:00:57. > :01:09.Let's start off with the legend that is Mary J Blige.
:01:10. > :01:49.# No-one will play this game with you.
:01:50. > :02:14.# My love won't be the same for you no more.
:02:15. > :03:01.# No-one will play this game with you.
:03:02. > :03:25.# My love won't be the same for you no more.
:03:26. > :04:13.# No-one will play this game with you.
:04:14. > :04:30.# My love won't be the same for you no more.
:04:31. > :05:05.The wonderful Mary J Blige! Who are the other guests, a room packed with
:05:06. > :05:16.legends. From Manchester, we have Go Go Penguin. From London, the one and
:05:17. > :05:24.only Marianne Faithfull. From Co Wicklow, we are delighted to have in
:05:25. > :05:30.the room, Hozier. From Southampton, it is Band of Skulls. But first,
:05:31. > :05:42.from Sweden we welcome first aid kit.
:05:43. > :05:49.# Take me some place where there's music and there's laughter.
:05:50. > :05:54.# I don't know if I'm scared of dying.
:05:55. > :05:56.# But I'm scared of living too fast, too slow.
:05:57. > :06:02.# There's no starting over, no new beginnings.
:06:03. > :06:04.# Time races on, you've just gotta keep on keeping on.
:06:05. > :06:14.# Can't worry 'bout what's behind you.
:06:15. > :06:18.# Or what's coming for you further up the road.
:06:19. > :06:20.# I try not to hold on to what is gone.
:06:21. > :07:14.# Having no idea who or what or where I am.
:07:15. > :07:26.# There's hope, there's a silver lining.
:07:27. > :09:16.Thank you, first aid kit. The next artists have been wowing the crowds
:09:17. > :09:28.at festivals and now we welcome band of Scholes. -- band of Scholes.
:09:29. > :10:35.# trust you. # trust you.
:10:36. > :10:51.# what game are you playing now. # what game are you playing now.
:10:52. > :11:02.# trust you to be tripping now. # trust you.
:11:03. > :11:18.# my hooch EQ chief. # you look like Picasso.
:11:19. > :12:26.# a kind of like it. Thank U Band of Skulls.
:12:27. > :12:35.We welcome back into the studio, Mary J Blige. It is good to see you.
:12:36. > :12:40.You have this incredible new record and the London Sessions, made in
:12:41. > :12:46.London and a lot of the artists are new artists. How did it come about?
:12:47. > :12:53.It came about with me doing a song with disclosure. It blew up over
:12:54. > :12:58.here in London and did very well. Then it started blowing up Indian
:12:59. > :13:04.knighted States. The whole idea was to do an EP with disclosure. I just
:13:05. > :13:10.signed at Capitol records. I was speaking to the head of Capitol
:13:11. > :13:15.records, Steve Barnett about the idea of doing the EP with
:13:16. > :13:22.disclosure. He said don't do an EP with disclosure, do a whole album in
:13:23. > :13:25.London and surround yourself with the producers and writing and the
:13:26. > :13:36.amazing up and coming talent here. That is how it came about.
:13:37. > :13:42.Disclosure Sam Smith, Emily Sunday, great people. Emily said she had
:13:43. > :13:46.been in the studio with you. How does it compare working with these
:13:47. > :13:52.people because you have some of the top Americans, how does the methods
:13:53. > :13:56.of working change? Do the British people stop and have tea and cake?
:13:57. > :14:03.They definitely have their lunch more often than the people in the
:14:04. > :14:12.United States do. The hours are early, I was in the studio at 12
:14:13. > :14:22.noon every day. That is not normal. We usually do it at six p.m..
:14:23. > :14:31.We get there at 12, stop about 12.15 for lunch? No. We are working - once
:14:32. > :14:36.we get something. Once we get a song, everybody takes a break
:14:37. > :14:43.because we got it. We go, let's have lunch. That is how it goes. Did you
:14:44. > :14:50.look at stuff while you were here. Did you look around? I have been
:14:51. > :14:54.here several times. This time asat in parks I hadn't sat with before.
:14:55. > :15:00.There is a park with a gigantic hill. I don't know the name of it.
:15:01. > :15:06.There is benches and people, I don't know. Greenwich Park. Yeah. You
:15:07. > :15:12.didn't tell me. You went to Greenwich Park and you didn't tell
:15:13. > :15:16.me. Amazing. I discovered Shoreditch. I didn't know, all the
:15:17. > :15:23.years I had been coming here. I had no idea. This is the modern world.
