0:00:02 > 0:00:11This programme contains some strong language.
0:00:27 > 0:00:29CHEERING AND APPLAUSE
0:00:31 > 0:00:34Welcome to the show, and welcome to The Last Shadow Puppets.
0:00:49 > 0:00:51# Hot procession
0:00:52 > 0:00:57# Gloomy Conga of glum looking beauties
0:01:00 > 0:01:03# Strolling through the opening scene
0:01:11 > 0:01:13# Where do you want it?
0:01:14 > 0:01:16# It's your decision, honey
0:01:16 > 0:01:20# My planet or yours?
0:01:22 > 0:01:26# Sectoral heterochromia
0:01:33 > 0:01:36# Aviation in the evening
0:01:36 > 0:01:39# I can feel it coming on
0:01:39 > 0:01:44# Mama told me you should start as you mean to go wrong
0:01:46 > 0:01:49# Or else you're never gonna get it right
0:01:55 > 0:01:57# Senorita
0:01:58 > 0:02:03# Well, you need not come coke-head close to me
0:02:07 > 0:02:13# Cos I can hear you perfectly clear from here
0:02:18 > 0:02:21# Aviation in the evening
0:02:21 > 0:02:23# I can feel it coming on
0:02:23 > 0:02:29# Mama told me you should start as you mean to go wrong
0:02:30 > 0:02:34# Or else you're never gonna get it right
0:02:40 > 0:02:43# Elementary Hallelujahs
0:02:43 > 0:02:46# Annalise's dulcet tone
0:02:46 > 0:02:48# Aviation in the evening
0:02:48 > 0:02:51# I just can't leave it alone
0:02:53 > 0:02:56# I reckon I just might have broke the ice
0:03:03 > 0:03:07# The Colourama in your eyes
0:03:08 > 0:03:12# It takes me on a moonlight drive
0:03:13 > 0:03:16# It's the way you wing it
0:03:16 > 0:03:21# While you're figuring it out... #
0:04:05 > 0:04:08CHEERING AND APPLAUSE
0:04:08 > 0:04:10Thank you, The Last Shadow Puppets!
0:04:10 > 0:04:12The Last Shadow Puppets.
0:04:12 > 0:04:16A joy to have them back in this studio, with Aviation.
0:04:16 > 0:04:19A room filled with extraordinary and wonderful guests.
0:04:19 > 0:04:20I am so pleased to say that in this corner,
0:04:20 > 0:04:23from London, we welcome Nao.
0:04:23 > 0:04:24CHEERING
0:04:26 > 0:04:30An incredible mix from Mali and from France,
0:04:30 > 0:04:34Ballake Sissoko and Vincent Segal!
0:04:34 > 0:04:35CHEERING
0:04:37 > 0:04:38From Los Angeles, California,
0:04:38 > 0:04:41the amazing voice of Bonnie Raitt!
0:04:41 > 0:04:43CHEERING
0:04:43 > 0:04:46From Italy, the incredible legend that is Zucchero.
0:04:46 > 0:04:48CHEERING
0:04:48 > 0:04:50And now, from Amherst, Massachusetts,
0:04:50 > 0:04:53we enjoy Dinosaur Jr.
0:04:53 > 0:04:56CHEERING AND APPLAUSE
0:05:02 > 0:05:05# Calling out, I'm deep in doubt
0:05:05 > 0:05:06# I see you
0:05:08 > 0:05:12# Calling out ends always with a song
0:05:14 > 0:05:18# I could give you more than what I mean to
0:05:20 > 0:05:24# I'll pretend, but I don't see you there
0:05:25 > 0:05:26# But I wanna know
0:05:28 > 0:05:29# I wanna go
0:05:31 > 0:05:33# I'm all alone
0:05:33 > 0:05:35# I wanna know
0:05:37 > 0:05:41# The place, the friend, it all depends on being two
0:05:43 > 0:05:47# Call him back, I'll get on track, I swear
0:05:49 > 0:05:53# My box is overflowing when I see you
0:05:54 > 0:05:58# The feeling's good and won't be there for long
0:05:59 > 0:06:02# I wanna know
0:06:03 > 0:06:04# I wanna roll
0:06:06 > 0:06:08# I'm all alone
0:06:08 > 0:06:10# I wanna go
0:06:14 > 0:06:19# I know, yeah, I know it feels good
0:06:20 > 0:06:24# I know it, I know it is, girl
0:06:26 > 0:06:30# Can I show you a friendship is there?
0:06:32 > 0:06:34# I know it, I know...
0:06:58 > 0:07:01# I wanna know
0:07:01 > 0:07:02# I wanna go
0:07:04 > 0:07:07# I'm all alone
0:07:07 > 0:07:08# I wanna go
0:07:10 > 0:07:16# Calling out to make some plan to cling to
0:07:16 > 0:07:20# Call and take it back with you nowhere
0:07:22 > 0:07:26# Call your friends, it all depends on me, too
0:07:28 > 0:07:32# Call him back I'll get on track I swear
0:07:33 > 0:07:35# I wanna go
0:07:35 > 0:07:37# I wanna know. #
0:07:53 > 0:07:56CHEERING AND APPLAUSE
0:07:56 > 0:07:58Thank you, Dinosaur Jr,
0:07:58 > 0:08:00with sweetly named Tiny.
0:08:03 > 0:08:06So, now, if you've got ten Grammys and you've got a wonderful voice
0:08:06 > 0:08:08and you've always made great records,
0:08:08 > 0:08:10you're the sort of person we'd like to have in this room.
0:08:10 > 0:08:13We're lucky and fortunate because we have Bonnie Raitt!
