:00:09. > :00:32.This programme contains some strong language.
:00:33. > :00:50.Welcome to the show! What better way to start than with Guy Garvey!
:00:51. > :00:54.# Good book but you got no proof # And I feel no joy
:00:55. > :00:58.# And I've been looking for my truth # Since God was a boy
:00:59. > :01:02.# Tried faith in humanity # No no no no no
:01:03. > :01:08.# But it sure made a man of me # Yeah Yeah Yeah Yeah Yeah
:01:09. > :01:17.# I was headed for an early grave # 'Til I washed up on her tide
:01:18. > :01:22.# Yes, I believe # In Angela's eyes
:01:23. > :01:27.# Skipped on school and I ditched self-help
:01:28. > :01:31.# And I never knew a leader to lead # Eton mess you're a lie made flesh
:01:32. > :01:33.# In a house full of robbers and thieves
:01:34. > :01:37.# No sign from the zodiac # No no no no no
:01:38. > :01:44.# And I want my locking money back # Yeah yeah yeah yeah yeah
:01:45. > :01:51.# I'm a disciple of the woman's love # And her counsel kind and wise
:01:52. > :02:28.# Yes, I believe # In Angela's eyes
:02:29. > :02:35.# Good book but you got no proof # And I feel no joy
:02:36. > :02:38.# And I've been looking for my truth # Since God was a boy
:02:39. > :02:42.# Tried faith in humanity # No no no no no
:02:43. > :02:50.# But it sure made a man of me # Yeah Yeah Yeah Yeah Yeah
:02:51. > :02:55.# I'm a believer in a perfect girl # In a world of brazen lies
:02:56. > :04:03.# Yes, I believe # In Angela's eyes. #
:04:04. > :04:18.Guy Garvey with Angela's Eyes. Tonight we welcome you here live and
:04:19. > :04:24.direct an international show with legends. From New York the wonderful
:04:25. > :04:29.Judy Collins. From London, it's Jamie Woon. From Nashville, it's
:04:30. > :04:36.Bela Fleck and Abigail Wash cans burn. From Paris, the extraordinary
:04:37. > :04:42.Caravan Palace. From New York and England, we welcome Dave Gahan and
:04:43. > :04:54.Soulsavers. # Light
:04:55. > :05:00.# There's light here # And it shines on you
:05:01. > :05:08.# It shines, yeah it shines down # It shines on you
:05:09. > :05:19.# When you look around # It's so profound
:05:20. > :05:30.# What we can do # You and me
:05:31. > :05:39.# All of us # Here we're coming through
:05:40. > :05:45.# Here we're coming through # We gonna shine on you
:05:46. > :05:53.# Light # There's light here
:05:54. > :06:06.# And it shines on you # It shines, yeah it shines down
:06:07. > :06:18.# It shines on you # Anyone can see
:06:19. > :06:24.# There's destiny # For me and you
:06:25. > :06:36.# Our Lord above # Shines down his love
:06:37. > :06:52.# Shines on you # Yeah it shines down
:06:53. > :06:57.# Let it shine on you # Light
:06:58. > :07:08.# There's light here # And it shines on you
:07:09. > :07:18.# It shines, yeah it shines down # It shines on you
:07:19. > :07:26.# Yeah it shines on you # Let it shine on you
:07:27. > :07:32.# Light # There's light here
:07:33. > :07:41.# And it shines on you # It shines, yeah it shines down
:07:42. > :07:47.# It shines on you # Yeah it shines on you
:07:48. > :08:25.Dave Gahan and Soulsavers. If you tune in on Friday we will discuss
:08:26. > :08:46.Depeche Mode. Now from Paris, it's Caravan Palace.
