:00:00. > :00:32.This programme contains strong language.
:00:33. > :00:51.APPLAUSE We start with Guy Garvey.
:00:52. > :00:55.# Good book but you got no proof # And I feel no joy
:00:56. > :00:58.# And I've been looking for my truth # Since God was a boy
:00:59. > :01:02.# Tried faith in humanity # No no no no no
:01:03. > :01:08.# But it sure made a man of me # Yeah Yeah Yeah Yeah Yeah
:01:09. > :01:13.# I was headed for an early grave # 'Til I washed up on her tide
:01:14. > :01:24.# Yes, I believe # In Angela's eyes
:01:25. > :01:26.# Skipped on school and I ditched self-help
:01:27. > :01:30.# And I never knew a leader to lead # Eton mess you're a lie made flesh
:01:31. > :01:33.# In a house full of robbers and thieves
:01:34. > :01:38.# No sign from the zodiac # No no no no no
:01:39. > :01:43.# And I want my locking money back # Yeah yeah yeah yeah yeah
:01:44. > :01:48.# I'm a disciple of the woman's love # And her counsel kind and wise
:01:49. > :02:29.# Yes, I believe # In Angela's eyes
:02:30. > :02:33.# Good book but you got no proof # And I feel no joy
:02:34. > :02:40.# And I've been looking for my truth # Since God was a boy
:02:41. > :02:43.# Tried faith in humanity # No no no no no
:02:44. > :02:49.# But it sure made a man of me # Yeah Yeah Yeah Yeah Yeah
:02:50. > :02:53.# I'm a believer in a perfect girl # In a world of brazen lies
:02:54. > :04:08.# Yes, I believe # In Angela's eyes. #
:04:09. > :04:25.APPLAUSE Guy Garvey with Angela's eyes. More
:04:26. > :04:30.from him later. The night it is an international show, from the New
:04:31. > :04:44.York the legendary and wonderful Judy Collins. From London we welcome
:04:45. > :04:56.Jamie Woon. From New York we welcome Bela Fleck and Abigail Washburn. And
:04:57. > :05:05.from Paris we have Caravan Palace. And now from New York and England we
:05:06. > :05:30.# Light # There's light here
:05:31. > :05:39.# And it shines on you # It shines, yeah it shines down
:05:40. > :05:55.# It's so profound # What we can do
:05:56. > :06:02.# You and me # All of us
:06:03. > :06:08.# Here we're coming through # Here we're coming through
:06:09. > :06:18.# We gonna shine on you # Light
:06:19. > :06:29.# There's light here # And it shines on you
:06:30. > :06:43.# It shines, yeah it shines down # It shines on you
:06:44. > :06:50.# Anyone can see # There's destiny
:06:51. > :06:59.# For me and you # Our Lord above
:07:00. > :07:08.# Shines down his love # Shines on you
:07:09. > :07:21.# Yeah it shines down # Let it shine on you
:07:22. > :07:31.# There's light here # And it shines on you
:07:32. > :07:47.# It shines, yeah it shines down # It shines on you
:07:48. > :07:59.# Light # There's light here
:08:00. > :08:11.# And it shines on you # It shines, yeah it shines down
:08:12. > :08:18.# It shines on you # Yeah it shines on you
:08:19. > :08:49.Excellent, Dave Gahan and Soulsavers. Our next group are from
:08:50. > :09:09.Paris and they are very good. We welcome Caravan Palace.