0:08:13 > 0:08:14CHEERING AND APPLAUSE
0:08:25 > 0:08:26# Time
0:08:27 > 0:08:31# Time ain't never healed a wound
0:08:32 > 0:08:35# Can't think of anything that gets
0:08:36 > 0:08:40# Any better because it's old
0:08:43 > 0:08:44# Change
0:08:46 > 0:08:48# Change would probably do me good
0:08:51 > 0:08:53# Wouldn't probably hurt a thing
0:08:55 > 0:08:58# Anyway, that's what I'm told
0:09:03 > 0:09:05# Would have run, but I couldn't run
0:09:07 > 0:09:10# Would have flown, but I couldn't fly
0:09:12 > 0:09:15# Would have headed right back into town
0:09:16 > 0:09:20# Would have lied, but I couldn't lie
0:09:20 > 0:09:21# But I knew
0:09:29 > 0:09:31# Stop
0:09:31 > 0:09:34# Stop and take a better look
0:09:35 > 0:09:39# There ain't no telling what you'll find
0:09:40 > 0:09:43# In the corner of a darkened room
0:09:47 > 0:09:48# Things
0:09:49 > 0:09:52# Things that either one time fell
0:09:54 > 0:09:57# Or blew down from a windowsill
0:09:59 > 0:10:02# Or never got up by the broom
0:10:06 > 0:10:09# I would have run, but I couldn't run
0:10:11 > 0:10:14# Would have flown, but I couldn't fly
0:10:15 > 0:10:19# Would have headed right back into town
0:10:20 > 0:10:23# Would have lied, but I couldn't lie
0:10:23 > 0:10:24# But I knew
0:10:43 > 0:10:45# No two ways about it
0:10:47 > 0:10:50# It's a doggone shame
0:10:51 > 0:10:55# Baby, it's a doggone shame
0:10:56 > 0:10:59# Would have run, but I couldn't run
0:11:01 > 0:11:04# Would have flown, but I couldn't fly
0:11:05 > 0:11:08# I would have headed right back into town
0:11:10 > 0:11:13# Would have lied, but I couldn't lie
0:11:13 > 0:11:14# Cos I knew
0:11:17 > 0:11:19# I knew
0:11:22 > 0:11:23# I knew
0:11:27 > 0:11:28# I knew. #
0:11:53 > 0:11:58CHEERING AND APPLAUSE
0:12:01 > 0:12:06Bonnie Raitt, from her new album Dig In Deep.
0:12:06 > 0:12:07Bonnie Raitt.
0:12:07 > 0:12:08CHEERING AND APPLAUSE
0:12:11 > 0:12:14So, we have all sorts of legends in the room this evening.
0:12:14 > 0:12:18One of the, I suppose, the greatest Italian stars that I know,
0:12:18 > 0:12:20the fabulous, the wonderful Zucchero.
0:12:20 > 0:12:21CHEERING AND APPLAUSE
0:12:21 > 0:12:25- It's great to have you here. - Thank you.- It really is great.
0:12:25 > 0:12:28And you've got this wonderful record which we will chat about
0:12:28 > 0:12:30in a moment. But I'd like to know first of all
0:12:30 > 0:12:33where did you grow up in Italy? Where were you?
0:12:33 > 0:12:37I grew up between Bologna and Milan. It's called Reggio Emilia.
0:12:37 > 0:12:43Close to, more than this area, but I live in Tuscany.
0:12:43 > 0:12:45And when you were growing, what music did you hear?
0:12:45 > 0:12:48- What was the things that inspired you?- When I was young?- Yes.
0:12:48 > 0:12:52Otis Redding, Ray Charles, Aretha.
0:12:52 > 0:12:55And also Puccini and Verdi.
0:12:55 > 0:12:57- Yeah.- Yeah.- Good mix of things. - Different.
0:12:57 > 0:13:02But that's what I wonder, is there like, the pop... I suppose,
0:13:02 > 0:13:05in Britain, now more than ever there is a popular culture of people,
0:13:05 > 0:13:07young kids, they want to do something,
0:13:07 > 0:13:10they might want to play football, or half of them want to be in music.
0:13:10 > 0:13:13Was it the same when you were starting off in music?
0:13:13 > 0:13:15Or was it different, the culture there, then?
0:13:15 > 0:13:17I started playing football but it didn't work.
0:13:17 > 0:13:19HE LAUGHS Yeah! Yeah, exactly.
0:13:19 > 0:13:22I was going to be an astronaut but this has worked out much better.
0:13:22 > 0:13:25We are going to go back down Memory Lane, here,
0:13:25 > 0:13:29because we have a bit of you with Paul Young -
0:13:29 > 0:13:32when the record was a huge hit here, and all over the world, actually -
0:13:32 > 0:13:35I think on Top Of The Pops. There's a lot of dry ice going on here.
0:13:35 > 0:13:36# I just sit
0:13:38 > 0:13:42# And watch the ocean by myself
0:13:44 > 0:13:46# Even do my own cooking
0:13:47 > 0:13:49# You can laugh
0:13:50 > 0:13:52# You're forgiven
0:13:52 > 0:13:58# But I'm no longer frightened to be living
0:13:58 > 0:14:00# Senza una donna
0:14:01 > 0:14:04# No more pain and no sorrow
0:14:04 > 0:14:06# Senza una donna
0:14:07 > 0:14:10# I'll make it through tomorrow
0:14:10 > 0:14:13# Senza una donna
0:14:13 > 0:14:16# Giving me torture and bliss
0:14:16 > 0:14:19# Without a woman
0:14:21 > 0:14:22# Better like this. #
0:14:22 > 0:14:23APPLAUSE
0:14:25 > 0:14:28That was a massive hit.
0:14:28 > 0:14:32And you've got the beautiful voice of Paul Young, your voice...
0:14:32 > 0:14:34What is the story of that song?
0:14:34 > 0:14:38My friend, Paul. We meet at the Olympic Studios in London.
0:14:38 > 0:14:41He said, "Oh, I love this song.
0:14:41 > 0:14:44"I was in Italy on holiday and I heard this song, Senza Una Donna.
0:14:44 > 0:14:47"Do you mind if I do it on my album?"
0:14:47 > 0:14:51I said, "Not at all, it is an honour for me.
0:14:51 > 0:14:55"But why we don't try to do it together? I don't know."
0:14:55 > 0:15:00Maybe we leave the first line of the chorus in Italian,
0:15:00 > 0:15:01something like that,
0:15:01 > 0:15:05without saying nothing to the record company.
0:15:05 > 0:15:07Just for fun, and see how it works.
0:15:07 > 0:15:09And then we did it,
0:15:09 > 0:15:13and then the song start playing on radio and it was a success.