:15:24. > :15:29.10, 20 years ago nobody went to the East End, except for me I played the
:15:30. > :15:33.piano there. It is a groovy bit. You are there. You are going to do a
:15:34. > :15:39.song you have written with Sam Smith. Tell us about that song? The
:15:40. > :15:46.song, that we are about to sing, is called If You're Not Loving You. It
:15:47. > :15:51.was written by Sam Smith alone. When I heard his reference, of course, it
:15:52. > :15:56.gave me goose pumps. I couldn't wait to record it. Yeah. That's the song.
:15:57. > :16:02.I hope we can do that in a moment here at the piano. Yeah. Mary J.
:16:03. > :16:04.Blige. APPLAUSE
:16:05. > :16:07.We will hear that song in a moment. First, we can go in this direction
:16:08. > :16:17.and well Hozier. -- welcome Hozier. # My lover's got humour.
:16:18. > :16:20.# She's the giggle at a funeral. # Knows everybody's disapproval.
:16:21. > :16:24.# I should've worshiped her sooner. # If the heavens ever did speak.
:16:25. > :16:29.# She's the last true mouthpiece. # Every Sunday's getting more bleak.
:16:30. > :16:34.# A fresh poison each week. # We were born sick.
:16:35. > :16:38.# You heard them say it. # My Church offers no absolutes.
:16:39. > :16:42.# She tells me, worship in the bedroom.
:16:43. > :16:48.# The only heaven I'll be sent to. # Is when I'm alone with you.
:16:49. > :16:51.# I was born sick. # But I love it.
:16:52. > :16:56.# Command me to be well. # Amen.
:16:57. > :17:12.# Amen. # Take me to church.
:17:13. > :17:14.# I'll worship like a dog. # At the shrine of your lies.
:17:15. > :17:18.# I'll tell you my sins. # And you can sharpen your knife.
:17:19. > :17:21.# Offer me that deathless death. # Good God, let me give you my life.
:17:22. > :17:24.# Take me to church. # I'll worship like a dog.
:17:25. > :17:28.# At the shrine of your lies. # I'll tell you my sins.
:17:29. > :17:32.# And you can sharpen your knife. # Offer me that deathless death.
:17:33. > :17:42.# Good God, let me give you my life. # If I'm a pagan of the good times.
:17:43. > :17:46.# My lover's the sunlight. # To keep the goddess on my side.
:17:47. > :17:52.# She demands sacrifice. # Drain the whole sea.
:17:53. > :17:55.# Get something shiny. # Something meaty for the main
:17:56. > :17:58.course. # That's a fine looking high horse.
:17:59. > :18:03.# What you got in the stable? # We've a lot of starving faithful.
:18:04. > :18:06.# That looks tasty. # That looks plenty.
:18:07. > :18:12.# This is hungry work. # Take me to church.
:18:13. > :18:15.# I'll worship like a dog. # At the shrine of your lies.
:18:16. > :18:20.# I'll tell you my sins. # Good God, let me give you my life.
:18:21. > :18:38.# Offer me that deathless death. # Take me to church.
:18:39. > :18:41.# I'll worship like a dog. # At the shrine of your lies.
:18:42. > :18:44.# I'll tell you my sins. # Good God, let me give you my life.
:18:45. > :18:53.# Offer me that deathless death. # No Masters or Kings.
:18:54. > :18:56.# When the Ritual begins. # There is no sweeter innocence.
:18:57. > :18:58.# Than our gentle sin. # In the madness and soil.
:18:59. > :19:08.# Of that sad earthly scene. # Only then I am human.
:19:09. > :19:29.# Only then I am clean. # Amen.
:19:30. > :19:31.# Amen. # Take me to church.
:19:32. > :19:33.# I'll worship like a dog. # At the shrine of your lies.
:19:34. > :19:36.# I'll tell you my sins. # And you can sharpen your knife.
:19:37. > :19:40.# Offer me that deathless death. # Good God, let me give you my life.
:19:41. > :19:44.# Take me to church. # I'll worship like a dog.
:19:45. > :19:48.# At the shrine of your lies. # I'll tell you my sins.
:19:49. > :19:52.# And you can sharpen your knife. # Offer me that deathless death.
