, Ryan Adams. Can I also
:30:56. > :30:59.congratulate you and draw attention to the fact, everyone is trying to
:31:00. > :31:03.make everything smaller these days, but no, you have the biggest
:31:04. > :31:10.amplifier we have ever seen. Why did you decide to have such a whopper?
:31:11. > :31:15.Well, for some reason, this small amplifier, in my opinion, is the
:31:16. > :31:19.biggest sounding amp varies. Keith Richards always talked about if you
:31:20. > :31:24.want a really big guitar sound on record, find the smallest amp you
:31:25. > :31:30.could find, so said I wanted the biggest smallest amp I can find. You
:31:31. > :31:34.have got it there, thank you very much, Ryan Adams! And now, a lovely
:31:35. > :31:39.artist from Melbourne, you will have heard this song because it is a huge
:31:40. > :31:47.hit around the world and we welcome into the room, Vance Joy.
:31:48. > :31:51.# I was scared of dentists and the dark
:31:52. > :31:56.# I was scared of pretty girls and starting conversations
:31:57. > :32:00.# Oh, all my friends are turning green
:32:01. > :32:06.# You're the magician's assistant in their dream
:32:07. > :32:27.# I love you when you're singing that song
:32:28. > :32:34.# Cos you're going to sing the words wrong
:32:35. > :32:38.# There's this movie that I think you'll like
:32:39. > :32:42.# This guy decides to quit his job and heads to New York City
:32:43. > :32:47.# This cowboy's running from himself
:32:48. > :32:51.# And she's been living on the highest shelf
:32:52. > :33:13.# I love you when you're singing that song
:33:14. > :33:24.# Cos you're going to sing the words wrong
:33:25. > :33:28.# I just want to, I just want to know
:33:29. > :33:33.# If you're going to, if you're going to stay
:33:34. > :33:41.# I can't have it, I can't have it any other way
:33:42. > :33:46.# I swear she's destined for the screen
:33:47. > :33:52.# Closest thing to Michelle Pfeiffer that you've ever seen, oh
:33:53. > :34:04.# I love you when you're singing that song
:34:05. > :34:10.# Cos you're going to sing the words wrong
:34:11. > :34:13.# Oh, lady, running down to the riptide
:34:14. > :34:21.# I love you when you're singing that song
:34:22. > :34:26.# Cos you're going to sing the words wrong
:34:27. > :34:34.# Cos you're going to sing the words wrong. #
:34:35. > :35:40.# Never have plans for a normal life
:35:41. > :35:42.# It's time, too busy earnin'
:35:43. > :35:45.# You can't get enough
:35:46. > :35:57.# You think that all your time is used, too busy earnin'
:35:58. > :36:09.# But I bet it won't change, no
:36:10. > :36:13.# Damn, that's a boring life
:36:14. > :36:33.# You think that all your time is used
:36:34. > :37:11.# You think that all your time is used
:37:12. > :37:21.# You think that all your time is used
:37:22. > :38:07.thank you, Jungle! So now, there is a really
:38:08. > :38:11.extraordinary and amazing dog set of George Harrison records out on Apple
:38:12. > :38:23.records. And he had to tell me about that, we welcome into the studio,
:38:24. > :38:27.Olivia Harrison! Lovely box set with the Apple on it. I suppose the first
:38:28. > :38:32.thing I should ask about is Apple records. It was an unusual record
:38:33. > :38:34.company. Where were -- what were its objective is? Well, the Beatles
:38:35. > :38:37.worked very hard, and they objective is? Well, the Beatles
:38:38. > :38:39.turned down several times. I think they wanted to make it easier for
:38:40. > :38:43.other artists to be heard they wanted to make it easier for
:38:44. > :38:51.express themselves, not unlike what you are doing here. It also became
:38:52. > :38:58.the label where they put their solo albums out. These were George's six
:38:59. > :39:01.or seven solo albums. George was incredibly successful after the
:39:02. > :39:06.Beatles. Have you spent a long time working on this collection? Yes, it
:39:07. > :39:10.took years to get through it. There is a lot of material. We put out his
:39:11. > :39:16.last six solo album 's first, so it took some time. We were working on
:39:17. > :39:23.it for a year or so. And you have remastered them all. Do they sound
:39:24. > :39:29.very different to the originals? They went back to the analog tapes,
:39:30. > :39:38.and Danny supervised the remastering. I don't have to bad
:39:39. > :39:48.ears. I am told it is much better. We have some rare footage that we
:39:49. > :40:03.are going to look at. # Tired of midnight blues.