:09:10. > :09:12.# Hey, brother, what you thinking? # Leave that old record spinning
:09:13. > :09:20.# Let's end your time to lay low, # Your knees a-bending, so
:09:21. > :09:24.# It's time to get up and let go # (You're gonna come undone)
:09:25. > :09:27.# Hey, mama, how's it going? # Can't see your body moving
:09:28. > :09:35.# Your booty shaking, you know # Your head has no right to say no
:09:36. > :09:40.# Tonight it's "ready, set, go" # Baby can you move it round the
:09:41. > :09:42.rhythm, # So we can get with 'em,
:09:43. > :09:44.# Just a... and get us a rock and roll round
:09:45. > :09:47.# Just a downtown body body coming with a super-hottie
:09:48. > :09:51.# Let's go, yes, no, hell no # Baby can you move it round the
:09:52. > :09:53.rhythm, # Cause you know we're living in the
:09:54. > :09:56.fast lane, speed up # It ain't no game, just turn up all
:09:57. > :10:14.# Hey, brother, what you thinking? # That good ol' sound is ringing
:10:15. > :10:19.# They don't know what they're missing
:10:20. > :10:23.# Let's end your time to lay low, # Your knees a-bending, so
:10:24. > :10:27.# It's time to get up and let go # Hey, brother, nice and steady,
:10:28. > :10:31.# Put down your drink, you ready # It's hard when things get messy
:10:32. > :10:48.# Your head has no right to say no # Tonight it's "ready, set, go"
:10:49. > :10:51.# Baby can you move it round the rhythm,
:10:52. > :10:54.# So we can get with 'em, # Just a... and get us a rock and
:10:55. > :10:57.round # Just a downtown body body coming
:10:58. > :10:59.with a super-hottie # Let's go, yes, no, hell no
:11:00. > :11:01.# Baby can you move it round the rhythm,
:11:02. > :11:04.# Cause you know we're living in the fast lane, speed up
:11:05. > :11:38.# It ain't no game, just turn up all the themes when I come up on the
:11:39. > :11:40.# Baby can you move it round the rhythm
:11:41. > :11:44.# Just a... and get us a rock and roll round
:11:45. > :11:47.# Just a downtown body body coming with a super-hottie
:11:48. > :11:50.# Baby can you move it round the rhythm
:11:51. > :11:52.# Cause you know we're living in the
:11:53. > :12:07.fast lane, speed up # It ain't no game, just turn up all
:12:08. > :12:18.Very good, Caravan Palace. Now we have international artists and
:12:19. > :12:29.brand-new artists and great legends and we have a great legends now in
:12:30. > :12:37.the form of Judy Collins. Thank you. I am a great fan of your work, as is
:12:38. > :12:44.Guy Garvey, he is a fan. It is great you are here. You have made a new
:12:45. > :12:54.record with a lot of different artists called Strangers Again, but
:12:55. > :13:04.they are all friends. Are they all your friends? Yes, they are and they
:13:05. > :13:09.are all wonderful singers. I thought Jeff Bridges would want to sing one
:13:10. > :13:18.song with me, but he wanted something else. Don Maclean said, I
:13:19. > :13:28.do not want to sing Vincent with you and I do not want to sing American
:13:29. > :13:34.Pie, I want to sing Sends In The Client. You have a history of doing
:13:35. > :13:39.interesting songs and shining a light on great songwriters like
:13:40. > :13:45.Leonard Cohen and Joni Mitchell. What attracts you
:13:46. > :13:54.It is falling in love, Jools. It's something inexplicable. If I know
:13:55. > :14:00.it's right, I never look back and I don't question it. So I have
:14:01. > :14:08.rejected a lot of songs unsung, but the ones I hold dear are beautiful
:14:09. > :14:20.songs. Here is... I mean, how could you not fall in love with that? It's
:14:21. > :14:24.amazing. A beautiful melody. And I have been lucky because I have found
:14:25. > :14:28.these wonderful writers. Leonard came to see me out of the blue, a
:14:29. > :14:34.friend of mine said, I know this Canadian, he is so wonderful and the
:14:35. > :14:38.right obscure songs. And then she said, he has started to write songs,
:14:39. > :14:49.and I said, are they obscure? And she said, or yes. So then he sang me
:14:50. > :14:53.Suzanne, and I have never recorded a stranger song. But one day I will.
:14:54. > :14:57.One of the songs on my new CD, I decided I had to do hallelujah
:14:58. > :15:06.because everyone else has done it. I took a turn. Turn, Turn, Turn, which
:15:07. > :15:11.is a Pete Seeger song. Based on a biblical passage. We have got a bit
:15:12. > :15:22.of that powerful song here. Let's look.
:15:23. > :15:29.# At time of love, time of hate. # A time of war, a time of peace.
:15:30. > :15:42.# 8-iron you may embrace. # A time to refrain.
:15:43. > :15:49.# From embracing. # To everything, turn, turn, turn.
:15:50. > :16:00.# There is a season, turn, turn, turn.