0:15:13 > 0:15:18A huge world hit. Now, you've got this great new record, Black Cat,
0:15:18 > 0:15:21and you've got a lot of collaborations,
0:15:21 > 0:15:22both with producers and people.
0:15:22 > 0:15:24What sort of people have you got on this record?
0:15:24 > 0:15:27I have special guests, like...
0:15:28 > 0:15:30..Elvis Costello, for example,
0:15:30 > 0:15:32who did the lyrics for one of the songs,
0:15:32 > 0:15:35and Bono for Streets Of Surrender,
0:15:35 > 0:15:37that is another song on the album.
0:15:37 > 0:15:40You're going to play that at the end of the show, aren't you,
0:15:40 > 0:15:41- or later on in the show.- Yeah.
0:15:41 > 0:15:45- Tell us about that song. - Yeah, I wrote this, I had this music
0:15:45 > 0:15:50and I went to see Bono in Torino
0:15:50 > 0:15:55when he was doing the concert with U2. And I ask him to...
0:15:55 > 0:16:00if he would love to put some lyrics on, in English, of course,
0:16:00 > 0:16:03because we did other songs together in the past.
0:16:03 > 0:16:08And then I start the recording in Los Angeles
0:16:08 > 0:16:13and I never heard... I didn't hear for one month from him.
0:16:13 > 0:16:16And so I thought maybe he doesn't like the song.
0:16:16 > 0:16:21So I start to do... I did lyrics in Italian by myself.
0:16:21 > 0:16:23And...
0:16:23 > 0:16:26But he called me up after the attack in Paris...
0:16:27 > 0:16:31..and he was very, you know, very upset.
0:16:31 > 0:16:37And he said, you know, I had the idea I want to write about this.
0:16:37 > 0:16:41But I did already have the Italian lyrics,
0:16:41 > 0:16:44but the funny thing is that both of us
0:16:44 > 0:16:48without talking each other before,
0:16:48 > 0:16:49we put the same word -
0:16:49 > 0:16:54surrender, in English and arrendersi in Italian.
0:16:54 > 0:16:57This is a combination, you know.
0:16:57 > 0:17:00We're going to hear that later on in the show.
0:17:00 > 0:17:02Also, people can see you at the Albert Hall.
0:17:02 > 0:17:04You're going to be there in October.
0:17:04 > 0:17:06- Yeah, the 20th and 21st. - Which is great.
0:17:06 > 0:17:08So thank you very much for joining us, Zucchero.
0:17:08 > 0:17:12APPLAUSE We will enjoy more from him later.
0:17:12 > 0:17:15But, if you are a regular viewer of the show,
0:17:15 > 0:17:16thank you.
0:17:16 > 0:17:18If you are, you will understand
0:17:18 > 0:17:21that we try and mix up all sorts of fantastic music,
0:17:21 > 0:17:24new music, old music, legends, and brand-new people.
0:17:24 > 0:17:27Here is a fantastically new talented person from London.
0:17:27 > 0:17:28We welcome Nao.
0:17:28 > 0:17:29CHEERING AND APPLAUSE
0:17:34 > 0:17:35# You're a holiday
0:17:37 > 0:17:42# A glass of ocean slipping down...my throat
0:17:42 > 0:17:46# Then landed on my hopes I'm dreaming
0:17:47 > 0:17:52# Off the maps no hidden grids I'm fleeing
0:17:54 > 0:17:59# I worship you like holy days
0:17:59 > 0:18:05# Lying on my back Seeing clouds and rays
0:18:05 > 0:18:09# Drinking lime and bitter from my lemonade
0:18:10 > 0:18:17# White horses, merry time won't do
0:18:36 > 0:18:40# Do you remember the holiday
0:18:40 > 0:18:43# Slipped away, time and place
0:18:43 > 0:18:46# I definitely remember
0:18:46 > 0:18:49# Lying on my back and seeing clouds and rays
0:18:49 > 0:18:51# We're dreaming
0:18:51 > 0:18:54# We're feeling too
0:18:54 > 0:18:56# Forever we're young
0:18:56 > 0:18:58# Pages unsung
0:18:58 > 0:19:00# Ooh
0:19:00 > 0:19:02# I feel that you remember
0:19:02 > 0:19:05# Dreaming of a past that couldn't last
0:19:05 > 0:19:09# And now we're changing, refraining
0:19:10 > 0:19:13# I think it is the
0:19:13 > 0:19:14# Know that it's the
0:19:14 > 0:19:18# I think it is the bad, bad blood
0:19:18 > 0:19:21# I think it is the
0:19:21 > 0:19:23# Know that it's the
0:19:23 > 0:19:26# I think it is the bad, bad blood
0:19:34 > 0:19:39# Do you remember the riding The passion
0:19:39 > 0:19:44# The falling over Tripping on ice
0:19:44 > 0:19:49# Sharing advice, taking it twice
0:19:49 > 0:19:52# But let us not forget the
0:19:53 > 0:19:57# Silent day, stripped away, time and place
0:19:57 > 0:20:01# Oh, you choose not to remember
0:20:01 > 0:20:04# Fly away, counting days I'm hiding
0:20:05 > 0:20:07# From you, you, you
0:20:07 > 0:20:10# I think it is the
0:20:10 > 0:20:12# Know that it's the
0:20:12 > 0:20:16# I think it is the bad, bad blood
0:20:16 > 0:20:19# I think it is the
0:20:19 > 0:20:20# Know that it's the
0:20:20 > 0:20:25# I think it is the bad, bad blood
0:20:25 > 0:20:27# I choose
0:20:28 > 0:20:33# For the rain not to fall Exposing the sun on you
0:20:33 > 0:20:35# I lose
0:20:35 > 0:20:38# Don't tell me I'm cuckoo, I know
0:20:38 > 0:20:43# And it's mad, we were close Oh, whoa...
