:00:55. > :01:01.Welcome to another evening. Let's begin with the delightful and
:01:02. > :01:15.wonderful Madness. # Woe betide you if you
:01:16. > :01:21.wander from God's plan # Square shouldered,
:01:22. > :01:24.straight as a die # The righteous truth,
:01:25. > :01:28.he never tell you no lies # He's heading off up
:01:29. > :01:35.the wrong side of town # Head of the table
:01:36. > :02:06.at the Rotary club # Never unsure of which
:02:07. > :02:10.shoulders he should rub # Heading off under
:02:11. > :02:25.the wrong side of town # You're gonna do, you're
:02:26. > :02:45.gonna do yourself in # You're gonna do, you're
:02:46. > :04:45.gonna do yourself in CHEERING AND APPLAUSE
:04:46. > :04:51.The whole studio quakes with excitement at the legendary Madness
:04:52. > :04:57.in our midst. But wait, it is not just Madness. There is much more.
:04:58. > :05:04.Are you ready? Yes, I hope so. From north West killed there in Ireland,
:05:05. > :05:10.the Divine Comedy. From Sussex, a man with an amazing voice, Rag 'N'
:05:11. > :05:14.Bone Man. How blessed we are this evening to be in the same studio as
:05:15. > :05:27.this man from Columbia, Maryland, Gallant. Beautiful songs, beautiful
:05:28. > :05:49.person, Beth Orton. And now, he is dazzling from Wimbledon, Jamie T.
:05:50. > :05:52.# Always in the heart beat a friend of mine
:05:53. > :05:54.# New York, New York in a hot, hot summer
:05:55. > :05:56.# Leaving the place low all of the time
:05:57. > :05:59.# I just got my heart broke home in the winter
:06:00. > :06:01.# Oh no, he said, Paul laugh and a cry
:06:02. > :06:03.# Don't ever tell them the old broke record
:06:04. > :06:06.# They won't understand or even know of this crime
:06:07. > :06:19.# I wait on a long time friend undercovers
:06:20. > :06:24.# Doesn't matter how far in a bus I travel
:06:25. > :06:26.# I still feel the twist and the turn of mean time
:06:27. > :06:29.# I'm not gonna call her a thief or whatever
:06:30. > :06:31.# Breaking in the back doors of my mind
:06:32. > :06:33.# You look just like my old young lover
:06:34. > :06:38.# I relive the past in a last fast find
:06:39. > :07:04.# Metro get ya let's go Tescoland
:07:05. > :07:26.# I was just a fool too singing a new low
:07:27. > :07:28.# What's new I've fallen from my old high street
:07:29. > :07:31.# Bass can get you though, I'm broader than Broadway
:07:32. > :07:33.# Broader than Broadway in my own defeat
:07:34. > :07:38.# Love to sail away like a rolling stone
:07:39. > :07:41.# Every plan I make's meant to take me further away
:07:42. > :07:48.# But I always end up back at home
:07:49. > :08:18.# I guess it's hard for an Englishman
:08:19. > :09:11.CHEERING AND APPLAUSE Thank you, Jamie T. You may have
:09:12. > :09:15.seen our next guest with Elton John earlier in the week playing a couple
:09:16. > :09:18.of songs. He is now going to sing a song from his new album, Ology. We
:09:19. > :09:40.welcome, Gallant. # I'm a headless horseman
:09:41. > :09:43.on quilted sand dunes # With my neck wide
:09:44. > :09:54.open, I pray for refuge # Cause since I've been found I've
:09:55. > :10:00.been living a life in cages # Withering down to
:10:01. > :10:07.the champagne quicksand # Wrestling doubt I've been
:10:08. > :10:14.dragging around for ages # I tried to let it drain
:10:15. > :10:19.but my veins are hopeless # Cause I loved in cold
:10:20. > :10:31.blood and got used to it # But I'm shaking I need it
:10:32. > :10:45.like bourbon in my coffee cup # I'm a tritone bible
:10:46. > :10:57.with misprint logic # I count lunar cycles
:10:58. > :11:09.with faithless prophets # Cause since I've been found I've
:11:10. > :11:15.been living a life in cages # Withering down to
:11:16. > :11:22.the champagne quicksand # Wrestling doubt I've been
:11:23. > :11:28.dragging around for ages # I tried to let it drain
:11:29. > :11:34.but my veins are hopeless # Cause I loved in cold
:11:35. > :11:46.blood and got used to it # But I'm shaking, I need it
:11:47. > :12:01.like bourbon in my coffee cup # I'm just another
:12:02. > :12:15.stone on broken walls # Racing the winds
:12:16. > :12:18.in a hurricane # I've been kicking
:12:19. > :12:24.these rocks in a river # And they've been sinking
:12:25. > :12:30.low, low, low, low, low # Oh they've been going low,
:12:31. > :12:49.low, low, low, low # Cause I loved in cold
:12:50. > :12:52.blood and got used to it # But I'm shaking, I need it
:12:53. > :13:27.like bourbon in my coffee cup Gallant. Looking so lovely. Look at
:13:28. > :13:31.this beautiful array of people. Amazing artists in every corner, and
:13:32. > :13:35.this corner is no exception. The next artist has a wonderful new
:13:36. > :13:51.record called Kidsticks. We welcome Beth Orton.