:16:01. > :16:06.# And time to every under heaven. -- and a time to every purpose under
:16:07. > :16:11.heaven. That is fantastic. Fantastic, I don't think I have ever
:16:12. > :16:16.seen that before. It was from a night in person, it says. And the
:16:17. > :16:24.guitarist is the great Eric of iceberg. And playing bass, Chuck
:16:25. > :16:30.Israel. It has been a long time since I have seen that. It will be
:16:31. > :16:35.on the BBC iPlayer now. Tune in again. It is fantastic that you are
:16:36. > :16:41.here, and you are going to be doing two songs now. With you. We're
:16:42. > :16:49.looking forward to that. Thank you for joining us, Judy Collins. We
:16:50. > :16:56.will look forward to hearing more. Her wonderful voice. Our next
:16:57. > :17:00.artist, his second album is about to come out. Maybe even today. We are
:17:01. > :17:13.delighted to have him here, Jamie Woon.
:17:14. > :17:38.# Come back - bodies aching from the want and the waiting
:17:39. > :18:10.# Take it back and then let it go
:18:11. > :18:16.# Every day is the day that you saved me
:18:17. > :18:23.# Light into darkness cut on the sharpness of you
:18:24. > :18:31.# Never been so inside and falling into you
:18:32. > :18:42.# You can't fall unless you feel it
:18:43. > :18:49.# Bodies aching from the want and the waiting
:18:50. > :18:52.# I get this pain when you're leaving
:18:53. > :19:10.# Take it back and then let it go
:19:11. > :19:24.# Every day is the day that you saved me
:19:25. > :19:48.# Light into darkness, cut on the sharpness of you
:19:49. > :19:58.# Bodies aching from the want and the waiting
:19:59. > :20:17.# Take it back and then let it go
:20:18. > :21:00.# There are places I remember all my life
:21:01. > :21:21.# All these places have their meanings
:21:22. > :21:25.# With lovers and friends I still can recall
:21:26. > :21:56.# But of all these friends and lovers
:21:57. > :22:04.# And these memories lose their meaning
:22:05. > :22:10.# When I think of love as something new
:22:11. > :22:16.# Though I know I'll never lose affection
:22:17. > :22:22.# For people and things that went before
:22:23. > :22:27.# I know I'll often stop and think about them
:22:28. > :23:17.The beautiful voice of Judy Collins. Before that we enjoyed
:23:18. > :23:34.Jamie Woon. A track from his album. And now we welcome, Guy Garvey.
:23:35. > :23:40.# In the hills it's an overcoat colder
:23:41. > :23:49.# If big things, life things are waves at your door
:23:50. > :24:26.# You're out with a friend in the capital
:24:27. > :24:32.# I'm a thousand leagues under the sea
:24:33. > :24:38.# You're hovering worriedly over your eggs
:24:39. > :25:03.# In the hills it's an overcoat colder
:25:04. > :25:15.# If big things, life things are waves at your door
:25:16. > :25:51.# You're out with a friend in the capital
:25:52. > :25:57.# I'm a thousand leagues under the sea
:25:58. > :26:04.# You're hovering worriedly over your eggs
:26:05. > :26:51.# I'm the son of a saint, and a leader of men. # And I'm neither of
:26:52. > :26:58.them about time more. # I'll build us a house out of
:26:59. > :27:04.wrestle rock shale. # With some everyday windows and any
:27:05. > :27:18.time roofers. # And I'll open door.
:27:19. > :27:19.# To you and yours. # Just pondering trees for you and
:27:20. > :27:51.me. The delicious sound of Guy Garvey's
:27:52. > :27:55.voice. Courting the squall, from the album of the same title. Now we
:27:56. > :28:00.welcome from New York a husband and wife, incredible musicians. Please
:28:01. > :28:39.give it up for Bela Fleck and Abigail Washburn.
:28:40. > :28:57.# Can't you hear the whistle blowin'
:28:58. > :29:05.# Can't you hear the captain shouting
:29:06. > :29:27.# Someone's in the kitchen with Dinah
:29:28. > :29:35.# Someone's in the kitchen with Dinah
:29:36. > :29:38.# Strummin' on the ole banjo and singin'
:29:39. > :30:26.# Someone's in the kitchen with Dinah
:30:27. > :30:34.# Someone's in the kitchen with Dinah
:30:35. > :30:37.# Strummin' on the ole banjo and singin'
:30:38. > :30:45.# Strummin' on the ole banjo and singin'.
:30:46. > :31:31.# One day I'm gonna own this railroad
:31:32. > :32:13.Now we have two things instead of one. Joining us now is Willie Mason
:32:14. > :32:32.and Jamie Woon. # Walking down the block, waiting
:32:33. > :32:46.for the traffic lights to stop again.
