:00:34. > :00:39.CHEERING APPLAUSE
:00:40. > :00:42.Welcome, we are broadcasting live to everyone in this lovely studio and
:00:43. > :00:57.over here we have Madness! # Woe betide you if you
:00:58. > :01:07.wander from God's plan # Square shouldered,
:01:08. > :01:09.straight as a die # The righteous truth,
:01:10. > :01:14.he never tell you no lies # He's heading off up
:01:15. > :01:20.the wrong side of town # Head of the table
:01:21. > :01:51.at the Rotary club # Never unsure of which
:01:52. > :01:53.shoulders he should rub # Heading off under
:01:54. > :02:09.the wrong side of town # You're gonna do, you're
:02:10. > :02:27.gonna do yourself in # You're gonna do, you're
:02:28. > :03:24.gonna do yourself in CHEERING
:03:25. > :04:28.APPLAUSE Whether you are in bed, a bar or
:04:29. > :04:32.what could be better than enjoying Madness live in this room are
:04:33. > :04:36.broadcasting live to you, room for all of amazing people, The Divine
:04:37. > :04:41.Comedy are here, the amazing voice of Rag 'N' Bone Man is here,
:04:42. > :04:46.fantastic Gallant, over here the wonderful Beth Orton but now we
:04:47. > :05:02.begin in this corner with Jamie T. # She's the eye of the storm
:05:03. > :05:14.born in the city I live # Her vanity's dressed up as virtue
:05:15. > :05:17.in brogue shoes in art schools # She used to make do,
:05:18. > :05:31.but now she makes men # Fall at her feet, weak,
:05:32. > :05:38.their tongues leak, they try to stop talking cause now they don't make
:05:39. > :05:40.any sense # So I drove to the bar
:05:41. > :06:18.now I'm sipping on gin # I stare into space as the place
:06:19. > :06:21.seemed to get that little bit # She walked in, I could
:06:22. > :06:27.say she looked good, # But that would just be me
:06:28. > :06:38.throwing you off the scent, she's everything
:06:39. > :06:41.an understatement has # But as with any gift,
:06:42. > :07:18.there's always a twist # She can never really kiss,
:07:19. > :07:23.cause there's never remiss # Like giving everloves,
:07:24. > :07:27.you can never really win # It's the burden and a curse
:07:28. > :08:37.of her power over men CHEERING
:08:38. > :08:46.APPLAUSE Jamie T, Power Over Men. Our next
:08:47. > :08:51.guest is Neil Hannon, he is a truly talented man, he writes prose, pop
:08:52. > :08:58.music, the lot, and he is here now, this is the Divine Comedy!
:08:59. > :09:04.# When did you say that you're coming home?
:09:05. > :09:34.# I surgically remove all of the green food from my diet
:09:35. > :09:38.# I know I should be reading but I'm too lazy to try it
:09:39. > :09:45.# I keep the TV on all day to chase away the quiet when you leave
:09:46. > :10:09.# When did you say that you're coming home?
:10:10. > :10:17.# When you leave, I become a dickhead
:10:18. > :10:21.# A bad-smelling couch-dwelling dickhead
:10:22. > :10:29.# I drink too many cups of tea and eat too many biscuits
:10:30. > :10:33.# I stare at all the photos and the texts that you have sent me
:10:34. > :10:36.# I think they're starting to resent me
:10:37. > :10:40.# I want to go to bed but the bed is just too empty when you leave
:10:41. > :11:39.# I stare at all the photos and the texts that you have sent me
:11:40. > :11:43.# I think they're starting to resent me
:11:44. > :11:47.# I want to go to bed but the bed is just too empty when you leave
:11:48. > :12:09.# When did you say that you're coming home?
:12:10. > :12:22.CHEERING APPLAUSE
:12:23. > :12:29.The Divine Comedy, How Can You Leave Me On My Own. You can hear a lot
:12:30. > :12:36.more of that of course on our show on Friday. I am delighted to be
:12:37. > :12:43.welcomed by a icon and legend, Suggs! Welcome to the show. We have
:12:44. > :12:48.supplied you with half of beer and myself with a soft drink for the
:12:49. > :12:55.purposes of this interview. You are back with a brilliant new dazzling
:12:56. > :13:01.album, you opened the show with Mr Apples, who is Mr Apples? Mr Apples
:13:02. > :13:05.could be anyone of us. He unfortunately got on a high moral
:13:06. > :13:09.ground and was behaving like that during the day and behaving
:13:10. > :13:17.completely differently at night. Doctor Jekyll and Mr Hyde. You could
:13:18. > :13:20.say that. Did he get uncovered? I never got to that point, I wrote the
:13:21. > :13:25.words and I've never quite discovered, maybe on the next album
:13:26. > :13:31.I will find out. He was on the point of willing himself out, I know that
:13:32. > :13:38.much. Last week we lost our great legend in the form of Prince Buster,
:13:39. > :13:42.he was an influence on a lot of people particularly Madness. Yes, we
:13:43. > :13:46.loved Prince Buster, his sense of humour and obviously the music he
:13:47. > :13:52.made. At the time it was fresh, nobody seemed to be doing it. And he
:13:53. > :14:02.gave us our name, it was a prince Buster Song, Madness. And he may
:14:03. > :14:07.have had some influence on the way we moved about. We have got a clip
:14:08. > :14:15.of him and I think we're both on it and I think it on our very rare one
:14:16. > :14:18.of, the Mayday hootenanny, to celebrate the coming of spring, why
:14:19. > :14:22.we don't do one every year I don't know. Here are some photographic
:14:23. > :14:40.evidence. # Madness
:14:41. > :14:44.# I am filled with gladness # It's going to be rougher
:14:45. > :14:52.# It's going to be tougher # And I won't be the one that's
:14:53. > :14:56.going to suffer. # I won't be the one who's going to
:14:57. > :15:03.suffer # That's right
:15:04. > :15:04.# I'll never be the one who's going to suffer. CHEERING
:15:05. > :15:09.APPLAUSE .