:13:52. > :13:54.# You got a certain way I swear of sticking it in
:13:55. > :13:56.# Even though you only ever lose or you win
:13:57. > :13:59.# I always said I'd wait and wait and wait just to see
:14:00. > :14:02.# But I've been waiting here since 1973
:14:03. > :14:30.# Looking back in time right now to 72
:14:31. > :14:36.# I remember all the stupid things we'd do
:14:37. > :14:42.# Sitting round and speeding like it's 79
:14:43. > :14:44.# There was always somewhere else I had to be
:14:45. > :14:55.# Looking below, well, it changed my dreams
:14:56. > :15:00.# And now nothing is quite what it seems
:15:01. > :15:26.# You got a certain way I swear
:15:27. > :15:38.# I always said I'd wait and wait and wait just to see
:15:39. > :15:41.# I've been waiting here since 1973
:15:42. > :17:34.You have a marvellous record out, Can't Touch Us Now, about to come
:17:35. > :17:39.out. Very good title, but who can't touch you now? The authorities, you
:17:40. > :17:44.know. There is a big file marked close shaves, and we pretty much
:17:45. > :17:48.filled it up. It is a tongue in cheek thing. Our saxophone player
:17:49. > :17:53.wrote it and he could tell you more, but I see it as, we have been going
:17:54. > :17:57.so long now that we have created our own kind of thing, without sounding
:17:58. > :18:00.arrogant. We can kind of do what we like, without record companies or
:18:01. > :18:04.any of the rest of that stuff, not that we don't love our record
:18:05. > :18:09.company. And you have made this new record, but it might -- it must be
:18:10. > :18:11.quite hard getting all of you together because I happen to know
:18:12. > :18:13.that you drink in completely different pubs. So how do you get
:18:14. > :18:26.together and make a record? We know it's time to meet back at
:18:27. > :18:35.the Mad Cavendish. Reconverge at the Mad Cave. The elderly nice butler
:18:36. > :18:41.this time washings it Liam Watson, producerer The White Stripes came in
:18:42. > :18:46.to help? Yes. We have been doing interesting recording with Toerag.
:18:47. > :18:50.Liam Watson an interesting, Cha and two other producers. We were trying
:18:51. > :18:53.to get back to the basics of what we liked about making music in the
:18:54. > :18:57.first place. Playing together, firstly. One. It seems to have gone
:18:58. > :19:05.out of fashion. Rule one. Rule one. Yes. Two? Enjoying it. Three? ? Not
:19:06. > :19:09.spending too much time in the flipping Studio. Four? Enjoying it
:19:10. > :19:14.more. Then five, all going to the same pub together when you've
:19:15. > :19:21.finished. Yes. Five showbusiness golden tips. Yes. Thank you very
:19:22. > :19:27.much for those. You have also, we last week sadly a great legend,
:19:28. > :19:30.Prince Buster, was he a big influence on Madness. I would like
:19:31. > :19:38.to equate it without being funny about his death. Like the Monty
:19:39. > :19:43.Python's Roman skech. What did he do are for us? Our name, our album
:19:44. > :19:52.title. First hit single, our second hit single. What did he do for us. I
:19:53. > :19:59.liked Prince Buster a lot. Yeah. We have a clip in Jamaica. One of the
:20:00. > :20:02.earliest clip. I had my people scouring every archive. Is from
:20:03. > :20:15.1964. I would like to share it with you and the public.