:08:47. > :08:49.# Hey, brother, what you thinking? # Leave that old record spinning
:08:50. > :08:58.# Let's end your time to lay low, # Your knees a-bending, so
:08:59. > :09:02.# It's time to get up and let go # (You're gonna come undone)
:09:03. > :09:05.# Hey, mama, how's it going? # Can't see your body moving
:09:06. > :09:16.# Your booty shaking, you know # Your head has no right to say no
:09:17. > :09:19.# Tonight it's "ready, set, go" # Baby can you move it round the
:09:20. > :09:21.rhythm, # So we can get with 'em,
:09:22. > :09:24.# Just a... and get us a rock and roll round
:09:25. > :09:26.# Just a downtown body body coming with a super-hottie
:09:27. > :09:30.# Let's go, yes, no, hell no # Baby can you move it round the
:09:31. > :09:32.rhythm, # Cause you know we're living in the
:09:33. > :09:47.fast lane, speed up # It ain't no game, just turn up all
:09:48. > :09:51.# Hey, brother, what you thinking? # That good ol' sound is ringing
:09:52. > :09:58.# They don't know what they're missing
:09:59. > :10:02.# Let's end your time to lay low, # Your knees a-bending, so
:10:03. > :10:07.# It's time to get up and let go # Hey, brother, nice and steady,
:10:08. > :10:12.# Put down your drink, you ready # It's hard when things get messy
:10:13. > :10:25.# Your head has no right to say no # Tonight it's "ready, set, go"
:10:26. > :10:28.# Baby can you move it round the rhythm,
:10:29. > :10:32.# So we can get with 'em, # Just a... and get us a rock and
:10:33. > :10:35.round # Just a downtown body body coming
:10:36. > :10:37.with a super-hottie # Let's go, yes, no, hell no
:10:38. > :10:39.# Baby can you move it round the rhythm,
:10:40. > :10:42.# Cause you know we're living in the fast lane, speed up
:10:43. > :11:13.# It ain't no game, just turn up all the themes when I come up on the
:11:14. > :11:15.scene # Baby can you move it round the
:11:16. > :11:17.rhythm, # So we can get with 'em,
:11:18. > :11:19.# Just a... and get us a rock and roll round
:11:20. > :11:22.# Just a downtown body body coming with a super-hottie
:11:23. > :11:25.# Let's go, yes, no, hell no # Baby can you move it round the
:11:26. > :11:28.rhythm, # Cause you know we're living in the
:11:29. > :11:35.fast lane, speed up # It ain't no game, just turn up all
:11:36. > :11:40.APPLAUSE AND CHEERING
:11:41. > :11:50.The wonderful sound of Caravan Palace. Lone Digger from their
:11:51. > :11:54.album, Caravan Palace! Now a man with his only pint of Guinness, it's
:11:55. > :11:58.Guy Garvey. It's great to have you here. Do you like that? It was
:11:59. > :12:03.great. Love it. Fantastic. It makes me want to go to Paris. Shall we run
:12:04. > :12:08.away to Paris? And learn to dance. Brilliant. We can dance like that in
:12:09. > :12:13.nightclubs in par. I love the idea of that. Congratulations on your
:12:14. > :12:16.solo record. A beautiful product and beautiful voice and everything.
:12:17. > :12:23.Thank you. It's not Elbow, who is it? It's me and a bunch of old pals.
