:00:07. > :00:10.Good evening and welcome to the extraordinary present of
:00:11. > :00:15.The great circle and cycle of wonderful music.
:00:16. > :00:17.Artists filling the room as the cameras and sound
:00:18. > :00:20.people capture a lot of the magic that we have got.
:00:21. > :00:24.We begin, ladies and gentlemen, with the amazing Barry Gibb!
:00:25. > :01:16.# All my life was so wrapped up in you
:01:17. > :01:53.# I'm only happy when I hear you moan
:01:54. > :02:37.# All my life, I never felt this way before,
:02:38. > :03:19.# I'm only happy when I hear you moan
:03:20. > :03:51.Full sets of mics and beautiful looking audience of
:03:52. > :03:55.And they, like you, will be seeing amazing people
:03:56. > :04:00.From New York, the one and only Norah Jones!
:04:01. > :04:05.From Dublin, the wonderful Lisa Hannigan.
:04:06. > :04:09.We are thrilled and delighted to welcome to this room,
:04:10. > :04:16.Welcoming back from Kent the superb Slaves!
:04:17. > :04:23.And now, please big it up and welcome from
:04:24. > :08:14.# If you can't, if you can't, if you can't...
:08:15. > :08:30.Now, our next guest is not only one of my
:08:31. > :08:32.favourite singers, but also one of my favourite pianists.
:08:33. > :09:20.# Some kind of mystery from long ago,
:09:21. > :09:23.# I finally know who I'm supposed to be
:09:24. > :09:26.# My mind was locked but I found the key
:09:27. > :09:39.# Hope it don't know, slip away from me.
:09:40. > :09:51.# Hard times # Hard lines
:09:52. > :09:53.# Roads pass by and I cry # Step behind
:09:54. > :10:15.# It's hard # If we're all free, then
:10:16. > :10:39.why does it seem we can't just be? # You saw your reflection
:10:40. > :10:42.all over the news # Put the guns away,
:10:43. > :10:53.or we'll all gonna lose # I can't stand when
:10:54. > :11:44.you tell me to get back # If we're all free, then why does
:11:45. > :11:50.it seem we can't just be? # I can't stand
:11:51. > :11:58.when you tell me to get back # If we're all free, then why does
:11:59. > :12:14.it seem we can't just be? These next artists, we welcomed
:12:15. > :12:32.to the show two years ago. Their sound has got a bit beefed up
:12:33. > :15:32.since they were last on. Now, the word legend
:15:33. > :15:34.is often bandied about, but I'm going to use that word
:15:35. > :15:37.to describe our next A great musical legend,
:15:38. > :15:40.a great man indeed. Well, each week I am surprised
:15:41. > :15:52.at what we do or don't have to offer We've got half a glass
:15:53. > :15:55.of water and some cakes. If you want a cake,
:15:56. > :15:58.just help yourself. Well, I made the mistake of taking
:15:59. > :16:00.a gulp of So it could be different
:16:01. > :16:09.as the show goes on! There is a little
:16:10. > :16:15.model of me on there. Now, congratulations,
:16:16. > :16:20.a great new solo record. But it's 30 years, I think,
:16:21. > :16:25.since your last solo record, So it became somewhat
:16:26. > :16:32.of a frustration to step Robin was more keen on making solo
:16:33. > :16:39.albums. I was keen on, you know,
:16:40. > :16:42.keeping the group And you've written a lot of the
:16:43. > :16:48.songs with your sons? My son Stephen is
:16:49. > :16:51.on lead guitar today, And do you find it easy,
:16:52. > :16:59.because you worked with your brothers before, is it easy
:17:00. > :17:02.to work with your sons? Well, the dynamics are the same,
:17:03. > :17:04.the dynamics of three really my son Stephen
:17:05. > :17:07.and Ashley, my So, yeah, it's been
:17:08. > :17:16.quite an experience. It seems like I'm never really out
:17:17. > :17:18.of a trio. Except for this one
:17:19. > :17:21.moment now, just the Now, you have written some
:17:22. > :17:24.incredible iconic songs. I mean, Jive Talking,
:17:25. > :17:27.How Deep Is Your Love, Staying Alive, Night Fever,
:17:28. > :17:29.it goes on and on. What is your favourite
:17:30. > :17:33.cover that someone's done Oh, God, probably Andy