:20:16. > :20:29.# Until I'm wrinkled old grey #
:20:30. > :20:38.All around heaven all day # So don't you hear me...
:20:39. > :20:49.# Oh, yes kchl Prince Buster. What did he ever do for us He enjoyed
:20:50. > :20:53.himself. He did. There was a very important element in... A time when
:20:54. > :20:58.those people were still around in the 60s who were inspiring them like
:20:59. > :21:02.young fellas in the 70s. Who were some of the other great Jamaican
:21:03. > :21:11.artists? So many, Jools. We had the fortune, we did a gig in Clapham
:21:12. > :21:21.Common. Desmond Decker. So many, Jimmy Cliff. Millions of them. A lot
:21:22. > :21:28.of those guys were struggling when we made our records. Not because of
:21:29. > :21:32.us The Specials and UB40. They got the recognition that they missed out
:21:33. > :21:36.on first time round. I'm asking all the artists on the show whether you
:21:37. > :21:41.are spontaneous or fully rehearsed. Which would you cat gries yourself
:21:42. > :21:45.within? I I'm spontaneous. Excellent. Thank you very much. For
:21:46. > :21:50.answering the question fully and honestly. This is Rag'n'Bone Man
:21:51. > :21:55.have you heard him? Great. He has an amazing voice. We recorded a song
:21:56. > :22:02.which I don't think made it on the alm called Rag'n'Bone Man, I'm
:22:03. > :22:09.hoping it's homage to you. You can have it. It's not bad. You can have
:22:10. > :22:16.it if you want. I'm sure that is what ire vine Berlin said to
:22:17. > :22:21.everybody. You will next sing Herbert Which may or may not be a
:22:22. > :22:26.true story about an unfortunate that happened at somebody else's wedding.
:22:27. > :22:32.With a bit of a Herbert. To name no names. Thank you very much. The
:22:33. > :22:34.legendary Suggs. Thank you. Now to in a seamless way to The Divine
:22:35. > :22:57.Comedy. # So many heartbreaks
:22:58. > :23:05.# So little time # Too many tragedies
:23:06. > :23:18.# Too many crimes # Put on your body armour
:23:19. > :23:32.# Prepare your lull byes # Cos there is no-one else, gonna
:23:33. > :23:39.put it right # To rescue down the streets and
:23:40. > :23:45.alleyways # Passed the Chinese takeaways. To
:23:46. > :23:59.the rescue # Through the wind and driving rain
:24:00. > :24:12.# To the rescue To the rescue # When the world won't understand
:24:13. > :24:24.the Government's got other plans. Take the law into your hands
:24:25. > :24:33.# To the rescue #
:24:34. > :24:37.Got a vigilante #
:24:38. > :24:49.Sleeping had my bed # I looked for Marilyn
:24:50. > :24:53.# Yes, I did #
:24:54. > :25:02.But I'm much behind you # Where ever you may go
:25:03. > :25:11.# And I'm more proud of you
:25:12. > :25:25.# Than you can ever know # To the rescue
:25:26. > :25:29.# Through the know and freezing rain # Down deserted country lanes
:25:30. > :25:36.# To the rescue # Round-the-world and back again
:25:37. > :25:43.# To the rescue # To the rescue
:25:44. > :25:48.# Taking the forgotten ones # The big and small, the old and
:25:49. > :25:54.young # To the rescue
:25:55. > :26:27.# When nobody else will come # You'll come to the rescue
:26:28. > :26:44.# To the rescue # Da, da, da
:26:45. > :26:45.# Ah, ah, ah... #
:26:46. > :27:09.CHEERING AND APPLAUSE. # She was further than her father,
:27:10. > :27:13.but I was really rather partial # Partial to the was
:27:14. > :27:15.she took her stand # I subtely tried to
:27:16. > :27:24.push past her old man # I felt like I'd walked
:27:25. > :27:33.into a brick wall # He menacingly whispered,
:27:34. > :27:34.listen, sonny Jim # Stop now or believe
:27:35. > :27:43.me you will fall # who'd become a wealthy hotelier,
:27:44. > :27:52.before he got the calling # There's a big fat bloke
:27:53. > :28:02.trying to do me in, # He's chasing me round
:28:03. > :28:13.with an old shotgun # Holding forth and
:28:14. > :28:38.splendidly well oiled # Of have mine will be
:28:39. > :28:52.suliied or despoiled # My princess made of sherbert
:28:53. > :28:56.and lavender my cupcake cookatchoo # My hopes were growin getting
:28:57. > :29:01.dimmer, so I grabbed her # Oh, she was the