:32:47. > :33:00.# This is the time to cross again, rolling down the road.
:33:01. > :33:21.# Making time and the rhythm # This one smile more forgiving feeling
:33:22. > :33:23.fine for the living # Called this, called this a celebration if you
:33:24. > :33:35.want. # Strolling in the shadow of the
:33:36. > :34:10.early morning sun. # Shuffling, the dice are going to
:34:11. > :34:13.roll again today. # Water commerce and water goes
:34:14. > :34:31.away. Making time and a living.
:34:32. > :34:44.# This one smile more forgiving. # Feeling fine for the living.
:34:45. > :34:58.# Call this, call this a celebration.
:34:59. > :35:00.# If you want. Strolling with the shadows in the
:35:01. > :35:41.early morning sun. # Saddle up on the horse again.
:35:42. > :35:45.# Got to keep rolling down to the end.
:35:46. > :35:54.# Don't stop now. # Up on your feet, shake it out,
:35:55. > :36:07.don't look back. # Called this, called this a
:36:08. > :36:10.celebration if you want. Strolling with the shadows in the
:36:11. > :36:49.early morning sun. # Bows and flows of angel hair
:36:50. > :37:13.# And ice cream castles in the air # But now they only block the sun
:37:14. > :37:30.# They rain and snow on everyone # So many things I would have done
:37:31. > :37:37.# But clouds got in my way # I've looked at clouds from both
:37:38. > :37:44.sides now # The dizzy dancing way you feel
:37:45. > :38:17.# When every fairy tale comes real # And if you care don't let them
:38:18. > :38:32.know # I've looked at love from both
:38:33. > :38:41.sides now # From win and lose and still
:38:42. > :38:46.somehow # To say, "I love you" right out
:38:47. > :39:12.loud # Dreams and schemes and circus
:39:13. > :39:20.crowds # But now old friends are acting
:39:21. > :39:25.strange # They shake their heads, they say
:39:26. > :39:28.I've changed # But something's lost, but
:39:29. > :39:34.something's gained # I've looked at life from both
:39:35. > :39:42.sides now # From win and lose and still
:39:43. > :40:36.somehow The wonderful voice of Judy Collins.
:40:37. > :40:48.It came out in 1967. Before that we enjoyed Jamie Woon with Willie
:40:49. > :40:55.Mason. Welcome to the show, it is nice to see you both. That is a very
:40:56. > :41:00.different sort of record, if I might say so. It is your second album
:41:01. > :41:11.together. How did you hook up together? We met on the road. We met
:41:12. > :41:17.on the road and my band took these guys on the road. I was a fan
:41:18. > :41:24.before. We started talking, as you do. Let's do something, and we did
:41:25. > :41:28.not think anything would come of it. We made a record and this is a
:41:29. > :41:36.continuation and this is what came out. Do the same sort of things
:41:37. > :41:42.inspire you both? That is why it is easy to work with Dave because we
:41:43. > :41:46.are on the same page. It is like an effortless place. We like the same
:41:47. > :41:52.records, we like to work with the same musicians. There is no
:41:53. > :42:00.conflict, which is rare. Tell us what records you both like. Ray
:42:01. > :42:10.Charles, Nick Cave, Nina Simone, Johnny Cash. Older, simpler records.
:42:11. > :42:15.And you hear that element in these records. Is it very different to
:42:16. > :42:21.operating with Depeche Mode? Yes, it is totally different. For me on
:42:22. > :42:27.feeds the other. We have been doing this for the best part of the last
:42:28. > :42:32.five years. Yes, it is very different, but you have got to move
:42:33. > :42:38.those muscles. Get out of the comfort zone and have a swim. We
:42:39. > :42:43.have got the old times on here and we are going to plunge down it in a
:42:44. > :42:52.fearless way. Here we go. Sorry about this.
:42:53. > :42:58.# Transition to another place and the time will pass more slowly.
:42:59. > :43:03.Complicating, circulating, new life, new life.
:43:04. > :43:16.# Operating, generating, new life, new life.
:43:17. > :43:21.'S. -- APPLAUSE. Thanks for that. I worked hard on that haircut. There
:43:22. > :43:30.was no gel in those days. Do you remember those songs? I don't think
:43:31. > :43:34.he was alive! You have been doing a lot of shows and you're going to be
:43:35. > :43:37.doing some more. Is a very different to tour with Depeche Mode? I don't
:43:38. > :43:43.think you are playing big stadiums here, you're playing in theatres.