0:20:43 > 0:20:45# I choose
0:20:45 > 0:20:46# My head's now afloat
0:20:46 > 0:20:50# But my heart's drowning Cos of you, you, you, you, you
0:20:50 > 0:20:52# I lose
0:20:52 > 0:20:54# Don't tell me I'm cuckoo
0:20:54 > 0:20:58# Coo-coo-coo-coo-coo-coo-ooh-ooh
0:20:58 > 0:21:01# I think it is the
0:21:01 > 0:21:02# Know that it's the
0:21:02 > 0:21:06# I think it is the bad, bad blood
0:21:06 > 0:21:08# I think it is the
0:21:08 > 0:21:10# Know that it's the
0:21:10 > 0:21:14# I think it is the bad, bad blood
0:21:14 > 0:21:17# I think it is the
0:21:17 > 0:21:18# Tell me, know that it's the
0:21:18 > 0:21:23# I know that you're thinking it's the bad, bad blood
0:21:23 > 0:21:25# I'm thinking it's the
0:21:25 > 0:21:27# Know that it's the
0:21:27 > 0:21:30# I think it is the bad, bad... #
0:21:32 > 0:21:36CHEERING AND APPLAUSE
0:21:36 > 0:21:40Beautiful voice. Beautiful feel, beautiful band. Thank you, Nao!
0:21:40 > 0:21:41CHEERING
0:21:41 > 0:21:44Bad Blood from her album For All We Know.
0:21:45 > 0:21:48And now, we welcome Zucchero!
0:22:10 > 0:22:12# Ti ricordo sai
0:22:12 > 0:22:15# Amore mio di campagna
0:22:16 > 0:22:20# Sole in questa terra di nebbia
0:22:20 > 0:22:23# E gente di bocca buona
0:22:25 > 0:22:28# Quanto ti vorrei
0:22:28 > 0:22:31# Dentro le giovani estati
0:22:31 > 0:22:34# Anche adesso
0:22:34 > 0:22:36# Ora che il piu bello di noi due
0:22:37 > 0:22:41# Gia volato via e non ritorna piu
0:22:44 > 0:22:47# Ma si vedi vedi
0:22:48 > 0:22:51# Come s'incendia la notte
0:22:52 > 0:22:55# Come anche un ricordo
0:22:55 > 0:22:57# Brucia l'anima
0:22:57 > 0:23:00# Che si arrende
0:23:00 > 0:23:03# Ma si bevi bevi
0:23:04 > 0:23:07# Bevimi sono la pioggia
0:23:08 > 0:23:11# Pioggia che passa e rimane
0:23:11 > 0:23:13# Dentro l'anima
0:23:13 > 0:23:15# Che si arrende
0:23:16 > 0:23:19# Oh, che si arrende
0:23:21 > 0:23:24# Per te, si arrende
0:23:28 > 0:23:31# Ti rimpiango sai
0:23:31 > 0:23:33# Anche se un solo saluto
0:23:35 > 0:23:37# E qualcosa che resta
0:23:37 > 0:23:41# In questa festa di malinconia
0:23:44 > 0:23:46# Quanto ti vorrei
0:23:46 > 0:23:49# Dentro le futili estati
0:23:49 > 0:23:52# Anche adesso
0:23:52 > 0:23:54# Ora che il meglio di noi due
0:23:55 > 0:23:57# E gia volato via
0:23:57 > 0:23:59# E non ritorna piu
0:24:02 > 0:24:05# Ma si vedi vedi
0:24:06 > 0:24:09# Come s'incendia la notte
0:24:10 > 0:24:13# Come anche un ricordo
0:24:13 > 0:24:15# Brucia l'anima
0:24:15 > 0:24:17# Che si arrende
0:24:17 > 0:24:21# Ma si bevi bevi
0:24:22 > 0:24:24# Bevimi sono la pioggia
0:24:26 > 0:24:28# Pioggia che passa e rimane
0:24:28 > 0:24:31# Dentro l'anima
0:24:31 > 0:24:33# Che si arrende
0:24:34 > 0:24:35# Che...
0:24:39 > 0:24:41# ..si arrende
0:24:55 > 0:24:58# Ma si vedi vedi
0:24:59 > 0:25:03# Come s'incendia la notte
0:25:03 > 0:25:05# Come anche un ricordo
0:25:05 > 0:25:07# Brucia l'anima
0:25:07 > 0:25:09# Che si arrende
0:25:10 > 0:25:13# Ma si vivi vivi
0:25:14 > 0:25:18# Ci bestemmia la notte
0:25:18 > 0:25:21# Siamo vivi ma si
0:25:21 > 0:25:23# Forse di un'idea
0:25:23 > 0:25:24# Che si arrende
0:25:26 > 0:25:29# Oh, che si arrende
0:25:30 > 0:25:32# Sai...
0:25:33 > 0:25:35# Ci si arrende. #
0:25:46 > 0:25:47CHEERING AND APPLAUSE
0:25:54 > 0:25:55The wonderful Zucchero,
0:25:55 > 0:25:58with Ci Si Arrende,
0:25:58 > 0:25:59meaning "surrender".
0:25:59 > 0:26:01From his album, Black Cat.
0:26:01 > 0:26:03Now, we welcome The Last Shadow Puppets.
0:26:07 > 0:26:14# I just sort of always feel sick without you, baby
0:26:14 > 0:26:20# I ain't got anything to lick without you, baby
0:26:22 > 0:26:28# Nothing really sticks without you, baby
0:26:28 > 0:26:33# Ain't I fallen in love
0:26:37 > 0:26:41# It's just the pits without you, baby
0:26:43 > 0:26:49# It's really just the pits without you, baby
0:26:50 > 0:26:55# It's like everyone's a dick without you, baby
0:26:57 > 0:27:01# Ain't I fallen in love
0:27:06 > 0:27:11# And all my pals will tell me
0:27:11 > 0:27:17# Is that...I'm crazy
0:27:18 > 0:27:24# You bet I'm loopy, all right
0:27:31 > 0:27:38# And I just don't recognise this fool
0:27:39 > 0:27:44# That you have made me
0:27:46 > 0:27:52# Whoa, I ain't seen him for a while
0:27:59 > 0:28:09# And as your shrinking figure blows a kiss
0:28:09 > 0:28:15# I catch and smash it on my lips
0:28:17 > 0:28:23# Darling, I can't seem to quit
0:28:24 > 0:28:31# Completely falling to bits
0:28:31 > 0:28:37# I really might be losing it
0:28:37 > 0:28:41# The idea that
0:28:41 > 0:28:45# You existed
0:28:45 > 0:28:51# All along's ridiculous
0:28:53 > 0:28:57# I don't know what to say
0:28:59 > 0:29:00# Baby, we ought to...