:29:02. > :29:05.preacher's daughter # And I really didn't oughta
:29:06. > :29:08.taken her and done what I have done # He wants to take me to the
:29:09. > :29:12.cleaners for previous misdemeanors # And get me up the aisle
:29:13. > :29:26.with his shotgun # There's a big fat
:29:27. > :29:35.lump trying to do me in # He's chasing me round
:29:36. > :29:40.with an old shotgun # There's a big fat
:29:41. > :29:46.bloke trying to do me in # He's chasing me round
:29:47. > :30:44.with a sawn-off shotgun Thank you, Madness. Before that,
:30:45. > :30:52.what a lovely song that was from the Divine Comedy. Now, we are going to
:30:53. > :30:56.enjoy a sensational new artist whose voice I just love. For the first
:30:57. > :31:22.time, we are delighted to welcome Rag 'N' Bone Man.
:31:23. > :31:37.# But I'm only human after all
:31:38. > :32:20.# Some people got the real problems
:32:21. > :32:26.# Some people think I can solve them
:32:27. > :33:15.# Oh, some people got the real problems
:33:16. > :33:22.# Some people think I can solve them
:33:23. > :34:55.CHEERING AND APPLAUSE The
:34:56. > :35:08.wonderful, amazing voice of Rag 'N' Bone Man. From his album which will
:35:09. > :35:10.be out very soon. A lot of superb artists this evening. Let's enjoy
:35:11. > :35:25.another. We welcome back Beth Orton. # If I were a wave
:35:26. > :35:28.you'd have caught me # If you were the sea you'd not turn
:35:29. > :35:38.your back on me # I'd shake your fury
:35:39. > :35:43.right out off of me # I was crying out for you,
:35:44. > :35:48.before I ever knew # Crying out to you,
:35:49. > :35:53.breathe me in # I was crying out
:35:54. > :35:58.for you, before I ever knew # When I am a sound,
:35:59. > :36:29.I was twisting out loud # Shake that fury
:36:30. > :36:34.right on out to sea # I was crying out for you,
:36:35. > :36:39.before I ever knew # Crying out to you,
:36:40. > :36:45.breathe me in # I was crying out for you,
:36:46. > :36:53.before I ever knew # And all in all
:36:54. > :38:10.what the sea forgets # All in all remember not
:38:11. > :38:10.to forget # To shake the fury
:38:11. > :38:11.right out off of me # This gravity hurts when you know
:38:12. > :39:06.the truth # And I take the blame
:39:07. > :40:15.for the both of us # But I can't lift
:40:16. > :40:30.this on my own # Call me anxious,
:40:31. > :40:42.call me broke # But I can't lift
:40:43. > :40:49.this on my own # You tried your best,
:40:50. > :41:05.is it ever enough # When it's
:41:06. > :41:11.already dragging me down, down? # Call me anxious,
:41:12. > :41:22.call me broke # But I can't lift
:41:23. > :41:26.this on my own # Call me anxious,
:41:27. > :41:37.call me broke # But I can't lift
:41:38. > :41:48.this on my own # When it's
:41:49. > :42:23.already dragging me down, down? CHEERING AND APPLAUSE
:42:24. > :42:30.The sensational Gallant. I liked the unresolved chord at the end. Weight
:42:31. > :42:38.In Gold. Before that, Beth Orton. Now, for more chat, with no
:42:39. > :42:48.complimentary drinks or snacks. It is Neil Hannon. So nice to have you
:42:49. > :42:53.here. Lovely to be back. I thought you were shaking my hand. I was
:42:54. > :42:58.shaking my hand, but I was showing we had nothing to give you except a
:42:59. > :43:02.handshake. I love that song earlier. The Divine Comedy has been on the
:43:03. > :43:07.back burner for about six years, doing different things. I have done
:43:08. > :43:15.a couple of strange, dark, chamber operas. One for the wail opera
:43:16. > :43:21.house. I always think I have rather bitten off more than I can chew. --
:43:22. > :43:26.one for the Royal Opera house. That is a huge thing to do. Aid would be
:43:27. > :43:34.if it was a proper one. It was half an hour. You have to write out for a
:43:35. > :43:39.symphony orchestra. Yes, in my ProTools way. It is sort of
:43:40. > :43:43.cheating, but I write all the notes. And then the conductor has to
:43:44. > :43:49.massage it into some dynamic shape. It is quite a thing to do. You are
:43:50. > :43:54.back together with the Divine Comedy with this new record, Foreverland.