:17:34. > :17:36.Williams, How Can You Which is about seven minutes long,
:17:37. > :17:46.but still wonderful. It must have made you really
:17:47. > :17:49.happy when you first Yeah, because I love
:17:50. > :17:53.that kind of music. I love R music and I love black
:17:54. > :17:56.music, so, you know, it's a great And we've got some footage
:17:57. > :18:03.of you back I think in 1967. # Talk about the life
:18:04. > :18:10.in Massachusetts... # Speak about the
:18:11. > :18:18.people I have seen. # And the lights all went
:18:19. > :18:27.out in Massachusetts... # And Massachusetts is one
:18:28. > :18:46.place I have seen... Well, a silly mistake
:18:47. > :18:51.there because you were there, but it
:18:52. > :18:53.wasn't your main... No, it was Robin's lead,
:18:54. > :18:56.and it was wonderful. Well, it was great seeing
:18:57. > :18:59.you all back there. I mean, you have not only had a very
:19:00. > :19:02.long and incredibly successful career
:19:03. > :19:04.in making great music, but you worked with all sorts
:19:05. > :19:07.of other artists. Barbara Streisand, Dolly Parton,
:19:08. > :19:08.Kenny Rogers, Diana Ross. But from all your experience,
:19:09. > :19:12.what would your advice be from the perspective of having
:19:13. > :19:15.done all this, for new people Of which there are some in
:19:16. > :19:18.this room. Because you're always
:19:19. > :19:25.going to have a hit, you may So every time you go down,
:19:26. > :19:29.you've got to claw your So look for the opportunities
:19:30. > :19:32.and be careful that Miss those ones, but grab the golden
:19:33. > :19:39.ones because they come around every Well, that's all we've
:19:40. > :19:44.got time for now! Thank you for your help
:19:45. > :19:49.and thank you for We will be hearing more
:19:50. > :19:55.from him later on. Somebody who has a really
:19:56. > :20:00.magical voice, who I love whenever I hear her sing,
:20:01. > :20:03.it just makes me happy. # Who drain the spirits
:20:04. > :20:28.from the jars # And burn for us
:20:29. > :20:49.right through the fall # Brush your hair
:20:50. > :20:57.like it could be tamed # They swing the
:20:58. > :21:10.bridges one and more # And burn for us
:21:11. > :21:14.right through the fall # All our running ahead,
:21:15. > :21:31.all our running ahead # And we'll seize
:21:32. > :21:47.the captain's wheel # I wonder who will,
:21:48. > :22:08.I wonder who will # And burns for us
:22:09. > :22:17.right through the fall # All our running ahead,
:22:18. > :22:27.all our running ahead Lisa Hannigan with
:22:28. > :23:19.Fall, from her album. This next song, you will have heard
:23:20. > :23:23.a lot of covers, but now let's # I want my life
:23:24. > :23:55.to be lived with you. # And I'm blind,
:23:56. > :25:24.so so sorrily blind. # You don't know
:25:25. > :25:58.what it's like, baby. # You don't know
:25:59. > :26:24.what it's like, baby. What a treat to have the great
:26:25. > :27:14.originator with us. And speaking of godfathers and
:27:15. > :27:21.originators, here is the Godfather # And we're doing this ting,
:27:22. > :27:44.go check out the songs # "Man Don't Care",
:27:45. > :27:46.we shut down the park # You can see us onstage
:27:47. > :27:49.like "what's going on?" # Skepta,
:27:50. > :27:52.that's my brudda, that's my don # They could never control
:27:53. > :27:55.how man are doing it # When it's straight
:27:56. > :28:01.from the heart, you can't go wrong # If it's a real vibe
:28:02. > :28:04.then you can't go wrong # When it's straight from the heart,
:28:05. > :28:08.you can't go wrong # When it's straight from the heart,
:28:09. > :28:11.the music gets heard # Could've been a roadman,
:28:12. > :28:13.could've been a nerd # Dad told me
:28:14. > :28:15."don't follow the herd" # I used to go and get
:28:16. > :28:19.what I'm given # Still going strong
:28:20. > :28:23.cause I gotta believe # That I'm
:28:24. > :28:26.the wickedest grime MC on this earth # And we're doing this ting,
:28:27. > :28:30.go check out the songs # "Man Don't Care",