:43:44. > :43:51.Definitely. It is more intimate. We have done some gigs in the states.
:43:52. > :44:01.Next is Berlin. And Paris and Milan. The next thing you're going to play
:44:02. > :44:09.is You Owe Me, where did that title come from? I don't know where it
:44:10. > :44:15.comes from. I hear music and words start flying around. And then it's
:44:16. > :44:20.trying to sort of control it somehow. The song takes on its own
:44:21. > :44:31.life and then you have just got to get in the. So someone owes me. We
:44:32. > :44:36.look forward to that. Pop into Berlin and Paris and catch them. And
:44:37. > :44:39.our next artist from there. They are amazing, incredible. Here they are.
:44:40. > :48:10.From Paris, please welcome, Caravan Palace.
:48:11. > :48:21.Caravan Palace. The song, tattooed. Excellent dancing. And now we go
:48:22. > :48:25.back over here, changing atmosphere beautifully again. Feeling good
:48:26. > :48:31.over? Anybody you are lacking in the room in particular? Where are we
:48:32. > :48:35.going next? Thank goodness I can seamlessly go over there. I said
:48:36. > :48:38.they were from New York but I have discovered an careful investigation
:48:39. > :48:41.they are from Nashville. From Nashville, we welcome Bela Fleck and
:48:42. > :51:40.Abigail Washburn one. # A sour reminder of how hard I've
:51:41. > :51:57.tried. # I'm easy to hold but
:51:58. > :54:07.so hard to please. # Easy to hold but
:54:08. > :56:01.so hard to please. Thank you, Dave Gahan. You Owe Me
:56:02. > :56:05.from the new LP. Before that, we enjoyed Bela Fleck and Abigail
:56:06. > :56:09.Washburn. They have now been swept away. And now let's enjoy the
:56:10. > :56:51.exquisite voice of Guy Garvey. # And buckled every joint
:56:52. > :56:54.# It parted me from truth # I will walk into its mouth and I
:56:55. > :57:35.will breakfast # I will walk into its mouth and I
:57:36. > :57:42.will breakfast # I cannot speak its name but I
:57:43. > :57:50.would walk into its mouth and I # Would breakfast in the belly of
:57:51. > :57:54.the whale # I cannot speak its name but I
:57:55. > :57:59.would walk into its mouth and I # Would breakfast in the belly of
:58:00. > :58:17.the whale # That house I built skinned my
:58:18. > :58:24.knuckles # That house I built picked my
:58:25. > :58:28.pockets # Parted me from youth and any truth
:58:29. > :58:42.I knew # That house, that house, I
:58:43. > :58:45.realised, turned my eyes to # I'm never going to dance again.
:58:46. > :59:23.I have guilty feet. # I cannot speak its name but I
:59:24. > :59:27.would walk into its mouth and I # Would breakfast in the belly of
:59:28. > :59:31.the whale # I cannot speak its name but I
:59:32. > :59:34.would walk into its mouth and I # Would breakfast in the belly of
:59:35. > :59:39.the whale # I cannot speak its name but I
:59:40. > :59:42.would walk into its mouth and I # would breakfast in the belly of
:59:43. > :59:47.the whale # I cannot speak its name but I
:59:48. > :59:50.would walk into its mouth and I # Would breakfast in the belly of
:59:51. > :00:19.the whale #. The brilliant Guy Garvey, thank you.
:00:20. > :00:24.If you would like to know more about anything really, look it up on the
:00:25. > :00:29.Internet, but particularly as, you can go to our website. We will be
:00:30. > :00:35.back here on Tuesday at ten o'clock. Now I would like to say
:00:36. > :00:47.farewell to my guests with a little ballad we have put together. It goes
:00:48. > :00:52.something like this. Thank you for joining us tonight and the lovely
:00:53. > :01:00.vibrations we have shared with you. Thank you to Dave Gahan and
:01:01. > :01:06.Soulsavers. Thank you to the beautiful corner over here with
:01:07. > :01:17.these beautiful people. The amazing band that are Caravan Palace. The
:01:18. > :01:32.beautiful playing of Bela Fleck and Abigail Washburn. Thank you, Jamie
:01:33. > :01:41.Woon. Thank you, the legendary Judy Collins. And thank you Guy Garvey.
:01:42. > :01:42.Thank you for being you.