:40:04. > :40:06.# I thought by now, you knew the score.
:40:07. > :40:12.# You missed the point, just like before.
:40:13. > :40:54.# You keep on crying. Marvellous. George and all the
:40:55. > :40:57.Beatles were ahead of everybody in doing lots of things. It seemed that
:40:58. > :41:06.maybe he was one of the first graffiti artist. What was he
:41:07. > :41:14.graffiti in? His house. Is that part of the graffiti on the side of
:41:15. > :41:21.there? It is. People used to stop by and add to it. Have you discovered
:41:22. > :41:29.things previously unknown while putting it all together? We did. A
:41:30. > :41:35.lot of material, but mostly, it was how hard he worked. This spanned
:41:36. > :41:39.seven years, and there are six albums. But in between that, he did
:41:40. > :41:45.the concert for Bangladesh, and the movie as well. So over a period of
:41:46. > :41:49.seven years, he was really on fire. Working flat out and doing amazing
:41:50. > :41:54.stuff. Do you have a favourite of all the records in there? Probably
:41:55. > :42:00.the first one is from when I first met George in 1974. He was recording
:42:01. > :42:05.an album called dark horse. That is probably my favourite. He said, what
:42:06. > :42:11.we need is not material, it is spiritual, and we need some form of
:42:12. > :42:14.peace and happiness. That was what he said about the material world.
:42:15. > :42:19.What do you think his favourite record would be, and if he were here
:42:20. > :42:23.now, what do you think he would be saying to all of us? Well, he would
:42:24. > :42:28.have the same message, I think. What would his favourite song be? I don't
:42:29. > :42:34.know. He used to say, oh, I have written one or two. He was very
:42:35. > :42:43.modest. Thank you for joining us. Olivia Harrison!
:42:44. > :42:47.Now, from those amazing, legendary George Harrison records, we go to a
:42:48. > :44:29.brand-new artist in the form of FKA twigs.
:44:30. > :44:47.# Can fill your gaps with people. # So lonely trying to be yours, when
:44:48. > :45:05.you're looking for so much more. # You forgot.
:45:06. > :45:21.# How we fell in love. # I'm your sweet... Little love
:45:22. > :45:28.maker. # Your young girls and I am broken.
:45:29. > :45:36.# I dance feelings like they are spoken.
:45:37. > :45:51.# So my conversation's not enough. # So lonely trying to be yours.
:45:52. > :46:00.# Running through sliding doors. # So lonely trying to be yours.
:46:01. > :46:31.# When you're looking for so much more.
:46:32. > :46:38.# How does it feel to have me thinking about you?
:46:39. > :47:00.# Wishing the words were enough to consume you.
:47:01. > :47:28.# So lonely trying to be yours. # So lonely trying to be yours.
:47:29. > :47:30.# Running through sliding doors. # So lonely trying to be yours.
:47:31. > :47:55.more. # To be yours.
:47:56. > :48:30.# The next stop that we make will be soon
:48:31. > :48:38.# Tell all the folks in Russia, and China, too
:48:39. > :48:44.# Don't you know that it's time to get on board?
:48:45. > :48:51.# And let this train keep on riding, riding on through
:48:52. > :49:16.# All of you brothers over in Africa
:49:17. > :49:24.# Tell all the folks in Egypt, and Israel, too
:49:25. > :49:30.# Please don't miss this train at the station
:49:31. > :49:37.# Cos if you miss it, I feel sorry, sorry for you
:49:38. > :51:32.So delighted. The legendary The O'Jays! I will throw over to Ryan
:51:33. > :51:55.Adams! # All these things keep running
:51:56. > :51:59.through my mind # Everyone and everything I left
:52:00. > :52:08.behind # Standing in the cold gold Dawn
:52:09. > :52:18.# Watching cars go by # All these things keep running
:52:19. > :52:30.through my mind # Am I safe? Because I don't want
:52:31. > :52:34.feel with you # Every day my heart sinks like a
:52:35. > :52:45.stone # It carries me away into the
:52:46. > :52:54.undertow # There's no air
:52:55. > :52:58.# There's no sound, no light # And all these things keep running
:52:59. > :53:02.through my mind # Am I say?
