:00:15. > :00:18.Welcome to another show cram packed with amazing talent. We begin with
:00:19. > :00:22.KT Tunstall. # You know that nothing
:00:23. > :03:16.changes # You know that nothing
:03:17. > :03:51.The dazzling and wonderful KT Tunstall! Hard Girls. We are in a of
:03:52. > :03:56.talented and beautiful people and I will be chatting with Pete Tong. We
:03:57. > :04:04.will be enjoying from Norwich Let's Eat Grandma. And we welcome, from
:04:05. > :04:14.Saint Paul Minnesota, Haley Bonar. From London, we're so pleased to
:04:15. > :04:18.have Teleman. Just wait. Legendary, one of the great groups of all time,
:04:19. > :04:29.we are going to be having the Temptations. And chatting to one of
:04:30. > :04:36.the Four Tops, the wonderful Duke Fakir. But now, let's continue the
:04:37. > :04:46.music with, from Birmingham, Alabama, St Paul The Broken Bones.
:04:47. > :05:07.# No they don't, they don't, no no no
:05:08. > :05:37.# I can't tell what side I'm on
:05:38. > :05:59.# But we get lost in the sound
:06:00. > :06:14.# Please just try to hold her tightly, tightly, tightly
:06:15. > :09:03.CHEERING AND APPLAUSE St Paul The Broken Bones, All I
:09:04. > :09:05.Ever Wondered. Superb people in the studio this evening. First time on
:09:06. > :09:10.Later, we welcome Teleman. # Don't you want to know
:09:11. > :09:13.why I left you there # All alone on the
:09:14. > :09:15.carousel spinning away? # Dusseldorf looms
:09:16. > :09:19.in a cold grey light # I love everyone
:09:20. > :09:27.that I meet tonight # Another great town
:09:28. > :09:30.in the afternoon # Hello to the girl
:09:31. > :09:34.with the yellow balloon # I haven't got a place
:09:35. > :09:37.where to lay my hat # I long for a five-star
:09:38. > :09:43.life like that # She lifts the star,
:09:44. > :09:49.lifts, drops it down # The ice
:09:50. > :09:54.is melting all around # Don't you want to know
:09:55. > :10:27.why I left you there # Alone on the carousel
:10:28. > :10:29.spinning away? # Another great town
:10:30. > :10:32.and it's all right # I love everyone
:10:33. > :10:37.that I meet tonight # She lifts the star,
:10:38. > :10:43.lifts, drops it down # The ice is melting
:10:44. > :10:48.all around # Put on,
:10:49. > :10:54.put on your favourite song # The girl from Dusseldorf
:10:55. > :11:02.has gone... # She lifts
:11:03. > :11:51.the star, lifts, drops it down # The ice is melting
:11:52. > :11:56.all around # The girl
:11:57. > :12:07.from Dusseldorf has gone # The girl from
:12:08. > :13:02.Dusseldorf has gone #. Thank you, Teleman! From their
:13:03. > :13:08.album, Brilliant Sanity! Thank you, Teleman! Now, the only original
:13:09. > :13:10.surviving members, from one of my favourite groups of all time, the
:13:11. > :13:23.Four Tops, we welcome Duke Fakir! Such an honour to have you
:13:24. > :13:27.here, I am such a fan. It is more than an honour and a privilege, to
:13:28. > :13:31.come to the UK, this is our favourite stop, of all the stops in
:13:32. > :13:36.the world that we make, every year, when I leave here, I'm dying to get
:13:37. > :13:42.right it's wonder. White going back to the beginning, how did you
:13:43. > :13:48.originally get together? We got together going to parties. To meet
:13:49. > :13:50.some birds, if you don't mind(!) LAUGHTER
:13:51. > :13:56.You have clearly spends time in England! We were young men, we
:13:57. > :14:02.thought about singing, a little bit...! This young lady gave some
:14:03. > :14:07.wonderful parties, a group of girls, all really fine, and a special club,
:14:08. > :14:15.and they invited Levi and myself to sing. We wanted to do a group thing.