:28:31. > :28:32.we shut down the park # You can see us onstage
:28:33. > :28:35.like "what's going on?" # Skepta,
:28:36. > :28:38.that's my brudda, that's my don # You could never control
:28:39. > :28:41.how man are doing it # When it's straight
:28:42. > :28:47.from the heart, you can't go wrong # If it's a real vibe
:28:48. > :28:49.then you can't go wrong # And we're doing this ting,
:28:50. > :29:09.go check out the songs # "Man Don't Care",
:29:10. > :29:12.we shut down the park # You can see us onstage
:29:13. > :29:14.like "what's going on?" # BBK got a lot going on Skepta,
:29:15. > :29:17.that's my brudda, that's my don # They could never control
:29:18. > :29:20.how man are doing it # When it's straight
:29:21. > :29:26.from the heart, you can't go wrong # If it's a real vibe
:29:27. > :29:28.then you can't go wrong # When it's straight
:29:29. > :29:33.from the heart, you can't go wrong # If it's a real vibe
:29:34. > :29:36.then you can't go wrong # Fresh out the oven
:29:37. > :29:40.like a Sunday roast # You can find me
:29:41. > :29:42.swimming in the ocean # Sunset,
:29:43. > :29:44.I might drive round the coast # When it's showtime,
:29:45. > :29:47.jump on a plane and take time # But you and your crew
:29:48. > :29:51.are just one great hype # And we're doing this ting,
:29:52. > :29:56.go check out the songs # "Man Don't Care",
:29:57. > :29:58.we shut down the park # You can see us onstage
:29:59. > :30:00.like "what's going on?" # Skepta,
:30:01. > :30:04.that's my brudda, that's my don # They could never control
:30:05. > :30:06.how man are doing it # It's authentic,
:30:07. > :30:08.can't go wrong # When it's straight
:30:09. > :30:12.from the heart, you can't go wrong # If it's a real vibe
:30:13. > :30:15.then you can't go wrong # If it's a real vibe
:30:16. > :30:30.then you can't go wrong # # And after all's
:30:31. > :30:56.been said and done. # Who said it best,
:30:57. > :31:00.were you the one?. # Let's just forget,
:31:01. > :31:05.leave it behind. # If you should find
:31:06. > :31:14.the time to speak. # What you have lost,
:31:15. > :31:37.I've never found. # I lost my nerve,
:31:38. > :31:41.yet peace surrounds. # What you have lost,
:31:42. > :32:31.I've never found. # I lost my nerve,
:32:32. > :32:35.yet peace surrounds. # And now that all's
:32:36. > :32:43.been said and done. # Who said it best,
:32:44. > :32:47.were you the one?. # Let's just forget,
:32:48. > :32:52.leave it behind. # Let's just forget,
:32:53. > :33:01.leave it behind. Now the youngest star
:33:02. > :33:35.in the room this evening, please avert your eyes down to this,
:33:36. > :33:38.or divert your eyes down to this # To show the country
:33:39. > :34:08.that you're from. # Is where the world
:34:09. > :34:12.should want to be for. # Though we win every time
:34:13. > :34:23.and I don't know how. # Cause I haven't bought
:34:24. > :34:27.you and I haven't sold me. # But the people are
:34:28. > :34:32.dying to get on TV. # I heard he lives down
:34:33. > :34:39.a river somewhere. # Well, he talks like an angel
:34:40. > :34:47.but he looks like me. # I'm the face of God
:34:48. > :34:54.I'm my fathers' son. # I know you can't eat leather,
:34:55. > :35:03.but you can't stop me. # Why would you lie, why
:35:04. > :35:07.would you lie about how you feel?. # I've got a mission
:35:08. > :35:10.and my mission is real. # Because you've had your chances,
:35:11. > :35:14.yeah you've had enough. # I'm gonna burn your house down
:35:15. > :35:18.to spread peace and love. # I heard he lives down
:35:19. > :35:34.a river somewhere. # Well, he talks like an angel
:35:35. > :35:41.but he looks like me. # I wanna play the beautiful game
:35:42. > :36:01.while I'm in Brazil. # Cause everybody plays
:36:02. > :36:04.the beautiful game while in Brazil. # It's all you've ever wanted,
:36:05. > :36:10.and it's all that you want still. # Don't you wanna play
:36:11. > :36:14.the beautiful game out in Brazil? # I wanna play the beautiful game