:15:10. > :15:19.And that is contagious dancing, I think that was Damon Albarn. Some
:15:20. > :15:23.pop stars in the background. It doesn't matter whether you are an
:15:24. > :15:27.old grandad, you want to get going to that music. Like yourself, we
:15:28. > :15:32.started with doing cover versions but we found more and more, if you
:15:33. > :15:36.play that, you get invited back the following week. People enjoying it.
:15:37. > :15:41.Is he still an influence now? I think his sense of humour. I don't
:15:42. > :15:48.know, it's hard to say exactly. He was quite a spiritual man. I think
:15:49. > :15:52.music makes you feel that way. His soul will live on Le Mond we do in
:15:53. > :16:01.some way or another. We are going to hear a tribute at the end of the
:16:02. > :16:10.show? Just two seconds left! Thanks for joining us, Suggs. There is a
:16:11. > :16:17.certain schedule that we must keep two. We can now welcome a marvellous
:16:18. > :16:28.artist who has a great record out, it is a Beth Orton!
:16:29. > :16:32.# You got a certain way I swear of sticking it in
:16:33. > :16:37.# Even though you only ever lose or you win
:16:38. > :16:41.# I always said I'd wait and wait and wait just to see
:16:42. > :16:44.# But I've been waiting here since 1973
:16:45. > :17:13.# Looking back in time right now to 72
:17:14. > :17:17.# I remember all the stupid things we'd do
:17:18. > :17:21.# Sitting round and speeding like it's 79
:17:22. > :17:24.# there was always somewhere else I had to be
:17:25. > :17:44.# Looking below, well, it changed my dreams
:17:45. > :17:50.# And now nothing is quite what it seems
:17:51. > :18:10.# You got a certain way I swear
:18:11. > :18:20.# I always said I'd wait and wait and wait just to see
:18:21. > :18:23.# I've been waiting here since 1973
:18:24. > :19:21.APPLAUSE Thank you, Beth Orton. The song,
:19:22. > :19:26.1973. Brand-new talent, a man with an extraordinary voice, please
:19:27. > :19:53.welcome the Wonderful Rag 'n' Bone Man.
:19:54. > :20:05.# But I'm only human after all
:20:06. > :20:48.# Some people got the real problems
:20:49. > :20:56.# Some people think I can solve them
:20:57. > :21:46.# Oh, some people got the real problems
:21:47. > :21:51.# Some people think I can solve them
:21:52. > :23:43.The extraordinary talent, Rag 'n' Bone Man. Now we welcome Gallant!
:23:44. > :24:13.# This gravity hurts when you know the truth
:24:14. > :25:21.# And I take the blame for the both of us
:25:22. > :25:38.# But I can't lift this on my own
:25:39. > :25:51.# Call me anxious, call me broke
:25:52. > :26:00.# But I can't lift this on my own
:26:01. > :26:13.# You tried your best, is it ever enough
:26:14. > :26:17.# When it's already dragging me down, down?
:26:18. > :26:30.# Call me anxious, call me broke
:26:31. > :26:35.# But I can't lift this on my own
:26:36. > :26:45.# Call me anxious, call me broke
:26:46. > :27:03.# But I can't lift this on my own
:27:04. > :27:20.# When it's already dragging me down, down?
:27:21. > :27:32.APPLAUSE Thank you. How long have we got for
:27:33. > :27:33.this? How long? How many seconds? Thank you so much, see you on
:27:34. > :27:37.Friday. Madness! # You got to help us
:27:38. > :27:58.with your feet # If you're not
:27:59. > :28:00.in the mood to dance # Step back,
:28:01. > :28:02.grab yourself a seat # This may not
:28:03. > :28:04.be uptown Jamaica # Buster bowl me over
:28:05. > :28:09.with your bogus dance # So I'll say
:28:10. > :28:19.there's nothin' left to say # So I'll leave it up to you out
:28:20. > :28:24.there # Buster bowl me over
:28:25. > :28:37.with your bogus dance # Even though I'll keep
:28:38. > :29:08.on runnin' # Top of the Pops
:29:09. > :29:14.# And in the blue corner, the sensational Mr Lee Thompson!