:19:53. > :20:27.# Good God, let me give you my life. # You're never ever going to cover
:20:28. > :20:40.up # You're always remain
:20:41. > :20:47.# Sipping on another cup # Take it away
:20:48. > :20:58.# It weighs so heavy # So heavy on the heart
:20:59. > :21:06.# So what you going to do now # Now that you're falling, you're
:21:07. > :21:17.falling down # There's only so much I can do
:21:18. > :21:23.# If you're not loving you # Marching in to try and save the
:21:24. > :21:30.day # And never works out
:21:31. > :21:40.# Always hopeful that I'll make a change
:21:41. > :21:50.# What's that about # It weighs so heavy
:21:51. > :21:59.# So heavy, on my heart # So what you gonna do now
:22:00. > :22:05.# Now that you're falling # You're falling down
:22:06. > :22:14.# There's only so much I can do # If you're not loving you
:22:15. > :22:21.# I love you # I want you to be all that you can
:22:22. > :22:31.# Yeah, yeah, yeah # If I could, then I would, but you
:22:32. > :22:37.know that I can't # No, I can't
:22:38. > :22:43.# So what, what you gonna do now # Now that you're falling, you're
:22:44. > :22:52.falling down # There's only so much I can do
:22:53. > :23:00.# If you're not loving # What you gonna do now
:23:01. > :23:07.# Now that you're falling # You're falling down
:23:08. > :23:19.# There's only so much I can do # If you're not loving you...
:23:20. > :23:19.# CHEERING AND
:23:20. > :23:36.APPLAUS Thank you. The wonderful Mary J. Blige. If
:23:37. > :23:40.You're Not Loving You from the London Sessions. Mary J has been
:23:41. > :23:44.here in London, England. While they all had lunch, as you heard. Before
:23:45. > :23:50.that we enjoyed Hozier. CHEERING AND APPLAUS
:23:51. > :23:53.Now we have a great legend joined by a fabulous newey, joined by Anna
:23:54. > :24:25.Calvi, it's Marianne Faithfull. # How many times have I found myself
:24:26. > :24:30.in this place, without reason. # So many times to go round
:24:31. > :24:45.and round in despair. # Looking for someone,
:24:46. > :25:04.looking for something. # Falling back into myself
:25:05. > :25:58.# And into the place I love in this garden, I've found my heart
:25:59. > :26:08.# Without reason # Or excuses
:26:09. > :26:14.# Not many hearts can feel and feel the blade
:26:15. > :26:19.# Too many hearts that have never seen love's face
:26:20. > :26:28.# Looking for someone # Looking for something and you
:26:29. > :26:36.# Looking for someone # Looking something and you
:26:37. > :26:42.# Looking for you # Looking for you
:26:43. > :27:35.# Looking for you #
:27:36. > :27:44.CHEERING AND APPLAUS
:27:45. > :27:56.The wonderful, Marianne Faithfull with Falling Back. And Give My Love
:27:57. > :28:00.To London with Anna Calvi. We welcome some Mercury nominees who
:28:01. > :32:12.are splendid. It's GoGo Penguin. # wait to face the burning heat.
:32:13. > :32:40.# thinking about my baby. # so in love I can hardly eat.
:32:41. > :32:51.# my baby is so sweet. # when my baby found me.
:32:52. > :32:58.# I was three days on a drunken sin. # I woke up with just the walls
:32:59. > :33:07.around me. # I didn't care much how long I
:33:08. > :33:14.lived. # I thought I had dreams her.
:33:15. > :33:25.# she never asked me once about the wrong guy did.
:33:26. > :33:44.# hold my body down. # I'm going home to her.
:33:45. > :33:58.# when my time comes around. # my baby would never fret naan.
:33:59. > :34:06.# what my hands and my body done. # I was kissing my baby.
:34:07. > :34:16.# she put her love down slow and sweet.
:34:17. > :34:25.# when my time comes around. # lay me gently in the cold, dark
:34:26. > :34:34.earth. # I'm going home to her.
:34:35. > :34:38.# when my time comes around. # lay me gently in the cold, dark
:34:39. > :35:13.earth. Before that, the skills of GoGo
:35:14. > :35:19.Penguin. Now one of the great legends of music. She has celebrated
:35:20. > :35:26.50 years in music, we are delighted to have here, Marianne Faithfull.