0:29:03 > 0:29:04# Fuck
0:29:06 > 0:29:12# Seven years of bad luck out the powder room mirror
0:29:13 > 0:29:18# Could I have made it any clearer
0:29:20 > 0:29:28# Now, it's love like a tongue in a nostril
0:29:29 > 0:29:34# Love like an ache in the jaw
0:29:35 > 0:29:39# You're the first day of spring
0:29:39 > 0:29:41# With a septum piercing
0:29:41 > 0:29:45# Little Miss Sweet Dreams
0:29:46 > 0:29:52# Tennessee. #
0:30:25 > 0:30:27CHEERING AND APPLAUSE
0:30:46 > 0:30:48# There's a sword
0:30:48 > 0:30:51# At the tip of my tongue
0:30:52 > 0:30:56# That shows no mercy
0:30:56 > 0:30:58# On the latest one
0:31:00 > 0:31:03# I was wrong
0:31:03 > 0:31:06# With all my might
0:31:08 > 0:31:11# I took you out
0:31:11 > 0:31:13# In one last round tonight
0:31:22 > 0:31:25# Now there's no more shouting
0:31:26 > 0:31:29# No more tears
0:31:30 > 0:31:33# Just the fatal words
0:31:33 > 0:31:36# Ringing in our ears
0:31:38 > 0:31:41# And in the silence
0:31:41 > 0:31:45# It's crystal clear
0:31:45 > 0:31:48# There's no undoing
0:31:48 > 0:31:50# What has happened here
0:31:50 > 0:31:53# We've come undone
0:31:55 > 0:31:57# We've come undone
0:31:59 > 0:32:01# Battle waged
0:32:01 > 0:32:04# Nothing won
0:32:06 > 0:32:10# What have I done?
0:32:10 > 0:32:14# The blood has run
0:32:14 > 0:32:20# Some things can't be undone
0:32:27 > 0:32:30# We hurt the ones
0:32:30 > 0:32:33# We love the most
0:32:35 > 0:32:38# A thousand memories
0:32:38 > 0:32:39# Go up in smoke
0:32:41 > 0:32:44# And in the morning
0:32:44 > 0:32:49# When ashes fall
0:32:49 > 0:32:54# Oh, there'll be no need for any words at all
0:32:54 > 0:32:58# We've come undone
0:32:58 > 0:33:01# Come undone
0:33:03 > 0:33:06# Battle waged
0:33:06 > 0:33:09# Nothing won
0:33:10 > 0:33:14# What have I done?
0:33:14 > 0:33:18# The blood has run
0:33:18 > 0:33:23# Some things can't be undone
0:33:23 > 0:33:28# There's no joy in victory
0:33:32 > 0:33:36# When it comes at your defeat
0:34:05 > 0:34:10# Whoa, we've come undone
0:34:10 > 0:34:14# Lord, what have I done?
0:34:17 > 0:34:22# Some things can't be
0:34:23 > 0:34:31# Undone. #
0:34:44 > 0:34:48APPLAUSE
0:34:52 > 0:34:56The exquisite voice of Bonnie Raitt.
0:34:56 > 0:35:00Before that, Last Shadow Puppets.
0:35:01 > 0:35:02Very nice.
0:35:02 > 0:35:05And now we're going to... No, I'm not going that way,
0:35:05 > 0:35:08because I've got something I need to explain to them first, then.
0:35:08 > 0:35:10So we'll go this way, thank you very much.
0:35:10 > 0:35:14Yes, because we're going to now go in to Contrast Corner.
0:35:14 > 0:35:17Maybe you're saying to yourselves, "What is this Contrast Corner?"
0:35:17 > 0:35:20It's where we have two pieces of music contrasting one another.
0:35:20 > 0:35:22First of all, we're going to be enjoying
0:35:22 > 0:35:24the marvellous, heavily amplified trio
0:35:24 > 0:35:26which we saw at the beginning of the show.
0:35:26 > 0:35:31And this will be followed by a dazzling display
0:35:31 > 0:35:35from two musicians who have mixed West African music
0:35:35 > 0:35:37and almost Baroque chamber music.
0:35:37 > 0:35:39A giddy mix, I think you'll agree.
0:35:39 > 0:35:42So let's start off now with Dinosaur Jr.
0:36:01 > 0:36:04# I will sit around after
0:36:04 > 0:36:07# Pretty sure you said the way
0:36:12 > 0:36:15# I have more to give you
0:36:15 > 0:36:18# And I hope more than a day
0:36:24 > 0:36:28# I can't let myself
0:36:42 > 0:36:45# Trying to pull together
0:36:45 > 0:36:47# Trying to find the road ahead
0:36:53 > 0:36:56# Piece it all together
0:36:56 > 0:36:59# And let the others disappear
0:37:05 > 0:37:08# But I can't take myself
0:37:12 > 0:37:14# Are you with me?
0:37:14 > 0:37:17# Are you with me when I'm gone?
0:37:17 > 0:37:19# Are you with me?
0:37:19 > 0:37:22# Are you with me? Come along
0:37:22 > 0:37:25# I got more to say
0:37:25 > 0:37:28# I got more to do
0:37:28 > 0:37:31# Are you with me?
0:37:31 > 0:37:34# Are you with me when I'm gone?
0:37:51 > 0:37:53# Who knows what you're asking
0:37:53 > 0:37:56# Everybody's in the way
0:38:02 > 0:38:05# I can't go without her
0:38:05 > 0:38:08# And I hope more than a day
0:38:13 > 0:38:19# I can't bring myself
0:38:40 > 0:38:42# Are you with me?
0:38:42 > 0:38:45# Are you with me when I'm gone?
0:38:45 > 0:38:47# Are you with me?
0:38:47 > 0:38:50# Are you with me on and on?
0:38:50 > 0:38:53# I got more to say
0:38:53 > 0:38:56# I got more to prove you wrong
0:38:56 > 0:38:58# Are you with me?