:36:15. > :36:16.while I'm in Brazil. # Cause everybody plays
:36:17. > :36:20.the beautiful game while in Brazil. # It's all you've ever wanted,
:36:21. > :36:25.and it's all that you want still. # Don't you wanna play
:36:26. > :36:29.the beautiful game out in Brazil? # I heard he lives down
:36:30. > :36:36.a river somewhere. # Well, he talks like an angel
:36:37. > :36:45.but he looks like me! # I heard he lives down
:36:46. > :36:49.a river somewhere. # Well, he talks like an angel
:36:50. > :37:12.but he looks like me!# Before that we enjoyed the wonderful
:37:13. > :37:31.Norah Jones at the piano there. And now it's a return
:37:32. > :37:33.to more fabulous guests. More lovely cakes, more cheap
:37:34. > :37:35.and cheerful soft drinks. Welcome to the show,
:37:36. > :37:40.great to have you here. Like Barry Gibb, you are
:37:41. > :37:44.and originator. You are an originator
:37:45. > :37:48.in the grime style. And your new album is called
:37:49. > :37:50.the Godfather. And you're also known
:37:51. > :37:54.as the Godfather of grime. It didn't used to be,
:37:55. > :37:58.now I've accepted it, I've But it is my dad who said to me
:37:59. > :38:06.listen, son, James Brown Everyone can't just be
:38:07. > :38:09.the Godfather. So he helped me to want
:38:10. > :38:14.to be the Godfather. Out of interest, going back
:38:15. > :38:16.to your dad and that sort of thing, what was the stuff
:38:17. > :38:19.that the Godfather was listening He was listening to a lot
:38:20. > :38:24.of like reggae music. He was listening to whatever
:38:25. > :38:28.was going on in the chart. But my first song I loved my own,
:38:29. > :38:34.without anyone helping me to love a song, like in primary school,
:38:35. > :38:36.was Especially For You, You see, not everyone
:38:37. > :38:45.would have known that. Had a lot of mainstream hits,
:38:46. > :38:47.you know, I love But also known as an
:38:48. > :38:50.underground artist. I'm going mad, Jools,
:38:51. > :38:54.it's quite worrying. It's like being torn
:38:55. > :39:02.apart because you have to please one side, you have
:39:03. > :39:10.to please the other. And the main thing is to just please
:39:11. > :39:18.the masses. But if you pigeonhole yourself,
:39:19. > :39:21.you get caught up, you know. So you've got to just not
:39:22. > :39:23.pigeonhole yourself. Let's remind ourselves
:39:24. > :39:26.of one of your super hits. # That's when I start
:39:27. > :39:28.promising the world. # To a brand new girl
:39:29. > :39:30.I don't even know yet. # Too much champs don't
:39:31. > :39:34.know where my phone is. # Here's my number,
:39:35. > :39:36.she already knows it. # This chapters so long,
:39:37. > :39:38.better close it. # Just the look in her eye
:39:39. > :39:41.was so evil. # Wiley's a party guy
:39:42. > :39:43.and she knows it. # Usually drink, usually
:39:44. > :39:46.dance, usually bubble. # That's when I start
:39:47. > :39:48.promising the world. # To a brand new girl
:39:49. > :39:50.I don't even know yet. What inspired that song, Wearing
:39:51. > :39:56.my Rolex? The Rolex song, I was searching for
:39:57. > :40:00.a hit, Jools. It was number one, but that's
:40:01. > :40:10.actually my biggest tune ever. Like, that did the most for me,
:40:11. > :40:13.it got me a Bentley, you know. I wish I could make
:40:14. > :40:16.another one tomorrow. Barry, did you ever get a Bentley
:40:17. > :40:25.and an Aston out of a hit? Yeah, but I got rid of them,
:40:26. > :40:27.and I drive an SUV. Actually what I learned
:40:28. > :40:32.by having them is they just And what you paid for them, you
:40:33. > :40:35.don't get back. Now, Skepta has just
:40:36. > :40:38.won the Mercury Prize. Why'd you think grime is so popular
:40:39. > :40:46.at the moment? I think it's had its
:40:47. > :40:49.first full circle. Like, where it started,
:40:50. > :40:51.and it had ten, 15 years And I think it's come
:40:52. > :40:55.background and I think it will come, the next generation,