:14:16. > :14:19.Ronaldo Vincent, Lawrence Payton, they said that they would come,
:14:20. > :14:24.because we told them about the birds! LAUGHTER
:14:25. > :14:29.They said, Levi, sing a song, we will back you up, they began
:14:30. > :14:33.singing, and we backed him up, and the voices blended so well, and we
:14:34. > :14:40.looked at each other and said, yeah! Right after it was over, he said,
:14:41. > :14:44.this is a group. What did you sing at the party? 60 minute man! You
:14:45. > :14:49.remember that one. Very easy to harmonise on that one. We blended
:14:50. > :14:56.well together. We have a little bit of footage of the Four Tops from
:14:57. > :15:16.about 1970... On the BBC... You won't recognise us!
:15:17. > :15:56.LAUGHTER You will be
:15:57. > :16:11.LAUGHTER work, when
:16:12. > :16:11.LAUGHTER what is good, they keep us on our
:16:12. > :16:32.toes! They really do. what is good, they keep us on our
:16:33. > :16:33.there and b.s. , you folks know what people doing that before. That comes
:16:34. > :16:41.from Mr and Al Davis moves, Nice started doing that, and
:16:42. > :16:47.we just changed it up, moves, Nice started doing that, and
:16:48. > :17:05.been going on for years. It was good moves, Nice started doing that, and
:17:06. > :17:17.for Motown music, the greater greatest... They
:17:18. > :17:26.Holland, Dozier and Holland, they would do it with the
:17:27. > :17:32.Holland, Dozier and Holland, they week they would do it with Vandelas
:17:33. > :17:40.dorm, a College union room, great week they would do it with Vandelas
:17:41. > :18:00.Four Tops, the Temptations, week they would do it with Vandelas
:18:01. > :18:00.to young people in the week they would do it with Vandelas
:18:01. > :18:26.if you want to be a rapper, do it week they would do it with Vandelas
:18:27. > :18:54.# I lick the salt and toss my hair in a moment.
:18:55. > :19:01.# Don't I remind you of somebody somewhere?
:19:02. > :19:19.# If you want to catch me you're no friend of mine
:19:20. > :19:29.# And now we're the kids who got kids at parties
:19:30. > :19:31.# I was impossible when I was beautiful and now
:19:32. > :19:38.# Cartoon death just don't seem so funny
:19:39. > :19:56.# So don't you want to take me for a ride?
:19:57. > :19:58.# We can leave together, sleep in cars
:19:59. > :20:01.# Silver firecracker knows where we are
:20:02. > :20:19.# And when did I bury my own dreams of running?
:20:20. > :22:30.-- we are in a room of amazing was beautiful and now
:22:31. > :22:35.-- we are in a room of amazing people here tonight, and none more
:22:36. > :22:48.amazing than the tenth Asians! -- the Temptations!
:22:49. > :22:51.# I can build a castle from a single grain of sand
:22:52. > :22:53.# I can make a ship sail, on dry land
:22:54. > :22:56.# But my life is incomplete and I'm so blue
:22:57. > :23:20.# Hey, and I can buy anything that money can't buy
:23:21. > :23:23.# I can turn a river into a raging fire
:23:24. > :23:27.# Unimportant are all the things I can do
:23:28. > :24:00.# I can make the seasons change, just by waving my hand
:24:01. > :24:04.# I can change anything from old to new
:24:05. > :24:10.# The things I want to do the most, I'm unable to do
:24:11. > :24:14.# Unhappy am I with all the powers I possess
:24:15. > :24:19.# Cos, girl, you're the key to my happiness
:24:20. > :24:31.# Girl, you're blowing my mind cos I can't get
:24:32. > :24:34.# Can't you see these tears I'm crying?
:24:35. > :24:41.# Can't you see these tears I'm crying?