:35:27. > :35:32.Good to see you. Marvellous to see you. It is a great treat to have
:35:33. > :35:42.been here. You are sounding better than ever with Anna Calvi. It is
:35:43. > :35:51.almost, give my love to London. It is slightly sarcastic. Do you like
:35:52. > :35:56.London? I am kind of fond of London, but I have had my ups and downs with
:35:57. > :36:04.London, especially with the media. I don't like the British press.
:36:05. > :36:11.Where'd do you live now? Between Dublin, or Ireland in general, and
:36:12. > :36:18.Paris. So Dennis and champagne. A lovely treat. The first song you
:36:19. > :36:24.played, you have Anna Calvi, you have other great guests? I wrote
:36:25. > :36:30.that song with Anna Calvi. She picked up her little guitar -
:36:31. > :36:39.wellhead big guitar. She is a little girl, with a guitar. I had the
:36:40. > :36:43.lyrics and she is so talented. I immediately change them because I
:36:44. > :36:47.thought she was too talented for these lyrics and I have to make them
:36:48. > :36:55.better. It is a bit unnerving but somebody when you suddenly change
:36:56. > :37:03.it. But she was perfectly able. You have lots of other great people?
:37:04. > :37:27.Yes, Nick Kaye, who I have worked with before. Steve Earle is so
:37:28. > :37:35.wonderful. He wrote, Give My Love To London with me. You have to say, if
:37:36. > :37:48.you need to change the lyrics to fit into the music, you can. Bruised
:37:49. > :37:54.ego! I think they are big enough men to take it. No, they are allowed to
:37:55. > :38:07.change it, it is me with the bruised ego. You have been in an opera,
:38:08. > :38:18.Seven Deadly Sins? It was written in the 20s. It wasn't a big hit and it
:38:19. > :38:25.has never been a big hit. People don't seem to like it. It is almost
:38:26. > :38:30.still, even now, because it is very anti-religious and very antifamily.
:38:31. > :38:50.What are the seven deadly sins, just for the people at home. Pride,
:38:51. > :39:00.sloth, anger, lust, greed... Food, that one. Gluttony? Gluttony!
:39:01. > :39:10.Avarice and envy. What is the worst? Envy. I think we have learnt
:39:11. > :39:14.something there. You have been making fantastic records and you
:39:15. > :39:23.have toured with those, which was delightful. But I would like to go
:39:24. > :39:40.back to the beginning. It would be a lovely thing to do.
:39:41. > :40:02.# it is the evening of the day. # I sit and watch the children play.
:40:03. > :40:13.# smiling faces, I can see. # but not for me.
:40:14. > :40:29.# I sit and watch as tears go by. # my riches cannot buy every second.
:40:30. > :40:41.# I want to hear the children sing. # all I hear is the sound of rain
:40:42. > :41:05.falling on the ground. # I sit and watch as tears go by.
:41:06. > :41:17.# doing things I used to do. # they think I am mean.
:41:18. > :41:28.# I sit and watch as tears go by. The wonderful, Marianne Faithfull.
:41:29. > :41:47.And now, first aid kit. # The sun shone high
:41:48. > :41:59.those few summer days. # But just
:42:00. > :42:19.as the moon it shines straight. # What if our hard work ends
:42:20. > :42:37.in despair? # What
:42:38. > :42:39.if the road won't take me there? # Oh, I wish, for once,
:42:40. > :42:43.we could stay gold. # What if to love
:42:44. > :42:46.and be loved is not enough? # What if I fall
:42:47. > :42:49.and can't bear to get up? # Oh, I wish, for once,
:42:50. > :42:55.we could stay gold. # We're
:42:56. > :43:10.on our way through rugged land. # Top of that mountain
:43:11. > :43:16.we wanted to stand. # But there is only forward,
:43:17. > :43:30.no other way. # Tomorrow was your hope
:43:31. > :43:36.at the end of the day. # What if our hard work ends
:43:37. > :43:49.in despair? # What
:43:50. > :43:52.if the road won't take me there? # Oh, I wish, for once,
:43:53. > :43:56.we could stay gold. # What if to love
:43:57. > :44:00.and be loved is not enough? # What if I fall