:12:24. > :12:29.I have Peter, Nathan from The Whip. Alex Reeves on the drums. On the
:12:30. > :12:33.album Ben Christopher played keyboards and the brass section, the
:12:34. > :12:36.girls that Elbow worked with for a long time, Sarah and Victoria, who
:12:37. > :12:41.are amazing. I surrounded myself with the best people around. A super
:12:42. > :12:44.group of players. What's different about this, what can you achieve
:12:45. > :12:48.with this that you couldn't with Elbow? It's not so much that. It's
:12:49. > :12:54.stretching myself a little bit. Because there's five writers in
:12:55. > :12:57.Elbow, things take five times longer so the album was made quicker and
:12:58. > :13:01.really it was an exercise, I wasn't actually going to take it live or
:13:02. > :13:05.anything but it was Pete from Elbow that said I should do or I might
:13:06. > :13:08.regret it. It's been great fun. It's interesting, when you work in a
:13:09. > :13:12.different people, something different comes out. Do you think
:13:13. > :13:17.that is what you have learned? Plus when you are in a band it's, as you
:13:18. > :13:25.know, it's where your tastes meet, that's what you end up producing and
:13:26. > :13:29.certain areas of my taste that Elbow - well they wouldn't let me get away
:13:30. > :13:33.with that keyboard solo, I couldn't play it anyway! It's groovy. Ben
:13:34. > :13:38.can't come on tour with us because he is such an in demand man. I miss
:13:39. > :13:42.you, Ben. You are in demand, as well. Also you have a show on the ie
:13:43. > :13:47.player, I believe. Tell us what that features. Like this good programme,
:13:48. > :13:52.it's about promoting music that I think is worthy of a bigger
:13:53. > :13:56.audience. So, with my good friend Rachel Davis who produced and made
:13:57. > :14:00.the programme we made six episodes about artists I think that the
:14:01. > :14:05.British public would like. So, a good 25 minutes per artist. On each
:14:06. > :14:13.person. Give us an example of one person that you have focussed on.
:14:14. > :14:19.Here We Go Magic, an amazing band from upstate New York. Elbow toured
:14:20. > :14:25.with them. The album before last was made with Nigel from Radiohead fame.
:14:26. > :14:29.It's shining a light on things that might have escaped people's
:14:30. > :14:32.attention that is great to listen to. Exactly. In the room tonight who
:14:33. > :14:39.are you enjoying, anybody in particular? I think it's amazing.
:14:40. > :14:43.Judy, what an honour to meet Judy. Absolutely loving what Dave is
:14:44. > :14:48.doing, as well. That's an incredible sound over there chaps. A room full
:14:49. > :14:51.of amazing stuff. Judy Collins, one of the first records I ever bought.
:14:52. > :14:54.When she came to my dressing room I couldn't believe it. You know what I
:14:55. > :14:58.mean? If you came to my dressing room I would believe it and I would
:14:59. > :15:02.love to see you but it's not like a dream. Well it is... I will stop
:15:03. > :15:05.now. It's great. Thank you very much Guy Garvey!
:15:06. > :15:12.APPLAUSE AND CHEERING
:15:13. > :15:18.Are you doing another number? Great. Now we are welcoming Bela Fleck and
:15:19. > :15:43.Abigail Washburn. # If I had a shot gun and you were
:15:44. > :16:06.in the words # I'd hunt you down
:16:07. > :16:14.# And tell you you're no good # If I had a shotgun
:16:15. > :16:33.# You'd go down on your knees # You'd start begging please
:16:34. > :16:51.# Don't you run now # If you run now
:16:52. > :16:58.# You know what I will do # I would let you go but you are
:16:59. > :17:11.just too mean # Wish I was a big girl
:17:12. > :17:41.# Could let my heart be free # But if I was a big girl
:17:42. > :17:46.# I'd have you hung in a tree # So get me a shotgun
:17:47. > :17:48.# And don't you run now # Because if you run now
:17:49. > :18:26.# You know what I have to do # So get me a shotgun
:18:27. > :18:32.# And don't you run now # Because if you run now
:18:33. > :18:50.# You know what I have to do # The extraordinary sound of Bela
:18:51. > :18:54.Fleck and Abigail Washburn. Now, the talented young fella whose new album
:18:55. > :19:12.comes out on Friday called Making Time, Jamie Woon.