:24:42. > :25:22.# Thought it was all, all I could have
:25:23. > :25:25.# And it was better, it was better than nothing
:25:26. > :25:54.# It took me so long to get here but here I am
:25:55. > :25:58.# It took me so long I can't believe it
:25:59. > :26:01.# It took me so long to get here but here I am
:26:02. > :26:10.# It took me so long I can't believe it
:26:11. > :26:14.# It took me so long to get here but here I am
:26:15. > :26:27.# I can't safely say I wouldn't change it
:26:28. > :26:30.# There were things left me feeling ashamed
:26:31. > :26:34.# Like how I didn't stand up for myself
:26:35. > :26:44.# But the truth led to you calling my name
:26:45. > :26:57.# It took me so long to get here but here I am
:26:58. > :27:09.# It took me so long I can't believe it
:27:10. > :27:13.# Everything I tried and # All the things I dreamed of
:27:14. > :27:16.# It took me so long I can't believe it
:27:17. > :27:20.# It took me so long to get here but here I am
:27:21. > :27:33.# And it didn't seem fair, no it didn't seem fair
:27:34. > :27:47.# I could feel it in the air, feel it in the air
:27:48. > :27:54.# It took me so long to get here but here I am
:27:55. > :27:56.# It took me so long I can't believe it
:27:57. > :27:59.# It took me so long to get here but here I am
:28:00. > :28:09.# It took me so long I can't believe it
:28:10. > :28:20.# It took me so long to get here but here I am
:28:21. > :28:23.# It took me so long I can't believe it
:28:24. > :28:27.# It took me so long to get here but here I am
:28:28. > :28:37.# It took me so long I can't believe it
:28:38. > :28:43.# It took me so long to get here but here I am
:28:44. > :28:52.# It took me so long I can't believe it
:28:53. > :29:34.Thank you, KT Tunstall. That is from her album Khin. Before that, we
:29:35. > :29:39.enjoyed the Temptations. Great dance legends and now a contemporary dance
:29:40. > :29:44.legend, Pete Tong. Welcome. Great to see you. Banksy having the. There's
:29:45. > :29:49.a drink for you, a drink for me and a mysterious glass of water to
:29:50. > :29:56.cleanse our mouths between chats. You've collaborated with conductor
:29:57. > :30:00.and arranger James Buckley on an orchestral record, which is a
:30:01. > :30:08.brilliant idea but an unusual mix. How did it come about? Radio 1 were
:30:09. > :30:12.approached last year to curate a prom and they asked me. I said, why
:30:13. > :30:17.don't we celebrate going to be further 20 years? We spent about six
:30:18. > :30:24.months putting together with the Heritage Orchestra and we had this
:30:25. > :30:28.magical night in the Albert Hall and it was a great night and there was
:30:29. > :30:33.loads of excitement but it was really the days afterwards, it kind
:30:34. > :30:35.of went viral on the iPlayer and YouTube. Everyone was saying, did
:30:36. > :30:41.you see what happened there? The momentum built and demand was out
:30:42. > :30:46.there to do it again so we worked out how to do it at the beginning of
:30:47. > :30:52.this year, but shows on sale and find the studio and make the album.
:30:53. > :30:58.How big is the orchestra? He's got a very large orchestra! So big we
:30:59. > :31:02.couldn't bring it today. 65 piece. That was part of the reason why it
:31:03. > :31:07.took so long to organise it because we wanted that scale and it really
:31:08. > :31:13.does move you. The orchestral thing is fantastic. There must be quite a
:31:14. > :31:21.lot of challenges if you are combining those two sorts of music.
:31:22. > :31:25.I wanted to honour how great this music was. These tunes first came
:31:26. > :31:30.out in the late 80s and early 90s at the beginning of house music, rave,
:31:31. > :31:34.techno and these were really special records and sometimes I don't think
:31:35. > :31:37.they get the props they deserve so proving to people that you can
:31:38. > :31:42.orchestrate them and perform them in that way, that's why I think it got
:31:43. > :31:45.such a great reaction. When these tracks were made, the musicians in
:31:46. > :31:54.Chicago and Detroit couldn't do it with an orchestra. They did it with
:31:55. > :32:01.one finger wizardry. We've got a clip here of Insomnia at the Royal
:32:02. > :32:48.Albert Hall in 2015. APPLAUSE
:32:49. > :32:51.That is quite amazing. We kept the players playing with some hand
:32:52. > :32:54.signals between me and Jules and they were cursing is at the end
:32:55. > :32:59.because they had to go round and round. It is quite a challenging
:33:00. > :33:05.thing to get some sort of pulse of music to keep it rhythmic. Live
:33:06. > :33:09.music is often a challenge. They play it all. There is nothing
:33:10. > :33:14.running underneath. Had you played the Albert Hall before? Never. It
:33:15. > :33:17.was a first and that's my couldn't turn it down. I'd never done
:33:18. > :33:22.anything like that before but when you get offered the Albert Hall, you
:33:23. > :33:29.have to do it! So people have got another experience, to see if they
:33:30. > :33:32.can experience it live. We are going to Birmingham, London and
:33:33. > :33:36.Manchester. It is a marvellous record. We look forward to hearing
:33:37. > :33:40.more of that. Thank you for joining us, Pete Tong.