:43:55. > :44:01.What made you decide to use this mode for your music? The Divine
:44:02. > :44:08.Comedy is the term that I use really for me when I am just doing what I
:44:09. > :44:11.want, you know. I like the extraneous projects, but I like
:44:12. > :44:20.coming back and nobody telling me what to do. And letting my magic
:44:21. > :44:28.nation run riot. You first came on this show in 1998. You performed
:44:29. > :44:33.your very famous track, National Express, which we have a clip of.
:44:34. > :44:36.Out of interest, are you an enthusiast of buses and coaches? No.
:44:37. > :45:06.No further questions. # What they see inside
:45:07. > :45:19.# # All
:45:20. > :45:31.APPLAUSE. Very good. I think I have to give Madness their do yous,
:45:32. > :45:37.really. They had a massive influence on me when I was a kid -- dues. Can
:45:38. > :45:44.Complete Madness was my favourite record. I listened to it
:45:45. > :45:50.back-to-back. Songwriting genius. They are giving you gentle words of
:45:51. > :45:54.encouragement. "Go on son." I will translate. That means, thank you so
:45:55. > :46:00.much, we are very grateful for those kied remarks. The pleasure is all
:46:01. > :46:03.mine. They are great. You have done music for television, films, all
:46:04. > :46:07.sort of things. If a letter were to come through the door, drop down
:46:08. > :46:10.there today, there was an offer of doing something interest that you
:46:11. > :46:15.longed to do and never thought of it, what would it be, do you think.
:46:16. > :46:19.What would you love to do that you haven't been asked to do Oh, God.
:46:20. > :46:24.It's a tricky question. I should have asked you before. Write a song
:46:25. > :46:31.for Nancy Sinatra. Off the top of my head. Maybe she is watching this
:46:32. > :46:38.show? Yes. Can I put in Petula Clarke as well. Maybe she is
:46:39. > :46:43.watching this show. Any of the great 60s song stresses. I want to be Bert
:46:44. > :46:51.Bacharach. I think you are getting close. I'm doing a survey with
:46:52. > :46:57.everybody. Are you super rehearsed or spontaneous most of the time? I'm
:46:58. > :47:04.definitely not spontaneous. I'm kind of moderately rehearsed. How about
:47:05. > :47:09.you, Rag'n'Bone Man rehearsed or upon stainious? Spontaneous. You
:47:10. > :47:12.look it. Thank you very much. Great how people work in different ways
:47:13. > :47:19.and creating the same thing. What is the next song you are going to play
:47:20. > :47:24.for us? Howe Can You Leave Me On My own. How can your other half leave
:47:25. > :47:29.you for a couple of days and you fall apart. Is that what happens to
:47:30. > :47:36.you. Pretty much. Can you not cook or anything? I can cook my favourite
:47:37. > :47:44.meal. Two fried eggs and fried bread. Good on the frying. I'm an
:47:45. > :47:47.Ulsterman. Always two fried eggs? If the chickens are feeling friendly.
:47:48. > :47:53.We look forward to hearing your son-in-lawing in a moment. Thank you
:47:54. > :47:59.very much for joining us. Neil Hannon from The Divine Comedy.