:40:56. > :40:57.the next generation, I think Stormzy has
:40:58. > :41:01.turned up at the most And Skepta's actually
:41:02. > :41:06.turned on the volume Is it right that you're writing your
:41:07. > :41:14.autobiography at the moment? No, you start going down
:41:15. > :41:24.memory lane, Jools. And out of interest,
:41:25. > :41:34.are you the well rehearsed person, Like, it's not
:41:35. > :41:39.actually a good thing. I wake up and I just get
:41:40. > :41:44.on a plane, and just end up And finally, what do
:41:45. > :41:51.you do to relax, I listen to music that's
:41:52. > :41:56.totally the opposite I really like Laura Marlon and stuff
:41:57. > :42:06.like that. Where do you go for
:42:07. > :42:16.your fish and chips? I've got one on the Roman Road
:42:17. > :42:19.in east London, it's really Saucy Kpper, it's a free ad,
:42:20. > :42:26.it's the BBC, but I don't care! We look forward
:42:27. > :42:29.to hearing some more. From Saucy Kipper himself,
:42:30. > :42:30.it's Wiley! Now, please, we have
:42:31. > :42:33.a lovely chain of vibration, the beautiful
:42:34. > :42:40.voice of Lisa Hannigan! # Swung through the yards
:42:41. > :43:50.on winter evenings. # There is no signs of life
:43:51. > :46:34.in the factory of death. # In the shadow of a city,
:46:35. > :46:37.we have got nothing left. # Crawling through the tunnels
:46:38. > :46:41.in the dead of the night. # You do as you're told
:46:42. > :46:44.although you know it's not right. # There's no signs of life
:46:45. > :47:29.in the factory of death. # In the shadow of the city,
:47:30. > :47:32.we have got nothing left. # Crawling through the tunnels
:47:33. > :47:36.in the dead of the night. # You do as you're told
:47:37. > :47:39.although you know it's not right. Lies, from their album,
:47:40. > :48:33.Take Control. Before that we had
:48:34. > :48:38.the wonderful Lisa Hannigan. A lovely piece of music,
:48:39. > :48:41.a Seamus Heaney poem. And now we manoeuvre back to this
:48:42. > :48:43.lovely lady here, with # Used to sit on the
:48:44. > :49:30.steps at school. # They came to hear
:49:31. > :50:34.the golden sound. # There they were
:50:35. > :50:38.on the Sunset Strip. # Playing their songs
:50:39. > :50:43.for the highest bid. # Well, all that
:50:44. > :51:56.glitters isn't gold. # I know you've heard
:51:57. > :51:59.that story told. # She's a pauper
:52:00. > :52:04.in a naked disguise. # A millionaire through
:52:05. > :52:10.a business man's eyes. The amazingly talented voice
:52:11. > :53:01.and piano of Norah Jones! We would like to thank
:53:02. > :53:03.all of our guests this We will be back next
:53:04. > :53:29.week with James Vincent, We now finish with the legendary
:53:30. > :53:34.Barry Gibb! # I ain't the poster
:53:35. > :53:56.boy you made me. # I've been to heaven
:53:57. > :54:03.and I've been to hell. # Just let me tell you
:54:04. > :54:30.where I should not go. # We stand together
:54:31. > :54:32.in a one-man show. # I need somebody to hold me
:54:33. > :54:39.when the night is long. # I am the man who does
:54:40. > :54:42.it all or nothing. # I am the one who will not fade
:54:43. > :54:46.away. # I will be standing
:54:47. > :54:50.with my hand in the fire. # With the weight of
:54:51. > :55:18.the world on my shoulders. # This runaway train
:55:19. > :55:25.keeps on rollin'. # With a storm on the ocean
:55:26. > :55:49.at the river's end. # I won't be lonely,
:55:50. > :55:53.it's my only friend. # I need somebody to hold me when it
:55:54. > :56:01.all goes wrong. # I am the one who does
:56:02. > :56:05.it all or nothin'. # I am the one who
:56:06. > :56:09.will not fade away. # I will be standin'
:56:10. > :56:12.with my hand in the fire # I've been to heaven
:56:13. > :56:48.and I've been to hell. # You want me to be the man
:56:49. > :57:01.you know I never wanna be. # I am the man who does
:57:02. > :57:12.it all or nothing. # I am the one who
:57:13. > :57:16.will not fade away. # I will be standin' with my hand
:57:17. > :57:20.in the fire.