:33:41. > :33:44.APPLAUSE Jules Buckley and Pete Tong, what an
:33:45. > :33:47.interesting mix. Speaking of interesting mixes, let's now welcome
:33:48. > :34:18.this brand-new duo, from Norwich, Let's Eat Grandma.
:34:19. > :34:24.# Create a basin and put your face in
:34:25. > :34:25.# Voice and skin hidden in the basement
:34:26. > :34:31.# And to explain the game is a giveaway
:34:32. > :34:32.# Stay, create a place and backdrop it
:34:33. > :34:40.# Create a basin and put your face in
:34:41. > :34:42.# Acetone tears rolling down the pavement
:34:43. > :34:50.# To retain the blame is a heavy weight
:34:51. > :34:53.# Stay, I need your help to unblock it
:34:54. > :35:46.# Create a basin and put your face in
:35:47. > :35:48.# Porcelain skin is an understatement
:35:49. > :36:47.# Yeah, I just didn't know what to say
:36:48. > :39:40.# Is it the way that my body grooves?
:39:41. > :40:37.# I feel it, I'll never let you go # I won't let you go
:40:38. > :41:46.Amazing people. Over here, we have met Mr Duke Fakir the four Tops and
:41:47. > :41:50.we have one of the Temptations who is performing with this this
:41:51. > :41:54.evening, Otis Williams! What fantastic music, millions of people
:41:55. > :41:59.love your music, minions of people love your records, now you are on
:42:00. > :42:04.tour with the four Tops, you have got Grammys, you must go back a long
:42:05. > :42:08.way with them. Do you have fun? It is a friendly rivalry, we love them,
:42:09. > :42:19.but on stage, we try to kill them! LAUGHTER
:42:20. > :42:27.He's here now, just behind me. Hey! How you doing! When you go on stage,
:42:28. > :42:31.the friendliness is gone. I know that the four Tops will be trying to
:42:32. > :42:37.slay the Temptations, that is a friendly rivalry that has been going
:42:38. > :42:41.on since the 60s. Great for them to see, so what do people see when they
:42:42. > :42:47.come out of the show? They will see the traditional Temptations, as we
:42:48. > :42:51.have been going, the fancy suits, and whatever, so we will still be
:42:52. > :42:56.the character that we have been since Day 1. You are going to do
:42:57. > :42:59.another song in a moment. We are going to do just my imagination.
:43:00. > :43:06.APPLAUSE I remember when that record came
:43:07. > :43:17.out, put it on, and I was 16, girls would burst into tears, there is one
:43:18. > :43:23.chord, the five chord, they would burst into tears. The power of
:43:24. > :43:34.music, especially when you can move "the birds"(!) LAUGHTER
:43:35. > :43:40.We will be hearing Just My Imagination With These Fine Fellows
:43:41. > :43:50.In Just A Moment. And now we welcome back, Haley Bonar.
:43:51. > :43:52.# Born in the spring, I've always needed
:43:53. > :43:57.# And come to think of it now, so did you
:43:58. > :43:59.# Maybe that explains this fascination with death
:44:00. > :44:18.# "The cross protects you from the shame"
:44:19. > :44:26.# That comes along with living in the kind of world
:44:27. > :44:32.# Where boys can only kiss the girls
:44:33. > :44:37.# Excuse me, sir, do you have a light?
:44:38. > :44:53.# But that's what makes us brighter than the rest
:44:54. > :44:56.# Who'd think a weight like this could make you feel blessed?
:44:57. > :45:46.# Not bittersweet, the taste of living
:45:47. > :45:57.# But we both know your future wasn't with me
:45:58. > :46:00.# Long before your body betrayed you
:46:01. > :46:02.# Royalty, through the streamers and the beams
:46:03. > :46:14.# They tied you up and called you queen
:46:15. > :46:16.# Passed out in a bathroom stall
:46:17. > :46:18.# You still looked better than them all
:46:19. > :46:51.# Watched the castle dance in flames #.