:48:00. > :48:05.Remarkably talented man he is. He likes all of you as well. What a
:48:06. > :48:10.nice man, isn't he? Nice suits. I'm thrilled to see his band is gone, he
:48:11. > :48:23.is here with all of his tall in. The talent is him, it's Jamie T.
:48:24. > :48:26.# Post no bills, ill with chills, the pills, the cigarettes
:48:27. > :48:32.# No, I won't kill, I will not defend a bloody rag
:48:33. > :48:38.# And where did all the friendships go?
:48:39. > :49:03.# We all know, we're a sign of the times
:49:04. > :49:13.# But I wish I'd been a little more exceptional
:49:14. > :49:19.# And I wish I'd been a little unconventional
:49:20. > :50:11.# Simon says, everyone wants to know what's coming next
:50:12. > :50:28.# Feel like a kid, underwater trying to hold my breath
:50:29. > :50:34.# And every day's another war, another life I could have lived
:50:35. > :50:43.# In every way I wanted more, wanted more than Laura did
:50:44. > :50:50.# We still know, she's a sign of the times
:50:51. > :51:00.# But I wish I'd been a little more exceptional
:51:01. > :51:08.# And I wish I'd been a little unconventional
:51:09. > :52:05.# We all know you're a sign of the times...
:52:06. > :52:16.# CHEERING AND APPLAUSE.
:52:17. > :52:23.# When did you say that you're coming home?
:52:24. > :52:53.# I surgically remove all of the green food from my diet
:52:54. > :52:57.# I know I should be reading but I'm too lazy to try it
:52:58. > :53:06.# I keep the TV on all day to chase away the quiet when you leave
:53:07. > :53:30.# When did you say that you're coming home?
:53:31. > :53:43.# When you leave, I become a dickhead
:53:44. > :53:45.# A bad-smelling, couch-dwelling dickhead
:53:46. > :54:03.# I drink too many cups of tea and eat too many biscuits
:54:04. > :54:53.# I stare at all the photos and the texts that you have sent me
:54:54. > :54:56.# I think they're starting to resent me
:54:57. > :55:00.# I want to go to bed but the bed is just too empty when you leave
:55:01. > :55:32.# When did you say that you're coming home?
:55:33. > :55:47.CHEERING AND APPLAUSE. A great tall ept. Thank you The Divine Comedy.
:55:48. > :55:51.How Can You Leave Me On My Own from his Foreverland LP. Before that we
:55:52. > :55:54.enjoyed Jamie T. Now we glance at our watches with a bit of a tear
:55:55. > :55:58.because we realise the end of the show is near. It is time for
:55:59. > :56:23.Madness. APPLAUSE.
:56:24. > :56:51.# All my deepest kept secrets I shared with you
:56:52. > :57:16.# Tumbling in each other's stubborn foolishness
:57:17. > :57:30.# But for today we're bathing each other down by the stream
:57:31. > :57:42.# We have all the treasure that we need
:57:43. > :58:41.# Well, don't denounce your beliefs
:58:42. > :58:44.# No matter what wool they try to pull
:58:45. > :59:00.# We have all the treasure that we need
:59:01. > :59:22.# We have all the treasure that we need
:59:23. > :59:46.# It would appear... #
:59:47. > :59:52.CHEERING AND APPLAUSE. Madness You Can't Touch Us Now. We are back on
:59:53. > :59:56.Tuesday at 10.00pm. You can go to our website and discover a lot more
:59:57. > :00:00.else, of course. I would like to thank all of our guests. I would
:00:01. > :00:06.like to celebrate another thought for Prince Buster who isn't with us.
:00:07. > :00:10.We love him madly. Have you anything you could underlay and underpinned
:00:11. > :00:20.for us. Thank you. What could this be? 1, 2, 1, 2, 3. Thank you,
:00:21. > :00:33.Madness. Thank you The Divine Comedy. The dazzling voice of
:00:34. > :00:48.Rag'n'Bone Man. Thank you the wonderful, Gallant. Ooooh, yeah,
:00:49. > :00:57.yeah, Beth Orton. Thank you Jamie T. # Yeah, yeah...
:00:58. > :01:00.# Oh, yeah, yeah... # # Yeah, yeah
:01:01. > :01:02.# Oh, yeah...