0:38:58 > 0:39:02# Are you with me when I'm gone? #
0:39:31 > 0:39:36APPLAUSE AND CHEERING
0:42:45 > 0:42:49APPLAUSE AND CHEERING
0:42:57 > 0:43:00Delightful sound. Ballake Sissoko and Vincent Segal.
0:43:00 > 0:43:03CHEERING
0:43:03 > 0:43:05Super Etoile, from their album Musique De Nuit.
0:43:09 > 0:43:13Now, let's move to this corner, and meet the wonderful Bonnie Raitt!
0:43:13 > 0:43:16Hello. Hi, sweetheart.
0:43:16 > 0:43:18- So good to see you. - Lovely to see you.
0:43:18 > 0:43:20Sounding better than ever.
0:43:20 > 0:43:23- And congratulations on Dig In Deep. - Thank you.
0:43:23 > 0:43:26Lovely, lovely new record. And you've written...
0:43:26 > 0:43:27You seem to have written more on this record
0:43:27 > 0:43:29than you have on records in the past.
0:43:29 > 0:43:32- Have you got a new surge of writing in you?- I do.
0:43:32 > 0:43:33I've got some co-writers,
0:43:33 > 0:43:36George in my band sent me some tracks that I love
0:43:36 > 0:43:39and I just had some grooves that I wanted to add to my show,
0:43:39 > 0:43:42- play a little bit more piano, give you a run for your money.- Thank you.
0:43:42 > 0:43:43I liked that in there.
0:43:43 > 0:43:47And you've also got a rather interesting couple of covers.
0:43:47 > 0:43:49What drew you to those songs?
0:43:49 > 0:43:52Well, the Los Lobos song - I love that band,
0:43:52 > 0:43:55we're both from LA and we live under the scourge of earthquakes
0:43:55 > 0:43:58and I thought it was a particularly clever lyric and...
0:43:58 > 0:43:59can I say bad-ass on this show?
0:43:59 > 0:44:01Yes, you can say bad-ass.
0:44:01 > 0:44:04Yes, well, particularly great opportunity to play some guitar.
0:44:04 > 0:44:06Double guitar. And just a hellacious groove,
0:44:06 > 0:44:09which is why, I understand, you're going to be sitting in with us.
0:44:09 > 0:44:12- Well, it's a boogie - you're a boogie-ist as well.- Yes, I am.
0:44:12 > 0:44:14And then INXS - my God, I love those guys.
0:44:14 > 0:44:17It's one of the sexiest songs, Need You Tonight -
0:44:17 > 0:44:19slide over here, baby.
0:44:19 > 0:44:22It has a different take, when you do it, though, it's a different angle.
0:44:22 > 0:44:23Great angle.
0:44:23 > 0:44:25One of the things I've always thought
0:44:25 > 0:44:27is you're one of the few people in music
0:44:27 > 0:44:29that's always stuck to what they want to do.
0:44:29 > 0:44:31You've never been bossed around by record companies,
0:44:31 > 0:44:33you've always done what you wanted to do.
0:44:33 > 0:44:37- Has that been a harder path, do you think?- Well, I...
0:44:37 > 0:44:40I mean, you have to talk to the record companies,
0:44:40 > 0:44:42but, you know, when I started out, the FM radio,
0:44:42 > 0:44:44you could do whatever you want,
0:44:44 > 0:44:47Little Feat and Allen Toussaint and so many other people
0:44:47 > 0:44:49were just allowed to play whatever they wanted.
0:44:49 > 0:44:52And it wasn't about making money or having hit singles,
0:44:52 > 0:44:56so I think I've just stuck to it, as have many, many other people.
0:44:56 > 0:44:58And thank goodness for the Americana format,
0:44:58 > 0:45:01because it's let a lot of us not have to be categorised
0:45:01 > 0:45:03as country, blues or rock,
0:45:03 > 0:45:05and I think I was pretty eclectic.
0:45:05 > 0:45:08Some people would say pick a style and go with it,
0:45:08 > 0:45:12and I have too wide a berth, and I know that's why I love YOUR music.
0:45:12 > 0:45:15You mentioned Allen Toussaint and, of course, you worked with him.
0:45:15 > 0:45:17You were his friend and a fan, like me, of him.
0:45:17 > 0:45:18What was the thing...?
0:45:18 > 0:45:21Sadly we lost Allen Toussaint at the end of last year -
0:45:21 > 0:45:24what was the things that were great about him, do you think?
0:45:24 > 0:45:27Well, he was... There was really no-one like him. He was so seminal.
0:45:27 > 0:45:31Whether it was Mother-In-Law or Sitting In My Ya Ya -
0:45:31 > 0:45:35- some of the greatest records of my childhood.- Working In A Coal Mine.
0:45:35 > 0:45:36Working In A Coal Mine.
0:45:36 > 0:45:41He was an elegant, soulful, just so-classy guy.
0:45:41 > 0:45:42A wonderful person,
0:45:42 > 0:45:46and without a bent-up neurotic bone in his body,
0:45:46 > 0:45:50and he played music that had just great soul and rhythm to it
0:45:50 > 0:45:53and just was always, for me, would be the flavour of New Orleans.
0:45:53 > 0:45:56And gone too soon, but what a legacy he's left.
0:45:56 > 0:45:59And you cover... Could you give us - there's a beautiful bit of a song,
0:45:59 > 0:46:02there's a song that you covered of his a long time ago,
0:46:02 > 0:46:04What Do You Want The Boy To Do? Would you give us a bit of that now?
0:46:04 > 0:46:06Yes, and I'll sing it as Allen wrote it -
0:46:06 > 0:46:08What Do You Want The Girl To Do?
0:46:08 > 0:46:10Because I'm singing it to whatever guy needs to hear this.
0:46:10 > 0:46:12OK, that would be a nice...
0:46:24 > 0:46:27# So you think the girl is crazy
0:46:27 > 0:46:32# She eats up your lies like they're good for her
0:46:32 > 0:46:34# Apple pie
0:46:34 > 0:46:38# She don't even cry
0:46:38 > 0:46:40# She's not a fool
0:46:40 > 0:46:46# She's just trying to do what her heart says to
0:46:46 > 0:46:50# To love you
0:46:52 > 0:46:57# As you take to the wind
0:46:58 > 0:47:04# As she breaks down within
0:47:05 > 0:47:09# She waits for you patiently
0:47:09 > 0:47:11# Hoping that one day you'll see
0:47:11 > 0:47:15# That all she really wants to be
0:47:15 > 0:47:19# Is yours and yours alone eternally
0:47:19 > 0:47:22# What do you want the girl to do?