:46:52. > :47:39.# I say to myself # You're such a lucky guy
:47:40. > :48:02.# Out of all the fellas in the world # She belongs to you
:48:03. > :48:29.# It was just my imagination # Runnin' away with me
:48:30. > :48:37.# With a cosy little home out in the country
:48:38. > :49:05.# This couldn't be a dream for too real it all seems
:49:06. > :49:50.# Don't ever let another take her away from me
:49:51. > :50:07.# When her arms enfold me I hear a tender rhapsody
:50:08. > :50:11.# But in reality, she doesn't even know me
:50:12. > :51:27.The Temptations! I have the best job in the world! Just my imagination,
:51:28. > :51:38.the Temptations. Before that, we enjoyed Haley Bonar. The brand-new
:51:39. > :52:23.wonderful music, now, we welcome, Teleman!
:52:24. > :52:32.# Could it be you came to rescue me
:52:33. > :52:52.# But I can't get close enough, you see
:52:53. > :53:06.# There's a concrete wave that's pulling me
:53:07. > :53:24.# Wanna dance that foxtrot here for me?
:53:25. > :53:36.# And I can't get close enough tonight
:53:37. > :53:47.# To the heat from your red firelight
:53:48. > :53:56.# How long must we circle before we can touch down
:53:57. > :53:59.# How deep must we swing to pick up what we've found?
:54:00. > :55:11.APPLAUSE Teleman! Tangerine! Their album,
:55:12. > :55:14.Brilliant Sanity! An artist who I'm delighted to say that we welcome
:55:15. > :55:19.back to the show, tremendous new album out, this song is Evil Eye and
:55:20. > :55:21.this is KT # Say you don't listen
:55:22. > :55:45.to every word that I say # Kind of explains it
:55:46. > :55:51.all in some peculiar way # There's no distance
:55:52. > :56:04.gonna keep you safe # Got an evil eye
:56:05. > :56:24.# Look at you # Teaching you lessons,
:56:25. > :56:26.and now I'm meant to behave # While you change like a season
:56:27. > :56:29.inside a single day # But you're never
:56:30. > :56:39.gonna get your way # 'Cause there's an evil
:56:40. > :56:40.eye # There's an evil eye
:56:41. > :56:43.# Look at you # There's an evil eye
:56:44. > :56:45.# Watching you # There's an evil eye
:56:46. > :57:19.# Cuts right through # There's no danger you'll
:57:20. > :57:21.be left on the shelf # For you're the poster boy
:57:22. > :57:28.for falling in love yourself # But one's only gonna get
:57:29. > :57:31.lonely # Let the light into that crack
:57:32. > :57:35.in your shell # 'Cause you got
:57:36. > :57:37.an evil eye # Got an evil eye
:57:38. > :57:41.# Look at you # Got an evil eye
:57:42. > :57:49.# Watching you # Cuts right through you
:57:50. > :58:03.# 'Til I know you're sorry there's an arrow for your chest
:58:04. > :58:39.# Tell a different story and put my heart at rest
:58:40. > :58:42.# Well there's an evil eye # Watching you
:58:43. > :58:44.# Got an evil eye # Look at you
:58:45. > :58:46.# There's an evil eye # Watching you
:58:47. > :59:00.# Got an evil eye # Cuts right through #.
:59:01. > :59:37.# Can I find you in that sea, those ole gravel highways
:59:38. > :00:11.# That you can hear my same sad songs
:00:12. > :00:19.# But the numbness that grows in my heart
:00:20. > :01:33.# By the stones of that young heartache
:01:34. > :02:18.# I'm tellin' everybody, I'm burnin' Rome!
:02:19. > :03:35.APPLAUSE Dazzling bit of talent, saying Paul
:03:36. > :03:42.and the broken bones, burning Rome! -- St. Paul and the broken bones. We
:03:43. > :03:46.will be back on Tuesday, so much more to come. Now I would like to
:03:47. > :03:58.invite the Temptations bands to give as a bit of a groove, if you will,
:03:59. > :04:10.please. Thank you, to the Temptations. Thank you, Teleman!
:04:11. > :04:20.Thank you, Haley Bonar! Thank you, Let's Eat Grandma! Thank you, Pete
:04:21. > :04:31.Tong! Thank you, KT Tunstall! Thank you, the beautiful people here!
:04:32. > :04:35.Thank you, St Paul The Broken Bones! From the four Tops, thank
:04:36. > :04:36.you, Duke Fakir!