:53:03. > :53:05.#, I save? # Am I safe
:53:06. > :53:12.# # If I don't want to be with you
:53:13. > :53:16.# Am I save? # Am I safe
:53:17. > :53:34.# # Am I safe? #
:53:35. > :53:40.On my way back home, I see a house over
:53:41. > :53:48.# Close my eyes, but it wasn't home # It's complicated
:53:49. > :53:55.# But I just don't love you any more # I just want to sit here and watch
:53:56. > :54:33.it burn # Sit and watch it burn
:54:34. > :54:36.if # Sitting look at someone through
:54:37. > :54:45.the world # Running from myself like when I
:54:46. > :54:53.was a little child # Pictures flaming on the wall, when
:54:54. > :55:01.we used to smile # Setting like a son into the wild
:55:02. > :55:37.# Cos I don't want to be with you # If I don't want to be with you
:55:38. > :56:42.# Somewhere # To fit in
:56:43. > :56:55.# Alien # Oh, coming out of the woodwork
:56:56. > :57:09.# Chest burst like John Hurt # AKA
:57:10. > :57:25.# 20 # 47
:57:26. > :57:35.# # Oh, coming out of the woodwork
:57:36. > :57:51.# Chest burst like John Hurt # Coming out of the woods
:57:52. > :57:58.# Coming out of the woodwork # Chest burst like John Hurt
:57:59. > :58:19.# Coming out of the woods # Jeremiah
:58:20. > :58:21.# Looking down and you know where you're looking on down
:58:22. > :58:28.# Do you know where you go # You?re headed on the strings
:58:29. > :58:33.For the # E-X-T-I-N-C-T
:58:34. > :58:35.# Jeremiah # Looking down and you know where
:58:36. > :58:39.you're looking on down # Do you know where you go
:58:40. > :58:48.# You?re headed on the strings For the
:58:49. > :58:50.# E-X-T-I-N-C-T # Coming out of the woodwork
:58:51. > :58:58.# Chest burst like John Hurt # Coming out of the woods
:58:59. > :59:06.# Coming out of the woodwork # Chest burst like John Hurt
:59:07. > :59:13.# Coming out of the woods # Coming out of the woodwork
:59:14. > :59:24.# Chest burst like John Hurt # Coming out of the woods
:59:25. > :59:27.# Coming out of the woodwork # Chest burst like John Hurt
:59:28. > :00:10.# Coming out of the woods # Oh
:00:11. > :00:13.# Coming out of the woodwork # Chest burst like John Hurt
:00:14. > :00:24.# Coming out of the woods # Oh
:00:25. > :00:36.# Coming out of the woodwork # Chest burst like John Hurt
:00:37. > :00:45.# Coming out of the woods APPLAUSE
:00:46. > :00:55.Thank you, Alt-J. Thank you to all of our guests, if
:00:56. > :01:00.you look on the website, you can see some archive Alt-J. We will be back
:01:01. > :01:05.next week with Mary J Blige, Marianne Faithfull and much more,
:01:06. > :01:12.but now, let's have a little bit of a groove from the O'Jays' beautiful
:01:13. > :01:16.band. Yes, I'm feeling good. I'm so pleased you could join me this
:01:17. > :01:28.evening, said thank you to the amazing the O'Jays! Thank you for
:01:29. > :01:42.joining us, Olivia Harrison! Thank you for joining us, Jungle. Thank
:01:43. > :01:53.you, Alt-J. The man with the big sound and the big amp, Mr Ryan
:01:54. > :02:04.Adams. A young woman, the O'Jays said she
:02:05. > :02:12.is going to be a superstar, FKA twigs. And Mr Vance Joy!