0:47:25 > 0:47:29# Don't you see you're breaking the child in two?
0:47:32 > 0:47:36# What do you want the girl to do?
0:47:39 > 0:47:43# All she really wants is you
0:47:48 > 0:47:53# What do you want the girl to do? #
0:47:55 > 0:47:57CHEERING AND APPLAUSE
0:47:59 > 0:48:03- Oh, what a lovely version. - He would be happy to hear that.
0:48:03 > 0:48:04Thank you, thank you.
0:48:04 > 0:48:07The wonderful Bonnie Raitt. And we paid tribute to Allen Toussaint.
0:48:07 > 0:48:11Bonnie Raitt. More from her later on.
0:48:11 > 0:48:14But now a dazzling showbiz success story.
0:48:14 > 0:48:18This next artist was last here, in exactly this position,
0:48:18 > 0:48:20singing backup vocals with Kwabs.
0:48:20 > 0:48:23Now she's here on her own. We welcome Nao.
0:48:37 > 0:48:41# Losing it to waterfalls
0:48:41 > 0:48:45# Rip and tidy years ago
0:48:45 > 0:48:51# Buried under rivers of a doubt I didn't notice
0:48:51 > 0:48:54# Cos maybe
0:48:54 > 0:48:58# We longed for the magical
0:48:58 > 0:49:02# Carpet that belonged to those
0:49:02 > 0:49:05# Beautiful, mystical, illusion
0:49:05 > 0:49:08# Not the broken
0:49:08 > 0:49:11# Feels like pretty doesn't know me
0:49:11 > 0:49:13# Only shows up when I'm lonely
0:49:13 > 0:49:15# Through the tears of imperfection
0:49:15 > 0:49:17# The mirror knows
0:49:17 > 0:49:20# Could you like someone that's hoping
0:49:20 > 0:49:21# They grow out of their own skin
0:49:21 > 0:49:22# For a time?
0:49:24 > 0:49:27# If I was your
0:49:27 > 0:49:29# Girlfriend
0:49:29 > 0:49:32# Could you love for two?
0:49:33 > 0:49:35# If I was your
0:49:35 > 0:49:37# Girlfriend
0:49:37 > 0:49:41# Could you fool me too?
0:49:41 > 0:49:43# To make us
0:49:43 > 0:49:48# Fly?
0:49:48 > 0:49:51# To make us
0:49:51 > 0:49:56# Fly?
0:50:08 > 0:50:12# Don't be scared to shed a little broken
0:50:13 > 0:50:16# Oh, baby, yeah
0:50:16 > 0:50:21# Your masculine's a number to be opened
0:50:21 > 0:50:25# But the day, the day you know
0:50:25 > 0:50:30# When I'm your lady
0:50:30 > 0:50:37# You'll know how beautiful and mystical you are
0:50:37 > 0:50:40# If I was your
0:50:40 > 0:50:42# Girlfriend
0:50:42 > 0:50:46# Would you love for two?
0:50:46 > 0:50:48# If I was your
0:50:48 > 0:50:50# Girlfriend
0:50:50 > 0:50:53# Would you pull me through?
0:50:53 > 0:50:56# To make us
0:50:56 > 0:51:01# Fly?
0:51:01 > 0:51:04# To make us
0:51:04 > 0:51:09# Fly?
0:51:27 > 0:51:29# If I was your
0:51:29 > 0:51:30# Girlfriend
0:51:30 > 0:51:34# Would you love for two?
0:51:34 > 0:51:39# If I was your girlfriend
0:51:39 > 0:51:41# Would you pull me though
0:51:41 > 0:51:45# To make us
0:51:45 > 0:51:46# Fly?
0:51:46 > 0:51:51# To make us fly?
0:51:51 > 0:51:53# To make us
0:51:53 > 0:51:54# Fly?
0:51:54 > 0:52:00# To make us fly?
0:52:00 > 0:52:06# Ooh. #
0:52:10 > 0:52:13APPLAUSE AND CHEERING
0:52:20 > 0:52:23Thank you, Nao! Girlfriend. What a lovely feel they've all got there.
0:52:23 > 0:52:26Now, talking of people with a nice feel and some nice songs,
0:52:26 > 0:52:28we welcome The Last Shadow Puppets!
0:52:40 > 0:52:42# Tell him what you want
0:52:42 > 0:52:46# And, baby, he can find you anything you need
0:52:46 > 0:52:49# Tell me what you need
0:52:49 > 0:52:51# Hey, hey-ey-ey
0:52:51 > 0:52:55# Whoa whoa-whoa whoa
0:52:56 > 0:52:59# Come on, miracle-aligner
0:52:59 > 0:53:01# Go and get 'em, tiger
0:53:01 > 0:53:05# Get down on your knees, yeah Get down on your knees again
0:53:08 > 0:53:13# Oh oh-oh oh oh oh
0:53:15 > 0:53:17# 50 feet tall
0:53:17 > 0:53:20# And revved up too high
0:53:20 > 0:53:25# All of our exchanges were by candlelight
0:53:25 > 0:53:30# I just realised
0:53:31 > 0:53:37# I walk through the walls and creep up behind
0:53:37 > 0:53:42# Make sense of a maze that you were stuck outside
0:53:42 > 0:53:46# Cover your eyes
0:53:46 > 0:53:49# Often the humble kind
0:53:49 > 0:53:52# But he can't deny
0:53:52 > 0:53:56# He was born to blow your mind
0:53:56 > 0:54:00# Or something along those lines
0:54:00 > 0:54:03# Tonight
0:54:05 > 0:54:07# Tell him what you want
0:54:07 > 0:54:10# And, baby, he can find you
0:54:10 > 0:54:11# Anything you need
0:54:11 > 0:54:14# Tell him what you need
0:54:14 > 0:54:16# Hey, hey-ey-ey
0:54:16 > 0:54:20# Oh oh-oh oh oh oh
0:54:21 > 0:54:24# Come on, miracle aligner
0:54:24 > 0:54:26# Go and get 'em, tiger
0:54:26 > 0:54:28# Get down on your knees
0:54:28 > 0:54:33# Get down on your knees again
0:54:33 > 0:54:37# Oh oh-oh oh oh oh
0:54:56 > 0:54:59# So what's the wish?