:44:01. > :44:02.and can't bear to get up? # Oh, I wish, for once,
:44:03. > :44:07.we could stay gold. # All of my dreams,
:44:08. > :44:22.they fall and form a bridge. # All of my dreams,
:44:23. > :44:34.they fall and form a bridge. # Of memories where I
:44:35. > :44:56.can't get back to. # What if our hard work ends
:44:57. > :44:58.in despair? # What
:44:59. > :45:00.if the road won't take me there? # Oh, I wish, for once,
:45:01. > :45:03.we could stay gold. # What if to love
:45:04. > :45:06.and be loved is not enough? # What if I fall
:45:07. > :45:08.and can't bear to get up? # Oh, I wish, for once,
:45:09. > :45:12.we could stay gold. # All of my dreams,
:45:13. > :45:34.they fall and form a bridge. CHEERING AND
:45:35. > :46:22.APPLAUS E # Give my love to London
:46:23. > :46:25.# Say I'll be there soon # Meet in Piccadilly
:46:26. > :46:28.# And we'll dance by the light of the moon
:46:29. > :46:42.# Dance by the light of the moon, boys
:46:43. > :46:51.# Dance by the light of the moon # I'll visit all the places I used
:46:52. > :46:59.to know so well # From Maida Vale to Chelsea
:47:00. > :47:08.# Paradise to hell # Paradise to hell, boys
:47:09. > :47:11.# Paradise to hell. # Skeletons are turning
:47:12. > :47:16.# Twisting in the wind # That whips the tattered flags
:47:17. > :47:34.along the streets of Kensington # Hell on earth is burning
:47:35. > :47:40.# On the streets of Kensington # The river's running bloody
:47:41. > :47:46.# The Tower is falling down # I'm singing Pirate Jenny
:47:47. > :47:50.# While the Black Ship's bearing down
:47:51. > :48:22.# Jenny's hating, breaking heart # Sure makes a lonesome sound
:48:23. > :48:29.# Tonight I'll watch the city # Burning fiery bright
:48:30. > :48:35.# Their kindness, out of pity # Will not get them through the
:48:36. > :48:47.night # Chiswic's very pretty
:48:48. > :48:48.# In the sacrificial light. -- Chiswick's
:48:49. > :48:52.# # And if I was to die then
:48:53. > :48:56.# I wouldn't really care # I'd wake up in the morning
:48:57. > :49:00.# And I wasn't really there # I'd wake up in the morning
:49:01. > :49:27.# And I wasn't really there # So give my love to London
:49:28. > :49:32.# Tell them I'll be there soon had been meet in Piccadilly -- I'll be
:49:33. > :49:35.there soon # Meet in Piccadilly
:49:36. > :49:38.# And we'll dance by the light of the moon
:49:39. > :49:42.# Dance by the light of the moon, boys
:49:43. > :49:54.# # -- moon. #
:49:55. > :49:59.Marianne Faithfull with Give My Love To London much before that we
:50:00. > :50:05.enjoyed First Aid Kit. It's sad because we have to say that the
:50:06. > :50:10.greatest British jazz trumpeter, Kenny Wheeler has passed away. We
:50:11. > :50:16.have a clip of him. He is introduced by Ronnie Scott who doesn't seem to
:50:17. > :50:21.move his lips while introducing him. Let's pay tribute to Kenny Wheeler.
:50:22. > :50:23.He's an example of what can be done by a non--American musician playing
:50:24. > :51:11.perfectly valid jazz music. The wonderful, late, Kenny Wheeler.
:51:12. > :51:16.APPLAUSE. We go into this corner and enjoy,
:51:17. > :51:43.once again, Band of Skulls. # Started praying,
:51:44. > :58:18.just like a tribalite. #
:58:19. > :58:26.CHEERING AND APPLAUSE. Thank you. Mary J Blige and Therapy. We will be
:58:27. > :58:30.back on Tuesday at 10.00pm. Now I think it's time to say farewell to
:58:31. > :58:34.all the beautiful people in our room. Have you got a groove up your
:58:35. > :58:53.sleeve there. Excellent. Let's have it. Thank you to all of our guests.
:58:54. > :59:02.Thank you, Mary J Blige. Thank you, GoGo Penguin. Thank you First Aid
:59:03. > :59:07.Kit. Thank you band of souls. Yeah, yeah.
:59:08. > :59:13.# Yeah, yeah # Yeah, yeah... #
:59:14. > :59:20.Keep going. Thank you, Hozier. # Yeah, yeah... #
:59:21. > :59:31.Let's hear it. Thank you, Hozier. Thank you to the wonderful, Marianne
:59:32. > :59:36.Faithfull with Anna Calvi. Well, I think that's about it.