:19:13. > :19:23.# Never been so existent # You can't know unless you feel
:19:24. > :19:40.# Come back - bodies aching from the want and the waiting
:19:41. > :19:51.# Never felt this before # Is it written on my back, take it
:19:52. > :20:04.back and then let it go # Every day is the day that you
:20:05. > :20:08.saved me # Light into darkness cut on the
:20:09. > :20:17.sharpness of you # Never been so inside and falling
:20:18. > :20:29.into you # You can't fall unless you feel
:20:30. > :20:35.it,? # Come back - bodies aching from the
:20:36. > :20:54.want and the waiting # I get this pain when you're
:20:55. > :20:56.leaving # Never felt this before
:20:57. > :20:59.# Never felt this before # Is it written on my back, take it
:21:00. > :21:07.back and then let it go (let it go) # Is it written on my back, take it
:21:08. > :21:17.back and then let it go # Every day is the day that you
:21:18. > :21:20.saved me # Light into darkness cut on the
:21:21. > :21:47.sharpness of you # Come back - bodies aching from the
:21:48. > :21:58.want and the waiting # Never felt this before
:21:59. > :22:04.# Never felt this before # Is it written on my back, take it
:22:05. > :22:12.back and then let it go (let it go) # Is it written on my back, take it
:22:13. > :22:44.back and then let it go Jamie Woon. When he was playing
:22:45. > :22:52.everyone in the room was going like this. Now it is time for an
:22:53. > :22:54.incredible legend, one of the greatest singers of all time, the
:22:55. > :23:10.fabulous Judy Collins. # There are places I remember all my
:23:11. > :23:20.life # Though some have changed
:23:21. > :23:29.# Some forever, not for better # All these places have their
:23:30. > :23:41.meanings # With lovers and friends I still
:23:42. > :23:44.can recall # But of all these friends and
:23:45. > :24:12.lovers # And these memories lose their
:24:13. > :24:29.meaning # When I think of love as something
:24:30. > :24:31.new # Though I know I'll never lose
:24:32. > :24:35.affection # For people and things that went
:24:36. > :24:41.before # I know I'll often stop and think
:24:42. > :25:32.about them That was wonderful. The amazing Judy
:25:33. > :25:39.Collins. In My Life. We have only got 40 seconds for a wrap. Now that
:25:40. > :25:53.I have done this we only have 20 seconds. I would like to thank Jamie
:25:54. > :25:58.Woon! Caravan Palace. Dave Gahan and Soulsavers. And now we will say
:25:59. > :26:37.farewell with the wonderful Guy Garvey.
:26:38. > :26:51.# And buckled every joint # It parted me from truth and any
:26:52. > :27:27.youth I knew # That house I built I realised...
:27:28. > :27:28.# I will walk into its mouth and I will breakfast in the Belly of the
:27:29. > :27:32.Whale # I will walk into its mouth and I
:27:33. > :27:42.will breakfast in the Belly of the # I cannot speak its name but I
:27:43. > :27:44.would walk into its mouth and I would breakfast in the Belly of the
:27:45. > :27:46.Whale # I cannot speak its name but I
:27:47. > :27:50.would walk into its mouth and I would breakfast in the Belly of the
:27:51. > :28:12.Whale # That house broke my back
:28:13. > :28:16.# That house I built skinned my knuckles
:28:17. > :28:25.# That house I built picked my pockets
:28:26. > :28:34.# Parted me from youth and any truth I knew.
:28:35. > :28:37.# That house, that house, I realised, turned my eyes to
:28:38. > :28:57.barnacles beneath a leather hat I'm never going to dance again. I
:28:58. > :29:16.have guilty feet. # I cannot speak its name but I
:29:17. > :29:19.would walk into its mouth and I would breakfast in the Belly of the
:29:20. > :29:21.Whale # I cannot speak its name but I
:29:22. > :29:25.would walk into its mouth and I would breakfast in the Belly of the
:29:26. > :29:27.Whale # I cannot speak its name but I
:29:28. > :29:30.would walk into its mouth and I would breakfast in the Belly of the
:29:31. > :29:34.Whale # I cannot speak its name but I
:29:35. > :29:37.would walk into its mouth and I would breakfast in the Belly of the
:29:38. > :29:52.Whale