0:54:59 > 0:55:02# He'll make it come true
0:55:02 > 0:55:08# As simple as the line out of a doo-wop tune
0:55:08 > 0:55:12# He'll make the moves
0:55:12 > 0:55:15# Often the humble kind
0:55:15 > 0:55:16# But he can't deny
0:55:16 > 0:55:21# He was born to blow your mind
0:55:21 > 0:55:25# Or something along those lines
0:55:25 > 0:55:28# Tonight
0:55:30 > 0:55:32# Tell him want you want
0:55:32 > 0:55:34# And, baby, he can find you
0:55:34 > 0:55:36# Anything you need
0:55:36 > 0:55:38# Tell him what you need
0:55:38 > 0:55:41# Hey hey-ey-ey
0:55:41 > 0:55:46# Oh oh-oh oh oh oh
0:55:46 > 0:55:48# Come on, miracle aligner
0:55:48 > 0:55:51# Go and get 'em, tiger
0:55:51 > 0:55:53# Get down on your knees
0:55:53 > 0:55:57# Get down on your knees again
0:55:57 > 0:56:02# Oh oh-oh oh oh oh. #
0:56:41 > 0:56:45APPLAUSE AND CHEERING
0:57:04 > 0:57:06# Well, a wind runs through the valley
0:57:06 > 0:57:09# Long and hard and wild
0:57:09 > 0:57:11# It gets all up inside the trees
0:57:11 > 0:57:14# And shakes the leaves all night
0:57:14 > 0:57:16# Shakes up to the mountains
0:57:16 > 0:57:19# Shakes up to the sky
0:57:19 > 0:57:23# Shakes up to the moon above And then it starts to shine
0:57:23 > 0:57:26# And, Lord, it makes me tremble
0:57:31 > 0:57:34# And, Lord, it makes me tremble
0:57:38 > 0:57:40# Shakin' and shakin' and shakes
0:57:40 > 0:57:42# Shakin' and shakin' and shakes
0:57:42 > 0:57:45# Shakin' and shakin' and shakes
0:57:45 > 0:57:47# Oh, shakin' and shakin' and shakes
0:57:56 > 0:57:59# Well, there's a fault runs through the valley
0:57:59 > 0:58:01# Long as it is mean
0:58:01 > 0:58:04# Starts to tear into the earth
0:58:04 > 0:58:06# And gets all in between
0:58:06 > 0:58:08# It shakes up through the mountains
0:58:08 > 0:58:11# It shakes up to the sea
0:58:11 > 0:58:15# Shakes up to the volcano And then it starts to scream
0:58:15 > 0:58:18# And, Lord, it makes me tremble
0:58:23 > 0:58:27# And, Lord, it makes me tremble
0:58:29 > 0:58:32# It's shakin' and shakin' and shakes
0:58:32 > 0:58:34# Shakin' and shakin' and shakes
0:58:34 > 0:58:36# Shakin' and shakin' and shakes, yeah
0:58:36 > 0:58:39# Shakin' and shakin' and shakes
0:59:17 > 0:59:19# There's a woman in this valley
0:59:19 > 0:59:21# She's sweet as she is rough
0:59:21 > 0:59:23# And when she starts to dance that way
0:59:23 > 0:59:25# She shakes the boys all up
0:59:25 > 0:59:28# She shakes it through the mountains
0:59:28 > 0:59:30# She shakes it through the night
0:59:30 > 0:59:32# She shakes it like a hurricane
0:59:32 > 0:59:35# She gives a blind man sight
0:59:36 > 0:59:39# And Lord, it makes me tremble
0:59:42 > 0:59:45# And, Lord, it makes them tremble
0:59:50 > 0:59:52# She's shakin' and shakin' and shakes
0:59:52 > 0:59:54# Shakin' and shakin' and shakes
0:59:54 > 0:59:57# Shakin' and shakin' and shakes, come on
0:59:57 > 0:59:59# Shake it, baby! Come on!
1:01:19 > 1:01:22# Shake that thing, baby! #
1:01:22 > 1:01:24APPLAUSE AND CHEERING
1:01:30 > 1:01:34Shakin' And Shakin' And Shakes. Thank you, Bonnie Raitt.
1:01:34 > 1:01:36APPLAUSE AND CHEERING What a superb band.
1:01:36 > 1:01:38You can look at our website and see more
1:01:38 > 1:01:40and discover more beautiful things.
1:01:40 > 1:01:42We will be back on Tuesday at ten o'clock with
1:01:42 > 1:01:44Biffy Clyro, Tame Impala, James Blake,
1:01:44 > 1:01:47Moon Hooch, Michael Kiwanuka and loads, loads more.
1:01:47 > 1:01:49But now we...
1:01:49 > 1:01:52Have you got a bit of a groove about your person there?
1:01:52 > 1:01:54DRUMS BEAT Oh, yeah, nice.
1:01:54 > 1:01:56All right. So, are we feeling good? CHEERING
1:01:56 > 1:01:59OTHER INSTRUMENTS JOIN
1:02:00 > 1:02:03All right. Thank you, Bonnie Raitt. APPLAUSE AND CHEERING
1:02:08 > 1:02:11Thank you, Ballake Sissoko and Vincent Segal.
1:02:11 > 1:02:13APPLAUSE AND CHEERING
1:02:14 > 1:02:17Thank you, the Last Shadow Puppets. APPLAUSE AND CHEERING
1:02:24 > 1:02:26Thank you, Nao. APPLAUSE AND CHEERING
1:02:29 > 1:02:32Thank you, you. And you.
1:02:33 > 1:02:36Thank you, Dinosaur Jr. APPLAUSE AND CHEERING
1:02:39 > 1:02:42Thank you, Zucchero. APPLAUSE AND CHEERING
1:02:45 > 1:02:47I'll be seeing you.